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2012 Rsa Conference Program Thursday, May 24, 2012
2012 RSA CONFERENCE PROGRAM Loews Hotel 1200 Market Street Philadelphia, PA 19107 215 627.1200 • Session Locations: All sessions will be held in the Loews Hotel, except the five sessions designated for off-site venues • AV: An asterisk* denotes rooms with AV facilities; these requests will be confirmed in April. • Chair Duties: Chairs should (a) make introductions and (b) enforce time limits • Paper Time Limits: 3-paper panels = 20 minutes each; 4-paper panels = 15 minutes each; Roundtables = adjust accordingly, allowing time for discussion. It’s professional courtesy to abide by these limits. [Add Awards page] THURSDAY, MAY 24, 2012 8:00-5:00 ASHR MEETING (Dave Tell, Commonwealth C) Noon-5:00* CAREER RETREAT MEETING (Cheryl Geisler, Commonwealth B) Noon-5:00 ARST MEETING (Lisa Keranen, Commonwealth D) FRIDAY, MAY 25, 2012 8:00 am – 10:00 pm REGISTRATION (Millenium Foyer) 8:00-noon CAREER RETREAT MEETING (Cheryl Geisler, Commonwealth B) 8:00-noon ASHR MEETING (Dave Tell, Commonwealth C) 8:00-noon ARST MEETING (Lisa Keranen, Commonwealth D) 8:45-noon RSA BOARD BUFFET BREAKFAST & BOARD MEETING (Kris Ratcliffe, Howe) 9:30 – 10:45 FRIDAY “A” SESSIONS A01 RECOGNIZING IMMAPPANCY IN THE READING, WRITING, AND TEACHING OF RHETORIC (Washington A) A Brief History of Map Rhetoric, or, Defining Immappancy Samantha NeCamp, Midway College Immappancy in Rhetoric and Composition: Tracing Spatial Metaphors through Contemporary Scholarship Lisa Arnold, American U Spatial Metaphors and Translingual Pedagogies: Placing Ourselves in the Curriculum Vanessa -
Florida Film Festival Features a Short Film by 'Hometown Girl' Talia Osteen
Back to School Section B WWW.HERITAGEFL.COM YEAR 44, NO. 49 AUGUST 7, 2020 17 AV, 5780 ORLANDO, FLORIDA SINGLE COPY 75¢ Patricia Sigman runs for state Senate By Christine DeSouza Longwood resident Patricia R. Sigman is a Democratic candidate on the primary ballot for state Senate, Dis- trict 9. There is one opponent running against her for the seat and she is hopeful voters will turn out for the Aug. 18 primary elections to get her name on the ballot for the elections on Nov. 3. Sigman is a long-standing member of this community. She and her husband, Phil, have been affiliated with Temple Israel and also Con- gregation of Reform Judaism. Patricia Sigman “Seminole County is our home and our roots here run tive. She is a small business The Jewish Foundation for the Righteous will air from July 27 to Aug. 31, 2020 one of its award-winning documentaries deep,” she told Heritage. “The owner (Sigman & Sigman, highlighting Righteous Gentiles who saved Jews during World War II and the Holocaust. Sigman family has been here P.A. in Altamonte Springs), since the early 1960s.” a voter protection leader, Sigman, a board-certified community volunteer, and Labor & Employment lawyer with her husband, Phil, has Online movie series to feature rescuers and a civil mediator for 26 raised three children — all years, has seen all aspects of of whom attended Seminole law from the business, com- and rescued during years of Holocaust munity and personal perspec- Sigman on page 14A (JNS) — The Jewish Foundation for the to themselves and their families—to save goal was two-fold: to share stories Righteous is launching a Monday-night Jews,” said JFR executive vice president of heroism and raise awareness of movie series, from July 27 to Aug. -
IMOJP18 691 Songs, 2 Days, 11.11 GB
Page 1 of 20 IMOJP18 691 songs, 2 days, 11.11 GB Name Time Album Artist 1 Premonition 4:10 The Unknowable Adam Rudolph, Dave Liebman, Ta… 2 Skyway Dream 4:24 The Unknowable Adam Rudolph, Dave Liebman, Ta… 3 Pregnenolone 2:40 Adventure Violence Adventure Violence 4 Underpass 2:49 Adventure Violence Adventure Violence 5 Fel i Fod 4:14 - single - Adwaith 6 Klutz 3:43 Single Aesop Rock @AesopRockWins 7 Galina Rymbu 13:53 Dissidentova AGF @poemproducer 8 IvsUS 2:40 soliDARITY AGF @poemproducer 9 03 This Cafe (Is Not Anonymous E… 1:20 Too Significant To Ignore AJ Cornell & Tim Darcy 10 Trump Drums! 