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Innovate-UK-Energy-Catalyst-Round-4-Directory-Of-Projects
Directory of projects Energy Catalyst – Round 4 1 Introduction Energy markets around the world – private and public, household and industry, developed and developing – are all looking for solutions to the same problem: how to provide a resilient energy system that delivers affordable and clean energy with access for all. Solving this trilemma requires innovation and collaboration on an international scale and UK businesses and researchers are at the forefront of addressing the energy revolution. Innovate UK is the UK’s innovation agency. We work with business, policy-makers and the research base to help support the development of new ideas, technologies, products and services, and to help companies de-risk their innovations as they journey towards commercialisation and business growth. The Energy Catalyst was established as a national open competition, run by Innovate UK and co-funded with the Engineering & Physical Sciences Research Council (EPSRC), the Department for Business, Energy & Industrial Strategy (BEIS) and the Department for International Development (DFID). Since 2013, the Energy Catalyst has invested almost £100m in grant funding across more than 750 organisations and 250 projects. The Energy Catalyst exists to accelerate development, commercialisation and deployment of the very best of UK energy technology and business innovation. Support from the Energy Catalyst has enabled many companies to validate their technology and business propositions, to forge key supply-chain partnerships, to accelerate their growth and to secure investment for the next stages of their business development. Affordable access to clean and reliable energy supplies is a key requirement for sustainable and inclusive economic growth. With funding through DFID’s “Transforming Energy Access” programme, the Energy Catalyst is helping UK energy innovators to forge new international partnerships, and directly address the energy access needs of poor households, communities and enterprises in Sub-Saharan Africa and South Asia. -
Trending Topics / 24 Hours Caputured July 12Th at 12
What The Trend? Find out WHY terms are trending on Twitter 7/12/11 12:34 AM Trend search Go Find out what's trending on Twitter and WHY. These blurbs are edited by you! Currently trending: Now | Last 24 Hours | Weekly Baby Boy Why is Baby Boy trending? The movie baby boy is on BET 4 the millionth time. Tyrese sexy as hell tho. Most recent appearance: 9 minutes ago First appearance: about a year ago Last edited: about 5 hours ago Valdizan Why is Valdizan trending? Be the first to explain why! Most recent appearance: 29 minutes ago First appearance: 14 days ago Codelco Why is Codelco trending? Be the first to explain why! Most recent appearance: 29 minutes ago First appearance: 29 minutes ago Bait Car Why is Bait Car trending? Users talking about the television show "Bait Car" -- A show where police set up a car that stands out like a sore thumb with cameras, and waits for anybody to try and hijack the car. Most recent appearance: 39 minutes ago First appearance: about a year ago Last edited: 4 months ago by @nwjerseyliz oRafahNãoTemCulpa Why is oRafahNãoTemCulpa trending? Please tweet #pelanzatemxoxota to help Africa with cancer. Most recent appearance: 39 minutes ago First appearance: about an hour ago Last edited: about an hour ago OrgulhoFamiliaRestart Why is OrgulhoFamiliaRestart trending? Vamo trollar!!!!!!!!! #justincheirapica @pelanzadeumesmo. | Crianças retardadas que deviam estar dormindo agora. Most recent appearance: 43 minutes ago First appearance: about an hour ago Last edited: about an hour ago #pelanzatemxoxota Why is #pelanzatemxoxota trending? usou o mesmo método da Ariadna. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
URL 100% (Korea)
アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価(税抜) URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 CD K-POP 1,603 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 CD K-POP 1,603 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 Single K-POP 907 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 Single K-POP 907 https://tower.jp/item/4825256 100% (Korea) Summer Night <通常盤C> OKCK5022 Single K-POP 602 https://tower.jp/item/4732096 100% (Korea) Summer Night <通常盤B> OKCK5021 Single K-POP 602 https://tower.jp/item/4732095 100% (Korea) Song for you メンバー別ジャケット盤 (チャンヨン)(LTD) OKCK5017 Single K-POP 301 https://tower.jp/item/4655033 100% (Korea) Summer Night <通常盤A> OKCK5020 Single K-POP 602 https://tower.jp/item/4732093 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 Single K-POP 454 https://tower.jp/item/4825259 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 Single K-POP 454 https://tower.jp/item/4825260 100% (Korea) Song for you メンバー別ジャケット盤 (ジョンファン)(LTD) OKCK5016 Single K-POP 301 https://tower.jp/item/4655032 100% (Korea) Song for you メンバー別ジャケット盤 (ヒョクジン)(LTD) OKCK5018 Single K-POP 301 https://tower.jp/item/4655034 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 Single K-POP 843 https://tower.jp/item/4415939 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 Single K-POP 421 https://tower.jp/item/4415976 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 Single K-POP 301 https://tower.jp/item/4655029 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 Single K-POP 843 https://tower.jp/item/4415954 -
