Masamune Swords ---Why Are They So Splendid?
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Antique Japanese Swords for Sale
! Antique Japanese Swords For Sale As of October 24, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho 17th Eisho (1520) ¥2,400,000 5 A ‘FUYUHIRO’ TACHI 71.6 NTHK Kanteisho Tenbun (1532~1555) ¥1,200,000 6 A TADAKUNI KATANA 65.3 NBTHK Hozon Jokyo (1684~1688) ¥1,150,000 7 A MORIIE KATANA 71.0 NBTHK Hozon Eisho (1504~1521) ¥1,050,000 HOLD A TAKAHIRA KATANA 69.7 Tokubetsu Kicho 5th Kanai (1628) 9 A NOBUHIDE KATANA 72.1 NTHK Kanteisho 2nd Bunkyu (1862) ¥2,500,000 10 A KIYOMITSU KATANA 67.6 NBTHK Hozon 2nd Eiroku (1559) ¥2,500,000 SOLD A KANEUJI KATANA 69.8 NTHK Kanteisho Kyoho (1716~1735) ¥2,000,000 12 A NAOTSUNA KATANA 61.8 NTHK Kanteisho Oei (1394~1427) ¥600,000 13 A YOSHIKUNI KATANA 69.0 Keian (1648~1651) -
Ephesians 6 17 Pulpit
Copyright © Two Journeys Ministry Andrew M. Davis Sermon Notes www.twojourneys.org Please use in accordance with the copyright policy found at twojourneys.org The Helmet of Salvation and the Sword of the Spirit Ephesians 6:17 Few things in military history have so aroused the passions and imaginations of warriors as the SWORD… a long, shiny, sharp weapon of death… the sword devours life and leaves death in its path; the technological advances of metallurgy and of the design of the perfect blade has been a big part of that imagination… the dream of a PERFECT SWORD Throughout military history, no technology was so carefully developed and guarded as that of swordmaking… the sword was the most powerful weapon in the world before the advent of gunpowder… thus it became a symbol of military conquest To live by the sword or to die by the sword meant to live and die by military conquest Swords are mentioned 404 times in the Bible… The merest mention of the word sword evokes images of legendary figures: English knights, Roman gladiators, Japanese Samurai, or Viking warriors. When I was a missionary in Japan, I became fascinated by the katana, the legendary Samurai sword that was forged with astonishing precision by ancient technologies When you look at the edge of an exquisitely forged Samurai blade, you can see ripples in the steel… as though there are layers upon layers of steel And that’s because that is exactly what they are… layers after layers of two different types of steel: High carbon steel, that is exceptionally hard: such steel can be -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
Latest Japanese Sword Catalogue
! Antique Japanese Swords For Sale As of December 23, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Upcoming Sword Shows & Sales Events Full details: http://new.uniquejapan.com/events/ 2013 YOKOSUKA NEX SPRING BAZAAR April 13th & 14th, 2013 kitchen knives for sale YOKOTA YOSC SPRING BAZAAR April 20th & 21st, 2013 Japanese swords & kitchen knives for sale OKINAWA SWORD SHOW V April 27th & 28th, 2013 THE MAJOR SWORD SHOW IN OKINAWA KAMAKURA “GOLDEN WEEKEND” SWORD SHOW VII May 4th & 5th, 2013 THE MAJOR SWORD SHOW IN KAMAKURA NEW EVENTS ARE BEING ADDED FREQUENTLY. PLEASE CHECK OUR EVENTS PAGE FOR UPDATES. WE LOOK FORWARD TO SERVING YOU. Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000 -
The Lineage of Culture — the Hosokawa Family Eisei Bunko Collection
Special Exhibition The Lineage of Culture — The Hosokawa Family Eisei Bunko Collection List of Works Tuesday, April 20 — Sunday, June 6, 2010 Heiseikan, Tokyo National Museum Organized by: Tokyo National Museum / Eisei Bunko Museum / NHK / NHK Promotions / The Asahi Shimbun With the support of: Agency for Cultural Affairs With the sponsorship of: Toyota Motor Corporation / Nissha Printing Co.,Ltd. ● Exhibition numbers correspond to the catalogue entry numbers. ● The rotation schedule is as follows: However, the order of the artworks in the exhibition may not necessarily be the same. ❶ 4/20 (Tue) —4/25 (Sun) ❷ 4/27 (Tue) —5/ 2 (Sun) ● The section of some displayed may also be rotated. ❸ 5/ 3 (Mon) —5/ 9 (Sun) ● The symbols before the titles means the following: ❹ 5/11 (Tue) —5/16 (Sun) ◉ ◎ ○ =National Treasure, =Important Cultural Property, =Important Art Object. ❺ 5/18 (Tue) —5/23 (Sun) ❻ 5/25 (Tue) —5/30 (Sun) ❼ 6/ 1 (Tue) —6/ 6 (Sun) The rotation schedule No. Title Artist, etc. Collection ❶ ❷ ❸ ❹ ❺ ❻ ❼ ●─── Part 1 Traditions of a Samurai Household: The History and Art Collection of the Hosokawa Family Section 1— From Warlords to Daimyo: The Hosokawa Family in Kyoto and its Surrounds 1 Tutelary Deity of the Hosokawa Family Eisei Bunko Museum, Tokyo Eigenki (Record of Association between Eisei Bunko Museum, Tokyo 2 (Entrusted to Kumamoto Eigen’an Temple and the Hosokawa Family) University Library) 7 Brocade Flag Granted to Hosokawa Yoriari Eisei Bunko Museum, Tokyo Horned owl and oak design in mother- ◉ Eisei Bunko Museum, Tokyo 10 Saddle -
