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Licensing Division for the Correct Form
This form is effective beginning with the January 1 to June 30, 2017 accounting period (2017/1) SA1-2E If you are filing for a prior accounting period, contact the Licensing Division for the correct form. Short Form Return completed workbook STATEMENT OF ACCOUNT FOR COPYRIGHT OFFICE USE ONLY by email to: for Secondary Transmissions by DATE RECEIVED AMOUNT [email protected] Cable Systems (Short Form) For additional information, $ contact the U.S. Copyright General instructions are located 02/23/2021 Office Licensing Division at: Tel: (202) 707-8150 in the first tab of this workbook ALLOCATION NUMBER A ACCOUNTING PERIOD COVERED BY THIS STATEMENT: (YYYY/(Period)) 2020/2 Period 1 = January 1 - June 30 Period 2 = July 1 - December 31 Barcode Data Filing Period (optional - see instructions) Accounting Period Instructions: Give the full legal name of the owner of the cable system. If the owner is a subsidiary of another corporation, give the full corporate title of B the subsidiary, not that of the parent corporation. Owner List any other name or names under which the owner conducts the business of the cable system. If there were different owners during the accounting period, only the owner on the last day of the accounting period should submit a single statement of account and royalty fee payment covering the entire accounting period. 27874 Check here if this is the system’s first filing. If not, enter the system’s ID number assigned by the Licensing Division. LEGAL NAME OF OWNER/MAILING ADDRESS OF CABLE SYSTEM Midcontinent Communications BUSINESS NAME(S) OF OWNER OF CABLE SYSTEM (IF DIFFERENT) MAILING ADDRESS OF OWNER OF CABLE SYSTEM PO Box 5040 (Number, street, rural route, apartment, or suite number) Sioux Falls, SD 57117-5040 (City, town, state, zip) INSTRUCTIONS: In line 1, give any business or trade names used to identify the business and operation of the system unless these C names already appear in space B. -
Channel Guide Fusion.Indd
FUSION 1000 HIT LIST [TVE] 1025 SWINGING STANDARDS [TVE] LOCAL RADIO STATIONS 1001 URBAN BEATS [TVE] 1026 KIDS STUFF [TVE] 1051 THE LEGENDS 1300 KPMI 1002 JAMMIN’ [TVE] 1027 COUNTRY AMERICANA [TVE] 1052 1320 KOZY 1003 DANCE CLUBBIN’ [TVE] 1028 HOT COUNTRY [TVE] 1054 TALK RADIO 1360 KKBJ 1004 GROOVE [TVE] 1029 COUNTRY CLASSICS [TVE] 1055 SPORTS RADIO 1450 KBUN 1005 THE CHILL LOUNGE [TVE] 1030 FOLK ROOTS [TVE] 1059 KOJB THE EAGLE 105.3 1006 THE LIGHT [TVE] 1031 BLUEGRASS [TVE] 1061 FM 90 KBSB 1007 CLASSIC R’N’B & SOUL [TVE] 1032 HOLIDAY HITS [TVE] 1064 THE RIVER 92.1 WMIS 1008 SOUL STORM [TVE] 1033 JAZZ MASTERS [TVE] 1066 95.5 KZY 1009 GOSPEL [TVE] 1034 SMOOTH JAZZ [TVE] 1067 96.7 KKCQ 1010 NO FENCES [TVE] 1035 JAZZ NOW [TVE] 1068 96.9 KMFY 1011 CLASSIC ROCK [TVE] 1036 JAZZ/BLUES [TVE] 1070 REAL COUNTRY 98.3 WBJI 1012 ALT CLASSIC ROCK [TVE] 1037 HIP HOP [TVE] 1071 99.1 Z99 1013 ROCK [TVE] 1038 EASY LISTENING [TVE] 1073 KB101 CONTINUOUS COUNTRY 1014 HEAVY METAL [TVE] 1039 THE SPA [TVE] 1074 MIX 103.7 KKBJ 1015 ROCK ALTERNATIVE [TVE] 1040 CHAMBER MUSIC [TVE] 1075 KAXE 105.3 1016 CLASSIC MASTERS [TVE] 1041 LATINO URBANA [TVE] 1076 QFM KKEQ PBTV 1017 ADULT ALTERNATIVE [TVE] 1042 TODAY’S LATIN POP [TVE] 1077 104.5 THE BUN 2.0 1018 POPULAR CLASSICAL [TVE] 1043 LATINO TROPICAL [TVE] 1078 J105 THE THUNDER 1019 POP ADULT [TVE] 1044 ROMANCE LATINO [TVE] 1079 THE BRIDGE 91.9 KXBR CHANNEL 1020 NOTHIN’ BUT 90’S [TVE] 1045 RETRO LATINO [TVE] 1080 PSALM 99.5 KBHW 1021 EVERYTHING 80’S [TVE] 1046 ROCK EN ESPANOL [TVE] 1082 SANCTUARY 99.5 KBHW3 1022 FLASHBACK 70’S [TVE] 1047 BROADWAY [TVE] 1085 COYOTE 102.5 KKWB 1023 JUKEBOX OLDIES [TVE] 1048 ECLECTIC ELECTRONIC [TVE] 1088 RADIO TALKING BOOK LINE-UP 1024 MAXIMUM PARTY [TVE] 1049 Y2K [TVE] NOVEMBER 2019 MOVIES PREMIUM MOVIE 400 HBO (EAST) 468 STARZ KIDS & FAMILY CHANNELS 401 HBO 2 469 STARZ CINEMA 402 HBO SIGNATURE 470 STARZ IN BLACK 11 HBO CHANNELS 403 HBO FAMILY 471 STARZ (WEST) 19.95/MO. -
