Quintet from the Nonet, Op
Quintet from the Nonet, Op. 38 Louise Farrenc’s Nonet, Op. 38, for flute, oboe, clarinet, bassoon, horn, violin, viola, cello, and string bass, was composed in 1849; she subsequently arranged the Nonet as the Quintet, Op. 38, for violin 1, violin 2, viola, cello, and string bass. This lengthy, four-movement work is composed in a conservative romantic style with prominent melodies and clear-cut forms, reminiscent of the chamber music of Franz Schubert (1797-1828). Neither the Nonet nor the Quintet was published dur- ing Farrenc’s lifetime; this is the first edition of the Quintet. The manuscripts for both works are housed in the Bibliothèque Nationale in Paris, France. About the Composer Paris-born Louise Farrenc, née Jeanne-Louise Dumont (1804-1875) showed an obvious musical gift at an early age, and received excellent training in both piano and composition. She married Aristide Farrenc, a flautist and music publisher, in 1821 and enjoyed a long and distinguished career as a pianist, composer, and pedagogue. She composed over fifty works, including: Solo Piano Variations brillantes, Op. 2 Grandes variations, Op. 4 Air russe varié, Op. 17 Trente études, Op. 26 Douze études brillantes, Op. 41 Mélodie, Op. 43 Scherzo, Op. 47 Nocturne, Op. 49 Chamber Variations concertantes sur un air suisse, Op. 20. Violin, piano. Piano Quintet #1, Op. 30. Piano, violin, viola, cello, bass. Piano Quintet #2, Op. 31. Piano, violin, viola, cello, bass. Piano Trio #1, Op. 33. Piano, violin, cello. Piano Trio #2, Op. 34. Piano, violin, cello. Sonata #1, Op. 37. Violin, piano. Nonet, Op.
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