DOCSLIB.ORG

Michael Ondaatje Linda Spalding Linda

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Michael Ondaatje Linda Spalding Linda Friday, February 13, 2015, 8pm Memorial Stadium University Club Michael Ondaatje Linda Spalding Linda In Conversation with Chancellor Nicholas B. Dirks Cal Performances’ " !#–" !$ season is sponsored by Wells Fargo. PLAYBILL ABOUT THE SPEAKERS ERKELEY TALKS is a new series of conver- prizes, including the Booker Prize for Fiction, Bsations that bring together international the Irish Times International Prize for Fiction, thought leaders, public scholars, creators, and the Kiriyama Pacific Rim Book Prize, the Prix innovators to examine the distinctive issues of Médicis, the Governor General’s Award, and our time. These luminaries will engage in di- the Giller Prize. alogue at the sometimes surprising nexus be- tween their area of expertise and the Nicholas B. Dirks be- University’s core mission, celebrating the came the tenth chancel- Chancellor’s vision of a vibrant, engaged, and lor of the University of forward-looking campus culture. California, Berkeley, on June 1, 2013. An inter- Michael Ondaatje is one of the world’s fore- nationally renowned most writers—his artistry and aesthetic have historian and anthro- influenced an entire generation of writers and pologist, he is a leader in readers. Although best known for his novels, higher education and Mr. Ondaatje’s work also encompasses poetry, well-known for his commitment to and advo- memoir, and film, and reveals a passion for cacy for accessible, high-quality undergradu- defying conventional form. His transcendent ate education in the liberal arts and sciences, novel The English Patient explores the stories to the globalization of the university, and to of people history fails to reveal by intersect- innovation across the disciplines as well as in ing four diverse lives at the end of World War applied and basic fields. II. This bestselling novel was later made into Before coming to Berkeley, he was the ex- an Academy Award-winning film. ecutive vice president for the arts and sciences Mr. Ondaatje himself is an interesting and dean of the faculty at Columbia intersection of cultures. Born in Sri Lanka, the University, where, in addition to his work on former Ceylon, of Indian-Dutch ancestry, he behalf of undergraduate programs, he im- went to school in England and then moved to proved and diversified the faculty, putting Canada. He is now a Canadian citizen. From special emphasis on interdisciplinary and in- the memoir of his childhood, Running in the ternational initiatives. The Franz Boas Family, to his Governor-General’s Award- Professor of Anthropology and History, winning book of poetry, There’s a Trick with a Chancellor Dirks joined Columbia in 1997 as Knife I’m Learning to Do, to his classic novel, chair of the anthropology department. Prior The English Patient, Mr. Ondaatje casts a spell to his appointment at Columbia, he was a pro- over his readers. And having won the British fessor of history and anthropology at the Commonwealth’s highest honor, the Booker University of Michigan for ten years, before Prize, he has taken his rightful place as a which he taught Asian history and civilization contemporary literary treasure. at the California Institute of Technology. He is the author of four collections of poetry, Chancellor Dirks has held numerous fel- including The Cinnamon Peeler and, most lowships and scholarships and received several recently, Handwriting. His works of fiction scholarly honors, including a MacArthur include In the Skin of a Lion, The English Foundation residential fellowship at the Patient, Anil’s Ghost, Divisadero, and The Cat’s Institute for Advanced Study at Princeton, a Table. Mr. Ondaatje’s work of nonfiction is The Guggenheim Fellowship, and the Lionel Conversations: Walter Murch and the Art of Trilling Award for his book Castes of Mind. He Editing Film, which unites his love of literature serves on numerous national and international and passion for the art of filmmaking. bodies, as adviser or member of the board, and Mr. Ondaatje has garnered several literary is a Fellow at the Council on Foreign Relations. CAL PERFORMANCES.