Teaser Memorandum
Teaser Memorandum The First Half of 2017 Investment Opportunities In Korea Table of Contents Important Notice ………………………………… 1 Key Summary ………………………………… 2 Expected Method of Investment Promotion …………………………… 3 Business Plan ………………………………… 4 Business Introduct ………………………………… 5 License ………………………………… 11 Capacity ………………………………… 12 Market ………………………………… 13 Financial Figures ………………………………… 14 Key Summary Private & Confidential Investment Highlights RBW is a K-POP (Hallyu) contents production company founded by producer/songwriter Kim Do Hoon, Kim Jin Woo, and Hwang Sung Jin, who have produced numerous K-POP artists such as CNBLUE, Whee-sung, Park Shin Hye, GEEKS, 4MINUTE etc. Based on the “RBW Artist Incubating System’, the company researches and provides various K-POP related products such as OEM Artist & Music Production (Domestic/Overseas), Exclusive Artist Production (MAMAMOO, Basick, Yangpa etc.), Overseas Broadcasting Program Planning & Production (New concept music game show/Format name: RE:BIRTH), and K-POP Educational Training Program. With its business ability, RBW is currently making a collaboration with various domestic and overseas companies, including POSCO, NHN, Human Resources Development Service of Korea, Ministry of Labor & Employment, and KOTRA. • Business with RBW’s Unique Artist Incubating •Affiliation Relationship with International Key Factors System Companies Description • With analyzing the artists’ potentials and market trend, every stage for training and debuting artists (casting, training, producing, and album production) is efficiently processed under this system. Pictures Company Profiles Category Description Establishment Date 2013. 8. 26 Revenue 12 Billion Won (12 Million $) (2016) Website www.rbbridge.com Current Shareholder C.E.O. Kim Jin Woo 29.2%, C.E.O. Kim Do Hoon 29.2%, Institutional Investment 31.7%, Executives and Staff Composition 5.6%, Etc. -
Shinee the Shinee World Repackage Album Download
shinee the shinee world repackage album download SHINee - Atlantis - The 7th Album Repackage (2021) Artist : SHINee Title : Atlantis - The 7th Album Repackage Year Of Release : 2021 Label : SM Entertainment Genre : K-Pop, Dance Quality : Mp3 320 kbps / FLAC (tracks) Total Time : 40:29 Total Size : 93 / 294 MB WebSite : Album Preview. 1. SHINee - Atlantis 2. SHINee - CØDE 3. SHINee - Don't Call Me 4. SHINee - 같은 자리 Area 5. SHINee - Heart Attack 6. SHINee - Marry You 7. SHINee - Days and Years 8. SHINee - I Really Want You 9. SHINee - Kiss Kiss 10. SHINee - Attention 11. SHINee - Body Rhythm 12. SHINee - 빈칸 Kind. SHINee The 3rd Album Chapter 1. 'Dream Girl - The Misconceptions Of You' Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at 9.99€ SHINee The 3rd Album Chapter 1. 'Dream Girl - The Misconceptions Of You' Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then €19.99 / month. 2013 SM Entertainment 2013 SM Entertainment. 2013 SM Entertainment 2013 SM Entertainment. 2013 SM Entertainment 2013 SM Entertainment. 2013 SM Entertainment 2013 SM Entertainment. 2013 SM Entertainment 2013 SM Entertainment. 2013 SM Entertainment 2013 SM Entertainment. 2013 SM Entertainment 2013 SM Entertainment. 2013 SM Entertainment 2013 SM Entertainment. 2013 SM Entertainment 2013 SM Entertainment. About the album. 1 disc(s) - 9 track(s) Total length: 00:30:54. -
THE GLOBALIZATION of K-POP by Gyu Tag
DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program. -
“Shinee World III Concert in JAKARTA”
Grup Band SHINee Siap Mengguncang Jakarta Juni Mendatang “SHINee World III Concert in JAKARTA” Jakarta 6 Mei, 2014 - Synergism Entertainment yang telah sukses mengelar “Opus Jay 2013 World Tour” dari artis Jay Chou dan 2013 INFINITE 1st World Tour, boy band asal Korea Selatan di tahun lalu, kini kembali mendatangkan mega band asal Korea Selatan yang sangat terkenal baik di Jepang dan kawasan Asia lainnya, yaitu SHINee (baca: shy- nee) pada 22 Juni 2014 mendatang di Mata Elang Intenasional Stadium (MEIS) – Jakarta. SHINee, boy band R&B kontemporer asal Korea Selatan besutan SM Entertainment berdiri sejak 2008 lalu dan digawangi oleh lima orang anak muda yaitu Onew (bernama asli Lee Jin Ki), Jong Hyun (Kim Jong Hyun), Key (Kim Ki Bun), Min Ho (Choi Min Ho) dan Tae Min (Lee Tae Min). SHINee dikenal sebagai boy band Korea yang paling stylist, bahkan dinobatkan sebagai ikon fashion dan menciptakan tren “SHINee Trend” dalam berpakaian (sepatu sneakers semata kaki, kaos besar yang longgar dan jaket berkerudung dengan warna menyala atau motif yang berani), dan dikenal atas joget mereka yang sangat kompak dan rumit. Boy band Korea yang telah banyak mendapat sukses di Jepang dan banyak negara lainnya ini hadir di Indonesia dalam rangkaian tur “SHINee World III” yang telah dimulai sejak 8 Maret lalu di Seoul – Korea Selatan, dan akan mengunjungi banyak negara di Amerika Selatan serta di kawasan Asia. Dalam tur ini SHINee akan membawakan lagu- lagu hits mereka seperti “Replay”, “You are my everything”, “Juliette”, “Lucifer”, “Sherlock”, “Fire”, “Boys Meet U” dan masih banyak lagi. Irama up beat musik R&B dan gerakan dinamis yang kompak dari SHINee ini dijamin akan menghinotis jutaan penggemarnya. -
