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From the Margins to Prime Time: Israeli Arabs on Israeli Television
L. Steir-Livny / A. Mendelson-Maoz, From the margins to prime time: Israeli Arabs on Israeli Television 78 From the Margins to Prime Time: Israeli Arabs on Israeli Television The case of Sayed Kashua's "Arab Labour" Liat Steir-Livny1 | Adia Mendelson-Maoz2 Abstract Over recent decades, with the growing debate over multiculturalism in Israel, the representation of minorities in mass media has received new attention. The current research discusses the place of Israeli Arabs on Israeli television through the case- study of Arab Labour (In Hebrew, Avoda Aravit), a satirical sitcom written by Sayed Kashua (Channel 2, Keshet, 2007, 2010, 2012), which focuses on the shattered identity of Arab Israelis Our research shows that Arab Labour has triggered off changes in the way Arab Israelis are represented on Israeli television, in terms of their visibility on television, the quality of that visibility, and their interaction with the majority group. We examine a corpus of episodes dealing with three central themes: the Israeli identity card; attitudes to Jewish holidays and Jewish history; and the memory of the 1948 War versus the Nakba. Keywords: Sayed Kashua, Israeli television, 1948 War, the Nakba, Israeli identity, Arab-Israeli identity, Sitcom. 1 Dr. Liat Steir-Livny, The Open University & Sapir Academic College [email protected] 2 Dr. Adia Mendelson-Maoz. The Open University [email protected] Israeli Journal for Humor Research, December 2013, Issue 4. L. Steir-Livny / A. Mendelson-Maoz, From the margins to prime time: Israeli Arabs on Israeli Television 79 The politics of recognition and the medium of television Israel, among other countries, has been transformed, in the past two decades, from a 'melting-pot' policy and ideology towards a multicultural perception. -
2007 Fall Television Quarterly
THE JOURNAL OF THE NATIONAL ACADEMY OF TELEVISION ARTS AND SCIENCES VOLUME XXXIX NUMBER 1 FALL 2007 TV Pro Pat Mitchell Runs Paley Media Center by Fritz Jacobi Digital Video Chávez Supports He Does Goes Press in No Such Wireless Venezuela Thing By John V. Pavlik By Andrés Izarra By Carlos Lauria VOLUME XXXIX NUMBER 1 • FALL 2007 THE JOURNAL OF THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES 3 The Paley Media Center: A TV Professional is in Charge By Fritz Jacobi. An exclusive interview with CEO Pat Mitchell. 7 Broadband Mobile Media: Digital Video Goes Wireless By John V. Pavlik. a new-media expert who dramatizes the surging use of hand-held devices. 15 Chávez Promotes Robust, Uncensored News Media in Venezuela By Andrés Izarra, a former independent broadcaster now defending the administration. 18 Chávez Does No Such Thing By Carlos Lauria of the Committee to Protect Journalists, who shows that press freedom conditions have seriously deteriorated under President Hugo Chávez. 22 So You Won’t Have Nixon to Kick Around Any More? By Greg Vitiello, who compares the Broadway play “Frost/Nixon” with the real-life interviews and ascertains that the villain of the play is television! 29 Bob and Ray: Their Rocky Start on Network Radio and Television in 1951 By David Pollock, an award-winning TV comedy writer, who traces the duo’s early difficulties. 36 Sitcoms? Wrong Name By David Horowitz, who believes that situations are not funny: It’s what the people in those situations say and do that make them funny. VOLUME TELEVISIONXXXIX NUMBER QUARTERLY 1 • FALL 2007 42 REVIEW AND COMMENT A Shadow of Red: Communism and the Blacklist in Radio and Television By David Everitt - Reviewed by Bernard S. -
Endowments and Funds As of June 30, 2010
