An Introduction to Music Studies Free

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Musicology departments traditionally belong to the humanitiesalthough some music research is scientific in focus psychological, sociological, acoustical, neurological, computational. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicologysystematic musicology and ethnomusicology. Historical musicologists mostly study the history of the so-called Western classical traditionthough the study of music history need not be limited to that. Ethnomusicologists draw An Introduction to Music Studies anthropology particularly field research to understand how and why people make music. Systematic musicology includes music theoryaestheticspedagogymusical acousticsthe science and technology of musical instrumentsand the musical implications of physiology, psychology, sociology, philosophy and computing. Cognitive musicology is the set of phenomena surrounding the cognitive modeling of music. When musicologists carry out research using computers, their research often falls under the field of computational musicology. Music therapy is a specialized form of applied musicology which is sometimes considered more closely affiliated with health fields, and other times regarded as part of musicology proper. The 19th century philosophical trends that led to the re-establishment of formal musicology education in German and Austrian universities had combined methods of systematization with evolution. These models were established not only in the field of physical anthropologybut also cultural anthropology. This was influenced by Hegel 's ideas on ordering "phenomena" from the simple to complex as the stages of evolution are classified from primitive to developed, and stages of history from ancient to modern. Comparative methods became more widespread in diverse disciplines from anatomy to Indo-European linguisticsand beginning aroundalso in comparative musicology. Musicology also has two central, practically oriented sub-disciplines with no parent discipline: performance practice and research sometimes viewed as a form of artistic researchand the theoryanalysis and composition of music. The disciplinary neighbors of musicology address other forms of artperformanceritual and communicationincluding the history An Introduction to Music Studies theory of the visual and plastic arts and of architecture; linguisticsliterature and theater ; religion and theology ; and sport. Musical knowledge is applied in medicine, education and music therapy —which, effectively, are parent disciplines of applied musicology. Music history or historical musicology is concerned with the composition, performance, reception and criticism of music over time. Historical studies of music are for example concerned with a composer's life and works, the developments of styles and genres, e. Like the comparable field of art historydifferent branches and schools of historical musicology emphasize different types of musical works and approaches to music. There are also national differences in An Introduction to Music Studies definitions of historical musicology. In theory, "music history" could refer to the study of the history of any type or genre of music, e. In practice, these research topics are more often considered within ethnomusicology see below and "historical musicology" is typically assumed to imply Western Art music of the European tradition. The methods of historical musicology include source studies especially manuscript studiespaleographyphilology especially textual criticismstyle criticism, historiography the choice of historical methodmusical analysis analysis of music to find "inner coherence" [5] and iconography. The application of musical analysis to further these goals is often a part of music history, though pure analysis or the development of new tools of music analysis is more likely to be seen in the field of music theory. Music historians create a number of An Introduction to Music Studies products, ranging from journal An Introduction to Music Studies describing their current research, new editions of musical works, biographies of composers and other musicians, book-length studies or university textbook chapters or entire textbooks. Music historians may examine issues in a close focus, as in the case An Introduction to Music Studies scholars who examine the relationship between words and music for a given composer's art songs. On the other hand, some scholars take a broader view, and assess the place of a given type of music, such as the symphony in society using techniques drawn from other fields, such as economics, sociology or philosophy. New musicology is a term applied since the late s to a wide body of work emphasizing cultural studyanalysis and criticism of music. Such work may be based on feministgender studiesqueer theory or postcolonial theory, or the work of Theodor W. Although New Musicology emerged from within historical musicology, the emphasis on cultural study within the Western art music tradition places An Introduction to Music Studies Musicology at the junction between historical, ethnological and sociological research in music. New musicology was a reaction against traditional historical musicology, which according to Susan McClary"fastidiously declares issues of musical signification off-limits to those engaged in legitimate scholarship. Ethnomusicologyformerly comparative musicology, is the study of music in