6:49 The Morse Codex Alan Morse Davies @AlanMorseD… 11 The Fall Of The Damned 6:55 The Fall Of The Damned Albatre 12 Natural Selection 2:21 Alice Glass Alice Glass @ALICEGLASS 13 Caffeine OD 2:48 Death Of The Vinyl Boom Alien Nosejob 14 Flyblown 3:32 Death Of The Vinyl Boom Alien Nosejob 15 Cinnamon 4:23 - single - Alpha Maid 16 Paper Tiger 5:51 Start My Center American Anymen 17 Zine ezzine ( feat. Sofiane Saidi ) 3:43 Maghreb United AMMAR 808 @AMMAR808MUSIC 18 AS Chaos feat Pan Daijing @PDai… 3:50 Another Life Amnesia Scanner @amnesiascan… 19 Westgate 2:15 Big Attraction Amyl and the Sniffers 20 Some Mutts 2:40 - single - Amyl and the Sniffers 21 “Here To There” 4:31 Island Ana da Silva & Phew @anatherai… 22 Reassemble Me 3:49 Idiot And And And 23 `Slingerpolska 2:28 Trees of Light Anders Jormin 24 `Traffic Lights 6:53 River of Tears EP Andrea Ljekaj @andrea_ljekaj 25 Open 3:19 Tongue LP - PROMO Anenon @anenonmusic 26 20,000 Leagues Underneath The… -
Uscschool of Dra- Matic Arts
USCSchool of Dra- THTR 482 STAND-UP 2: HONING YOUR ACT matic Arts Spring 2018 —Fridays—10am to 12:50pm Location: MCC 111 Instructor: Wayne Federman Office: Office Hours: By Appointment Contact Info: [email protected] Course Description and Overview This course, a follow-up to THTR 474, will primarily focus on techniques for cre- ating new comedy material and onstage performance strategies. Other topics covered include: road gigs, bar gigs, open mics, college tours, mainstream vs. alternative, creating a five-minute late-night TV set, writing for other comedi- ans, how to be an "opening act", rejection and stage fright, becoming a headlin- er, Sound Exchange, podcasting, merchandise, social media, award show and late-night monologue joke writing, getting a manager/agent, and comedy festi- vals. We will also examine modern stand-up history (1947-2018). Plus various professional guest speakers. Learning Objectives By the end of the course, the student will have specific techniques for creating material, a comprehensive intro into the world of professional stand-up, the ability to recognize various comedic devices, a greater understanding of the his- tory of stand-up, and - hopefully - a more polished and effective stand-up rou- tine. Proposed Objectives •The importance of getting on stage •Specificity - the key to great stand-up •Economy of words: another key to great stand-up •The crucial first 30-seconds •The physical basics: microphone, stand, “the light”, and the stool. •Writing techniques •Your persona •Truthfulness •Exaggeration •Getting -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
Moors, Mulattos, and Post-Racial Problems: Rethinking Racialization in Early Modern England
Moors, Mulattos, and Post-Racial Problems: Rethinking Racialization in Early Modern England by Kyle C. Grady A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2017 Doctoral Committee: Professor Michael Awkward, Co-Chair Professor Michael C. Schoenfeldt, Co-Chair Professor Tiya A. Miles Professor Valerie J. Traub Kyle C. Grady [email protected] ORCID iD: 0000-0003-2725-8127 © Kyle C. Grady 2017 ACKNOWLEDGEMENTS I could not have found more dedicated mentors than I have in my co-chairs, Michael Awkward and Michael Schoenfeldt, each of whom promised to advise this dissertation before I took my first class at the University of Michigan. This project is the result of countless lunches with Michael Awkward and innumerable conversations with Michael Schoenfeldt. For the last six years, Michael and Mike have been constant sources of wisdom, motivation, and support. Michael Awkward fostered the experimental aspects of this project with his incisive and innovative intellect. I could not be more grateful for his guidance in challenging times, which made all the difference. Mike Schoenfeldt’s erudition and enthusiasm deeply enriched each of this project’s investigations. His prowess as a scholar is matched only by his commitment as a teacher and advisor, and I have benefitted immensely from his endless encouragement through the highs and lows of this process. I have been incredibly fortunate in having Valerie Traub and Tiya Miles on my committee. Valerie provided invaluable feedback on every aspect of this project. Her careful attention to her students’ work and encyclopedic knowledge of early modern studies is a source of inspiration. -
