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Nuendo – Plug-In Reference

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Nuendo – Plug-In Reference Plug-in Reference Original manual by Anders Nordmark Revision: Cristina Bachmann, Heiko Bischoff, Marion Bröer, Sabine Pfeifer The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publica- tion may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. All product and company names are ™ or ® trademarks of their respective owners. Windows XP is a trademark of Microsoft Corporation. Windows Vista is either a registered trademark or trademark of Microsoft Corporation in the United States and/or other countries. The Mac logo is a trademark used under license. Macintosh and Power Macintosh are registered trademarks. Release Date: September 14, 2007 © Steinberg Media Technologies GmbH, 2007. All rights reserved. Table of Contents 5 The included effect plug-ins 6 Introduction 6 Delay plug-ins 9 Distortion plug-ins 11 Dynamics plug-ins 20 EQ plug-ins 22 Filter plug-ins 28 Mastering – UV 22 HR 29 Modulation plug-ins 35 Other plug-ins 37 Restoration plug-ins 41 Reverb plug-ins 43 Spatial plug-ins 44 Surround plug-ins 53 Tools plug-ins 57 MIDI effects 58 Introduction 58 Arpache 5 59 Arpache SX 60 Autopan 61 Chorder 62 Compress 63 Context Gate 64 Density 64 Micro Tuner 64 MIDIControl 65 MIDIEcho 66 Note to CC 67 Quantizer 67 Step Designer 69 Track Control 71 Track FX 71 Transformer 72 Mixconvert Appendix 73 Available conversions 75 Index 4 Table of Contents 2 The included effect plug-ins Introduction Delay plug-ins This chapter contains descriptions of the included plug-in This section contains descriptions of the plug-ins in the effects and their parameters. “Delay” category. In Nuendo, the plug-in effects are arranged in a number of different categories. This chapter is arranged in the same ModMachine fashion, with the plug-ins listed in separate sections for each effect category. Ö Most of the included effects are compatible with VST3, this is indicated by an icon in front of the name of the plug-in as displayed in plug-in selection menus (for further information, see the chapter “Audio Effects” in the Operation Manual). ModMachine combines delay modulation and filter fre- quency/resonance modulation and can provide many in- teresting modulation effects. It also features a Drive parameter for distortion effects. The parameters are as follows: Parameter Description Delay This is where you specify the base note value for the de- lay if tempo sync is on (1/1–1/32, straight, triplet or dot- ted). If tempo sync is off, the delay time can be set freely in milliseconds. Tempo sync The button below the Delay knob turns tempo sync for Delay on/off the delay parameter on or off. If set to off, the delay time can be set freely with the Delay knob. Rate The Rate parameter sets the base note value for tempo syncing the delay modulation (1/1 to 1/32, straight, triplet or dotted). If tempo sync is off, the rate can be set freely with the Rate knob. 6 The included effect plug-ins Parameter Description Parameter Description Tempo sync The button below the Rate knob turns tempo sync for the Range Lo/Hi These knobs specify the range of filter resonance modu- Rate on/off rate parameter on or off. If set to off, the rate can be set lation. Both positive (e.g. Lo set to 50 and Hi set to 100) freely with the Rate knob. and negative (e.g. Lo set to 100 and Hi set to 50) ranges can be set. If tempo sync is off and the Speed is set to Width This sets the amount of delay pitch modulation. Note that zero, these parameters are inactive and the filter reso- although the modulation affects the delay time, the sound nance is controlled by the Q-Factor parameter instead. is mostly perceived as a vibrato or chorus-like effect. Spatial This introduces an offset between the channels to create Feedback This sets the number of repeats for the delay. a stereo panorama effect for the filter resonance modula- Drive This parameter adds distortion to the feeback loop. The tion. Turn clockwise for a more pronounced stereo effect. longer the Feedback, the more the delay repeats become distorted over time. Mix Sets the level balance between the dry signal and the ef- fect. If ModMachine is used as a send effect, this should be set to maximum (100%) as you can control the dry/ef- fect balance with the send. Nudge Clicking the Nudge