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The Hills Are Alive
18 ★ FTWeekend 2 May/3 May 2015 House Home perfect, natural columns of Ginkgo biloba“Menhir”. Pergolasandterraces,whichdripwith trumpet vine in summer, look down on standing stones and a massive “stone Returning to Innisfree after 15 years, Jane Owen henge”framingthelake. A grass dome, “possibly a chunk of mountain top or some such cast finds out whether this living work of art in down by the glacier that created the lake”, says Oliver, is echoed by clipped New York State retains its magic domes of Pyrus calleryana, the pear nativetoChina. Beyond the white pine woods, the path becomes boggy and narrow, criss- crossed with tree roots, moss and fungi. A covered wooden bridge reminds visi- torsthisisanall-Americanlandscape. Buteventheall-American,maplesyr- The hills up-supplying sugar maples here come with a twist. They are Acer saccharum “Monumentale” and, like the ginkgos, are naturally column-shaped. Innis- free’s American elms went years ago, are alive . victims of Dutch elm disease, but the Hemlocks are hanging on, with the help ofinsecticidetofightthewoollyadelgid. Larger garden pests include beavers, which have built a lodge 100m from the bout 90 miles west of the Iwillariseandgonow,andgoto bubble fountain, and deer. At least the thrumming heart of New Innisfree, . latter has a use, as part of a programme York City is a landscape Ihearlakewaterlappingwithlow of hunters donating food for those in that stirs my soul. I rate soundsbytheshore; need. So the dispossessed eat venison, it along with Villa Lante, WhileIstandontheroadway,oron albeitthetough,end-of-seasonsort. AThe Garden of Cosmic Speculation, thepavementsgrey, All is beautiful, but there’s one Liss Ard in Ireland, Little Sparta, Nin- Ihearitinthedeepheart’score. -
S Beverly Hills Epitomizes Upscale Travel
California’s Beverly Hills Epitomizes Upscale Travel by Lee Foster Travel in the United States has become decidedly upscale, for some. Observers of travel have watched as this measurable trend developed. For a small, but identifiable segment of travelers, price is no object. What is of concern is the highest quality in accommodations, dining, and experience. This is the traveler whom every destination now seeks to woo. For the majority of travelers, reports on this privileged minority amount to armchair or fantasy travel, an act of vicarious gratification. Nowhere in the U.S. is the phenomenon of upscale travel better expressed than in Beverly Hills , CA . This writer on one occasion immersed himself in this elite travel environment. It is fitting that here the movie industry, the makers of illusion, also finds its home. Beverly Hills passed its 90th birthday in 2004 and headed confidently towards 100. The old gal isn’t allowing herself to show her age, of course, because plenty of cosmetic surgery is ongoing in the hotels, shops, and restaurants. “We see ourselves as an oasis where the traveler can find the highest quality goods, the best hotels and restaurants, and the ultimate in service,” said the Beverly Hills ‘ mayor. LODGINGS: STARTING AT RAFFLES L’ERMITAGE Raffles L’Ermitage Hotel in Beverly Hills may well be the choicest lodging in America . Such objective observers as AAA and Mobil have awarded it their coveted five star/diamond ratings, which are tough to get and rarely coincide in one property. L’Ermitage enjoys plenty of competition in Beverly Hills from the Beverly Hills Hotel, Regent Beverly Wilshire, and Beverly Hilton. -
Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources October 2017 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS Preface 1 Contributors 1 Theme Introduction 1 Theme: Residential Properties Associated with the Entertainment Industry 3 Sub-theme: Residential Properties Associated with Significant Persons in the Entertainment Industry, 1908-1980 13 Sub-theme: Entertainment Industry Housing and Neighborhoods, 1908-1980 30 Selected Bibliography 52 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 PREFACE This theme is a component of SurveyLA’s citywide historic context statement and provides guidance to field surveyors in identifying and evaluating potential historic resources relating to residential properties associated with the entertainment industry. Refer to www.HistoricPlacesLA.org for information on designated resources associated with this context (or themes) as well as those identified through SurveyLA and other surveys. CONTRIBUTORS The Entertainment Industry context (and all related themes) was prepared by Christine Lazzaretto and Heather Goers, Historic Resources Group, with significant guidance and input from Christy -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Scout Songs It Goes on and on My Friends
