DOCSLIB.ORG

Top New Jersey Artists to Serve As Judges at Tercentenary Art Show

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Top New Jersey Artists to Serve As Judges at Tercentenary Art Show THE MIDDLESEX COUNTY urn Serving Woodbridge Township, Carteret and Edison Published Wwkly t to* Clan Mid Woodbridge, N. J.( Wednesday, May 14, 1969 On Vltinnitf TEN CENTS At P. 0. Woodbridit, N. J. ntra-Township Mini-Bus System Seen Study Started French Will be Spoken Here WOODBRIDGE - You tin According to the mayor, Dr. Chevance came Uack people in American bonus. When Dr, Chevance got in On Feasibility doubtedly* will hear French Dr. Chevance was disturbed to the United States and went This will be assumed by in- touch with him, Mayor Ba spoken in the municipal when he found how active the to see another classmate, dustry. No salaries are ex- rone said he immediately call- WOODBRIDGE — A study to determine.the feasibility nf building and in various Communists were among the William Kendall, executive pected and the visitors will ed Woodbridge Area Cham- implementing a jitney or mini-bus system within the Town- Township industries Cor a secretary to Congressman students — selling them the be covered by insurance dur- ber of Commerce for assis- ship has been initiated and an investigation has already be- month in August.. Peter Frelinghuysen, who at ing their stay in the States. tance with industry which has gun of the possibility of obtaining Federal and Slate financial idea of how fine Rus.su was. one time represented Wood- It is the result of the "Dis It is the hope of Dr. Chev- been forthcoming. It you are assistance for such a project, Mayor Ralph P. Barone an lie discovered, too, that no bridge when it was a part of interested i.i having a young nouueed today at his weekly press conference. The city of cover America Project for one was promoting the Uni- the Fifth Congressional Dist- ance to bring >oung French- Young.French 1'coplc". snon- Frenchman take part in your 1'aramus has obtained a demonstration grant for a similar ted States, lie discussed the rict. It was Kendall who told men into direct contact with sqred by The American In- the Americans; to show them industrial or business life, get project, the mayor said. matter with the mayor of Chevance that Barone was stitute • France, Montpcllier, how Americans live and in touch with Roger Johnson Montpellier who is pro Amer- mayor of Woodbridge. At the "The need for short-haul bus transportation within lh» France, same time Kendall put Chev- work. at- the Chamber of • Com- Township has clearly been proven", the mayor staled. ican and they Agreed that the ance in touch with the "right Among the visitors coming merce. "Therefore, upon my direction, Robert Rosa, Director nf It all started when Or, lime had come to promote Yves N. Chevance, of Madi- people in the State Depart- from France will be young T h e American Institute. I'lanning and Development has already met with officials son, a classmate of Mayor better understanding between ment" where he got a warm doctors, young men interested France, has the full moral from Federal Department of Housing and. Urban Develop- the young people of France reception. in government, chemists, ment and the Federal Department of Transportation,1' Ralph Barone, at Rutgers' support of Sargent Shiver. Newark College, went to the and the United States. The The only Expense attached tqaehers, physicists, workers, American Ambassador Hiisii has also discussed the concept of a jitney or mini bin University of Monlpeliier for exchange program was de- to the project is providing farmers and future business system with the State Department of Community Affairs and his doctorate. cided upon. room and board for the young men. to France. the State Department of Transportation. VKRY Ki:\ MSGIt. (.Itll I IN mmmm^mmmmmm v*:3Kw:;™^^^ A jitney system is presently operating in Atlantic City and 2.VMI ANNIVKIISAHY: SI. the mayor has asked Rosa to analyze that, city's service rn James I'arisli will sponsor ;i well as others to determine any benefits the Township may Strong Appeal for More hall Saturday, May 2-1, in hon- derive from their experience. Top New Jersey Artists or of Very. Itev. Msgr. Mau- rice P. Griffin, who will he Two-fold Problem School Aid Made by Mayor marking his 25th year as a According to Rosa, the Township's transportation prob- priest. There will be dinner lem is two-fold: and dancing, with a 10 piece To Serve As Judges At WOODBRIDGE - A strong lion in two years our actual • Many residents, such is senior citizens, without auto- amount of State School Formula orchestra providing the music mobiles find it almost impoisible to go from one part ofth« appeal for the proposed State aid from 11:00 P.M. to 1 A. M. to schools bill, which, if adopted Aid has been cut by an aggi'e township to another by any means of public transportation. would provide Woodbridge Town gate of abeut %'l million in the Tickets may be obtained by • Even those who own can are finding it more difficult, Tercentenary Art Show ship with an additional $3Vi mil- same two-year period. In therailing any of the following: during peak traffic periods, to travel within the Township's lion in annual State aid*-was same two-year period, Wood Richard Dunigan, fi:t4-0tij!0; boundaries. delivered by Mayor Ralph ' P. bridge did an outstanding job John Coley, 634-349!