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HOUSTON TEXANS Foundation MISSION STATEMENT
COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY SUPPORT BREAST CANCER SERVE UNITED WAY TACT COMMUNITY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY VOLUNTEER COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY SUPPORTHOUSTON BREAST CANCER SERVE UNITED TEXANSIN WAYTHE TACT COMMUNITY COMMUNITY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY SUPPORT BREAST CANCER SERVE UNITED WAY TACT COMMUNITY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY VOLUNTEER COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY SUPPORT BREAST CANCER SERVE UNITED WAY TACT COMMUNITY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY SUPPORT BREAST CANCER SERVE UNITED WAY TACT COMMUNITY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY VOLUNTEER COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY SUPPORT BREAST CANCER SERVE UNITED WAY TACT COMMUNITY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY SUPPORT BREAST CANCER SERVE UNITED WAY TACT COMMUNITY IMPACT COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL GO GREEN MILITARY VOLUNTEER COMMUNITY OUTREACH CHILDREN VOLUNTEER YOUTH FOOTBALL -
Opera Warhorses
Opera Warhorses An appreciation and analysis of the 'Standard Repertory' of opera front page about RSS Recent Posts In Quest of Live Performances of Popular Operas – May-November, 2016 World Premiere Review: “JFK”, a Fort Worth Fantasy – April 23, 2016 Review: Houston Grand Opera’s Convincing Case for “Carousel” – April 22, 2016 Review: Jay Hunter Morris, Christine Goerke Lead a Vocally Strong “Siegfried” Cast – Houston Grand Opera, April 20, 2016 In Quest of European Opera Performances (Part Two) Mid-May 2016 Categories 2005-2016 William's Commentaries (27) 2005-2016: William's Reviews (435) 2008-2016 William's Interviews (86) 50 Year Anniversaries (61) Blazing Batons with Arthur Bloomfield (15) General correspondence (4) Guest Reviews (2) Quests and Anticipations (79) San Francisco Opera DVD Reviews (2) Superlatives (5) Tom's Reviews (42) Tom's Tips (11) William's Conversations (23) William's Conversations with John Pascoe (8) William's Program Notes (6) William's Thoughts and Assessments (12) Archives Archives Select Month ← Review: A Magnificent “Manon” starring Ailyn Pérez and Stephen Costello – The Dallas Opera, March 4, 2016 Review: An Exciting, Moving “Madame Butterfly” – Los Angeles Opera, March 12, 2016 → World Premiere: A Triumphant “Prince of Players” for Composer Carlisle Floyd, Baritone Ben Edquist – Houston Grand Opera, March 5, 2016 March 7th, 2016 Composer Carlisle Floyd, who turns 90 this summer, created the lyrics and music for yet another master work for the Houston Grand Opera, the company in which so much of the Floyd Legacy is invested. The opera, “Prince of Players”, is based considerably on the 2004 movie Stage Beauty. -
Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
CONGRESSIONAL RECORD— Extensions of Remarks E1578 HON
E1578 CONGRESSIONAL RECORD — Extensions of Remarks November 29, 2018 After returning to Vicksburg in 1970, Louise Texan will forever be remembered as the man tain greater heights. This is the ‘‘Phoenix Vi- worked in the Vicksburg School System as a that brought professional football back to sion’’ for Southwest Mississippi. Substitute Teacher. Later, she began working Houston. This organization was founded in 1995 by at Sears in sales and training as coordinator. McNair grew up in Forest City, North Caro- Walter Huston, Executive Director and Volley She retired after 21 years of service. lina, and graduated from the University of Davis, Deputy Director. Louise is a member of Mount Calvary M.B. South Carolina in 1958. He and his wife, Jan- PPCDF, Inc. serves the residents and citi- Church. She has been a member of the Vicks- ice, moved to Houston two years later. McNair zens of Southwest Mississippi by aiding in burg Homecoming Benevolent Club since founded Cogen Technologies, which became community and economic development mat- 1986. Louise has served as assistant treas- the largest privately owned cogeneration com- ters such as: Workforce Development, Com- urer, treasurer, and financial secretary for the pany in the world. He then sold the bulk of it munity Leadership Programs, Grant Writing club. She has a heart to serve as needed. to Enron in 1999 for $1.1 billion with an eye and Community Education Programs. PPCDF, She loves life, reading, traveling and having toward becoming a National Football League Inc. also aids individuals, government entities, fun. owner. nonprofits, churches and fraternal organiza- Mr. -
