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To Download a PDF of Interview with Philippe Dauman, President and Chief Executive Officer
Creating Content An Interview with Philippe Dauman, President and Chief Executive Offi cer, Viacom Inc. EDITORS’ NOTE Before joining Are you fi nding ways to mone- Unfortunately, there are a lot of young peo- Viacom, Philippe Dauman was Co- tize in the online and mobile sectors? ple who lack the skill sets to do that and some Chairman and Chief Executive Offi cer Yes, we have already completed who don’t fully realize that success requires hard of DND Capital Partners, L.L.C. several digital distribution deals, includ- work. We work with our talent and celebrities to from May 2000 until September ing with Netfl ix and Hulu, and there communicate the importance of fi nishing school 2006. Prior to co-founding DND are more on the horizon. We have vast and that success is borne from hard work – it’s Capital Partners, Dauman served libraries of content that isn’t on televi- all part of our Get Schooled effort. in several positions at Viacom, in- sion or in theaters and these distribu- Our public school system is not serv- cluding as a Deputy Chairman tors give us new digital avenues through ing us well and the U.S. needs to dramati- and Executive Vice President of which to monetize those assets. cally improve it. Advances in education Viacom Inc. He is a director of New forms of distribution are great are happening in other parts of the world. National Amusements, Inc.; Lafarge opportunities because our business is If we were to lose the education edge in S.A.; and the KIPP Foundation, as Philippe Dauman premised on windows. -
New York Theatrical
JULY 12. 1980 10-T- HE CAROLINA TIMES SAT., New York Theatrical Over $2,200 in prize money King Jr.'s National Black will.be awarded to winners in Touring Circuit offerings, fter the Harlem YMCA All Stars Washington, "boogie woogie Contest, "sponsored by Ken-tac- ky landscapes" will travel to Cried Chicken and to be Philadelphia, Detroit and held In neighborhood parks Chicago. At present, there are ANNIVERSARY GIFT Ran- and at Downing Stadium no plans for NYC. Thomas B: Shrop- dall's Island on July 19-2- 0. shire Senior Vice Black (left), Top male and female winners Tribute to the President of the Miller (? will receive $500 and '80, held at the prizes Designer Brewing Company i." , one-we- ek two to the Fashion Institute of trips for presented copies ol Bahamas. Deadline for entries Technology, was the third an- commissioned Erints is July 14 and entry blanks can nual event sponsored by to celebrate be picked up at any Kentucky Harvey's Bristol Cream and a the brewer's 125th an- Com- the rv .; Fried Chicken store. celebration of niversary to John H. 18 of black petition for those years and achievements Sengstacke, president up will be in a basketball designers, past and future. of the National "shoot-out- ", push-up- s, chaired the even- broad Naomi Sims Newspaper Publishers jump, obstacle course and ing's program which honored Association at the one-mi- le run. designers Ed Austin, Jeffrey association's recent Carl Banks, Stephen Burrows, convention in Chicago. "Sesame Place," a "21st Davis, James Daughterty, Jon century" play park pioneering Haggins, Keven & Robert, Ar- a new concept in family enter- thur McGee, Lelartd Paul tainment will open in Bucks Michael, Harold Stone, County, Pa., the end of July. -
No Beethoven
No Beethoven No Beethoven An Autobiography & Chronicle of Weather Report by Peter Erskine edited by Rick Mattingly book design by Kio Griffith photography by Shigeru Uchiyama, Peter Erskine & others Front cover photograph: Shigeru Uchiyama Back cover photograph: Norman Seeff, courtesy of CBS Records © 2013 Peter Erskine FUZZ/E/BOOKS Fuzzy Music LLC Exclusive Worldwide Distribution by Alfred Music All Rights Reserved. Printed in USA. ISBN-10: 0-9892530-1-5 ISBN-13: 978-0-9892530-1-7 ALL RIGHTS RESERVED. This book contains material protected under International and Federal Copyright Laws and Treaties. Any unauthorized reprint or use of this material is prohibited. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including printing/photocopying, recording, or by any information storage and retrieval system without express written permission from the author/publisher. “I ain’t afraid of no Beethoven.” – Joe Zawinul to Peter Erskine, circa 1979 About the Author Peter Erskine has played the drums since age four and is known for his versatility and love of working in different musical contexts. He appears on 600 albums and film scores, and has won two Grammy Awards, plus an Honorary Doctorate from the Berklee School of Music. Thirty albums have been released under his own name or as co-leader. He has played with the Stan Kenton and Maynard Ferguson Big Bands, Weather Report, Steps Ahead, Joni Mitchell, Steely Dan, Diana Krall, Kenny Wheeler, The Brecker Brothers, The Yellowjackets, Pat Metheny and Gary Burton, John Scofield, et al, and has appeared as a soloist with the London, Los Angeles, Chicago, Frankfurt Radio, Scottish Chamber, Royal Opera House, BBC Symphony and Berlin Philharmonic Orchestras. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Statement by Pierce O'donnell Greenberg
Statement by Pierce O’Donnell Greenberg Glusker Fields Claman & Machtinger LLP Attorney for Keryn Redstone June 1, 2016 Keryn Redstone Expresses Solidarity With Viacom Directors We are honored to announce that we represent Keryn Redstone, Sumner Redstone’s beloved granddaughter. Keryn has asked us to make the following statement on her behalf: I want to express my support for the Viacom directors who have tried to meet with my grandfather but have been denied access by Shari Redstone, not my grandfather. There is no way that a competent Sumner Redstone, acting of his own free will, would ever refuse to meet with his fellow directors who have been his close friends and allies and so loyal to him over many years. Manuela Herzer and I have also been prevented by Shari from seeing my grandfather. We are two of the persons who were the most devoted to his welfare and protecting him. Shari and her family have managed to totally isolate and effectively kidnap, brainwash, and take advantage of my grandfather due to his debilitated state of mind and frail health. They have lied to him about Manuela Herzer, the loyalty of his long-time friends like Philippe Dauman and George Abrams, and me. So far, Shari and her three adult children have succeeded in reversing decades of my grandfather’s careful estate planning and are poised to seize control of Viacom and CBS. My grandfather (whom I affectionately call “Grumpy”) and I have had a very close and loving relationship ever since I was a little girl. Last September, when his health started rapidly failing, my grandfather and Manuela asked me to move into his house to help with his healthcare needs. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Executive Excess 2007
Executive Excess 2007 The Staggering Social Cost of U.S. Business Leadership 14th Annual CEO Compensation Survey Co-Authors: Sarah Anderson, John Cavanagh, Chuck Collins, Sam Pizzigati, Institute for Policy Studies Mike Lapham, United for a Fair Economy Research Assistance: Jeremy Koulish and Samson Osoro Embargoed until: August 29, 2007 About the Authors Sarah Anderson is the Director of the Global Economy Project at the Institute for Policy Studies and co-author, with John Cavanagh and Thea Lee, of Field Guide to the Global Economy (New Press, 2005). John Cavanagh is the Director of the Institute for Policy Studies and co-author of Alternatives to Economic Globalization (Berrett-Koehler, 2004). Chuck Collins is a senior scholar at the Institute for Policy Studies where he directs the Program on Inequality and the Common Good. He was a co-founder of United for a Fair Economy, and his latest book, the co-authored The Moral Measure of the Economy (Orbis, 2007), appeared earlier this year. Sam Pizzigati is an Associate Fellow of the Institute for Policy Studies and the author of Greed and Good: Understand- ing and Overcoming the Inequality That Limits Our Lives (Apex Press, 2004). He edits Too Much, an online weekly on excess and inequality. Mike Lapham is Director of Responsible Wealth, a project of United for a Fair Economy. He was co-author of the 2004 report “I Didn't Do It Alone: Society's Contribution to Individual Wealth and Success.” Acknowledgements Layout: Chris Hartman The authors would like to thank the following individuals for providing valuable comments on this report: Charlie Cray, Center for Corporate Policy, and Dedrick Muhammed, Institute for Policy Studies. -
A Stark Portrait of Media Mogul Sumner Redstone: Ex-Girlfriend Says He's 'A Living Ghost' - LA Times
