Download PDF File

Total Page:16

File Type:pdf, Size:1020Kb

Download PDF File EVENING ONE (May 20 & 22) RUN TIME: APPROXIMATELY 2.5 HOURS, INCLUDING A 10-MINUTE INTERMISSION CREATIVE TEAM AND CREW for Evening One Production Manager & Technical Director Chris Mikolavich Stage Manager Amanda Vander Hyde Assistant Stage Managers Wyatt Hodgson, Bitty Garrett Streaming Coordinator & General Manager, PCS Liam Kass-Lentz Costume Designer Beth Harper Period Costume Coordinator Bobby Brewer-Wallin Costume Assistant/Dresser BreeAna Miyuki Eisel Properties Master Erica Hatfield Assistant Properties Calista Rodríguez Lighting Designer Trent Eccles Sound Designer Rodolfo Ortega Assistant to Sound Designer Dustin Fuentes Intimacy Consultant Amanda K Cole Running Crew Wyatt Hodgson, Bitty Garrett Act One BRIGHT HALF LIFE by Tanya Barfield Directed by Lava Alapai Presented by special arrangement with Dramatists Play Service, Inc., New York CAST Vicky BreeAna Miyuki Eisel Erica Magnolia Brown 2 THE ACTORS CONSERVATORY 2021 Act Two ANTOINE AT THE BORDER by Maggie Lou Rader Directed by Michael Mendelson CAST Antoine Erica Hatfield Charlotte Calista Rodríguez THE BEGINNING OF EVERYTHING by Monica Cross Directed by Samson Syharath CAST Cindi Bitty Garrett Dell BreeAna Miyuki Eisel GOT A LIGHT? by Jean Koppen Directed by Michael Mendelson CAST Joan Erica Hatfield Guy Dustin Fuentes Voice Magnolia Brown THE ONES WHO ADAPT by Greg Lam Directed by Samson Syharath CAST Jogger Wyatt Hodgson Alien Calista Rodríguez Female Erica Hatfield OREGON ONE-ACT FESTIVAL 3 EVENING TWO (May 21 & 23) RUN TIME: APPROXIMATELY 2.5 HOURS WITH A 10-MINUTE INTERMISSION CREATIVE TEAM AND CREW for Evening Two Production Manager & Technical Director Chris Mikolavich Stage Manager Magnolia Brown Assistant Stage Managers Wyatt Hodgson, Bitty Garrett Streaming Coordinator & General Manager, PCS Liam Kass-Lentz Costume Designer Beth Harper Costume Assistant/Dresser BreeAna Miyuki Eisel Properties Master Calista Rodríguez Assistant Properties Erica Hatfield Lighting Designer Trent Eccles Sound Designer Rodolfo Ortega Assistant to Sound Designer Dustin Fuentes Intimacy Consultant Amanda K Cole Running Crew Wyatt Hodgson, Bitty Garrett, Calista Rodríguez, Erica Hatfield, BreeAna Miyuki Eisel, Dustin Fuentes Act One LORE DROP by Calista Rodríguez, in collaboration with Diana Burbano & Dámaso Rodríquez Directed by Dámaso Rodríquez CAST Alex/DM Calista Rodríguez 4 THE ACTORS CONSERVATORY 2021 FISHTOWN by Michael Quinn Directed by Beth Harper CAST Bobby Dustin Fuentes Lena Erica Hatfield Act Two BROTHERS ON A HOTEL BED by Elisabeth Giffin Speckman Directed by Beth Harper CAST Sam Dustin Fuentes James Wyatt Hodgson POMEGRANATE JUICE by Melissa Boles Directed by Beth Harper CAST Katherine Bitty Garrett Hannah BreeAna Miyuki Eisel Peter Dustin Fuentes WHEN JESUS DROPS BY FOR TEA by Greg Lam Directed by Samson Syharath CAST Matthew Wyatt Hodgson Josh Dustin Fuentes BEAU by Melissa Boles Directed by Beth Harper CAST Grace Bitty Garrett Beau Jeff Gorham (guest artist) A WORD FROM OUR LEADERSHIP to the second offering of our 2020/21Welcome season of plays, or perhaps I should say, “season” of “plays.” This has been a year of redefining so many terms. We might swap “season” for “How to Make Theatre and Train Actors During a World-Wide Pandemic.” “Plays” we might translate into opportunities to create, compromise, and collaborate. And we have done all of that, with energy and dedication, since in-person classes were suspended on March 13th, 2020. We moved the TAC curriculum – Acting, Movement, Voice, Shakespeare, Text Analysis, Meisner, Improvisation – to the world of Zoom. Additionally, we created new courses and opportunities: BIPOC scene study, for example, and Friday afternoon “Slams,” where students, in both years, along with faculty, attend a workshop or lecture in a variety of subjects, from preparing for a musical theatre auditions, to a workshop in comedy led by a writer from HBO. Faculty, staff, and students all stepped into this brave new world, learning together, helping each other, and all of us bent on continuing the process of providing the vital performance curriculum that is key to TAC’s second year of full-time training. This is our Theory (the foundation we lay down in Year One at TAC) into Practice (opportunities to collaborate and perform with the intent of enriching and enlivening our audience) reimagined. With ART, and a wonderful collaboration with playwright Diana Burbano and Executive Artistic Director Dámaso Rodríguez, it was such a pleasure for TAC to present The Vertical City, an original audio drama written for and with the class of 2021. 