*; John WOODBRIDGE — Three out tion, Somerville Art Group. Newi judged and demonstrated at lo Aquila, 6:i4:!152; Joan Ander- A jitney or mini bus system would assist those without standing New Jersey artists will Providence and Belle Mcade Art cal state shows. Barone at a public hearing held in attracting new industrial rat vehicles and would also generally aid local traffic by keeping ables. These facilities resulted son, <i;M-1544; Elsie llalstcari, serve as judges for the state Associations, lie also conducts Mr. Waterhouse, too, is also on Senate Bill 633 in the State linnecesary private automobiles off Township roads. wide 300th Anniversary Art F,x in $730,000 worth of new tax 634X015. Margaret Jost, 6:14- classes in his own studio' in well known in the area. A mem- Assembly chambers. 8479. The mayor explained that for many years the council has hi bit to be held in conjunction South Piainfield. ber of the Society of Illustrators 'Dr. Barone asked that Wood dollars. This success, however, with the 3O0th Anniversary Old- caused us to be penalized by tried to get Public Service to establish bus routes. Some wore a d N v a Ttisls f bridge be given its "fair shire" tried and then abandoned when large buses were not filled. Fashion Country Fair June U Mr. Wyllie has won many priz i, " , * , } \ ? Salmagundi the present inequitable formula Club, Waterhouse has served as and cited numerous statistics The mini bus, the mayor *nid, could be the answer. and 15 at Merrill Park, <>s for his work including third to the 'tune' of about two mil place at the Grand National Art illustrator for the Reader's Di and examplep s which showedjithj M Food^.'vunp !>r;ui.v .•; lack nf nuiii.1 ^ ,ns| irtation at a reasons M<' The judges are Mary Ellen gest, American Legion, Boy h iibl fthl lion dollars — or for every prop .Silkotch, Pisc»Uway: Exhibit, sponsored by the Anier the- present "inequitable sfthool price within the Township's boundaries, mothers and fathers , y |t Scouts. School Text and chil- aid formula has badly discrimi- erty tax industrial dollar we S. Wyllie, South Plainfield and ican Artist Professional League brought in — we lost more than are gradually spending their time being chaffeurs for their held at the National Art Exhibit, dren's books. Fifty of his paint- nated against Woodbridge Town- children, the mayor stated. Charles Waterhouse, Edison. ings and drawings are in theship's predominately home-own- two dollars in State School for Renewal Set Miss Silkotch, a portrait "and sponsored by the American Art mula aid. What incentive may I "We keep a pretty accurate barometer as to people's proh ist Professional League held at USN-U.S.M.C. Art Center, Wash- ing property taxpayers." landscape artist has had one- ington, D.C. ask is there in bringing in new lems and their needs", Dr, Barone continued, "and the need man exhibitions and her work the National Academy, New Another Township resident who industry which benefits the state of local transportation keeps cropping up every time." York, first place at the Washing- May 19 to 21 has been shown at national and / He is author illustrator of appeared at the hearing was Roy economy as a whole and crip There is no public transportation between Woodbridge an<t regional exhibitions. She hatosn Cherry Blossom Art Fosti "Vietnam Sketch Book" k soon Mundy, member of the Wood-pies the poor man who owns a WOODBHUKiE—Mayor Ralph val and first awards at i.hc annu- Fords, and Woodbridge and Colonia. Buses to Iselin run in served as instructor in many to be published "Have Brush bridge Board of Education, but little piece of dirt?" P. Barone announced today thai frequently. If the survey reveals that a min-bus system n .schools and art associations and al Art Exhibit held at Trailside Will Travel", another collection he made it clear that he was Museum and conducted by Art The mayor noted that which renewal of applications of pre- feasible, the plan is to Tun buses to all shopping areas in tln» also holds classes in her own of Vietnam drawings. Presently not representing "any group".