its cultural context. It An Introduction to Music Studies often considered the anthropology or ethnography of music. Jeff Todd Titon has An Introduction to Music Studies it the study of "people making music". Some ethnomusicologists primarily conduct historical studies, [9] but the majority are involved in long-term participant observation or combine ethnographic, musicological, and historical approaches in their fieldwork. Therefore, ethnomusiological scholarship can be characterized as featuring a An Introduction to Music Studies, intensive fieldwork component, often involving long-term residence within the community studied. Closely related to ethnomusiology is the emerging branch of sociomusicology. For instance, Ko proposed the hypothesis of "Biliterate and Trimusical" in Hong Kong sociomusicology. Popular music studies, known, "misleadingly", [11] as popular musicologyemerged An Introduction to Music Studies the s as an increasing number of musicologists, ethnomusicologists and other varieties of historians of An Introduction to Music Studies and European culture began to write about popular musics past and present. The first journal focusing on popular music studies was Popular Musicwhich began publication in An Introduction to Music Studies The same year an academic society solely devoted to the topic was formed, the International Association for the Study of Popular Music. The Association's founding was partly motivated by the interdisciplinary agenda of popular musicology though the group has been characterized by a polarized 'musicological' and 'sociological' approach also typical of popular musicology. Music theory is a field of study that describes the elements of music and includes the development and application of methods for composing and for analyzing music through both notation and, on occasion, musical sound itself. Broadly, theory may include any statement, belief or conception of or about music Boretz A person who studies or practices music theory is a music theorist. Some music theorists attempt to explain the techniques composers use by establishing rules An Introduction to Music Studies patterns. Others model the experience of listening to or performing music. Though extremely diverse in their interests and commitments, many Western music theorists are united in their belief that the acts of composing, performing and listening to music may be explicated to a high degree of detail this, as opposed to a conception of musical expression as fundamentally ineffable except in musical sounds. Generally, works of music theory are both descriptive and prescriptive, attempting both to define practice and to influence later practice. Musicians study music theory to understand the structural relationships in the nearly always notated music. Composers study music theory to understand how to produce effects and structure their own works. Composers may study music theory to guide their precompositional and compositional decisions. Broadly speaking, music theory in the Western tradition An Introduction to Music Studies on harmony and counterpointand An Introduction to Music Studies uses these to explain large scale structure and the creation of melody. Music psychology applies the content and methods of all subdisciplines of psychology perceptioncognitionmotivationetc. While aspects of the field can be highly theoretical, much of modern music psychology seeks to An Introduction to Music Studies the practices and professions of music performance, composition, education and therapy. Performance practice draws on many of the tools of historical musicology to answer the specific question of how music was performed in various places at various times in the past. Although previously confined to early music, recent research in performance practice has embraced questions such An Introduction to Music Studies how the early history of recording affected the use of vibrato in classical music or instruments in Klezmer. Within the rubric of musicology, performance practice tends to emphasize the collection and synthesis of evidence about how music should be performed. The important other side, learning how to sing authentically or perform a historical instrument is usually part of conservatory or other performance training. However, many top researchers in performance practice are also excellent musicians. Music performance research or music performance science is strongly associated with music psychology. It aims to document and explain the psychological, physiological, sociological and cultural details of how music is actually performed rather than how it should be performed. The approach to research tends to be systematic and empirical and to involve the collection and analysis of both quantitative and qualitative data. The findings of music performance research can often be applied in music education. Musicologists in tenure track professor positions typically hold a Ph. D in musicology. In the s and s, some musicologists obtained professor positions with an M. D is the standard minimum credential for tenure track professor positions. As part of their initial training, musicologists typically complete a B. Mus or a B. Some individuals apply directly from a bachelor's degree to a Ph. D, and in these cases, they may not receive an M. In the s, given the increasingly interdisciplinary nature of university graduate programs, some applicants for musicology Ph. D programs may have academic training