THE BARBER of SEVILLE” Opened with a Standing Ovation by Iride Aparicio
OSJ’s “THE BARBER OF SEVILLE” Opened with a Standing Ovation By Iride Aparicio Photos by: Pat Kirk BRIAN JAMES MYER as Figaro SAN JOSÉ, CA -- “Figaro, Figaro, Figaro” According to CESARE STERBINI’s Libretto, written for GIACHINO ROSSINI’s opera “IL BARBIERI DI SIVIGLIA,” everybody calls Figaro in Seville, Spain during the seventeenth Century. Figaro was the town’s witty barber, who aside from shaving men’s beards, and fixing ladies’ hair, fixed everything else, if paid for his help. So, (in the libretto) when Count Almaviva (KIRK DOUGHERTY) disguised as Lindoro, a poor student, asks Figaro (BRIAN JAMES MYER) to help him enter the house of Don Bartolo ( VALERIAN RUMINSKI) the guardian of Rosina (RENÉE RAPIER) the woman he loves, Figaro plans a way that when putting it into effect, keep the audience laughing, the singers acting different comic roles and composer Rossini the opportunity to display his marvelous Bel Canto arias interpreted by the singers. KIRK DOUGHERTY as Lindoro and RENÉE RAPIER as Rosina And here we can add that on the opera's opening night, on November 12 at the California Theatre, the Opera San José’s singers voices were top class. On that night, the whole two acts of the work, moved smoothly. It was one of those rare nights in which all the elements go perfectly on the stage. The orchestra under the baton of ANDREW WHITFIELD, sounded rhythmically, and all the solos of the instruments were played in tune. Stage Director, LAYNA CHIANAKAS, managed natural acting from the singers playing the comic roles. -
LORI LAITMAN the Scarlet Letter Libretto by David Mason
AMERICAN OPERA CLASSICS LORI LAITMAN The Scarlet Letter Libretto by David Mason Claycomb • Armstrong MacKenzie • Belcher Knapp • Gawrysiak Opera Colorado Orchestra and Chorus Ari Pelto Lori CD 1 66:18 LAITMAN Act I (b. 1955) 1 Scene I: A Meeting Place 14:47 The Scarlet Letter (2008, rev. 2015–16) (Wilson, Bellingham, Dimmesdale, Chillingworth, Prynne, Chorus) Opera in Two Acts 2 Scene II: The Prison 13:33 (Chillingworth, Prynne) Libretto by David Mason (b. 1954) 3 Interlude: Time Passing 2:29 Based on the novel by Nathaniel Hawthorne (1804–64) (Chorus) Commissioned by The University of Central Arkansas through Robert Holden and the UCA Opera Program 4 Scene III: The Governor’s Rose Garden, Seven Years Later 14:18 (Bellingham, Wilson, Chillingworth, Dimmesdale, Prynne) Cast in order of vocal appearance 5 Scene IV: Dimmesdale’s Study – His Nightmare 21:11 A Sailor . Charles Eaton, Baritone (Chillingworth, Dimmesdale, Hibbons) A Farmer . Benjamin Werley, Tenor Goodwife 1 . Emily Robinson, Soprano John Wilson, an elder minister . Kyle Knapp, Tenor CD 2 45:04 Governor Bellingham . Daniel Belcher, Baritone Arthur Dimmesdale, a young minister . Dominic Armstrong, Tenor Act II Congregation Leader . William Bryan, Baritone 1 Scene I: The Forest 22:33 Goodwife 2 . Becky Bradley, Soprano (Chillingworth, Prynne, Dimmesdale) Goodwife 3 . Danielle Lombardi, Mezzo-soprano Roger Chillingworth, Hester’s long-missing husband . Malcolm MacKenzie, Baritone 2 Scene II: A Meeting Place – Election Day 22:31 Hester Prynne, a young seamstress . Laura Claycomb, Soprano (Hibbons, Prynne, Bellingham, Wilson, Dimmesdale, Chillingworth, Chorus) Mistress Hibbons, a witch . Margaret Gawrysiak, Mezzo-soprano A Shipmaster . William Bryan, Baritone Pearl, Hester’s daughter . -
The Barber of Seville