Miyagi Prefecture Is Blessed with an Abundance of Natural Beauty and Numerous Historic Sites. Its Capital, Sendai, Boasts a Popu
MIYAGI ACCESS & DATA Obihiro Shin chitose Domestic and International Air Routes Tomakomai Railway Routes Oshamanbe in the Tohoku Region Muroran Shinkansen (bullet train) Local train Shin Hakodate Sapporo (New Chitose) Ōminato Miyagi Prefecture is blessed with an abundance of natural beauty and Beijing Dalian numerous historic sites. Its capital, Sendai, boasts a population of over a million people and is Sendai仙台空港 Sendai Airport Seoul Airport Shin- filled with vitality and passion. Miyagi’s major attractions are introduced here. Komatsu Aomori Aomori Narita Izumo Hirosaki Nagoya(Chubu) Fukuoka Hiroshima Hachinohe Osaka(Itami) Shanghai Ōdate Osaka(kansai) Kuji Kobe Okinawa(Naha) Oga Taipei kansen Akita Morioka Honolulu Akita Shin Miyako Ōmagari Hanamaki Kamaishi Yokote Kitakami Guam Bangkok to the port of Hokkaido Sakata Ichinoseki (Tomakomai) Shinjō Naruko Yamagata Shinkansen Ishinomaki Matsushima International Murakami Yamagata Sendai Port of Sendai Domestic Approx. ShiroishiZaō Niigata Yonezawa 90minutes Fukushima (fastest train) from Tokyo to Sendai Aizu- Tohoku on the Tohoku wakamatsu Shinkansen Shinkansen Nagaoka Kōriyama Kashiwazaki to the port of Nagoya Sendai's Climate Naoetsu Echigo Iwaki (℃)( F) yuzawa (mm) 30 120 Joetsu Shinkansen Nikko Precipitation 200 Temperature Nagano Utsunomiya Shinkansen Maebashi 20 90 Mito Takasaki 100 10 60 Omiya Tokyo 0 30 Chiba 0 1 2 3 4 5 6 7 8 9 10 11 12 Publication Date : December 2019 Publisher : Asia Promotion Division, Miyagi Prefectural Government Address : 3-8-1 Honcho, Aoba-ku, Sendai, Miyagi -
Archaeological Journal Japanese Sword Blades
This article was downloaded by: [Northwestern University] On: 29 January 2015, At: 18:47 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Archaeological Journal Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/raij20 Japanese Sword Blades Alfred Dobree Published online: 17 Jul 2014. To cite this article: Alfred Dobree (1905) Japanese Sword Blades, Archaeological Journal, 62:1, 1-18, DOI: 10.1080/00665983.1905.10852983 To link to this article: http://dx.doi.org/10.1080/00665983.1905.10852983 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. -
The Real Last Samurai Clive Sinclaire Bexley, Kent February 2010
The Real Last Samurai Clive Sinclaire Bexley, Kent February 2010 The middle of the 19th century was a time of great change in Japan. Known as the Bakumatsu period, it was the twilight years of the system of rule by the Tokugawa shoguns. When Commodore Perry’s armed squadron appeared off Uraga in Tokyo Bay in 1853, his mission was to enter into both diplomatic and trade agreements with the government of Japan. He was confronted by a shogunate that was already under severe strain and who was being challenged from within. Harvests had failed causing famine and peasant riots and, together with economic and succession problems, the Tokugawa shogunate or Bakufu, had no idea how to handle this unprecedented situation. They were in a state of utter confusion with several western countries demanding trading treaties and were unable to enforce their own exclusion laws, which had kept Japan virtually free from foreigners for almost 250 years. They were certainly too weak to expel the “barbarians” by force. Whilst the samurai government may have had the best swords in the world, these were no match for the repeating rifles of westerners, who were just experiencing the industrial revolution back home. Many of the ordinary samurai, conservative by nature, passionately believed that the shogunate should expel the foreign barbarians who they saw as defiling their sacred land and few realised that such a policy was impossible to enforce. The attitude from the tozama daimyo (outer lords) may be summed up in a letter dated 14th September 1853, sent to the shogun by Nabeshima Naomasa, the lord of Saga in Hizen province. -
Edo: Art in Japan 1615-1868; Teaching Program