TAPS Day is done, Fading light, Thanks and Praise Opening Songs Gone the sun, dims the sight, For our days; From the lake, And a star ‘Neath the sun, From the hills, gems the sky ‘neath the stars, From the sky, gleaming bright. ‘neath the sky; All is well, safely rest, From afar, As we go, God is nigh. drawing nigh, This we know, fall the night. God is nigh. DAY CAMP CLOSING SONG (Tune: “Yankee Doodle”) And now it’s time to say goodbye, But we won’t feel so blue; ‘Cause soon the time will come again when we’ll be back to see you. Cub Scout day camp’s lots of fun—Games and crafts and singing, So get your pals and join the fun for a week filled to the brimming! SCOUT VESPERS WE’RE ALL TOGETHER AGAIN (Tune: O Tannenbaum) We’re all together again Softly falls the light of day, We’re here, we’re here As our campfire fades away; We’re all together again Silently each Scout should ask, We’re here, we’re here “Have I done my daily task? And who knows when Have I kept my honor bright? We’ll be all together again Can I guiltless sleep tonight? Signing all together again Have I done and have I dared, We’re here, we’re here Everything to be prepared?” 32 1 TAPS Day is done, Fading light, Thanks and Praise Opening Songs Gone the sun, dims the sight, For our days; From the lake, And a star ‘Neath the sun, From the hills, gems the sky ‘neath the stars, From the sky, gleaming bright. -
Calling All Crafters, Artisans, Demonstrators, and Vendors!! More Information to Follow. See Our Website for Updates
Calling all Crafters, Artisans, Demonstrators, and Vendors!! Shepherd of the Hills will be hosting 3 exciting events this year. We invite you to join in on the fun. APRIL 9th, 10th, & 11th —Shepherd’s Junk Fair Rusty junk, painted furniture, repurposed items, vintage décor, & antiques. MAY 15th & 16th —Old Ozarks Settlers Days Kicking off the 2021 Season of The Shepherd of the Hills play, The Society of Ozarkian Hillcrofters will be helping us celebrate our regional history & heritage. We are looking for demonstrating artisans, speakers, primitive arts, musicians, & historians. We are offering free booth space for demonstrating artisans (who are not selling products) and there will be no charge for non-profit organizations. SEPTEMBER 10th, 11th, & 12th –Fall Craft Fair We had such a successful event last year, we are doing it again! All products must be handcrafted or repurposed items. Demonstrating crafters are welcome. All events are OUTDOORS. For the safety of others, there will be no vehicle traffic inside the gates during event hours. Participants must commit to all days of their chosen event. We are not accepting imported, manufactured, or direct sales items. All Booth spaces are 12’ x 12’ Indoor/Covered spaces are limited & available on a first come first serve basis. More information to follow. See our website for updates. 5586 W 76 Country Blvd. Branson, MO 65616 PH: 417.334.4191 FAX: 417.334.4464 theshepherdofthehills.com 2021 Vendor Request for Space Early Application ~Circle chosen event(s)~ Shepherd’s Junk Fair Old Ozarks -
Luxury Ranch Property in the Flint Hills of Kansas
LUXURY RANCH PROPERTY IN THE FLINT HILLS OF KANSAS FOR SALE- 2600 200TH ST., VIRGIL, GREENWOOD COUNTY 325 ACRE RANCH – MAIN HOUSE – RANCH HOUSE – TROPHY DEER - TURKEY - TIMBER MULTIPLE OUTBUILDINGS – ELEVATOR - IN GROUND POOL WITH LAP LANE - FENCING 10 PERSON HOT TUB – 4 POLARIS 500 4-WHEELERS - PASTURE – ROLLING TERRAIN Cindy Carnahan Rupp | Steven Team 316.393.3034 316.260.5900 Total Acres: 325 +/- Acres MAIN HOUSE Price: $3,500,000.00 2018 Taxes: $16,926.78 Main House: • Total SF: 6,500 +/- SF • Year Built: 2000 • 4 Bedrooms • 5 Full & 2 Half Baths • 2.5 Car Attached Garage • Full Daylight/Walkout Basement • Elevette 2100 Elevator • 4 Polaris 500 4-Wheelers • Screened-In Porch • Safe Room • Outdoor Kitchen & Fireplace Original Ranch House: • Total SF: +/- SF • Year Built: • 2 Bedrooms • 2 Full Baths • Open Floor Plan • 1 Car Attached Garage Let this stunning ranch be your own oasis situated on 325 acres of trees, ravines, and pasture land. The property includes the main house, ranch house, pole barn, dog kennels and pens, stable, work shed, working cattle pens, generator for entire house and pool, and two propane tanks. The exquisite main house features a 3/4 wrap around veranda, and a lovely living room with windows, wood beam ceiling, wet bar, and gas fireplace. There is a fabulous dining area and a gorgeous granite kitchen with island, breakfast bar, walk-in pantry, professional grade appliances including 2 dishwashers, and door to the screened-in porch. The main floor also features three spacious bedrooms with their own bathrooms, including the master suite with a fireplace, door to the veranda, and spa-like bathroom with claw foot tub and separate shower. -
Revercomb House History - Sleeping Porch Construction by W