Load more

Recommended publications
  • Introducing the 2020 Scotiabank Giller Prize Jury
    1/13/2020 Introducing the 2020 Scotiabank Giller Prize Jury Subscribe Past Issues Translate RS View this email in your browser Introducing the 2020 Scotiabank Giller Prize Jury January 13, 2020 (Toronto, Ontario) – Elana Rabinovitch, Executive Director of the Scotiabank Giller Prize, today announced the five-member jury panel for the 2020 Scotiabank Giller Prize. This year marks the 27th anniversary of the Prize. The 2020 jury members are: Canadian authors David Chariandy, Eden Robinson and Mark Sakamoto (jury chair), British critic and Editor of the Culture segment of the Guardian, Claire Armitstead, and Canadian/British author and journalist, Tom Rachman. Some background on the 2020 jury: https://mailchi.mp/50144b114b18/introducing-the-2020-scotiabank-giller-prize-jury?e=a8793904cc 1/7 1/13/2020 Introducing the 2020 Scotiabank Giller Prize Jury Subscribe Past Issues Translate RS Claire Armitstead is Associate Editor, Culture, at the Guardian, where she has previously acted as arts editor, literary editor and head of books. She presents the weekly Guardian books podcast and is a regular commentator on radio, and at live events across the UK and internationally. She is a trustee of English PEN. David Chariandy is a writer and critic. His first novel, Soucouyant, was nominated for 11 literary prizes, including the Governor General’s Award and the Scotiabank https://mailchi.mp/50144b114b18/introducing-the-2020-scotiabank-giller-prize-jury?e=a8793904cc 2/7 1/13/2020 Introducing the 2020 Scotiabank Giller Prize Jury Brother Subscribe GillerPast Prize. His Issues second novel, , was nominated for fourteen prizes, winningTranslate RS the Rogers Writers’ Trust Fiction Prize, the Ethel Wilson Fiction Prize, and the Toronto Book Award.
    [Show full text]
  • The Wolfe Institute the Ethyle R
    The Wolfe Institute The Ethyle R. Wolfe Institute for the Humanities, in cooperation with the English Department and the MFA Intergenre Reading Series, presents Madeleine Thien and Cedar Sigo Madeleine Thien was born in Vancouver. She is the author of four books, including Do Not Say We Have Nothing, winner of the Scotiabank Giller Prize, the Governor-General’s Literary Award for Fiction, and an Edward Stanford Prize; and shortlisted for the Man Booker Prize, the Baileys Women’s Prize for Fiction, and The Folio Prize. The novel was named a New York Times Critics’ Top Book of 2016 and longlisted for a Carnegie Medal. Madeleine’s books have been translated into twenty- five languages and her essays have appeared in The Guardian, the Globe & Mail, Brick, Maclean’s, The New York Times, Al Jazeera and elsewhere. With Catherine Leroux, she was the guest editor of Granta magazine’s first issue devoted to new Canadian writing, published in 2017. The youngest daughter of Malaysian-Chinese immigrants to Canada, she lives in Montreal and New York. Cedar Sigo was raised on the Suquamish Reservation in the Pacific Northwest and studied at The Jack Kerouac School of Disembodied Poetics at the Naropa Institute. He is the editor of There You Are: Interviews, Journals, and Ephemera on Joanne Kyger (2017), and author of eight books and pamphlets of poetry, including Royals (Wave Books, 2017), Language Arts (Wave Books, 2014), Stranger in Town (City Lights, 2010), Expensive Magic (House Press, 2008), and two editions of Selected Writings (Ugly Duckling Presse, 2003 and 2005). Wednesday, April 25, 2018 6 to 7:30 p.m.
    [Show full text]
  • Cahiers-Papers 53-1
    The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf.
    [Show full text]
  • Fall 2013 / Winter 2014 Titles
    INFLUENTIAL THINKERS INNOVATIVE IDEAS GRANTA PAYBACK THE WAYFINDERS RACE AGAINST TIME BECOMING HUMAN Margaret Atwood Wade Davis Stephen Lewis Jean Vanier Trade paperback / $18.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 ANANSIANANSIANANSI 978-0-88784-810-0 978-0-88784-842-1 978-0-88784-753-0 978-0-88784-809-4 PORTOBELLO e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $16.95 978-0-88784-872-8 978-0-88784-969-5 978-0-88784-875-9 978-0-88784-845-2 A SHORT HISTORY THE TRUTH ABOUT THE UNIVERSE THE EDUCATED OF PROGRESS STORIES WITHIN IMAGINATION FALL 2013 / Ronald Wright Thomas King Neil Turok Northrop Frye Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $14.95 978-0-88784-706-6 978-0-88784-696-0 978-1-77089-015-2 978-0-88784-598-7 e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $14.95 WINTER 2014 978-0-88784-843-8 978-0-88784-895-7 978-1-77089-225-5 978-0-88784-881-0 ANANSI PUBLISHES VERY GOOD BOOKS WWW.HOUSEOFANANSI.COM Anansi_F13_cover.indd 1-2 13-05-15 11:51 AM HOUSE OF ANANSI FALL 2013 / WINTER 2014 TITLES SCOTT GRIFFIN Chair NONFICTION ... 1 SARAH MACLACHLAN President & Publisher FICTION ... 17 ALLAN IBARRA VP Finance ASTORIA (SHORT FICTION) ... 23 MATT WILLIAMS VP Publishing Operations ARACHNIDE (FRENCH TRANSLATION) ... 29 JANIE YOON Senior Editor, Nonfiction ANANSI INTERNATIONAL ... 35 JANICE ZAWERBNY Senior Editor, Canadian Fiction SPIDERLINE ..