Load more

Recommended publications
  • La Generazione Dell'ottanta and the Italian Sound
    LA GENERAZIONE DELL’OTTANTA AND THE ITALIAN SOUND A DISSERTATION IN Trumpet Performance Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF MUSICAL ARTS by ALBERTO RACANATI M.M., Western Illinois University, 2016 B.A., Conservatorio Piccinni, 2010 Kansas City, Missouri 2021 LA GENERAZIONE DELL’OTTANTA AND THE ITALIAN SOUND Alberto Racanati, Candidate for the Doctor of Musical Arts Degree University of Missouri-Kansas City, 2021 ABSTRACT . La Generazione dell’Ottanta (The Generation of the Eighties) is a generation of Italian composers born in the 1880s, all of whom reached their artistic maturity between the two World Wars and who made it a point to part ways musically from the preceding generations that were rooted in operatic music, especially in the Verismo tradition. The names commonly associated with the Generazione are Alfredo Casella (1883-1947), Gian Francesco Malipiero (1882-1973), Ildebrando Pizzetti (1880-1968), and Ottorino Respighi (1879- 1936). In their efforts to create a new music that sounded unmistakingly Italian and fueled by the musical nationalism rampant throughout Europe at the time, the four composers took inspiration from the pre-Romantic music of their country. Individually and collectively, they embarked on a journey to bring back what they considered the golden age of Italian music, with each one yielding a different result. iii Through the creation of artistic associations facilitated by the fascist government, the musicians from the Generazione established themselves on the international scene and were involved with performances of their works around the world.
    [Show full text]
  • Program Notes Program
    Program Notes Program Notes by April L. Racana 24 Jun Leonard Bernstein (1918-1990) Overture to "Candide" It has been said that Leonard Bernstein never approached any work the same way twice, and his score for Candide may very well be the epitome of the extent to which he would go to continually rework and revise his compositions. The opening for this show, which has been dubbed both 24 musical and operetta, came on December 1st, 1956 and was based on Jun Voltaire’s eighteenth-century satire, which had been adapted by author Lillian Helman. The first run of the show only lasted 73 performances, however it didn’t take long for the ‘Overture’ to become an orchestral piece on its own, making its debut performance with the New York Philharmonic in January 1957. Over the next thirty years Bernstein continually revised the entire musical numerous times, with varying success in its many transformations. The ‘Overture’ contains a mixture of tunes from the show, including The Best of All Possible Worlds, Oh Happy We, and Glitter and Be Gay. So closely associated with the New York Philharmonic was Bernstein, and so well-loved was this work, that at a memorial concert following Bernstein’s death in 1990, members of the orchestra performed the ‘Overture’ without a conductor as a tribute to the symphony’s Laureate Conductor. Work composed: 1956 World premiere: 26th January, 1957 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, E-flat clarinet, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3,trombones, tuba, timpani, percussion (snare drum, tenor drum, bass drum, triangle, cymbals, glockenspiel, xylophone）, harp, strings 26 Program Notes Program Notes George Gershwin (1898-1937) Rhapsody in Blue Originally titled American Rhapsody, George Gershwin was apparently convinced by his lyricist brother, Ira, that the title needed some re-thinking.
    [Show full text]
  • View List (.Pdf)
    Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
    [Show full text]
  • Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season March 15 and 17, 2019 JURAJ VALČUHA, CONDUCTOR LUKÁŠ
    Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season March 15 and 17, 2019 JURAJ VALČUHA, CONDUCTOR LUKÁŠ VONDRÁČEK, PIANO SERGEI RACHMANINOFF Concerto No. 3 in D minor for Piano and Orchestra, Opus 30 I. Allegro ma non tanto II. Intermezzo: Adagio — III. Finale: Alla breve Mr. Vondráček Intermission OTTORINO RESPIGHI The Fountains of Rome I. The Valle Giulia Fountain at Dawn II. The Triton Fountain at Morning III. The Trevi Fountain at Noon IV. The Villa Medici Fountain at Sunset (Played without pause) OTTORINO RESPIGHI The Pines of Rome I. The Pines of the Villa Borghese II. Pines near a Catacomb III. The Pines of the Janiculum IV. The Pines of the Appian Way (Played without pause) March 15-17, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA SERGEI RACHMANINOFF Concerto No. 3 in D minor for Piano and Orchestra, Op. 30 Sergei Rachmaninoff was born in Oneg (near Novgorod), Russia, on April 1, 1873, and died in Beverly Hills, California, on March 28, 1943. He composed his Third Piano Concerto in 1909, and it was premiered at Carnegie Hall in New York by the New York Philharmonic with conductor Walter Damrosch and Rachmaninoff as the soloist on November 28, 1909. The Pittsburgh Symphony first performed the concerto at Syria Mosque with conductor Fritz Reiner and Rachmaninoff again as the soloist in January 1941, and most recently performed it with conductor Gianandrea Noseda and pianist Denis Kozhukhin in January 2016. The score calls for pairs of woodwinds, four horns, two trumpets, three trombones, timpani, percussion and strings.