button once will momentarily speed up the audio coming into the plug-in, simulating an ana- log tape nudge type sound effect. Signal path You can click on the Filter sections displayed in the graphic graphic in the center of the plug-in to place the Filter sec- tion either before or after the Drive and Feedback para- meters in the signal path. Output/Loop The Filter can either be placed in the feedback loop of the delay or in its output path (see above). Filter type This toggle button allows you to select a filter type. Low- pass/bandpass/hipass filter types are available. Freq This sets the cutoff frequency for the filter. This is avail- able only, if filter frequency LFO tempo sync is deacti- vated and the Speed parameter (see below) is set to “0". Speed This sets the speed of the filter frequency LFO modula- tion. If tempo sync is activated the Speed parameter sets the base note value for tempo syncing the modulation (1/ 1 to 1/32, straight, triplet or dotted). If tempo sync is off, the rate can be set freely with the Speed knob. Range Lo/Hi These knobs specify the range (in Hz) of the filter fre- quency modulation. Both positive (e.g. Lo set to 50 and Hi set to 10000) and negative (e.g. Lo set to 5000 and Hi set to 500) ranges can be set. If tempo sync is off and the Speed is set to zero, these parameters are inactive and the filter frequency is instead controlled by the Freq parameter. Spatial This introduces an offset between the channels to create a stereo panorama effect for the filter frequency modula- tion. Turn clockwise for a more pronounced stereo effect. Q-Factor This controls the resonance of the filter. This is available only, if filter resonance LFO tempo sync is deactivated and the Speed parameter (see below) is set to “0". If tempo sync is on, the resonance is controlled by the Speed and Range parameters. Speed This sets the speed of the filter resonance LFO modula- tion. If tempo sync is activated, the Speed parameter sets the base note value for tempo syncing the modulation (1/1 to 1/32, straight, triplet or dotted). If tempo sync is off, the rate can be set freely with the Speed knob. 7 The included effect plug-ins MonoDelay PingPongDelay This is a mono delay effect that can either be tempo-based This is a stereo delay effect that alternates each delay re- or use freely specified delay time settings. The delay can peat between the left and right channels. The effect can also be controlled from another signal source via the Side- either be tempo-based or use freely specified delay time Chain input. settings. The parameters are as follows: The parameters are as follows: Parameter Description Parameter Description Delay This is where you specify the base note value for the delay Delay This is where you specify the base note value for the delay if tempo sync is on (1/1–1/32, straight, triplet or dotted). If if tempo sync is on (1/1–1/32, straight, triplet or dotted). If tempo sync is off, it sets the delay time in milliseconds. tempo sync is off, it sets the delay time in milliseconds. Tempo sync The button below the Delay Time knob is used to turn Tempo sync The button below the Delay Time knob is used to turn on/off tempo sync on or off. If set to off the delay time can be set on/off tempo sync on or off. If set to off the delay time can be set freely with the Delay Time knob, without sync to tempo. freely with the Delay Time knob, without sync to tempo. Feedback This sets the number of repeats for the delay. Feedback This sets the number of repeats for the delay. Filter Lo This filter affects the feedback loop of the effect signal Filter Lo This filter affects the feedback loop and allows you to roll and allows you to roll off low frequencies from 10Hz up off low frequencies up to 800Hz. The button below the to 800Hz. The button below the knob activates/deacti- knob activates/deactivates the filter. vates the filter. Filter Hi This filter affects the feedback loop and allows you to roll Filter Hi This filter affects the feedback loop of the effect signal off high frequencies from 20kHz down to 1.2kHz. The and allows you to roll off high frequencies from 20kHz button below the knob activates/deactivates the filter. down to 1.2kHz. The button below the knob activates/ deactivates the filter. Spatial This parameter sets the stereo width for the left/right re- peats.
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