12/17/2015 A stark portrait of media mogul Sumner Redstone: Ex-girlfriend says he's 'a living ghost' - LA Times ENTERTAINMENT / ENVELOPE / COMPANY TOWN A stark portrait of media mogul Sumner Redstone: Ex-girlfriend says he's 'a living ghost' Sumner Redstone is flanked by Sydney Holland, left, and Manuela Herzer. Until recently both were residents of Redstone’s hilltop estate in Beverly Park. (Billy Bennight / ZUMAPRESS.com) By Meg James • Contact Reporter DECEMBER 17, 2015, 3:00 AM eyond the gates of an exclusive Beverly Hills enclave, a roundtheclock crew of more than a dozen staff members — nurses, housekeepers, security guards and a loyal limousine driver — B tend to the every need of Sumner Redstone. The ailing 92yearold executive chairman of Viacom Inc. and CBS Corp. is largely confined to his 15,355 squarefoot mansion with eight bathrooms, gigantic tanks of tropical fish and four dogs, including two longhaired Dachshunds named Arthur and Murray. Once bustling with activity, the compound is quieter these days. The girlfriends are gone. Football, basketball and CNBC still play on the giant TVs, but the once razorsharp mogul lacks interest. He perks http://www.latimes.com/entertainment/envelope/cotown/la-et-ct-sumner-redstone-saga-20151217-story.html 1/7 12/17/2015 A stark portrait of media mogul Sumner Redstone: Ex-girlfriend says he's 'a living ghost' - LA Times up during visits with his grandchildren, friends, his physician, lawyers and executives from New York — but those visits also cause frustration because Redstone has lost the ability to clearly articulate his words. -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ........................................................................................... -
Check out 8 Songs Musical Artists Have
Search TRAILBLAZERS IN MUSIC: CHECK OUT SONGS MUSICAL ARTISTS HAVE SAMPLED FROM WOMEN OF MOTOWN By Brianna Rhodes Photo: Classic Motown - Advertisement - The Sound Of Young America wouldn’t be known for what it is today without the trailblazing Women of Motown. Throughout its 60-year existence, Motown Records made an impact on the world thanks to music genius and founder, Berry Gordy. It's important to note though, that the African- American owned label wouldn’t have reached so many monumental milestones without The Supremes, Martha Reeves & The Vandellas, Mary Wells, The Marvelettes, Tammi Terrell and Gladys Knight. The success of these talented women proved that women voices needed to be heard through radio airwaves everywhere. As a kid, you were probably singing melodies created by these women around the house with family members or even performing the songs in your school’s talent show, not even realizing how much of an impact these women made on Black culture and Black music. This is why it’s important to acknowledge these women during the celebration of the label’s 60th anniversary. The legendary reign of the Women of Motown began back in 1960, with then 17-year-old musical artist Mary Wells with her debut single, “Bye Bye Baby.” Wells, who wrote the song herself, helped Motown attain its first Top 10 R&B hit ever. Wells continued to make history with her chart-topping single, “My Guy” becoming Motown’s fourth No. 1 hit on the Billboard Hot 100 and the company’s first major U.K. single. -
Schapiro Exhibit
Schapiro Exhibit 195 Subject: Re: Vanity Fair/Sumner Redstone From: Robinson, Carole -:EX:/O=VIACOM/OU=MTVUSA/CN=RECIPIENTS/CN= ROBINSOC;: To: Freston, Tom Cc: Date: Wed, 01 Nov 2006 02:46:10 +0000 -----Original Message----- From: Freston, Tom To: Robinson, Carole Sent: Tue Oct 31 21:29:322006 Subject: Re: Vanity Fair/Sumner Redstone -----Original Message----- From: Robinson, Carole To: Freston, Tom Sent: Tue Oct 3121:16:032006 Subject: Re: Vanity Fair/Sumner Redstone -----Original Message----- From: Freston, Tom To: Robinson, Carole Sent: Tue Oct 31 18:58:592006 Subject: Re: Vanity Fair/Sumner Redstone -----Original Message----- Highly Confidential VIA09076933 From: Robinson, Carole To: Freston, Tom Sent: Tue Oct 3111:25:52 2006 Subject: Vanity Fair/Sumner Redstone The New Establishment Sumner Redstone and one of the saltwater fishtanks in his home in Beverly Park, California, on October 6. Photograph by Don Flood. Sleeping with the Fishes Happy at last, Sumner Redstone is still far from mellow-witness his public trashing of superstar Tom Cruise and firing of Viacom C.EO, Tom Freston. At home in Beverly Hills, the 83-year-old tycoon and his new wife, Paula, reveal their love story, her role in the Cruise decision, and what he claims was Freston's big mistake. by Bryan Burrough December 2006 High on the slopes above Beverly Hills, so high the clouds sometimes waft beneath it, one of the most exclusive enclaves in Southern California hides behind a pair of mammoth iron gates. If you're expected, a security guard will push a button and the gates will slowly open.