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • Books I've Read Since 2002
    Tracy Chevalier – Books I’ve read since 2002 2019 January The Mars Room Rachel Kushner My Sister, the Serial Killer Oyinkan Braithwaite Ma'am Darling: 99 Glimpses of Princess Margaret Craig Brown Liar Ayelet Gundar-Goshen Less Andrew Sean Greer War and Peace Leo Tolstoy (continued) February How to Own the Room Viv Groskop The Doll Factory Elizabeth Macneal The Cut Out Girl Bart van Es The Gifted, the Talented and Me Will Sutcliffe War and Peace Leo Tolstoy (continued) March Late in the Day Tessa Hadley The Cleaner of Chartres Salley Vickers War and Peace Leo Tolstoy (finished!) April Sweet Sorrow David Nicholls The Familiars Stacey Halls Pillars of the Earth Ken Follett May The Mercies Kiran Millwood Hargraves (published Jan 2020) Ghost Wall Sarah Moss Two Girls Down Louisa Luna The Carer Deborah Moggach Holy Disorders Edmund Crispin June Ordinary People Diana Evans The Dutch House Ann Patchett The Tenant of Wildfell Hall Anne Bronte (reread) Miss Garnet's Angel Salley Vickers (reread) Glass Town Isabel Greenberg July American Dirt Jeanine Cummins How to Change Your Mind Michael Pollan A Month in the Country J.L. Carr Venice Jan Morris The White Road Edmund de Waal August Fleishman Is in Trouble Taffy Brodesser-Akner Kindred Octavia Butler Another Fine Mess Tim Moore Three Women Lisa Taddeo Flaubert's Parrot Julian Barnes September The Nickel Boys Colson Whitehead The Testaments Margaret Atwood Mothership Francesca Segal The Secret Commonwealth Philip Pullman October Notes to Self Emilie Pine The Water Cure Sophie Mackintosh Hamnet Maggie O'Farrell The Country Girls Edna O'Brien November Midnight's Children Salman Rushdie (reread) The Wych Elm Tana French On Earth We're Briefly Gorgeous Ocean Vuong December Olive, Again Elizabeth Strout* Drive Your Plow Over the Bones of the Dead Olga Tokarczuk And Then There Were None Agatha Christie Girl Edna O'Brien My Dark Vanessa Kate Elizabeth Russell *my book of the year.
    [Show full text]
  • “On Being a Woman Writer”: Atwood's Canadian and Feminist Contexts
    “On Being a Woman Writer”: Atwood’s Canadian and Feminist Contexts Heidi Slettedahl Macpherson When you begin to write you’re in love with the language, the act of cre- ation, with yourself partly; but as you go on, the writing—if you follow it—will take you places you never intended to go and show you things you would never otherwise have seen. I began as a profoundly apolitical writer, but then I began to do what all novelists and some poets do: I began to describe the world around me. (Atwood, Second Words 15) Margaret Atwood began her writing career at a time when Canadian literature did not have a clearly established canon or identity. In fact, she has been credited with helping to “invent” Canadian literature as a critical concept, both because she herself is a proli¿c poet, novelist and short story writer, but also because she has published books of literary and cultural criticism throughout her long career. As she noted in the early 1970s, “Until recently, reading Canadian literature has been for me and for everyone else who did it a personal interest, since it was not taught, required or even mentioned (except with derision) in the public sphere” (Survival 13). That attitude has clearly changed, not only be- cause of Atwood’s own position as a very important cultural icon, but also because of the preeminence of contemporary Canadian writers on the world literary stage. Atwood’s contemporaries include Alice Mun- ro, Carol Shields, Margaret Laurence, and Marian Engel, among oth- ers; Joan Barfoot and Michael Ondaatje are only a few years younger than she is.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Margaret Atwood: a Canadian Novelist
    Margaret Atwood: A Canadian Novelist Introduction Contents Margaret Atwood is a name nearly all Canadians know, and now that she has finally won the prestigious Booker Prize her already considerable international Introduction reputation is greatly enhanced. Canadians, however, are often criticized for not celebrating our cultural icons, whether it be from a collective sense of modesty or The Range of The Blind uncertainty as to the elusive Canadian identity. Be that as it may, we do recognize Assassin Margaret Atwood as one of our greatest writers, and this international win for her latest novel, The Blind Assassin, certainly gives us reason to reappraise her Not Just A Novelist considerable contribution to that genre of literature referred to as CanLit. The Booker Prize-considered one of the world's most important literary awards-is given each year to what is judged the best original full-length novel written by a citizen of Subjectivity, Literature, the British Commonwealth or the Republic of Ireland. Atwood's novels have been and The Blind Assassin nominated for the Booker three times, and now The Blind Assassin takes its place among the very best literary works of fiction in the world. As Canadians, we have Themes of Margaret good reason to recognize and validate the talent and achievements of our artists, Atwood and we do so. "Canadian content" is a standard qualifier and indicator of success for us, whether in the form of a Jim Carrey movie, the music of Céline Dion, or the Portraying Women's Lives comedy of John Candy or Dan Ackroyd.
