History of Tirumala Question Bank

Total Page:16

File Type:pdf, Size:1020Kb

History of Tirumala Question Bank JEEYAR EDUCATIONAL TRUST (JET USA) HISTORY OF TIRUMALA QUESTION BANK Quiz Directions please select an appropriate choice Questions 1. Sri Venkatachala is located on the banks of which river? 1 pt(s). A. Ganges B. Yamuna C. Suvarnamukhee D. Kaveri 2. A good son is the one, who 1 pt(s). A. gives happiness to his parents B. takes care of his own needs C. follows to his own path that's different from his parents D. none of the above 3. After returning to his parents, Sage Markandeya had plans to 1 pt(s). A. obtain higher education B. start his own school C. visit holy places D. go on a fun trip 4. What is the moral learnt in Dharmaguptha’s story? 1 pt(s). A. Don’t steal money from others B. don’t cheat your trusting friend C. don’t speak harsh to others D. be kind to animals 5. What was the name of Brahmin who lived nearby A:ka:sa ganga theertham? 1 pt(s). A. Ramanuja B. Vasishta C. Narada D. Narayana 6. What did Ramanuja do to please Lord Vishnu? a) Took bath in ganga water b) sacrificed his life c) 1 pt(s). performed Yagam d) did a great penance A. Took bath in ganga water B. sacrificed his life C. performed yagam D. did a great penance 7. How did Ramanuja medidate upon Lord Vishnu? 1 pt(s). A. By worshipping with flowers B. by chanting ve:das C. with the recitation of Ashtakshari mantram D. None 8. What was the reason for Ramanuja's penance? 1 pt(s). A. To obtain wealth B. To get kingdom C. both a and b D. for the well being of all the creatures of the world 9. Who are the servants of Lord Vishnu? 1 pt(s). A. Garuda B. Vishwakse:na C. Sunanda D. All of the above 10. What did Ramanuja do when Lord Ve:nkate:swara appeared before him? 1 pt(s). A. Ask for a boon B. praised him with utmost devotion C. bowed to him D. both b and c 11. Who is the one that accepts the things offered to devata:s and forefathers? 1 pt(s). A. Lord Srinivasa B. Rudra C. Brahma D. Indra 12. To whom do Brahma and Rudra bow? 1 pt(s). A. Indra B. Sounaka C. Lord Srinivasa D. none 13. What did Lord Narayana do after listening to the prayer of Ramanuja? a) Embraced Ramanuja and 1 pt(s). asked for a boon b) asked Ramanuja to stop penance c) both d) A. Embraced Ramanuja and asked for a boon B. asked Ramanuja to stop penance C. both a and b D. none of the above 14. What boon did Ramanuja ask Lord ? 1 pt(s). A. To bless him with great wealth B. to bless him with kingdom C. to remove all the sins of him D. to bless him with permanent devotion 15. According to Lord Vishnu, what is the greatness of A:kasa ganga river? 1 pt(s). A. One takes bath in A:kasa ganga river on pournami day would get liberation B. whoever takes bath in A:ka:sa ganga river would turn to good devotees C. one would not have to take birth again when takes bath in A:kasa ganga river D. All of the above 16. The following is not the quality of devotees of Lord Vishnu according to him? 1 pt(s). A. Devotees always wish for the well being of all the creatures in this world B. they are not jealous of someone C. find faults in others D. who listen to the names of Lord Vishnu with joy, accept them 17. How do devotees of Vishnu honour Tulasi plant? 1 pt(s). A. They bow to Tulasi plant on seeing it B. They wear Tulasi stick in their ears. C. They become happy on smelling Tulasi leaves and they wear the soil of Tulasi. D. All of the above 18. What is the ritual that is practiced by devotees of Vishnu always? 1 pt(s). A. Yagnam B. E:ka:dasi ritual C. Pournami ritual D. none of the above 19. Who is the one who knows everything and explains the vedic scriptures completely? 1 pt(s). A. Sage Su:ta B. Devatas C. Brahmin D. None 20. What did Sounaka and other sages ask sage Su:ta? 1 pt(s). A. What is the best donation? B. Who is the best person to receive a donation C. Both D. None 21. According to Su:ta, who is the best teacher among all the castes? 