    [Show full text]
  • Apollo Future in Doubt
    Register Offices Move to New BELOW Sonny but Cold i Sunny but cold today. Clear, FINAL very cold tonight. Sunny, cold Re4 Bank, Freehold tomorrow and Wednesday. Lone Branch (See details page 2) I EDITION Honmouih County's Borne Newspaper for 0$ Years VOJL. 93 NO. 149 RED BANK, N. J., MONDAY, FEBRUARY 1,1971 18 PAGES TEN GENTS; Apollo Future in Doubt SPACE CENTER, Houston and Mitchell would return "That's basically it," said this was a little — but frus- when an oxygen tank explod- (AP) - The Apollo 14 crew, from the lunar surf ace to link Roosa. trating, problem. Sjoberg ed. That wiped out any hope using a flashlight and radioed again with the command ship "You've exhausted our im- said if the landing could not of landing and the astronatus do-it-yourself instructions, piloted by Roosa. agination for right now on' be made, the astronauts would used their nose to nose lunar tried unsuccessfully today to "We will have to convince troubleshooting the probe," attempt an alternate mission module to pump electricity pinptfnt the cause of a mal- of orbiting the moon. and oxygen to the command ourselves... that the thing is said Mission Control. "We'll 1 function that threatens to wipe indeed satisfactory for dock- worry about it some more It confronted the astronauts craft for then voyage back out their long-sought landing ing," said Sigurd Sjoberg, overnight and be back with three hours after launch yes- home. on the forbidding moonscape director of flight operations. you in the morning." terday when they turned their -me space budget proposed of Fra Mauro.
    [Show full text]
  • Fantasias Music History Through Animation Background
    Disney’s Two Fantasias Music History Through Animation Background “The beauty and inspiration of music must not be restricted to a privileged few, but must be made available to every man, woman and child.” - Leopold Stokowski, 1940 “Fantasia is.. the beginning of a new technique for the screen.. and a greater development of sound recording and reproduction.” - Walt Disney, 1940 - Disney’s idea of marrying animation and music had begun in 1929 with the Silly Symphonies series (The Skeleton Dance, 1929, Flowers and Trees, 1932, first Technicolor release, The Old Mill, 1937, first multi-plane animation). Mickey was purposely left out. - by late-1930’s, Mickey’s popularity was failing, so Disney conceived the idea of starring Mickey in a Silly Symphony based on Paul Dukas’ The Sorcerer’s Apprentice - Disney ran into Stokowski in a Beverly Hills restaurant and discussed the idea with him. They soon elaborated it into a feature length film consisting of several contrasting musical works. Disney at first called it The Concert Feature. - Stokowski suggested Fantasia, a musical term meaning “a composition unrestricted by formal design, free reign for fantasy and imagination” - originally conceived as a continually changing concert program, with new pieces added and old ones withdrawn on a continuing basis. Leopold Stokowski • born in London, 1882 emigrated to New York in 1905 • 1912 conductor of Philadelphia Orchestra • an early champion of recorded orchestra music - • “The recording process will one day reproduce music better than heard in the concert hall” • experiments with 3-channel stereo sound at Bell Labs • Philadelphia Orchestra transmitted over three phone lines to Washington, DC • unconventional positioning of instruments in order to produce a better recording • conducted without a baton (hands only), as shown in Fantasia and parodied in Long Haired Hare • by 1937 was well known to American audiences through film & radio appearances • had developed a 9 microphone recording system (mixed to mono) for earlier film recording.