Bios the Cast Timothy Leary Ram Dass Dr. Andrew Weil
BIOS THE CAST TIMOTHY LEARY In the early 1960s Harvard psychology professors Timothy Leary and Richard Alpert began probing the edges of consciousness through their experiments with psychedelics. Leary became the LSD guru, challenging convention, questioning authority and as a result spawned a global counter culture movement landing in prison after Nixon called him “the most dangerous man in America”. RAM DASS Ram Dass (born Richard Alpert, April 6, 1931) is an American contemporary spiritual teacher and the author of the seminal 1971 book ‘Be Here Now’. DR. ANDREW WEIL Dr. Andrew Weil is a physician, author, professor and one of the world’s preeminent media celebrities in the field of medicine and personal growth. He is a long-time advocate for both Western medicine and alternative therapies. Dr. Weil graduated from Harvard University where he was also an undergraduate reporter for the Harvard Crimson. His investigative journalism led to Leary & Alpert’s dismissal from Harvard and the unraveling of their University studies in the use of psychoactive drugs for medical research and treatments. HUSTON SMITH Smith’s book “The World’s Religions” has sold over two million copies and remains a popular introduction to comparative religion. Smith, through his friendship with Aldous Huxley, met Leary and Alpert and others at the Center for Personality Research at Harvard. There, Smith was one of the active participants in Leary and Alpert’s early experiments, particularly “the Good Friday Experiment.” He termed the experiments “empirical metaphysics. His book, “Cleansing the Doors of Perception,” describes his experiences. Smith has both studied and practiced Christianity, mysticism, Vedanta, Zen Buddhism and Sufi Islam. -
Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T
Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man. -
Educational Communications Board
2015 – 2017 Biennial Report Gene Purcell Executive Director 3319 West Beltline Highway Madison, WI 53713-4296 Educational Communications Board To: The Honorable Scott Walker, Governor of Wisconsin Members of the Wisconsin State Legislature Citizens of the State of Wisconsin The Wisconsin Educational Communications Board (ECB) has the mission of providing a statewide telecommunications system and assistance in the diffusion of advanced technologies in support of public safety, public broadcasting, education and media. As part of that mission, public radio and television services respond to and reflect the educational and cultural interests and needs of the residents of the state. While there have been many changes in technology since the founding of the ECB in the early 1970’s, the essential mission of using technological platforms to deliver non-commercial public media remains unchanged. In fact, the history of public media in Wisconsin dates all the way back to 1917 with our first radio broadcasts, marking 2017 as the centennial of the oldest public broadcasting station in the nation. During 2015-2017, the ECB provided its safety and education services with 55.18 FTE, a reduction of 1.5 FTE from the 2013-2015 budget. Also in the 2015-2017 budget, the agency saw its GPR reduced by nearly 20% with the loss of two appropriations that supported K-12 media for Wisconsin students and teachers. 