1 pt(s). A. Kshatriya B. Brahmin C. Vaishya D. None 22. 4. From whom does a Brahmin cannot receive donation? a) b) c) all the above d) none 1 pt(s). A. who always do sins B. who has broken the rules of his particular caste. C. all of the above D. none of the above 23. What is the best place to give donation? 1 pt(s). A. On the sacred Ve:nkatachala hills B. Near a river C. In a temple D. none of the above 24. Who are the Brahmins that are not eligible to receive the donation? 1 pt(s). A. always self-praising B. who changes the righteous rules and principles by taking money C. who takes money for reading Vedas and for teaching smruthis, D. All of the above 25. What are the qualities of a Brahmin to whom giving a donation becomes beneficial? 1 pt(s). A. who has desire in doing good deeds and follows Vedic practices B. who does not perform fire sacrifice daily, C. who gives discourses on scriptures. D. a and c 26. Who are the persons that are not be saluted? 1 pt(s). A. who argues that there is no God or Vedas B. who is a thief and a gambler C. both a and b D. None 27. Who told the story of Punyaseela to whom? 1 pt(s). A. Na:rada to Su:ta B. Na:rada to Sanatkuma:ra C. Su:ta to Sounaka D. Su:ta to Sanatkuma:ra 28. Who came to Punyaseela’s house as a guest? 1 pt(s). A. A begger B. His relative C. a Brahmin, who is well-versed in Vedas and Veda:ngas D. All of the above 29. Where is the hermitage of Sage Agastya? 1 pt(s). A. On the banks of Godavari river B. On the banks of A:kasa ganga river C. On the banks of Suvarna Mukhari river D. On the banks of Narmada river 30. Why did Punyaseela get the face of a donkey? 1 pt(s). A. Because he has offered sacred funeral food to a childless person B. Because he did not treat his guest properly C. Because he always does sins D. Because he is not merciful to all the creatures 31. How did Punyaseela get rid of his sin? 1 pt(s). A. Took bath in Godavari river B. Did a great penance C. Took bath in A:kasa ganga river D. Offered food to a good Brahmin 32. What is the greatness of Chakra theertham? 1 pt(s). A. Can remove all the sins of people B. Sacred and ever pure C. Those who take bath in this lake will definitely get liberation. D. All of the above 33. 2. Which of the following are not the qualities of Padmana:bha? a) b) c) d) 1 pt(s). A. He always tells the truth B. He won over his senses C. He could not withstand the difficulties from cold winter and hot summer. D. He used to suffer or enjoy for others’ sorrows and happiness 34. For how long did Padmana:bha do penance? 1 pt(s). A. 8 years B. 2 years C. 12 years D. 10 years 35. 4. How did Padmana:bha do penance? a) b) c) d) none of the above 1 pt(s). A. by eating dried leaves, by just drinking water and just living by breathing without any food or water B. by standing in the air C. by practicing yoga in his hermitage D. none of the above 36. Who resides on hill Na:ra:yana:dri? 1 pt(s). A. Brahma B. Lord Srinivasa C. Rudra D. sage Narada 37. 6. What did Lord ask Padmana:bha to do? a) b) c) d) To perform yagam 1 pt(s). A. To do penance again B. To go to his house C. To reside at chakra theertham D. to perform Yagam 38. What happened to Padmana:bha when he was residing at Chakra theertha? 1 pt(s). A. A demon caught hold of him B. He was suffered from cold and rain C. a and b D. none of the above 39. What did Lord Sriniva:sa do to protect Padmana:bha? 1 pt(s). A. He sent an arrow B. He sent a sword C. He sent his disc, Sudarsana to kill the demon D. Both a and b 40. What did Padmana:bha request Sudarsana for ? 1 pt(s). A. To stay permanently in the Chakra Theertham to protect people B. To go back to Lord Vishnu C. To get him out of that place D. none of the above 41. Chakra theertham is named after whom? 1 pt(s). A. Padmana:bha B. Lord Sri:niva:sa C. Sudarsana D. The demon 42. What is considered to be heavier than the weight of even mount Meru on this Earth? 1 pt(s).