Revercomb House History - Sleeping Porch Construction by W. F. Andrews Signature Found on Sash Window Frame during Renovation During 1 March 2019 work by Carpenters, Inc (Mark Biggs and Richard Evans) on the 711 McCormick Blvd “Revercomb House” side-portico sleeping porch a signature “W F Andrews” was found on the side of a sash window frame after it was removed for restoration. The window had been undisturbed since first installed sometime around 1925. Figure 1 shows the signature as found on the side of the sash. Figure 1 Signature of WF Andrews found on sash window Richard Evans’ father had worked in the old woodworking mill in Clifton Forge which is now home to Clifton Forge School of the Arts. His father made many of the sash windows found in the old homes of Clifton Forge. The signature on the sash caught Richard’s eye because of his interest in the local Clifton Forge window making history. He speculated that the man who signed the window frame must have been a carpenter who had built the Revercomb House sleeping porch addition. Originally, the top of the side portico was an open-air porch without a roof. Still, we wondered who was this person, “W F Andrews”. To find out more, research was done on the internet and on Ancestry.com. The results proved interesting and allowed current homeowners John and Debbie Strott to document changes made to the Revercomb House after being built in 1914. Figure 2 shows the Revercomb House circa 1926 with the completed side- portico sleeping porch. -
Introduction
THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS THE OLIVE WONG PROJECT PERFORMANCE COSTUME DESIGN RESEARCH GUIDE INTRODUCTION COSTUME DESIGN AND PERFORMANCE WRITTEN AND EDITED BY AILEEN ABERCROMBIE The New York Public Library for the Perform- newspapers, sketches, lithographs, poster art ing Arts, located in Lincoln Center Plaza, is and photo- graphs. In this introduction, I will nestled between four of the most infuential share with you some of Olive’s selections from performing arts buildings in New York City: the NYPL collection. Avery Fisher Hall, Te Metropolitan Opera, the Vivian Beaumont Teater (home to the Lincoln There are typically two ways to discuss cos- Center Teater), and David H. Koch Teater. tume design: “manner of dress” and “the history Te library matches its illustrious location with of costume design”. “Manner of dress” contextu- one of the largest collections of material per- alizes the way people dress in their time period taining to the performing arts in the world. due to environment, gender, position, economic constraints and attitude. Tis is essentially the The library catalogs the history of the perform- anthropological approach to costume design. ing arts through collections acquired by notable Others study “the history of costume design”, photographers, directors, designers, perform- examining the way costume designers interpret ers, composers, and patrons. Here in NYC the the manner of dress in their time period: where so many artists live and work we have the history of the profession and the profession- an opportunity, through the library, to hear als. Tis discussion also talks about costume sound recording of early flms, to see shows designers’ backstory, their process, their that closed on Broadway years ago, and get to relationships and their work. -
Cinematic Fashionability and Images Politics
Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
Eden V14 No2 2011
Journal of the California Garden & Landscape History Society Vol. 14 No. 2 • Spring 2011 Beatrix Farrand in Southern California, 1927−1941 Ann Scheid eatrix Farrand moved to Southern California in 1927, 1924, and in 1926 he accepted the ―alluring opportunity‖3 B when her husband, Max Farrand, became the first to head the newly established Huntington Library in San director of the Huntington Library in San Marino. Born Marino. Beatrix Jones in 1872 to one of New York‘s leading fami- Max Farrand had been the choice of George Ellery lies, she showed an early interest in nature and the out-of- Hale, famous astronomer and adviser to Henry Huntington. doors. Beatrix became the protégée of Charles Sprague Probably Hale had also been behind the invitation to Max Sargent, first director of the Arnold Arboretum in Boston, in the previous year to spend time at the California Insti- with whom she began serious study in 1893. Her studies tute of Technology (Caltech).4 Hale‘s vision for the new were supplemented by extensive European travel, visiting library as a world-class research institution required an gardens in England, France, Italy, and even Algiers. She eminent scholar at its head to organize the scholarly pro- was also no doubt influenced by her aunt, Edith Wharton, gram and to attract leading scholars to carry out research in whose book Italian Villas and Their Gardens (1903) pro- the rich collection of rare books and manuscripts assem- moted the fundamentals of formal garden design— bled by Huntington. fundamentals that Beatrix ap- As the former head of plied in her own work.