The Barber of Seville Education Kit Opera Australia The Barber of Seville 2019 Education Kit WELCOME In 2019, we are delighted to present The Barber of Seville as Opera Australia’s Schools Tour in Victoria. Singing and drama play an inspiring role in the education of children. We aim to foster a love of the performing arts in people of all ages, engaging them in a combination of music, singing, drama and design. Opera involves its audience visually, aurally and emotionally. For over 20 years, Opera Australia has maintained a strong commitment to bringing high calibre opera into schools; and our Schools Tours have developed a reputation for being some of the finest incursion performances in Australia. This year, 70,000 children will experience the excitement of opera in their own school. We trust that The Barber of Seville inspires your students, and that their engagement with the performing arts encourages their creativity, imagination and learning. Rory Jeffes Chief Executive Officer Opera Australia 1 The Barber of Seville 2019 Education Kit Contents ABOUT OPERA AUSTRALIA ...................................................................................................................... 3 ABOUT OPERA ......................................................................................................................................... 4 OPERA: A HISTORY ............................................................................................................................. 4 THE OPERATIC VOICE ............................................................................................................................ -
Bon Appétit!A MUSICAL MONOLOGUE MUSIC by LEE HOIBY TEXT by JULIA CHILD, ADAPTED by MARK SHULGASSER
Bon Appétit!A MUSICAL MONOLOGUE MUSIC BY LEE HOIBY TEXT BY JULIA CHILD, ADAPTED BY MARK SHULGASSER Performed in English 7:30 P.M. CT |NOVEMBER 27 Available on demand through December 26 Bon Appétit! Background Cast Lee Hoiby’s one-woman, one-act opera Bon Julia Child Jamie Barton ‡ Appétit! premiered in 1989 at the Kennedy Center in Washington, DC, with Jean Stapleton performing the role ‡ Former Houston Grand Opera Studio artist of Julia Child. It was presented as a curtain raiser for Hoiby’s The Italian Lesson, also a musical monodrama. Creative Team The Story Pianist Jonathan Easter* Co-Directors Ryan McKinny ‡ Bon Appétit is a conflation of two episodes of Julia and Tonya McKinny * Child’s cooking show, The French Chef, in which she narrates—with all her wit, antics, and charisma—the * Houston Grand Opera debut baking of the perfect chocolate cake, Le gâteau au ‡ Former Houston Grand Opera Studio artist chocolat l’éminence brune. The entire staff of HGO contributed to the success of this production. For a full listing of the company’s staff, Fun Fact please visit HGO.org/about-us/people. Houston favorite, HGO Studio alumna, and beloved Performing artists, stage directors, and choreog- mezzo-soprano Jamie Barton portrays Child in a role raphers are represented by the American Guild of she has made her own, performing in venues including Musical Artists, the union for opera professionals in New York’s Carnegie Hall. the United States. Underwriters Video and Audio Production Streaming Partner Produced in association Jennifer and Benjamin Fink Keep the Music Going Productions with Austin Opera Bon Appétit! RYAN MCKINNY Richard Tucker Award, both Main and Song Prizes at the BBC Cardiff (United States) Singer of the World Competition, Metropolitan Opera National Council CO-DIRECTOR Auditions, and a Grammy nominee. -
Press Kit: the Barber of Seville
Press Kit: The Barber of Seville Press Release José Maria Condemi Bio Bryan Nies Bio Synopsis Images: Krassen Karagiozov (as Figaro in The Barber of Seville) José Maria Condemi (stage director) Bryan Nies (conductor) News Release Press contacts: Virginia Perry, 408.437.4463 or 650.799.1341 [email protected] Elizabeth Santana, 408.437.2229 [email protected] FOR IMMEDIATE RELEASE: December 13, 2010 “Give Us More Barbers!” – Beethoven The Barber of Seville Opera San José presents Rossini’s comic masterpiece SAN JOSÉ, CA— Opera San José continues its 27th Season with Rossini’s delightful comic opera, The Barber of Seville. The charming tale of a clever young woman, her eager lover, and their resourceful accomplice, Figaro, The Barber of Seville is a tuneful testament to all that’s wonderful about fun and romance. Eight performances are scheduled from February 12 through 27 at the California Theatre, 345 South First Street in downtown San José. Tickets are on sale at the