2015 – 2017 Budget Goals and Performance Here is a link to ECB’s budget details for the 2015-2017 biennium (see pages 53-54): http://www.doa.state.wi.us/Documents/DEBF/Budget/Biennial%20Budget/2015- 17%20Executive%20Budget/2015%20ACT55%20SB21.pdf Together, WPR and WPT were utilized by nearly one-million people in Wisconsin on any given week during the past two years as well as by thousands of educators. -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
Channel Guide Fusion LRG.Indd
LOCAL RADIO STATIONS 1000 HIT LIST [TVE] 1025 SWINGING STANDARDS [TVE] 1051 THE LEGENDS 1300 KPMI INCLUDED IN 1001 HIP-HOP/R&B [TVE] 1026 KIDS STUFF [TVE] 1052 1320 KOZY [TVE] PBTV EVERYWHERE 1002 JAMMIN’ [TVE] 1027 COUNTRY AMERICANA [TVE] 1054 TALK RADIO 1360 KKBJ 1003 DANCE CLUBBIN’ [TVE] 1028 HOT COUNTRY [TVE] 1055 SPORTS RADIO 1450 KBUN ITASCA, KOOCHICHING, & ST. LOUIS 1004 GROOVE [TVE] 1029 COUNTRY CLASSICS [TVE] 1059 KOJB THE EAGLE 105.3 [IKSL] 1005 THE CHILL LOUNGE [TVE] 1030 FOLK ROOTS [TVE] 1061 FM 90 KBSB COUNTIES 1006 CHRISTIAN POP & ROCK [TVE] 1031 BLUEGRASS [TVE] 1064 THE RIVER 92.1 WMIS 1007 CLASSIC R’N’B & SOUL [TVE] 1032 HOLIDAY HITS [TVE] 1066 95.5 KZY [BCH] BELTRAMI, CASS, & HUBBARD 1008 SOUL STORM [TVE] 1033 JAZZ MASTERS [TVE] 1067 96.7 KKCQ COUNTIES PBTV 1009 GOSPEL [TVE] 1034 SMOOTH JAZZ [TVE] 1068 96.9 KMFY 1010 NO FENCES [TVE] 1035 JAZZ NOW [TVE] 1070 REAL COUNTRY 98.3 WBJI MUST SUBSCRIBE TO 1011 CLASSIC ROCK [TVE] 1036 JAZZ/BLUES [TVE] 1071 99.1 Z99 [EX] PBTV EXTRA CHANNEL 1012 ALT CLASSIC ROCK [TVE] 1037 HIP HOP [TVE] 1073 KB101 CONTINUOUS COUNTRY 1013 ROCK [TVE] 1038 EASY LISTENING [TVE] 1074 MIX 103.7 KKBJ MUST SUBSCRIBE TO 1014 HEAVY METAL [TVE] 1039 THE SPA [TVE] 1075 KAXE 105.3 [SP] 1015 ALTERNATIVE [TVE] 1040 CHAMBER MUSIC [TVE] 1076 QFM KKEQ PBTV SPORTS GUIDE 1016 CLASSIC MASTERS [TVE] 1041 RITMOS LATINOS [TVE] 1077 104.5 THE BUN 2.0 1017 ADULT ALTERNATIVE [TVE] 1042 EXITOS DEL MOMENTO [TVE] 1078 J105 THE THUNDER MUST SUBSCRIBE TO 1018 POPULAR CLASSICAL [TVE] 1043 EXITOS TROPICALES [TVE] 1079 THE BRIDGE -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
November 2019
NOVEMBER 2019 1 This Month we Say ‘Goodbye’ to the Durrells and the Poldarks atch the series finales of these beloved Masterpiece shows on November 3 and 17, respectively. Can’t get enough? Stream both series on Passport! And tune in to W the following for special opportunities to support these programs you love. What the Durrells Did Next: A Masterpiece Special Sunday, November 10 at 6:30pm on PBS North Keeley Hawes hosts this documentary about the extraordinary lives of The Durrell family after WWII forced them to leave Corfu. There is also a special focus on Gerald’s seminal naturalist work and his visionary zoo. Poldark Series Finale Sunday, November 17 at 8pm on PBS North With their lives on the line, Ross and his friends must launch their most daring plan yet to save themselves and the country from enemies both at home and abroad. Exciting November Specials Explore something new and make a gift to support your favorites. Classic Christmas Aging Backwards 3 with This nostalgic special spotlights Miranda Esmonde-White traditional carols as well as popular Former ballerina Miranda Esmonde- standards, children’s tunes and romantic White uses groundbreaking science selections. Featuring Bing Crosby, Nat to develop a practical six-point plan King Cole, Judy Garland, Rosemary anyone can use to keep their minds Clooney, Johnny Mathis, Brenda Lee, Perry Como sharp and their bodies active using Burl Ives and many more. gentle daily movement. 4Thurs., Nov. 21 at 8pm on PBS North 4Sat., Nov. 30 at 8am and 6pm 4 4 on PBS North and 10:30am on Thurs., Nov. -