Recommended publications
  • An Understanding of Maya: the Philosophies of Sankara, Ramanuja and Madhva
    An understanding of Maya: The philosophies of Sankara, Ramanuja and Madhva Department of Religion studies Theology University of Pretoria By: John Whitehead 12083802 Supervisor: Dr M Sukdaven 2019 Declaration Declaration of Plagiarism 1. I understand what plagiarism means and I am aware of the university’s policy in this regard. 2. I declare that this Dissertation is my own work. 3. I did not make use of another student’s previous work and I submit this as my own words. 4. I did not allow anyone to copy this work with the intention of presenting it as their own work. I, John Derrick Whitehead hereby declare that the following Dissertation is my own work and that I duly recognized and listed all sources for this study. Date: 3 December 2019 Student number: u12083802 __________________________ 2 Foreword I started my MTh and was unsure of a topic to cover. I knew that Hinduism was the religion I was interested in. Dr. Sukdaven suggested that I embark on the study of the concept of Maya. Although this concept provided a challenge for me and my faith, I wish to thank Dr. Sukdaven for giving me the opportunity to cover such a deep philosophical concept in Hinduism. This concept Maya is deeper than one expects and has broaden and enlightened my mind. Even though this was a difficult theme to cover it did however, give me a clearer understanding of how the world is seen in Hinduism. 3 List of Abbreviations AD Anno Domini BC Before Christ BCE Before Common Era BS Brahmasutra Upanishad BSB Brahmasutra Upanishad with commentary of Sankara BU Brhadaranyaka Upanishad with commentary of Sankara CE Common Era EW Emperical World GB Gitabhasya of Shankara GK Gaudapada Karikas Rg Rig Veda SBH Sribhasya of Ramanuja Svet.
    [Show full text]
  • DHYANA VAHINI Stream of Meditation
    DHYANA VAHINI Stream of Meditation SATHYA SAI BABA Contents Dhyana Vahini 5 Publisher’s Note 6 PREFACE 7 Chapter I. The Power of Meditation 10 Binding actions and liberating actions 10 Taming the mind and the intelligence 11 One-pointedness and concentration 11 The value of chanting the divine name and meditation 12 The method of meditation 12 Chapter II. Chanting God’s Name and Meditation 14 Gauge meditation by its inner impact 14 The three paths of meditation 15 The need for bodily and mental training 15 Everyone has the right to spiritual success 16 Chapter III. The Goal of Meditation 18 Control the temper of the mind 18 Concentration and one-pointedness are the keys 18 Yearn for the right thing! 18 Reaching the goal through meditation 19 Gain inward vision 20 Chapter IV. Promote the Welfare of All Beings 21 Eschew the tenfold “sins” 21 Be unaffected by illusion 21 First, good qualities; later, the absence of qualities 21 The placid, calm, unruffled character wins out 22 Meditation is the basis of spiritual experience 23 Chapter V. Cultivate the Blissful Atmic Experience 24 The primary qualifications 24 Lead a dharmic life 24 The eight gates 25 Wish versus will 25 Take it step by step 25 No past or future 26 Clean and feed the mind 26 Chapter VI. Meditation Reveals the Eternal and the Non-Eternal 27 The Lord’s grace is needed to cross the sea 27 Why worry over short-lived attachments? 27 We are actors in the Lord’s play 29 Chapter VII.