Opera San José Box Office, by phone at (408) 437-4450 or online at www.operasj.org. This production of The Barber of Seville is made possible, in part, by a Cultural Affairs Grant from the City of San José. The madcap story unfolds fast and furious in 18th-century Seville, Spain. Young Rosina is a wealthy orphan and the ward of a grasping old codger, Dr. Bartolo, who is plotting to marry her not only for her beauty, but for her substantial dowry. However, Rosina has two things on her side: the handsome Count Almaviva, who has fallen in love with her, and the town barber, Figaro, her conniving accomplice, who through clever disguises and quick wit succeeds in securing victory for the young couple. -
The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
Shaping Nationalism 2
TO WHAT EXTENT SHOULD WE EMBRACE NATIONALISM? CHAPTER Shaping Nationalism 2 Figure 2-1 In July 1789, many people in Paris, France, rebelled against the government. They said they wanted liberty and equality for all citizens. In November 2005, young people in some Paris suburbs rioted and burned thousands of cars. They said they wanted equality with other French citizens. The photograph of a firefighter trying to put out a car fire was taken in Paris in November 2005. That same month, Ares, a Cuban artist, created the cartoon on this page to show his thoughts on what was happening in France. CHAPTER ISSUE How do external and internal factors shape nationalism? KEY TERMS ON OCTOBER 27, 2005, two teenagers — 15-year-old Bouna Traore and 17-year-old Zyed Benna — died in an electrical relay station in a suburb revolution of Paris, France. They were electrocuted when they tried to hide from republic French police, who were chasing them. Their families had immigrated collective to France from former French colonies. consciousness After Traore and Benna died, some young French citizens of bourgeoisie immigrant parents in the suburbs of Paris rioted and burned cars. They wanted the same rights and opportunities that other French push factors citizens enjoyed. pull factors Some people agreed that French society discriminated against non- white citizens and immigrants. Non-white citizens and immigrants often have trouble finding jobs. As a result, many end up living in suburban slums and find it difficult to improve their lives. Examine the photograph and cartoon on the previous page, then respond to the following questions. -
Amahl and the Night Visitors
Set Design By: Steven C. Kemp AMAHL AND THE NIGHT VISITORS Welcome to Amahl and the Night Visitors! During this exceptional time, it has been a delight for us to bring you the gift of this wonderful holiday show. Created with love, we have brought together a variety of Kansas City’s talented artists to share this story of generosity and hope. It has been so heartwarming to see this production evolve, from the building of the scenery and puppets, to the addition of puppeteers, singers, and the orchestra. I know that it has meant a great deal to all involved to be in a safe space where creativity can flourish and all can practice their craft. The passion and joy of our performers, during this process, has been palpable. I wish you all a happy holiday and hope you enjoy this special show! Deborah Sandler, General Director and CEO BOARD OF TRUSTEES 2020-2021 OFFICERS Joanne Burns, President Tom Whittaker, Vice President Scott Blakesley, Secretary Craig L. Evans, Treasurer BOARD OF TRUSTEES Dr. Ivan Batlle Mira Mdivani Mark Benedict Edward P. Milbank Richard P. Bruening Steve Taylor Tom Butch Benjamin Mann, Counsel Melinda L. Estes, M.D. Karen Fenaroli Michael D. Fields Lafayette J. Ford, III Kenneth V. Hager Niles Jager Amy McAnarney EX-OFFICIO MEMBERS Andrew Garton | Chair, Orpheus KC Mary Leonida | President, Lyric Opera Circle Gigi Rose | Ball Chair, Lyric Opera Circle Dianne Schemm | President, Lyric Opera Guild Presents Amahl and the Night Visitors Opera in one act by Gian Carlo Menotti in order of PRINCIPAL CAST vocal appearance MOTHER Kelly Morel^ AMAHL Holly Ladage KING KASPAR Michael Wu KING MELCHIOR Daniel Belcher KING BALTHAZAR Scott Conner THE PAGE Keith Klein ^Former Resident Artist First Performance: NBC Opera Theatre, New York City, December 24, 1951.