6 THE ACTORS CONSERVATORY 2021 And now for these two evenings of plays! Having been away from the rehearsal room for an entire year, it is hard for me to describe what a joy it is to be with these second-year students, fellow directors, playwrights, designers, and theatre professionals creating these two evenings of one-acts and short plays in the invigorating and truly beautiful space of Portland Center Stage. I am full of gratitude for the effortless generosity of PCS Artistic Director, Marissa Wolf, Managing Director, Cynthia Fuhrman, and General Manager, Liam Kass-Lentz. I am delighted to present the work of our second-year students, who demonstrate immense courage, artistic range, and an amazing variety of skill sets in these two evenings of one-act and short plays. I am always moved and inspired by the work of our graduating second-year students, but perhaps, never more than this particular year, which has been so full of both compromise and possibility. I am reminded that the word “crisis” in the Chinese language is composed of two characters, one representing danger and the other opportunity. May we all navigate both and thrive in the process. - Beth Harper, Managing Artistic Director photo by: Owen Carey; OREGONactors: Erica ONE-ACT Hatfield FESTIVAL & Wyatt Hodgson7 CAST PROFILES Magnolia Brown (ACTOR) Magnolia Brown is ecstatic to be in her second year at The Actors Conservatory. Born in central Washington and having lived in 6 states growing up Magnolia learned early that she would always have a home in theater. This season she will have the pleasure of playing Erica in Bright Half Life, and Voice in Got a Light? Magnolia has played in many projects in the past including, The Vertical City, Pink Noir, and A Diner on the Way. Magnolia would like to thank her peers and mentors for helping her grow these past two years, and her family who inspires her to create. BreeAna Miyuki Eisel (ACTOR) BreeAna is proud and honored to be a part of the Actors Conservatory’s One Act Festival. During the performance, BreeAna will be showcasing a wide range of characters, from a grieving daughter to an ever-aging space explorer. These roles are the culmination of two years of study with the Conservatory and serve to mark the end of a great chapter in her life. As a student at the Conservatory, she spent the last year preparing and learning over Zoom and is thrilled to finally have the opportunity to perform live in a real theater. When BreeAna is not acting, she enjoys reading horror novels, knitting sweaters, and playing with her two beautiful dogs. Though her future plans are unclear, she is excited to take the next steps for her career and looks forward to whatever it may hold. In closing, BreeAna would like to thank Portland Center Stage for the generosity in allowing her the opportunity to perform on their stage and experience professional theatre first-hand. She would also like to thank her mentors at the Actors Conservatory at Artist Rep for all of the wisdom and guidance they have given her over the past two years. Dustin Fuentes (ACTOR) Dustin is an artist born and raised in Portland. He’s very excited to be part of the Oregon One Act Festival! His most recent credits include Dylan in The Vertical City (TAC, Artists Rep), Svec in Once (Broadway Rose), Chris in Beau Jest (New Century Players), Wilfred Owen in Not About Heroes (New Century Players). CAST PROFILES Bitty Garrett (ACTOR) is passionate about telling stories that give us permission to explore the challenging parts