    [Show full text]
  • Psyphil Celebrity Blog Covering All Uncovered Things..!! Vijay Tamil Movies List New Films List Latest Tamil Movie List Filmography
    Psyphil Celebrity Blog covering all uncovered things..!! Vijay Tamil Movies list new films list latest Tamil movie list filmography Name: Vijay Date of Birth: June 22, 1974 Height: 5’7″ First movie: Naalaya Theerpu, 1992 Vijay all Tamil Movies list Movie Y Movie Name Movie Director Movies Cast e ar Naalaya 1992 S.A.Chandrasekar Vijay, Sridevi, Keerthana Theerpu Vijay, Vijaykanth, 1993 Sendhoorapandi S.A.Chandrasekar Manorama, Yuvarani Vijay, Swathi, Sivakumar, 1994 Deva S. A. Chandrasekhar Manivannan, Manorama Vijay, Vijayakumar, - Rasigan S.A.Chandrasekhar Sanghavi Rajavin 1995 Janaki Soundar Vijay, Ajith, Indraja Parvaiyile - Vishnu S.A.Chandrasekar Vijay, Sanghavi - Chandralekha Nambirajan Vijay, Vanitha Vijaykumar Coimbatore 1996 C.Ranganathan Vijay, Sanghavi Maaple Poove - Vikraman Vijay, Sangeetha Unakkaga - Vasantha Vaasal M.R Vijay, Swathi Maanbumigu - S.A.Chandrasekar Vijay, Keerthana Maanavan - Selva A. Venkatesan Vijay, Swathi Kaalamellam Vijay, Dimple, R. 1997 R. Sundarrajan Kaathiruppen Sundarrajan Vijay, Raghuvaran, - Love Today Balasekaran Suvalakshmi, Manthra Joseph Vijay, Sivaji - Once More S. A. Chandrasekhar Ganesan,Simran Bagga, Manivannan Vijay, Simran, Surya, Kausalya, - Nerrukku Ner Vasanth Raghuvaran, Vivek, Prakash Raj Kadhalukku Vijay, Shalini, Sivakumar, - Fazil Mariyadhai Manivannan, Dhamu Ninaithen Vijay, Devayani, Rambha, 1998 K.Selva Bharathy Vandhai Manivannan, Charlie - Priyamudan - Vijay, Kausalya - Nilaave Vaa A.Venkatesan Vijay, Suvalakshmi Thulladha Vijay 1999 Manamum Ezhil Simran Thullum Endrendrum - Manoj Bhatnagar Vijay, Rambha Kadhal - Nenjinile S.A.Chandrasekaran Vijay, Ishaa Koppikar Vijay, Rambha, Monicka, - Minsara Kanna K.S. Ravikumar Khushboo Vijay, Dhamu, Charlie, Kannukkul 2000 Fazil Raghuvaran, Shalini, Nilavu Srividhya Vijay, Jyothika, Nizhalgal - Khushi SJ Suryah Ravi, Vivek - Priyamaanavale K.Selvabharathy Vijay, Simran Vijay, Devayani, Surya, 2001 Friends Siddique Abhinyashree, Ramesh Khanna Vijay, Bhumika Chawla, - Badri P.A.
    [Show full text]
  • Dr Anupama.Pdf
    NJESR/July 2021/ Vol-2/Issue-7 E-ISSN-2582-5836 DOI - 10.53571/NJESR.2021.2.7.81-91 WOMEN AND SAMSKRIT LITERATURE DR. ANUPAMA B ASSISTANT PROFESSOR (VYAKARNA SHASTRA) KARNATAKA SAMSKRIT UNIVERSITY BENGALURU-560018 THE FIVE FEMALE SOULS OF " MAHABHARATA" The Mahabharata which has The epics which talks about tradition, culture, laws more than it talks about the human life and the characteristics of male and female which most relevant to this modern period. In Indian literature tradition the Ramayana and the Mahabharata authors talks not only about male characters they designed each and every Female characters with most Beautiful feminine characters which talk about their importance and dutiful nature and they are all well in decision takers and live their lives according to their decisions. They are the most powerful and strong and also reason for the whole Mahabharata which Occur. The five women in particular who's decision makes the whole Mahabharata to happen are The GANGA, SATYAVATI, AMBA, KUNTI and DRUPADI. GANGA: When king shantanu saw Ganga he totally fell for her and said "You must certainly become my wife, whoever you may be." Thus said the great King Santanu to the goddess Ganga who stood before him in human form, intoxicating his senses with her superhuman loveliness 81 www.njesr.com The king earnestly offered for her love his kingdom, his wealth, his all, his very life. Ganga replied: "O king, I shall become your wife. But on certain conditions that neither you nor anyone else should ever ask me who I am, or whence I come.