edo teach.qxd4 12/9/98 10:42 AM Page 1 Teaching Program Edo art in japan 1615 – 1868 national gallery of art, washington edo teach.qxd4 12/9/98 10:42 AM Page 2 The exhibition Edo: Art in Japan 1615 – 1868 is made possible by NTT Exhibition dates: 15 November 1998 through 15 February 1999 edo teach.qxd4 12/9/98 10:42 AM Page 1 Edo Art in Japan 1615 – 1868 Teaching Program National Gallery of Art, Washington edo teach.qxd4 12/9/98 10:42 AM Page 2 acknowledgments notes to the reader This teaching program was written for the The Japanese government has designated education division by Christine Guth, an inde- numerous works of art as National Treasures, pendent scholar. Since receiving her Ph.D. in Important Cultural Properties, or Important Art Fine Arts from Harvard University in 1976, she Objects because of their artistic quality, historic has taught at institutions such as Harvard, value, and rarity. Several works with these des- Princeton, and the University of Pennsylvania. ignations are included in this publication. Her recent publications include Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle Dimensions are in centimeters, followed by (Princeton, 1993) and Art of Edo Japan: The Artist inches in parentheses, height preceding width, and the City, 1615Ð1868 (New York, 1996). and width preceding depth. Concept development and teaching activities Cover: Watanabe Shik¿, Mount Yoshino, early by Anne Henderson, Heidi Hinish, and Barbara eighteenth century, detail from a pair of six- Moore. panel screens; ink, color, and gold on paper, Private Collection, Kyoto Thanks to Leo Kasun, Elisa Patterson, Ruth Perlin, Renata Sant’anna, Takahide Tsuchiya, Title page: Dish with radish and waves design, and Susan Witmer for their assistance with c. -
A Lady Samurai Behind the Shadow of Toyotomi Hideyoshi
Kitanomandokoro: A Lady Samurai Behind the Shadow of Toyotomi Hideyoshi by Tomoko Kitagawa B.Sc., The University of British Columbia, 2003 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS m THE FACULTY OF GRADUATE STUDIES C Asian Studies ) THE UNIVERSITY OF BRITISH COLUMBIA April 2006 © Tomoko Kitagawa, 2006 Abstract "Your skill is the best, and our wish is always the same - Taiko" (1593) This is a quote from a private correspondence between Toyotomi Hideyoshi and his first wife, Kitanomandokoro. She had been married to him for thirty-seven years, and was respected not only by Hideyoshi and other vassals who were close to him, but also by Daimyo who lived in remote places. In studies on Hideyoshi and his time, however, this fact has never come into the spotlight; Kitanomandokoro has always simply been referred to as "a wife of Hideyoshi," and very little is known about her. Who is this lady whom Taiko praised as the best and most trustworthy? This study presents the first biographical record of Kitanomandokoro. By reading primary sources from her time, even without believing that Kitanomandokoro was a powerful figure, one would be persuaded that the "lady samurai" behind the male samurai cannot be underestimated in terms of their consolidated and meaningful positions. The private correspondences of Hideyoshi to Kitanomandokoro further act as records demonstrating Kitanomandokoro's importance in the castle in absence of Hideyoshi. These letters have generally been taken as love letters and thus have never been analyzed as a significant historical record of women's importance during Hideyoshi's reign. -
JIN Sendaiarchitecturelegacy.Pdf
Japan-Insights Exploring Expert Experiences Under the roof of Zuihoden ©Miyagi Prefectural Government Spectacular Buildings Sendai's Legacy of Architecture and Art Anton Schweizer, Germany 2020 Japan-Insights © Japan-Insights Exploring Expert Experiences Spectacular Buildings Sendai’s Legacy of Architecture and Art 2|22 Bronze statue of Date Masamune on a horse, Remains of Sendai Castle © Miyagi Prefectural Government Motivation Ever since Japan was discovered by the West in the second half of the nineteenth century foreigners have fallen in love with the understated elegance of its traditional wooden architecture. Writers such as the American zoologist Edward S. Morse, the Irish-Greek essayist Lafcadio Hearn, or the German urban planner Bruno Taut have praised its exquisite simplicity and high esteem for natural materials. It is often overlooked, however, that there also is a distinct lineage of lavishly decorated buildings that should be understood as equally representative of Japan's architec- tural heritage. Somewhat inadequately dubbed Japanese Baroque, this style emerged during the Momoyama Period (1568-1615) and is closely connected with other arts and crafts. The exuberant style is best known from the vast mausoleum complex of the first Tokugawa shogun, Ieyasu, in Nikko. Another excellent place to experience this magnificent style in architecture is the city of Sendai and the nearby bay of Matsushima. 2020 Japan-Insights © Japan-Insights Exploring Expert Experiences Spectacular Buildings Sendai’s Legacy of Architecture and Art 2|22 3|22 Oshu Sendairyo Kuniezu (utsushi), Detail of a domain map (copy), Sendai Clan, 1697, Courtesy of Sendai City Museum Objective Sendai is often bypassed by international travelers or merely used as a base camp for visiting the Tohoku region in the north of Japan's main island.