2009-2010 Contributors E ND O W M E N TS A ND FUNDS Many donors choose to establish named endowments or funds, which provide critical support for productions and projects in general or specific program areas. They also offer special recognition opportunities. The following is a list of named endowments and funds as of June 30, 2010. The Vincent Astor Endowment for Literacy Programming The Arlene and Milton D. Berkman Philanthropic Fund Lillian and H. Huber Boscowitz Arts and Humanities Endowment The Aron Bromberg / Abe Raskin Partners Fund Irving Caesar Lifetime Trust for Music Programming The Joanne Toor Cummings Endowment for Children’s Programming FJC – A Foundation of Philanthropic Funds The Rita and Herbert Z. Gold Fund for Children’s Programming The Lillian Goldman Programming Endowment The M.J. Harrison/Rutgers University Broadcast Fellowship Program The Robert and Harriet Heilbrunn Programming Endowment The JLS/RAS Foundation Endowed Income Fund The John Daghlian Kazanjian Endowment The Anna-Maria and Stephen Kellen Arts Fund The Bernard Kiefson Endowment for Nature Programming The Reginald F. Lewis Endowment for Minority Fellowship Programs The Frits and Rita Markus Endowment for Science and Nature Programming The Abby R. Mauzé Endowment Fund for Arts and Humanities Programming The George Leonard Mitchell Fund The Henry and Lucy Moses Endowment for Children’s Programming The Abby and George O’Neill Program Endowment Fund The George Page Endowment for Science and Nature Programming The Dr. Edward A. Raymond Endowment for Science and Nature Programming Dr. Helen Rehr Endowment for Education and Outreach Blanchette Hooker Rockefeller Fund Endowment for Humanities Programming May and Samuel Rudin Family Foundation Minority Fellowship Program The Dorothy Schiff Endowment for News and Public Affairs Programming The Hubert J. -
Second Person Singular
6 BOOKS )""3&5;ď.BZ .BZď)""3&5; Hebrew Fiction Mistaken identity Sayed Kashua’s new novel centers around an Arab lawyer who can pass for Jewish, but who feels like an impostor in both societies. non-citizen Arabs and the Israeli authori- Second Person Singular ties, a few thousand people, living within by Sayed Kashua (translated from the Hebrew, Jerusalem but divorced from the locals “Guf Sheni Yahid,” by Mitch Ginsburg ) Grove Press, 352 pages, $25 among whom they reside. They will always .BTRVFSBEFT5IFDBTUPG,BTIVBhT"WPEB"SBWJU be seen as strangers, somewhat suspicious, but wholly indispensable. ... Somehow, in he was stopped less and less by the police “a functioning airhead.” It’s therefore sur- By Ruth Margalit the eyes of the locals, the Arab citizens of and the university’s security guards. prising to see him become consumed by Israel were considered to be half Jewish.” “He had finally figured out,” Kashua jealousy of his wife’s supposed lover, and n the latest season of “Avoda Aravit,” the In one of the novel’s opening scenes, the writes in his deadpan tone, “that the border his obsession with the idea that she might first Israeli prime-time television show lawyer and his wife, a couple in their 30s, police, the security guards, and the police be having an affair is exacerbated when he I to center exclusively on an Arab family, entertain a group of Arab friends in their officers, all of whom generally hail from realizes that the lover may well be Jewish. Amjad, the main character, joins the cast home for sushi and a salon-like discussion. -
Shaping Israeli-Arab Identity in Hebrew Words—The Case of Sayed Kashua
Shaping Israeli-Arab Identity in Hebrew Words—The Case of Sayed Kashua Batya Shimony Israel Studies, Volume 18, Number 1, Spring 2013, pp. 146-169 (Article) Published by Indiana University Press For additional information about this article http://muse.jhu.edu/journals/is/summary/v018/18.1.shimony.html Access provided by The Ohio State University (7 Jan 2014 22:40 GMT) Batya Shimony Shaping Israeli-Arab Identity in Hebrew Words—The Case of Sayed Kashua ABSTRACT Most research and surveys that deal with the complex identity of the Arabs in Israel refer to the Arab, Palestinian, and Israeli components in their identity. Kashua adds the Jewish-Zionist component to the discussion and explores its dominance in shaping the identities of the Arabs in Israel. I use the term Jewish-Arab as a mirror image of the Arab-Jew in order to analyze the conflicted identity of Kashu’s Arab characters. The use of the identity of Arab-Jew by the third generation of Mizrahi writers functions as a chal- lenge to the hegemony of Zionist discourse. Kashua’s Herzl Disappears at Midnight (2005) and Second Person Singular (2008) create a realization of the term Jewish-Arab and take the situation of the conflicted identity to an extreme and provocative end, in order to emphasize the dead-end situation of Arabs in Israel. INTRODUCTION The identity crisis of the Arabs in Israel has been discussed in many studies.1 One of the main reasons for this crisis is that Israeli Arabs are simultaneously influenced by two significant identity factors—on the one hand, Palestinian society in the occupied territories, and on the other, Jewish society. -