of humanity through love, humor, & compassion. Growing up in Portland gave Bitty the chance to experience its vast and vibrant theatre scene from a young age, sparking a deep love for storytelling and creative performance. The Conservatory training has emphasized & reaffirmed the importance of cultivating connection by embracing each individual’s authentic truth while playing to their creative strengths & nurturing areas in need of growth. Bitty feels incredibly fortunate to have found a program with mentors that pushes her to be the best artist they can in order to fully serve the stories she shares. Outside the theatre arts, you can find her writing jokes, chatting about mental health, or at her job making delicious, locally-sourced ice cream. Erica Hatfield (ACTOR) Erica is over the moon to be tackling four different characters in one festival! From the historical gravitas of Joan of Arc and a young Marie Antoinette, to the contemporary American sister of a recovering heroin addict, all the way to an actual extra terrestrial! Exploring these roles with her ensemble has been a challenging, rewarding and exhilarating process but there’s no other bunch of weirdos she would rather share this experience with. She would like to thank her teachers and ensemble for their discipline, compassion and dedication to this work and to each other. During the run of this show, Erica will become an Aunt for the very first time and can think of no better way to celebrate the arrival of her new baby niece. Her family is in every move that she makes―for their continued support and encouragement she is eternally grateful. She would also like to thank her real life brother for his aversion to heroin. Lastly, Erica would like to thank Portland Center Stage for allowing this group of young actors into their space for the educational opportunity of a lifetime! Erica is not sure what the future holds for her but she is sure that she is an artist and that alone is an incredible feeling.
Recommended publications
  • More- for Immediate Release CENTER THEATRE GROUP
    For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie.
    [Show full text]
  • The Following Blue Star Theatres Are Listed in Alphabetical Order
    The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Manhattan Theatre Center, New York, NY 7 Stages, Atlanta, GA McCarter Theatre, Princeton, NJ Actors Theatre of Louisville, Louisville, KY Northlight Theatre, Skokie, IL Adventure Stage, Chicago, IL Olney Theatre Center for the Arts, Olney, MD Alabama Shakespeare Festival, Montgomery, AL Penobscot Theatre Company, Bangor, ME Alley Theatre, Houston, TX People’s Light & Theatre, Malvern, PA Alliance Theatre, Atlanta, GA Performance Network Theatre, Ann Arbor, MI American Blues Theater, Chicago, IL Pittsburgh Public Theater, Pittsburgh, PA American Conservatory Theater, PlayMakers Repertory Company, Chapel Hill, NC San Francisco, CA Portland Center Stage, Portland, OR American Repertory Theater, Cambridge, MA Round House Theatre, Bethesda, MD Arena Stage, Washington, D.C. Roundabout Theatre Company, New York, NY Arkansas Repertory Theatre, Little Rock, AR Seattle Children’s Theatre, Seattle, WA Artists Repertory Theatre, Cambridge, MA Seattle Repertory Theatre, Seattle, WA Arvada Center Theatre, Arvada, CO Second Stage Theatre, New York, NY Asolo Repertory, Sarasota, FL Signature Theatre, Arlington, VA Berkeley Repertory Theatre, Berkeley, CA South Coast Repertory, Costa Mesa, CA Bloomsburg Ensemble Theatre, Bloomsburg, PA Stages Theatre Company, Hopkins, MN Boise Contemporary Theater, Boise, ID Stageworks Theatre, Tampa, FL Burning Coal Theatre Company, Raleigh, NC Steppenwolf Theatre Company, Chicago, IL California Shakespeare Theatre, Orinda, CA Studio Theatre, Washington, D.C. Center Theatre Group, Los Angeles, CA Syracuse Stage, Syracuse, NY CENTERSTAGE, Baltimore, MD The Contemporary American Theater Festival, Chesapeake Shakespeare Company, Ellicott City, MD Shepherdstown, WV Childsplay, Tempe, AZ The Old Globe, San Diego, CA Cincinnati Playhouse, Cincinnati, OH The Repertory Theatre of St.