    [Show full text]
  • Replication and Innovation in the Folk Narratives of Telangana: Scroll Paintings of the Padmasali Purana, 1625–2000
    Manuscript Studies Volume 4 Issue 1 Article 6 2019 Replication and Innovation in the Folk Narratives of Telangana: Scroll Paintings of the Padmasali Purana, 1625–2000 Anais Da Fonseca School of Oriental and African Studies Follow this and additional works at: https://repository.upenn.edu/mss_sims Part of the Asian Art and Architecture Commons, Asian History Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Da Fonseca, Anais (2019) "Replication and Innovation in the Folk Narratives of Telangana: Scroll Paintings of the Padmasali Purana, 1625–2000," Manuscript Studies: Vol. 4 : Iss. 1 , Article 6. Available at: https://repository.upenn.edu/mss_sims/vol4/iss1/6 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/mss_sims/vol4/iss1/6 For more information, please contact [email protected]. Replication and Innovation in the Folk Narratives of Telangana: Scroll Paintings of the Padmasali Purana, 1625–2000 Abstract In the Southern Indian state of Telangana, itinerant storytellers narrate genealogies of the local castes using a scroll painting on cloth as a visual aid to their performance. These scrolls are the only archive of these otherwise oral narratives; hence key markers of their evolution. Once a scroll commission has been decided, performers bring an old scroll to the painters and request for a ‘copy.’ Considered as such by both performers and painters, a closer look at several scrolls of the same narrative highlights a certain degree of alteration. This paper focuses on the Padmasali Purana that narrate the origin of the weavers’ caste of Telangana. On the basis of five painted scrolls of this same narrative, ranging from 1625 to 2000, this article explores the nature and degree of modification undergone by the narrative.
    [Show full text]
  • Vidulaku- Mrokkeda-Raga.Html Youtube Class: Audio MP3 Class
    Vidhulaku Mrokkedha Ragam: Mayamalavagowlai {15th Melakartha Ragam} https://en.wikipedia.org/wiki/Mayamalavagowla ARO: S R1 G3 M1 P D1 N3 S || AVA: A N3 D1 P M1 G3 R1 S || Talam: Adi Composer: Thyagaraja Version: M.S. Subbulakshmi (https://www.youtube.com/watch?v=llsETzsGWzU ) Lyrics Courtesy: www.karnatik.com (Rani) and Lakshman Ragde http://www.geocities.com/promiserani2/c2933.html Meaning Courtesy: https://thyagaraja-vaibhavam.blogspot.com/2007/03/thyagaraja-kriti-vidulaku- mrokkeda-raga.html Youtube Class: https://www.youtube.com/watch?v=hWszTbKSkm0 Audio MP3 Class: http://www.shivkumar.org/music/vidulaku-class.mp3 Pallavi: vidulaku mrokkEda sangIta kO Anupallavi: mudamuna shankara krta sAma nigama vidulaku nAdAtmaka sapta svara Charanam: kamalA gaurI vAgIshvari vidhi garuDa dhvaja shiva nAradulu amarEsha bharata kashyapa caNDIsha AnjanEya guha gajamukhulu su-mrkaNDuja kumbhaja tumburu vara sOmEshvara shArnga dEva nandi pramukhulaku tyAgarAja vandyulaku brahmAnanda sudhAmbudhi marma Meaning Courtesy: https://thyagaraja-vaibhavam.blogspot.com/2007/03/thyagaraja-kriti-vidulaku- mrokkeda-raga.html Pallavi: Sahityam: vidulaku mrokkEda sangIta kO Meaning: I salute (mrokkeda) the maestros (kOvidulaku) of music (sangIta). Sahityam: mudamuna shankara krta sAma nigama vidulaku nAdAtmaka sapta svara Meaning: I joyously (mudamuna) salute - the masters (vidulaku) of sAma vEda (nigama) created (kRta) by Lord Sankara and the maestros (vidulaku) of sapta svara – nAda embodied (Atmaka) (nAdAtmaka). Sahityam:kamalA gaurI vAgIshvari vidhi garuDa dhvaja
    [Show full text]
  • 21. Ramanuja Nutrandhadhi