    [Show full text]
  • 2018 Winter Festival America, Inspiring: Respighi & Prokofiev
    NOTES ON THE PROGRAM BY LAURIE SHULMAN, ©2017 2018 Winter Festival America, Inspiring: Respighi & Prokofiev ONE-MINUTE NOTES Chen Yi: Ge Xu (Antiphony). Chen Yi’s music fuses Chinese traditions with Western forms and instruments. Ge Xu is based on the antiphonal singing with which the Southern Chinese celebrate the Lunar New Year. The piece is about high spirits and hope. PROKOFIEV: Piano Concerto No. 3. Romanticism, classicism and modernism are finely balanced in Prokofiev’s dazzling Third Concerto. The second-movement variations, based on the Baroque gavotte, reveal his quirky melodic gift, while hisbiting humor surfaces in the finale. RESPIGHI: Pines of Rome and Fountains of Rome. Respighi’s famous tone poems are brilliant orchestral evocations of the Eternal City. Fountains evokes the interplay of water and light at various times of day. The more landscape-oriented Pines delves into imagined recollections of Rome’s glory days. The brass in the finale will raise the hairs on the back of your neck! CHEN YI: Ge Xu (Antiphony) CHEN YI Born: April 4, 1953 in Guangzhou, China. Currently resides in Kansas City, Missouri. Composed: 1993–94 World Premiere: January 28, 1995, in San Francisco NJSO Premiere: These are the NJSO premiere performances. Duration: 8 minutes As with other Chinese-American composers, Chen Yi’s life and philosophy were formed by China’s Cultural Revolution. Her parents were both well-to-do physicians with a keen interest in music. Chen studied both violin and piano from age 3. In the late 1960s, she was sent to the Chinese countryside to do forced labor.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 74, 1954
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HI SEVENTY-FOURTH SEASON l 954-»955 Sanders Theatre, Cambridge \JHarvard JJ?tiversity\ Boston Symphony Orchestra (Seventy-fourth Season, 1954-1955) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhapc Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster George Zazofsky Albert Bernard Rolland Tapley George Humphrey Contra- Bassoon Norbert Lauga Jerome Lipson Richard Plaster Vladimir Resnikoff Robert Karol Harry Dickson Louis Artieres Horns Gottfried Wilfinger Reuben Green James Stagliano Einar Hansen Bernard Kadinoff Charles Yancich Joseph Leibovici Vincent Mauricci Harry Shapiro Emil Kornsand John Fiasca Harold Meek Roger Shermont Paul Keaney Paul Fedorovsky Violoncellos Osbourne McConathy Carlos Pinfield Samuel Mayes Walter Macdonald Minot Beale Alfred Zighera Herman Silberman Jacobus Langendoen Trumpets Stanley Benson Mischa Nieland Roger Voisin Leo Panasevich Karl Zeise Marcel Lafosse Armando Ghitalla Sheldon Rotenberg Josef Zimbler Gerard Goguen Fredy Ostrovsky Bernard Parronchi Leon Marjollet Clarence Knudson Martin Hoherman Trombones Pierre Mayer Louis Berger Jacob Raichman Manuel Zung William Moyer Samuel Diamond Flutes Kauko Kahila Victor Manusevitch Doriot Anthony Dwyer Josef Orosz James Nagy James Pappoutsakis Melvin Bryant Phillip Kaplan Tuba Raphael Del Sordo K. Vinal Smith Piccolo Lloyd Stonestreet Saverio Messina George Madsen Harps William Waterhouse
    [Show full text]
  • 0848033074168.Pdf
    Ottorino Respighi Feste Romane London Symphony Orchestra / Sir Eugene Goossens, Conductor 1 I. Circuses 04:32 2 II. The Jubilee 07:35 3 III. The October Festival 07:30 4 IV. The Epiphany 04:37 RESPIGHI lacking in humor. The orchestra used in Feste Eugene Goossens was born into this environ- feste romana Romane is huge, calling for organ, piano, ment on May 26, 1893, and from the start, bells, mandolin, and a small army of percus- his life was predestined to be devoted to the (ROMAN FESTIVALS) sionists. realm of music. His father was the conductor of the Carl Rosa Company’s orchestra, as was Ottorino Respighi shared with Rachmaninoff Original Liner Notes by DAVID HALL his father before him. He once recalled that a love of melody and a lack of sympathy with between his father and grandfather, every “modernist” tendencies in 20th century important opera in repertoire had been pro- music. He may have lacked Rachmaninoff’s duced. His boyhood days were spent watch- sheer melodic impulse, but he was a superb ing his father rehearse the orchestra. From orchestral colorist (befitting a Rimsky the countless hours devoted to sitting in the Korsakov pupil) and he had a wonderful Sir Eugene Goossens and The empty hall and listening to the rehearsals, way with other people’s melodies, as wit- London Symphony Orchestra Goossens became thoroughly acquainted ness his three lovely suites of Old Airs and with the scores of all the standard operas by Dances and The Birds. Of his purely original ON JUNE 13, 1962, THE BATON OF ONE the time he was ten years old.