    [Show full text]
  • Profile Season 19-20 Media Release
    2019-20: GENERATIONS Brenden Jacobs-Jenkins/ Lynn Nottage/ Paula Vogel FOR IMMEDIATE MEDIA RELEASE: Profile Theatre Press Contact: Jen Mitas, Marketing Consultant [email protected] 503-804-2402 Profile Theatre’s 2019-20 Season Celebrates the Voices and Visions of Three Playwrights Across Generations Lynn Nottage, Paula Vogel and Brenden Jacobs-Jenkins PORTLAND, OREGON. May 20, 2019- PROFILE THEATRE’S next season will fea- ture three of America’s most widely celebrated contemporary playwrights: Branden Jacobs-Jenkins (b. 1984), Lynn Nottage (b. 1964), and Paula Vogel (b. 1951). Profile Theatre is one of only three theaters in the country to dedicate their season to an in-depth exploration of a playwright’s vision, using that unique vision as a lens to broaden perspectives on our shared world. Now, in an innovation that deploys Pro- file’s mission to unique effect, we present Generations: two seasons of plays from three of America’s most beloved playwrights whose plays dramatize life, labor and death in the United States and beyond from three different generational vantage points. These visionaries are all connected through the prizes and programs that have shaped them. A gifted playwright, Vogel mentored a generation of playwrights, including Lynn Nottage, who studied with Vogel at Brown. Jacobs-Jenkins was the Paula Vogel Playwright-in-Residence at the Vineyard Theatre, and was on the Su- san Smith Blackburn committee that awarded the prize to Nottage for Sweat. All Pulitzer Prize nominated (or winning), all heralded for the beauty of their writing, their innovative theatricality and deep humanity, Vogel, Nottage and Jacobs-Jenkins’ work stands as a testament to the brilliance of American theatre.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • 9 Short Plays from the Longest Year of Our Lives
    LONG STORY SHORT 9 SHORT PLAYS FROM THE LONGEST YEAR OF OUR LIVES Sponsored by Linda Archer The Law Office of Steven Edward Buckingham Bob & Bev Howard Meghan Riordan & Chris Prince Debra & Tom Strange A Friend of The Warehouse Theatre THE WAREHOUSE THEATRE RECEIVES GENEROUS SUPPORT FROM THE JEAN T. AND HEYWARD G. PELHAM FOUNDATION AND THE HARRIET WYCHE ENDOWMENT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE WAREHOUSE THEATRE PRESENTS LONG STORY SHORT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRO- DUCTION OR DISTRIBUTING RECORDINGS OF ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIB- ITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FROM THE ARTISTIC DIRECTOR There have been many adjustments we’ve had to make at The Warehouse over the past 15 months.
    [Show full text]
  • Replaying and Rediscovering the Octoroon
    Article Replaying and Rediscovering The Octoroon Merrill, Lisa and Saxon, Theresa Available at http://clok.uclan.ac.uk/17558/ Merrill, Lisa and Saxon, Theresa ORCID: 0000-0002-2129-2570 (2017) Replaying and Rediscovering The Octoroon. Theatre Journal, 69 (2). ISSN 0192-2882 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1353/tj.2017.0021 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk 1 Replaying and Rediscovering The Octoroon Lisa Merrill and Theresa Saxon "[W]hen one is considering the crimes of slavery, the popular theater is as central as the courthouse."1 Saidiya Hartman For over one hundred and fifty years, productions and adaptations of Irish playwright Dion Boucicault's explosive 1859 melodrama, The Octoroon, have reflected differing and sometimes contentious meanings and messages about race and enslavement in a range of geographic locations and historical moments. In this melodrama, set on a plantation in Louisiana, audiences witness the drama of Zoe Peyton, a mixed-race white-appearing heroine who learns after the sudden death of her owner/father, that she is relegated to the condition of "chattel property" belonging to the estate, since she was born of a mother who had herself been enslaved.2 Rather than submit to a new master, having been sold at auction, Zoe poisons herself and dies, graphically, on stage.