    [Show full text]
  • ENGLISH DEPARTMENT SUGGESTED READING for GCSE PUPILS PROSE Pre-Nineteenth Century and Nineteenth Century Fiction Jane Austen
    ENGLISH DEPARTMENT SUGGESTED READING FOR GCSE PUPILS PROSE Pre-Nineteenth Century and Nineteenth Century Fiction Jane Austen Pride and Prejudice; Emma Charlotte Bronte Jane Eyre Emily Bronte Wuthering Heights Arthur Conan Doyle Sherlock Holmes Stories Daniel Defoe Robinson Crusoe Charles Dickens A Tale of Two Cities; Great Expectations; Bleak House Fyodor Dostoevsky Crime and Punishment Alexandre Dumas The Three Musketeers; The Count of Monte Cristo George Eliot Silas Marner Henry Fielding Tom Jones Elizabeth Gaskell North and South Thomas Hardy Far From the Madding Crowd; The Mayor of Casterbridge; Thomas Hughes Tom Brown's Schooldays Jerome K Jerome Three Men in a Boat Herman Melville Moby Dick Sir Walter Scott Ivanhoe Laurence Sterne Tristram Shandy RL Stevenson The Strange Case of Dr Jekyll and Mr Hyde Jonathan Swift Gulliver's Travels Mark Twain The Adventures of Huckleberry Finn HG Wells The Time Machine; The War of the Worlds; Oscar Wilde The Picture of Dorian Gray Early Twentieth Century Fiction John Buchan The Thirty-Nine Steps GK Chesterton The Innocence of Father Brown Arthur Conan Doyle The Hound of the Baskervilles Joseph Conrad Lord Jim; Heart of Darkness Daphne Du Maurier Rebecca; F. Scott Fitzgerald The Great Gatsby Ford Madox Ford The Good Soldier EM Forster A Room with a View John Galsworthy The Man of Property Robert Graves I, Claudius Graham Greene Brighton Rock; The Power and the Glory Aldous Huxley Brave New World Christopher Isherwood Mr Norris Changes Trains James Joyce Dubliners DH Lawrence Lady Chatterley's Lover;
    [Show full text]
  • Book Club Kit Discussion Guide Handmaid's Tale by Margaret
    Book Club Kit Discussion Guide Handmaid’s Tale By Margaret Atwood Author: Margaret Atwood was born in 1939 in Ottawa, and grew up in northern Ontario and Quebec, and in Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master’s degree from Radcliffe College. Margaret Atwood is the author of more than forty books of fiction, poetry, and critical essays. Her latest book of short stories is Stone Mattress: Nine Tales (2014). Her MaddAddam trilogy – the Giller and Booker prize- nominated Oryx and Crake (2003), The Year of the Flood (2009), and MaddAddam (2013) – is currently being adapted for HBO. The Door is her latest volume of poetry (2007). Her most recent non-fiction books are Payback: Debt and the Shadow Side of Wealth (2008) and In Other Worlds: SF and the Human Imagination (2011). Her novels include The Blind Assassin, winner of the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; and The Robber Bride, Cat’s Eye, The Handmaid’s Tale – coming soon as a TV series with MGM and Hulu – and The Penelopiad. Her new novel, The Heart Goes Last, was published in September 2015. Forthcoming in 2016 are Hag-Seed, a novel revisitation of Shakespeare’s play The Tempest, for the Hogarth Shakespeare Project, and Angel Catbird – with a cat-bird superhero – a graphic novel with co-creator Johnnie Christmas. (Dark Horse.) Margaret Atwood lives in Toronto with writer Graeme Gibson. (From author’s website.) Summary: In the world of the near future, who will control women's bodies? Offred is a Handmaid in the Republic of Gilead.
    [Show full text]
  • Longlisted & Shortlisted Books 1994-2018
    Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G.
    [Show full text]