Palestinian) Space: Sayed Kashua’S Chronotopic Approach in Let It Be Morning Sadia Agsous École Des Hautes Études En Sciences Sociales
Hegemonic (Israeli) Time and Minority (Palestinian) Space: Sayed Kashua’s Chronotopic Approach in Let It Be Morning Sadia Agsous École des hautes études en sciences sociales abstract: Sayed Kashua, a Palestinian writer in Israel who has published novels exclusively in Hebrew, was celebrated as a successful writer and journalist in the Hebrew literary field. If the author’s usage of Hebrew and his novels were examined from an Israeli and a Jewish perspective and from the prospects of minority speech acts, these critics did, however, situate his literature within the immediate political context, that of the impossible situation of Palestinians in Israel. This article reads his second from a different perspective and considers Kashua’s ,(ויהי בוקר) novel, Let It Be Morning literary strategy that consists in transforming a futuristic and allegorist perspective into a chronotope set between hegemonic (Israeli) time and minority (Palestinian) space. This novel highlights, between text and context, different visions of the future: a dystopian situation reflecting both a disastrous outcome of the Zionist wing call- ing for the transfer of the Palestinians and an internal conflict between Palestinians (fitnah); the utopian vision of the writer, who used his writing in Hebrew to create a hybrid space of negotiation with the Hebrew reader and therefore suggesting literature as a way to prevent dystopia. This article emphasizes a futuristic storytelling from its content to its form used by Kashua as a literary strategy to express the impossibility of a Palestinian voice, his voice, in Hebrew fiction. dibur literary journal Issue 6, Fall 2018 Visions of the Future 20 dibur a palestinian hybrid text, between a dystopian future and the utopia of the writer At long last, the Zionist dream is coming true. -
Naomi Seidman to Speak at Cornell on March 27 Ithaca College to Hold
March 24-30, 2017 Published by the Jewish Federation of Greater Binghamton Volume XLVI, Number 12 BINGHAMTON, NEW YORK Ithaca College to hold annual Israel Film Festival on March 25, 29 and 30 The fourth annual Israel Film Festival rael is Real,” highlighting human elements catch a glimpse into the internal world of “Mr. Gaga” at Ithaca College will be held on March of Israel life and culture exclusively through those with Down Syndrome. Thursday, March 30, 6:20 pm work- 25, 29 and 30, and will feature three documentary film selections. “The Essential Link: The Story of Wil- shop; 7 pm screening, Cinemapolis, Itha- documentaries illustrating stories from “This year’s festival portrays a unique frid Israel” ca. Workshop: “Gaga Dance Workshop” life in Israel and beyond. For the first reality through art, disabilities and his- Wednesday, March 29, 7pm screening, with Prof. Lindsay Gilmour, assistant time, IFF has partnered with local theater tory with a selection of unique, vibrant Textor Hall 102, thaca College; discussion: professor, Department of Theatre Arts, Cinemapolis to present the third and final and diverse Israeli cinema,” said Mirit Director Yonatan Nir and Dr. Michael and instructor of modern dance at Ithaca film of the series, “Mr. Gaga,” which will Hadar, IFF co-founder and director. Richardson, professor, Department of College, and students. be screened there on the festival’s closing “We are honored to present these films Modern Languages and Literatures and Ohad Naharin, artistic director of the night, Thursday, March 30. around Ithaca communities and, for the 20th and 21st century German literature and Batsheva Dance Company, has been called All communities are welcome to learn first time, in downtown Ithaca at the cinema, Holocaust studies. -
Art and Culture in Contemporary Israel