    [Show full text]
  • By Samuel D. Hunter Martin Benson
    50th Season • 479th Production SEGERSTROM STAGE / MARCH 28 - APRIL 27, 2014 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents the world premiere of REST by Samuel D. Hunter John Iacovelli Angela Balogh Calin Donna Ruzika Michael Roth SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC/SOUNDSCAPE John M. Baker Jackie S. Hill Sue Karutz* DRAMATURG PRODUCTION MANAGER STAGE MANAGER Directed by Martin Benson Mary Beth Adderley Olivia & A. Andrew Johnson Honorary Producers REST was commissioned by South Coast Repertory. Rest • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Etta .......................................................................................... Lynn Milgrim* Ken ......................................................................................... Wyatt Fenner* Gerald .................................................................................... Richard Doyle* Jeremy .......................................................................................... Rob Nagle* Ginny ............................................................................................ Libby West* Faye ........................................................................................... Sue Cremin* Tom ...................................................................................... Hal Landon Jr.* SETTING A retirement home of the outskirts of a town in northern Idaho. The present. LENGTH Approximately one hour
    [Show full text]
  • Annual Report Fiscal Year 2021
    Annual Report Fiscal Year 2021 Sara Porkalob in Dragon Mama. Produced by American Repertory Theater in 2019, virtually released in 2020. Photo by Gretjen Helene. Founded over forty years ago, Theatre Forward fosters collaboration between America’s prominent regional theatres, connects them to funding and resources on a national level, and advocates for the arts in America. The Theatre Forward cohort comprises a network of 19 leading theatres in as many separate cities, providing an efficient conduit for funders to support important cultural institutions and their communities on a national level. 505 Eighth Avenue, Suite 2504 | New York, NY 10018 | T. 212 750 6895 | www.theatreforward.org TO THEATRE FORWARD FUNDERS At this writing it has been fifteen months since the COVID-19 pandemic forced theatres across the country to close. We imagined it would be a period of weeks, or perhaps a few months, before normal operations would resume. As time passed and the severity of the pandemic became more apparent, theatre executives courageously faced the unavoidable and made difficult but necessary decisions to downsize and, in many cases, to cut salaries for remaining staff, and take programs and fundraising events online. During this dark period, Theatre Forward and its valued partner-donors remained committed to providing funds for general operating support, workforce stabilization, education programs, and the advancement of equity, diversity and inclusion (EDI) within the theatres and their communities. In May of 2020, Theatre Forward was proud to administer a $1 million COVID-19 relief grant program on behalf of the Hearst Foundations. And in the fiscal year ending June 30, 2021, grants and donations from individuals, corporations and foundations made it possible for Theatre Forward to distribute $870,000 to its member theatres.
    [Show full text]
  • “Brownsville Song (B-Side for Tray)” a New Play by KIMBER LEE Directed by PATRICIA Mcgregor
    LINCOLN CENTER THEATER CASTING ANNOUNCEMENT FOR IMMEDIATE RELEASE, PLEASE SHELDON BEST, SUN MEE CHOMET, LIZAN MITCHELL, CHRIS MYERS, TALIYAH WHITAKER TO BE FEATURED IN THE LCT3/LINCOLN CENTER THEATER NEW YORK PREMIERE PRODUCTION OF “brownsville song (b-side for tray)” A new play by KIMBER LEE Directed by PATRICIA McGREGOR 6 WEEKS ONLY! SATURDAY, OCTOBER 4 THROUGH SUNDAY, NOVEMBER 16 OPENING NIGHT, MONDAY, OCTOBER 20 AT THE CLAIRE TOW THEATER Sheldon Best, Sun Mee Chomet, Lizan Mitchell, Chris Myers and Taliyah Whitaker will comprise the cast of the upcoming LCT3/Lincoln Center Theater New York premiere production of brownsville song (b-side for tray), a new play by Kimber Lee. The production, to be directed by Patricia McGregor, will begin performances Saturday, October 4, running for six weeks only through Sunday, November 16 at the Claire Tow Theater (150 West 65 Street). Opening night is Monday, October 20. brownsville song (b-side for tray) moves fluidly through time as the family of Tray (Sheldon Best), a spirited 18 year-old whose life is cut short, navigate their grief and find hope together. Playwright KIMBER LEE’s plays include fight and tokyo fish story. Center Theatre Group recently presented the world premiere of her play different words for the same thing in Los Angeles at the Kirk Douglas Theatre. Lee’s work has also been presented by the Lark Play Development Center, Page 73, Hedgebrook, Seven Devils, the Bay Area Playwrights Festival, REPRESENT!, Playwrights Festival ACT/Seattle, Great Plains Theatre Conference, Southern Rep and Mo`olelo. Lee’s play fight received the 2010 Holland New Voices Award, and she has been a Lark Playwrights’ Workshop Fellow, a Dramatists Guild Fellow, and a Core Apprentice at The Playwrights’ Center.