    [Show full text]
  • Requirements for Audition Sub-Principal Percussion
    Requirements for Audition 1 Requirements for Audition Sub-Principal Percussion March 2019 The NZSO tunes at A440. Auditions must be unaccompanied. Solo 01 | BACH | LUTE SUITE IN E MINOR MVT. 6 – COMPLETE (NO REPEATS) 02 | DELÉCLUSE | ETUDE NO. 9 FROM DOUZE ETUDES - COMPLETE Excerpts BASS DRUM 7 03 | BRITTEN | YOUNG PERSON’S GUIDE TO THE ORCHESTRA .................................. 7 04 | MAHLER | SYMPHONY NO. 3 MVT. 1 ......................................................................... 8 05 | PROKOFIEV | SYMPHONY NO. 3 MVT. 4 .................................................................... 9 06 | SHOSTAKOVICH | SYMPHONY NO. 11 MVT. 1 .........................................................10 07 | STRAVINSKY | RITE OF SPRING ...............................................................................10 08 | TCHAIKOVSKY | SYMPHONY NO. 4 MVT. 4 ..............................................................12 BASS DRUM WITH CYMBAL ATTACHMENT 13 09 | STRAVINSKY | PETRUSHKA (1947) ...........................................................................13 New Zealand Symphony Orchestra | Sub-Principal Percussion | March 2019 2 Requirements for Audition CYMBALS 14 10 | DVOŘÁK | SCHERZO CAPRICCIOSO ........................................................................14 11 | MUSSORGSKY | NIGHT ON BALD MOUNTAIN .........................................................14 12 | RACHMANINOV | PIANO CONCERTO NO. 2 MVT. 3 ................................................15 13 | SIBELIUS | FINLANDIA ................................................................................................15
    [Show full text]
  • LSO 2019-20 Program Book.Indd
    The Force of Destiny SATURDAY, FEBRUARY 15, 2020 7:30 PM Vance Brand Civic Auditorium Elliot Moore, conductor Andrew Sords, violin Longmont Youth Symphony, Keynes Chen, director La forza del destino: Overture GIUSEPPE VERDI The Red Violin: Chaconne for Violin and Orchestra JOHN CORIGLIANO Mr. Sords ~INTERMISSION~ “La Campanella” from Violin Concerto No. 2 NICOLO PAGANINI Mr. Sords Pini di Roma (Pines of Rome) OTTORINO RESPIGHI I pini de Villa Borghese (The Pines of the Villa Borghese) Pini presso una catacomba (Pines Near a Catacomb) I pini del Gianicolo (The Pines of the Janiculum) I pini della via Appia (The Pines of the Appian Way) Side-by-side with the Longmont Youth Symphony LSO Afterglow Party Please join us directly following the concert at Longmont Public House (1111 Francis Street) for happy hour food & drink specials. page 24 ARTIST BIOGRAPHY About Andrew Sords Saint-Saëns with the Carson City Symphony; American violinist Andrew Sords has a and continues touring with baritone celebrated career as a soloist on four Daniel Singer and pianist Elizabeth DeMio continents and in performances with his trio. featuring the obscure “6 Gesange” by Having collaborated with 300 orchestras, Louis Spohr. Uniting with John Walz (cello) Sords has been cited for combining visceral and Timothy Durkovic (piano), Sords will virtuosity with a ravishing tone, while appear in several all-Beethoven programs international critics endorse Sords as “a throughout the Los Angeles area, including fully formed artist” (Kalisz-Poland News), return appearances at Pasadena’s Boston “utterly radiant” (Canada’s Arts Forum), Court Concert Series and the St.
    [Show full text]
  • Season 2013-2014
    27 Season 2013-2014 Thursday, October 17, at 8:00 The Philadelphia Orchestra Friday, October 18, at 2:00 Saturday, October 19, at Rafael Frühbeck de Burgos Conductor 8:00 Lise de la Salle Piano Beethoven Overture to King Stephen, Op. 117 Beethoven Symphony No. 8 in F major, Op. 93 I. Allegro vivace e con brio II. Allegretto scherzando III. Tempo di menuetto IV. Allegro vivace Intermission Liszt Piano Concerto No. 2 in A major Adagio sostenuto assai—Allegro agitato assai—Un poco più mosso—Allegro moderato—Allegro deciso— Marziale, un poco meno allegro—Allegro animato Respighi The Pines of Rome I. The Pine Trees of the Villa Borghese— II. Pine Trees near a Catacomb— III. The Pine Trees of the Janiculum— IV. The Pine Trees of the Appian Way This program runs approximately 1 hour, 50 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. Arts in Beijing.
    [Show full text]