Art and Culture in Contemporary Israel Class code CORE-UA 9764 Instructor Details Aviv Livnat Prerequisites None Class Description The location of Israel at the geographic junction between the West and the East, between the Arab world and the Western world, against the background of the long historical complexity of this piece of land provides the context for the course Expressive Culture: Art and Culture in Contemporary Israel" which will offer a panoramic view of expressive cultures in modern Israel. This course will provide an introduction to Israeli culture and art by examining thematic crossroads and ideas, via problems and social conflicts which lie at the heart of those art works and are reflected by them. Themes to be addressed will include: religion and secularism, universalism/globalism versus localism, Jews and Arabs, Ashkenazic and Sephardic cultures, multiculturalism in Israel, Zionism and Post-Zionism, right and left political world views, questions of gender, historical perspectives on war and peace and the Holocaust. The students will explore the way different forms of art – visual, literary, and performance – reflect and shape the understanding of the "Israeli mosaic" while learning about the way the artists and writers internalize, consciously and unconsciously the complex Israeli reality. Towards this end, the course will incorporate an exclusive audiography, image bank and collection of video materials and will include excursions to cultural institutions and events in Tel Aviv-Jaffa. Expressive culture is a way to embody, analyze and express culture through sensory experiences such as movements, sounds texts and images. The students will be invited to engage in processes, exposed to ideas and emotions, bound within the social production of aesthetic forms and performances in Israeli life and culture. -
Ottawa Jewish Bulletin Inside
- - LIMITED SEATING - - JNF OTTAWA NEGEV DINNER OCT. 15 Machzikei Hadas Ken SCHACHNOW GUEST SPEAKER DENNIS PRAGER Sales Representative SUPPORTING AUTISM RESEARCH IN ISRAEL Rabbi Scher installed as new DIRECT: 613.292.2200 OFFICE: 613.829.1818 POLAND-ISRAEL MISSION OCT. 18-NOV. 3 spiritual leader; Rabbi Bulka EMAIL: [email protected] KELLERWILLIAMS VIP REALTY www.kenschachnow.com [email protected] 613-798-2411 becomes rabbi emeritus > p. 3 Brokerage, Independently Owned And Operated Ottawa Jewish Bulletin SEPTEMBER 21, 2015 | 8 TISHREI 5776 ESTABLISHED 1937 OTTAWAJEWISHBULLETIN.COM | $2 Inspiring FED Talks and comedy launch 2016 Annual Campaign BY LOUISE RACHLIS away, marched up the mountain to help his is a minga,’ said keynote fi nish the school. speaker Marc Kielburger Empowering young people to work for during his presentation at the the greater good was the essence of ‘T2016 Annual Campaign Kickoff Kielburger’s talk. He explained that he and of the Jewish Federation of Ottawa, his brother have worked with 2.3 million September 9, at Centrepointe Theatre. young people in 10,000 schools through- A minga, he explained, means “the out Canada and the United States through coming together of people to work for the their Me to We program. Two of them were benefi t of all.” Ottawa Jewish Community School Kielburger learned the word from a students Haley Miller and Sadie Sider- community leader in the Andes when Free Echenberg, who helped to introduce him the Children, the group he co-founded by telling their own story of a project last with his brother Craig Kielburger, was year that earned their Grade 6 class the building its fi rst school in the South right to attend We Day, a celebration of American mountains. -
Aab-6. MEARS LIBRARY Bivalls COLLEGE