    [Show full text]
  • Putting It Together
    46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
    [Show full text]
  • Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055
    Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055 ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER ANNOUNCES THE 2010/11 INAUGURAL SEASON FOR NEW THREE-THEATER CAMPUS With more than 45 projects in homecoming season, Arena Stage returns to campus as a national center for the production, presentation, development and study of American theater (Washington, D.C.) Arena Stage Artistic Director Molly Smith announces the D.C.-based pioneering theater company’s 60th season filled with award-winning artists and projects to celebrate the grand opening of Arena Stage at the Mead Center for American Theater. The 2010/11 inaugural season includes eight full productions, seven presentations from the National Endowment for the Arts New Play Development Program and public readings from all 30 of Edward Albee’s works, totaling at least 45 projects produced and presented by Arena Stage in the inaugural year at the Mead Center. With the opening next fall, Arena Stage will fully become a national center for production, presentation, development and study of American theater. “The moment we have been waiting for has arrived—we are heading home,” shares Artistic Director Molly Smith. “After 11 years of planning and two and a half years of construction, the beautiful new Mead Center for American Theater will be ready to welcome audiences and artists this fall.” The new campus includes the renovation of the two existing performance spaces, the Fichandler Stage and the Kreeger Theater, and the creation of the 200-seat Arlene and Robert Kogod Cradle—a venue dedicated to cradling risk surrounding new or radically re-envisioned productions of American theater.
    [Show full text]
  • Types & Forms of Theatres
    THEATRE PROJECTS 1 Credit: Scott Frances Scott Credit: Types & Forms of Theatres THEATRE PROJECTS 2 Contents Types and forms of theatres 3 Spaces for drama 4 Small drama theatres 4 Arena 4 Thrust 5 Endstage 5 Flexible theatres 6 Environmental theatre 6 Promenade theatre 6 Black box theatre 7 Studio theatre 7 Courtyard theatre 8 Large drama theatres 9 Proscenium theatre 9 Thrust and open stage 10 Spaces for acoustic music (unamplified) 11 Recital hall 11 Concert halls 12 Shoebox concert hall 12 Vineyard concert hall, surround hall 13 Spaces for opera and dance 14 Opera house 14 Dance theatre 15 Spaces for multiple uses 16 Multipurpose theatre 16 Multiform theatre 17 Spaces for entertainment 18 Multi-use commercial theatre 18 Showroom 19 Spaces for media interaction 20 Spaces for meeting and worship 21 Conference center 21 House of worship 21 Spaces for teaching 22 Single-purpose spaces 22 Instructional spaces 22 Stage technology 22 THEATRE PROJECTS 3 Credit: Anton Grassl on behalf of Wilson Architects At the very core of human nature is an instinct to musicals, ballet, modern dance, spoken word, circus, gather together with one another and share our or any activity where an artist communicates with an experiences and perspectives—to tell and hear stories. audience. How could any one kind of building work for And ever since the first humans huddled around a all these different types of performance? fire to share these stories, there has been theatre. As people evolved, so did the stories they told and There is no ideal theatre size. The scale of a theatre the settings where they told them.
    [Show full text]