SM Entertainment (041510 KQ) Entertainment
May 31, 2012 Company Report SM Entertainment (041510 KQ) Entertainment Daewoo Securities Co., Ltd. Spread of smart devices to lead to increased music consumption Chang-kwean Kim +822-768-4321 Digital music revenues to expand on launch of iTunes and improved pricing [email protected] We expect the global and domestic digital music markets to show robust growth until 2015 (at CAGRs of 11.6% and 14.9%, respectively). AppleÊs launch of iTunes in Korea should boost digital music demand. And the governmentÊs anticipated introduction of a pay-per-streaming/download system should lead to unit price hikes. The growth of the smart TV (e.g., Apple TV) market should boost traffic to music videos as well as help facilitate the development of SM EntertainmentÊs drama Buy (Maintain) business. In 2011, SM generated W4bn in advertising revenues related to its YouTube music videos and W6.2bn in digital music revenues. The gross margin of Target Price (12M, W) 57,400 Share Price (05/30/12, W) 40,500 the digital music business came in at a whopping 80%. Expected Return (%) 41.7 EPS Growth (12F, %) 151.5 Maintain Buy call with TP of W57,400 Market EPS Growth (12F, %) 19.1 We maintain our Buy call on SM Entertainment with a target price of W57,400. We P/E (12F, x) 13.0 raised our 2012 and 2013 EPS estimates by 2.4% and 10.4%, respectively, to Market P/E (12F, x) 9.3 reflect the companyÊs 1Q results. We project the companyÊs 2012 revenues and KOSDAQ 469.62 operating profit to soar by 71.2% YoY and 249.4% YoY, respectively. -
Hallyu at a Crossroads: the Clash of Korea's Soft Power Success and China's Hard Power Threat in Light of Terminal High
Asian International Studies Review Vol. 18 No.1 (June 2017): 153-169 153 Received March 15, 2017 Revised May 10, 2017 Accepted May 20, 2017 Hallyu at a Crossroads: The Clash of Korea’s Soft Power Success and China’s Hard Power Threat in Light of Terminal High Altitude Area Defense (THAAD) System Deployment HANNAH JUN* The past two decades have witnessed the remarkable success of Hallyu, or the Korean Wave, with Korea welcoming a large influx of foreign visitors and benefiting from massive consumption of products ranging from Korean television and film, K-pop and lifestyle products. A more recent announcement by CJ E&M points to an even more aggressive plan for regional ubiquity, as encapsulated by Hallyu 4.0. Simultaneously, we have already felt some of the effect of policy changes in China – a core Hallyu market – as a response to Korea’s plan to deploy a Terminal High Altitude Area Defense (THAAD) system. In this sense, we see the stirrings of a clash between Korean soft power and Chinese hard power, and are uncertain who will emerge on top. This paper examines the broad success of Hallyu from key theoretical perspectives, while addressing linkages between Korean corporations and cultural power/influence that have led to an announcement such as Hallyu 4.0. This paper also highlights the recent tensions between Korea and China, specifically with respect to THAAD deployment, and outlines potential implications for businesses and policymakers through preliminary scenarios. Keywords: Nuclear Taboo, Nuclear Arms, Deterrence, Norms, Proliferation, Just War * Assistant Professor, Ewha Womans University, Seoul, South Korea; E-mail: [email protected]; DOI: 10.16934/isr.18.1.201706.153 Downloaded from Brill.com09/28/2021 03:33:20PM via free access 154 Hallyu at a Crossroads I. -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language. -
K-Pop As a Means to an End Among Thai Youth: Korean Wave As Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London
ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ K-Pop as a Means to an End among Thai Youth: Korean Wave as Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London To cite this article: Keith Howard and Great Lekakul, “K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image.” Culture and Empathy 1(1-4): 18-33, DOI: 10.32860/26356619/2018/1.1234.0003. To link to this article: https://doi.org/10.32860/26356619/2018/1.1234.0003 Published online: 8 Oct 2018. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 1, No. 1-4, pp. 18-33 https://doi.org/10.32860/26356619/2018/1.1234.0003 K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image Keith HOWARD, SOAS, University of London Great LEKAKUL, SOAS, University of London Abstract Assessments of the impact of K-pop beyond Korea, and of other aspects within the broader Korean Wave, often focus on groups of fans. The research reported here began from an intention to move beyond fandom, encouraged by a challenge to demonstrate that ARTICLE HISTORY members of the British Thai community, aware of their heritage in Received 10 August 2018 Southeast Asia but growing up in the eclectic cultural mix of Revised 24 September 2018 Accepted 30 September 2018 contemporary Britain, were interested in K-pop.