    AmudhanAr’s IrAmAnusa nUtranthAthi Annotated Commentary in English By: "sampradAya prachAra dhurantharar" SrIrangam SrI V. MAdhavakkaNNan Our Sincere Thanks to the following for their contributions to this ebook: Images contribution: Ramanuja Dasargal at www.pbase.com/svami Neduntheru Sri Mukund Srinivasan eBook assembly: sadagopan.org Smt. Kala Lakshminarayanan CONTENTS TITLE PAGE Introduction 1 Paasuram 1 3 Paasuram 2 7 Paasuram 3 10 Paasuram 4 13 Paasuram 5 15 Paasuram 6 17 Paasuram 7 19 Paasuram 8 25 Paasuram 9 28 sadagopan.org Paasuram 10 30 Paasuram 11 33 Paasuram 12 38 Paasuram 13 42 Paasuram 14 45 Paasuram 15 51 Paasuram 16 52 Paasuram 17 57 Paasuram 18 59 Paasuram 19 62 Paasuram 20 65 Paasuram 21 68 Paasuram 22 71 Paasuram 23 74 Paasuram 24 76 Paasuram 25 78 Paasuram 26 81 Paasuram 27 83 CONTENTS CONT’D. TITLE PAGE Paasuram 28 85 Paasuram 29 88 Paasuram 30 90 Paasuram 31 93 Paasuram 32 95 Paasuram 33 97 Paasuram 34 100 Paasuram 35 102 Paasuram 36 105 Paasuram 37 109 Paasuram 38 112 Paasuram 39 115 Paasuram 40 117 Paasuram 41 122 sadagopan.org Paasuram 42 125 Paasuram 43 128 Paasuram 44 134 Paasuram 45 137 Paasuram 46 139 Paasuram 47 144 Paasuram 48 147 Paasuram 49 150 Paasuram 50 153 Paasuram 51 156 Paasuram 52 160 Paasuram 53 162 Paasuram 54 165 CONTENTS CONT’D. TITLE PAGE Paasuram 55 168 Paasuram 56 171 Paasuram 57 174 Paasuram 58 177 Paasuram 59 181 Paasuram 60 184 Paasuram 61 186 Paasuram 62 189 Paasuram 63 192 sadagopan.org Paasuram 64 194 Paasuram 65 197 Paasuram 66 200 Paasuram 67 203 Paasuram 68 207 Paasuram 69 210 Paasuram
    [Show full text]
  • Lights on Krishna-Balarama Tattwa in Conversation with Sree Sree Maa Lord Balarama Always Intrigued Me
    Hiranyagarbha Vol. 4 No. 4–39 15.01.12 Lights on Krishna-Balarama Tattwa In Conversation with Sree Sree Maa Lord Balarama always intrigued me. form of Shankarshan - the dazzlingly Spiritual literature conceptualizes him as the transparent, fully enlightened, expressed dual first direct manifestation of universal God equivalent (sham) of the supreme attractor consciousness, Lord Krishna. He has been (karshana), as the eternal Sadguru - associated with various divine and human Paramatma’s own light - that carries one and forms including Shesha, Ananta (Great all into the divine lap of Parabrahman. As Serpents of Maha-Vishnu), Lakshmana ‘Shesha’ he expresses himself in innumerable (younger brother of Lord Rama), Balarama or forms of the same eshana swabhav of Krishna, Baladeva (elder brother of Sri Krishna), each self-natured to seek full and complete Ramanujacharya (the leading light if the reunion. Each such atom of divine Vishistadvaita school of thought), Nityananda consciousness is an atma-jyoti (soul-light), Prabhu (the beloved resident in every being as companion of Sri the fully linked spark of Chaitanya Mahaprabhu), the Sadguru constantly etc. In spiritual engaged in yoga or ontology, Lord Balarama union with the supreme. of Golaka is indentified The conglomeration of as the original spiritual this infinite multitude of master or Adi Sadguru. infinitesimal divine During a discussion with consciousness sparks is Sree Sree Maa, I raised depicted as the million- the topic of Balarama- hooded Shesha over the tattwa and requested her head of the Virat to enlighten me. Observing my fairly confused Purusha. ‘Balarama’ is the unlimited strength understanding, Sree Sree Maa patiently (bala) of the supreme soul (Rama), or atma- elucidated:- shakti, that remains steadfast in the divine play “The supreme personality emerges from (raman) with the dynamic life force (Roma) the great void as the seed of eternal divine evolving out of adya shakti.