Julian Velard Song List
JULIAN VELARD SONG LIST # Cheer Up Charlie - Willy Wonka 1999 – Prince Close To You — Carpenters 50 Ways To Leave Your Lover Cold As Ice —Foreigner 9 To 5 — Dolly Parton Cracklin’ Rosie — Neil Diamond A Crazy — Patsy Cline A Song For You – Leon Russell Crazy For You - Madonna Africa - Toto Crying — Roy Orbison After the Gold Rush — Neil Young Cupid – Sam Cooke Afternoon Delight – Starland Vocal Band D Ain’t No Sunshine – Bill Withers Dance With Me – Orleans Alison — Elvis Costello Darling Be Home Soon – John Sebastian Alone Again Naturally — Gilbert O’Sullivan Do You Know the Way to San Jose? — All By Myself – Eric Carmen Dionne Warwick All Of Me – Frank Sinatra Do You Realize??? – Flaming Lips America – Neil Diamond Doctor My Eyes – Jackson Browne Angel Eyes – Frank Sinatra Domino – Jesse J Angel Of The Morning — Juice Newton Don’t Cry Out Loud – Melissa Manchester Arthur’s Theme – Christopher Cross Don’t Go Breakin’ My Heart — Elton John & Kiki Dee As Time Goes By Don’t Stop Believin’ — Journey B Don’t Worry Baby — Beach Boys Baby One More Time — Britney Spears Don’t You Forget About Me — Simple Minds Baby Come Back - Player Dreams — Fleetwood Mac Bad, Bad, Leroy Brown — Jim Croce E Baker Street – Gerry Raerty Escape (The Pina Colata Song) – Rupert Holmes Bare Necessities - The Jungle Book Everybody’s Talkin’ — Nilsson Be My Baby — Ronnie Spector Every Time You Go Away – Paul Young Bennie and the Jets — Elton John Everybody Wants To Rule The World – Bette Davis Eyes – Kim Carnes Tears For Fears Big Yellow Taxi — Joni Mitchell Eye In -
2015 MPTA Report
This document is made available electronically by the Minnesota Legislative Reference Library as part of an ongoing digital archiving project. http://www.leg.state.mn.us/lrl/lrl.asp ANNUAL REPORT January 15, 2016 Legacy-funded content and initiatives July 1, 2014 - June 30, 2015 Celebrating Minnesota’s Arts and Cultural Legacy ª Sara Lubinski, oil submitted by KSMQ Public Service Media, Austin/Rochester, 800-658-2539, www.ksmq.org Lakeland Public Television, Bemidji/Brainerd, 800-292-0922, www.lptv.org Pioneer Public Television, Appleton/Worthington/Fergus Falls, 800-726-3178, www.pioneer.org Prairie Public Broadcasting, Moorhead/Crookston, 800-359-6900, www.prairiepublic.org Twin Cities PBS, Minneapolis/Saint Paul, 651-222-1717, www.tpt.org WDSEtWRPT, Duluth/Superior/The Iron Range, 218-788-2831, www.wdse.org Table of Contents Introduction .........................................................................................................................................3 MPTA Legacy Reporting at a Glance .................................................................................................4 WDSE•WRPT, Duluth/Superior/The Iron Range ................................................................................5 Twin Cities PBS, Minneapolis/Saint Paul ...........................................................................................7 Prairie Public Broadcasting, Moorhead/Crookston ............................................................................9 Pioneer Public Television, Appleton/Worthington/Fergus