aab-6. MEARS LIBRARY BivAlLS COLLEGE _ ... .. .... The Newsweekly of Tk i o. o. t 'ear Dea I t'saTime Warner and Turner come together in media's largest megaforce IIIIIIIInInJlllnnl1lnnl lln BC198902 NOV95 lilnlu li,nl NORMAN eHundt's B MEARS LIBRARY SIOUX SFALL SD rt Press 57105 -1623 ren's TV THE WORLD P a n A m S a t' s N e w LONDON SYDNEY LOS ANGELES MIAMI IS GETTING SMALLER. WE SAY THE LAUNCH OF THE PAS -4 SATELLITE HAS A LOTTO DO WITH IT. AO" With good reason. The new PAS-4 satellite, which commenced service on September 5, 1995, provides coverage of Europe, Africa, the Middle East, the Indian subcontinent and Asia. Now, thanks to the PanAmSat Global Satellite System, the most advanced satellite services are available directly to broadcasters, telecommunications providers and businesses anywhere in the world. Which means we offer customers the convenience and assurance of dealing with one experienced service provider, worldwide. And we're not stopping at PAS-4. Because as the dynamic market for telecommunications continues to grow, we'll launch more state -of-the -art satellites in the coming years. So you'll have even more satellite power and capacity to tap into. And there's nothing small about that. PanAmSat, G I o b a l V i l l a g e . GREENWICH CT. 12036226664 Fax 1.203.622.9163 Must Reading from BROADCASTING & CABLE Fast Timir September 25,1995 TOP OF THE WEEK TWr Turner: It's a deal Ted Turner will be the big winner in a Time Warner/Turner Broadcasting System merger, cashing in TBS for $2.5 billion. -
Broadcasting Dec 5
The Fifth Estate Broadcasting Dec 5 , " TAKING ADVANTAGE ;:jir ENTERTAINMENT TONIGHT zAr TAXI "vor 171 % to all of our friends who have helped us give the gift of entertainment all year round. TELEVISION DOMESTIC DISTRISLIIION FAMILY TIES CHEERS Zi WEBSTER AIR UNIVERSITY LIBRARY MAXWELL AIR FORCE BASE, ACT U. S. PfCE PROPERTY our winn ng combination for ereo o NrcAn.L u r, 19,iiii,;¡.?" PWATrvr RIGHT St uannv ou CONTINENTAL ELECTRONICS TYPE PMX]MT AM STEREO MOO. MONITOR J._ J J i l L . ,a. .. .. a, a, s .. ; ' . L..IL cu.1u ¡ SET TO TOO 1 `r- Iii) o i LnT. 0ENWT w OUTPUT wwi ILLLLIIO o.0 ó C l: WTN LILVi 7.14t7,:' O .O, eEeos uiñN Mw T . HIM, L.Tp . O OIf LLT O iii? Mi." L.I OLYOO 40 111 .., ,] N I .- .... .._- ^'vC .-vcm .v .. '''''i Is AM Stereo ready to move up? Hearing is believing. on -air reliability with complete Market -place decisions With the PMX System, AM Stereo transparency. notwithstanding, the recent music sounds like FM Stereo Ultimately, the day -to-day introduction of receivers able to music. So it makes for higher operation of your AM Stereo decode signals from any of the four listener appeal and better System will depend upon systems in use today makes it numbers: For audience and the equipment and service. easier for broadcasters to move bottom line. We stand on our track record of ahead with AM Stereo plans. The Winning Combination providing the best of both. Which system is #1? Our Type 302A Exciter, developed If you're considering AM Stereo, or The PMX (Magnavox) System was for the PMX System, and our new if you just want more facts, give us first selected by the FCC to be the Type PMX -SM I AM Stereo a call. -
URGENT! PLEASE DELIVER TO: Published by Access Intelligence, LLC, Tel: 301-354-2101
URGENT! PLEASE DELIVER TO: www.cablefax.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 6 Pages Today Friday — October 13, 2006 Volume 17 / No. 199 Stir the Pot: DirecTV Targeting Former Adelphia Subs With Special Offer It seemed like things had quieted down after the FCC approved Time Warner Cable and Comcast’s acquisition of Adelphia in July, but DirecTV is hoping to keep the controversy over the merger alive. As former Adelphia markets make the switch to TW and Comcast, the DBS provider is running an aggressive ad campaign that includes up to $150 cash back ($10/month credit for 15 months) for cable subs who sign up for its service. The campaign targets 8 mar- kets—4 Time Warner markets (LA, Dallas, Cleveland and Buffalo) and 4 Comcast (DC, West Palm Beach, Colorado Springs, Minneapolis). A radio spot running in the DC area informs “Comcast-Adelphia” subs that their new cable pro- vider has already raised their rates and is busy worrying about things like what carpet to install in the new office (might be a little confusing, as MD hasn’t officially transitioned to the new brand yet). DirecTV has been running the campaign for several weeks, with new components rolling out now (outdoor advertising, direct mail—even ads on pizza boxes). Comcast said it’s focused on getting the transition up and running in its new markets and hiring 4K employees nation- wide to meet demands. “We have award-winning marketing campaigns that focus on the features and values of our products,” the MSO said.