    [Show full text]
  • Teachings of Lord Kapila” by His Divine Grace A.C
    “Teachings of Lord Kapila” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non-commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Teachings of Lord Kapila” by A.C. Bhaktivedanta Swami, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com .” This book and electronic file is Copyright 1977-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com . Foreword Kapila Muni, a renowned sage of antiquity, is the author of the philosophical system known as Sankhya, which forms an important part of lndia's ancient philosophical heritage. Sankhya is both a system of metaphysics, dealing with the elemental principles of the physical universe, and a system of spiritual knowledge, with its own methodology, culminating in full consciousness of the Supreme Absolute.
    [Show full text]
  • Modern-Baby-Names.Pdf
    All about the best things on Hindu Names. BABY NAMES 2016 INDIAN HINDU BABY NAMES Share on Teweet on FACEBOOK TWITTER www.indianhindubaby.com Indian Hindu Baby Names 2016 www.indianhindubaby.com Table of Contents Baby boy names starting with A ............................................................................................................................... 4 Baby boy names starting with B ............................................................................................................................. 10 Baby boy names starting with C ............................................................................................................................. 12 Baby boy names starting with D ............................................................................................................................. 14 Baby boy names starting with E ............................................................................................................................. 18 Baby boy names starting with F .............................................................................................................................. 19 Baby boy names starting with G ............................................................................................................................. 19 Baby boy names starting with H ............................................................................................................................. 22 Baby boy names starting with I ..............................................................................................................................
    [Show full text]
  • The Deities of New Vrindaban
    The Deities of New Vrindaban Aaron Boyd, Maggie Dorsten, Lauren Spartano, and Stephanie Villaire 1 Deity Worship in the Hare Krishna Faith Hare Krishna devotees make the distinction that they perform Deity worship and not idol worship. Madhudvisa dasa, a member of the New Vrindaban community, explains, “It is Krishna on the altar, not a stone statue or an idol. But unless our eyes are purified we can’t see Krishna, we think he is a statue…but he is Krishna. We worship Krishna, not a ‘form of Krishna’ or a ‘statue of Krishna’.” In other words, Krishna is so spiritual that He cannot be seen with the senses. Therefore, Krishna agrees to appear in the form of a Deity so that devotees can worship and make offerings to Him. More specifically, each day, the devotees cook seven meals for Krishna, bathe and dress Him, and chant and sing songs for Him. Deity Construction No hard and fast rules exist to govern the type of material from which the Deities must be constructed. A Deity (also known as a “murti”) can be made out of any type of material because devotees believe that Krishna can appear in any form. According to Madhudvisa dasa, “The Deity is made by a devotee, but the devotee doesn’t try to ‘make’ Krishna. He prays for Krishna to appear in the form of the Deity.” Installing Deities The question of whether or not to open a Hare Krishna center must be considered carefully before actions are taken. Once a Hare Krishna temple is installed, it is impossible to un-install the Deities within it.
    [Show full text]
  • Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C
    “Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Summary: Srimad-Bhagavatam is compared to the ripened fruit of Vedic knowledge. Also known as the Bhagavata Purana, this multi-volume work elaborates on the pastimes of Lord Krishna and His devotees, and includes detailed descriptions of, among other phenomena, the process of creation and annihilation of the universe. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada considered the translation of the Bhagavatam his life’s work. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non- commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Srimad-Bhagavatam” by A.C. Bhaktivedanta Swami Prabhupada, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com.” This book and electronic file is Copyright 1977-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com.
    [Show full text]