Laughter Effect
caty borum chattoo center for media & social impact school of communication american university may 2017 the laughter effect: the [serious] role of comedy in social change about the The Laughter Effect: The [Serious] Role of Comedy in Social Change is the second in a three-part inves- project tigation about comedy and social influence. All were directed and written by Caty Borum Chattoo, produced under the auspices of the Center for Media & Social Impact at American University’s School of Communication. All three projects were funded by the Bill & Melinda Gates Foundation. The first project, Entertainment, Storytelling & Social Change in Global Poverty, an experimental design study that examined the persuasive impact of the comedic documentary film, Stand Up Planet, was published in February 2015; it was funded under the auspices of Learning for Action, LLC. Borum Chattoo was also the executive producer and producer of the documentary, which premiered in 2014 in the United States and India. Lauren Feldman, PhD, Associate Professor in the School of Communication and Information at Rut- gers University, served as peer reviewer for The Laughter Effect. For the Center for Media & Social Impact, graduate student fellows Jessica Henry Mariona, Diya Basu and Hannah Sedgwick provided research support; all were students at the American University School of Communication graduate Strategic Communication program. The reports are available at www.cmsimpact.org. about the Caty Borum Chattoo is Director of the Center for Media & Social Impact and Executive in Residence project at the American University School of Communication in Washington, D.C. She works at the intersec- director tion of social-change communication/media, media effects research, and documentary production. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
Parasocial Relationships with Podcast Hosts
Portland State University PDXScholar University Honors Theses University Honors College 6-17-2019 Parasocial Relationships with Podcast Hosts Mikhaela Nadora Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Nadora, Mikhaela, "Parasocial Relationships with Podcast Hosts" (2019). University Honors Theses. Paper 771. https://doi.org/10.15760/honors.789 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. - Parasocial Relationships with Podcast Hosts by Mikhaela Nadora An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Communication Studies Thesis Adviser Dr. Lee Shaker Portland State University 2019 PARASOCIAL RELATIONSHIPS WITH PODCAST HOSTS 2 Abstract This study is a deductive thematic analysis of podcast hosts’ attributes that explores how parasocial relationships (PSR) might be cultivated with listeners. I analyze five episodes of one podcast, Stuff You Should Know and use its transcriptions to code for themes of identification, conversation practices, and authenticity to suggest ways PSR is developed by the podcast’s hosts. Results found host behaviors suggest how listeners may react to them. The combination of the effect of social deixis while describing personal characteristics suggest listeners may feel physically and emotionally closer to the hosts. Listeners may also see them as more trustworthy because the hosts care for listeners’ wellbeing. -
TAMECA JONES Feel Lucky with 2018’S Best Female Vocalist at the Palm Door This Saturday
SXSW MVP: TAMECA JONES Feel Lucky With 2018’s Best Female Vocalist at the Palm Door This Saturday PHOTO BY TODD V. WOLFSON GETTING AROUND SXSW ONLINE GUIDES > AUSTINCHRONICLE.COM/SXSW We round up your transporta- tion options, from rideshare PUBLISHER Nick Barbaro EDITORIAL to public transit to pedicabs. EDITOR Kimberley Jones NEWS Chase Hoffberger SXSW FILM VENUES GUIDE ARTS Robert Faires FOOD Jessi Cape Where to go, how to get SCREENS Richard Whittaker MUSIC Raoul Hernandez there, and how to navigate WEB James Renovitch the lines. CHRON EVENTS LISTINGS MANAGER, CLUB LISTINGS Mark Fagan SXSW MUSIC VENUES GUIDE ARTS LISTINGS & MEAL TIMES Wayne Alan The scoop on Austin’s clubs. Brenner SPECIAL SCREENINGS, SHOWTIMES, 2018 & COMMUNITY LISTINGS Josh Kupecki RESTAURANT GUIDE GAY PLACE & CIVICS LISTINGS Sarah Marloff 2,000+ ways to feed your STAFF WRITERS face, searchable by cuisine, Kevin Curtin, Nina Hernandez, Michael King, Mary Tuma location, and price. CONTRIBUTING WRITERS FILM Marjorie Baumgarten THE QUEER GUIDE TO SXSW FAR FLUNG CORRESPONDENCE Emily Beyda DAY TRIPS Gerald E. McLeod A rundown of all things MR. SMARTY PANTS R.U. Steinberg LGBTQIA – official and unoffi- PRODUCTION cial – during the Fest. ART DIRECTOR Jason Stout PRODUCTION MANAGER Chris Linnen WEB DIRECTOR Brian Barry UNOFFICIAL PARTIES DIGITAL STRATEGY Michael Bartnett GRAPHIC DESIGNERS Zeke Barbaro, Jeff Gammill AND FREE SHOWS STAFF PHOTOGRAPHERS John Anderson, Now entering the wristband- Jana Birchum, David Brendan Hall free zone. PROOFREADERS Kat McNevins, Greg Stitt, Danielle White INTERNS Acacia Coronado, Ben Dickerson, VISITORS GUIDE Alyssa Frost, Christina Garcia, Mae Hamilton, Savannah Opre, Mikaila Rushing, Monserrat Fiji mermaids. -
Social Media Is Bullshit
SOCIAL MEDIA IS BULLSHIT 053-50475_ch00_4P.indd i 7/14/12 6:37 AM 053-50475_ch00_4P.indd ii 7/14/12 6:37 AM 053-50475_ch00_4P.indd iii 7/14/12 6:37 AM social media is bullshit. Copyright © 2012 by Earth’s Temporary Solu- tion, LLC. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10011. www .stmartins .com Design by Steven Seighman ISBN 978- 1- 250- 00295- 2 (hardcover) ISBN 978-1-250-01750-5 (e-book) First Edition: September 2012 10 9 8 7 6 5 4 3 2 1 053-50475_ch00_4P.indd iv 7/14/12 6:37 AM To Amanda: I think you said it best, “If only we had known sooner, we would have done nothing diff erent.” 053-50475_ch00_4P.indd v 7/14/12 6:37 AM 053-50475_ch00_4P.indd vi 7/14/12 6:37 AM CONTENTS AN INTRODUCTION: BULLSHIT 101 One: Our Terrible, Horrible, No Good, Very Bad Web site 3 Two: Astonishing Tales of Mediocrity 6 Three: “I Wrote This Book for Pepsi” 10 Four: Social Media Is Bullshit 15 PART I: SOCIAL MEDIA IS BULLSHIT Five: There Is Nothing New Under the Sun . or on the Web 21 Six: Shovels and Sharecroppers 28 Seven: Yeah, That’s the Ticket! 33 Eight: And Now You Know . the Rest of the Story 43 Nine: The Asshole- Based Economy 54 053-50475_ch00_4P.indd vii 7/14/12 6:37 AM Ten: There’s No Such Thing as an Infl uencer 63 Eleven: Analyze This 74 PART II: MEET THE PEOPLE BEHIND THE BULLSHIT Twelve: Maybe “Social Media” Doesn’t Work So Well for Corporations, Either? 83 Thirteen: Kia and Facebook Sitting in a Tree . -
Alt-Nation: 300 Episodes of Agreeing to Disagree: the Chuck and Brad Podcast and Other Shows
Alt-Nation: 300 Episodes of Agreeing to Disagree: The Chuck and Brad Podcast and Other Shows I’ve always admired people who organized enough to keep track of how many times they do something. Personally, I can’t. I couldn’t tell you if the amount of columns I’ve written is closer to 100 or 500. Chuck Staton (from the punk band Senior Discount) and Brad Rohrer (Providence Improv Guild player) who do the popular podcast Agreeing to Disagree are much better at that stuff. They are about to celebrate doing 300 podcasts, and that is a lot! Certainly more podcasts than I have listened to or will probably ever listen to. Agreeing to Disagree has featured loads of musicians, comedians and other artists for some hysterical moments. In recent years Chuck and Brad have started doing their podcasts in front of a live audience where one never knows what zaniness awaits. In advance of their 300th podcast, which will be held at Fete on May 7, I poised a few to Mr. Staton and Mr. Rohrer. Marc Clarkin: What do you remember about the first podcast? Brad Rohrer: I remember getting set up and hoping Chuck and I could keep a conversation going for at least 45 minutes. Anything less than that feels like it wouldn’t have been worth putting up online. We were discussing our favorite things of 2008 — books, movies, games, TV, etc. We talked for two and a half hours. Chuck Staton: I remember that I was actually nervous! I was like, “Okay, how can we be entertaining? How can we make sure we’re funny or insightful?” and I felt like I really wanted to concentrate on being entertaining as opposed to letting my personality shine through.