both in music and outside of music e. Mus and an M. In music education, individuals may hold an M. Ed and an Ed. Most musicologists work as instructors, lecturers or professors in collegesuniversities or conservatories. The job market for tenure track professor positions is very competitive. Entry-level applicants must hold a completed Ph. D or the equivalent degree and applicants to more senior professor positions must have a strong record of publishing in peer-reviewed journals. Some Ph. D-holding musicologists are only able to find insecure positions as sessional lecturers. D students, giving them guidance on the preparation of their theses and dissertations. Some musicology professors may take on senior administrative positions in their institution, such as Dean or Chair of the School of Music. The vast majority of major musicologists and music historians from past generations have been men, as in the 19th century and early 20th century; women's involvement in teaching music was mainly in elementary and secondary music teaching. She has been described by the Harvard Gazette as "one of the world's most accomplished and admired music historians". Susan McClary born is a musicologist associated with new musicology who incorporates feminist music criticism in her work. One of her best known works is Feminine Endingswhich covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse and issues affecting women musicians. Many musicology journals are only available in print or through pay-for-access portals. This list, however, contains a sample of peer reviewed and open-access journals in various subfields as examples of musicological writings:. From Wikipedia, the free encyclopedia. For other uses, see Musicology disambiguation. Scholarly analysis and research-based study of music. This article includes a list of general referencesbut it remains largely unverified because it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. October Learn how and when to remove this template message. See also: Category:Music theory journals. Music portal. Musicology - Wikipedia

Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. An Introduction to Music Studies by J. Harper-Scott Editor. Jim Samson Editor. Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university careers marketplace. The book explains the basic concepts and issues involved in the academic study of music, draws attention to vital connections across the field and encourages critical thin Why study music? The book explains the basic concepts and issues involved in the academic study of music, draws attention to vital connections across the field and encourages critical thinking over a broad range of music-related issues. Need a reminder about 'ripping'? Get A Copy. Paperbackpages. More Details Original Title. An Introduction to Music Studies Editions 6. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about An Introduction to Music Studiesplease sign up. Be the first to ask a question about An Introduction to Music Studies. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. An Introduction to Music Studies details. All Languages. More filters. Sort order. Start your review of An Introduction to Music Studies. Sverre rated it really liked it Jan 30, Dennis G rated it liked it Jan 23, Craig Marlowe rated it did not like it Jun 08, Carolina rated it liked it Aug 04, Yngve Horvei rated it really liked it Mar 03, Emma Bernard rated it really liked it Mar 28, Danique rated it liked it Dec 28, Alice Foster rated it it was amazing Aug 25, Ingrid Marran rated it it was ok Nov 01, David Mcfarlane rated it really liked it Aug 31, Kelvin Fierkens rated it it was ok Nov 14, Georgia Edwards rated it really liked it Dec 31, Angelfeet Jeffery rated it it was amazing An Introduction to Music Studies 03, Gigi Strong rated it it was ok Mar 24, Elias B rated it really liked it Jun 18, Le The rated it liked it Dec 03, Brandon Qi rated it liked it Oct 23, Matthew Law rated it liked it Apr 02, Moose rated it really liked it Apr 15, Rob Kennedy rated it it was amazing Nov 23, Gwenllian Lewis rated it really liked it Jan 03, Nicholas added it Feb 22, Akals added it Mar 30, Oliver added it Jul 12, Talie Helene added it Jul 11, An Introduction to Music Studies Tarisai marked it as to-read Feb 12, Sabina added it Apr 09, Ardi marked it as to-read An Introduction to Music Studies 26, Alexander Holbrook added it Aug 20, Helen Moor added it Jan 11, Heidi is currently reading it Jun 01, Rreze marked it as to- read Jul 30, Sheree-Marie marked it as to-read Oct 18, Some Girl marked it as to-read May 05, Em marked it as to-read Aug 01, Chase Christensen marked it as to-read Aug 06, Fran Silveira An Introduction to Music Studies it as to-read Aug 22, There are no discussion topics on this book yet. Readers also enjoyed. About J. Books by J. Related Articles. Read more Trivia About An Introduction t No trivia or quizzes yet. Welcome back. Just a An Introduction to Music Studies while we sign you in to your Goodreads account. MUS - Introduction to Music Studies | Course Finder | Illinois State

The UExcel Introduction to Music examination measures is based on material and skills typically taught in a one-semester, three-credit, lower-level undergraduate course in music appreciation. The content of the examination is drawn from that An Introduction to Music Studies included in course offerings with titles like Introduction to Music Literature, Music Appreciation, Survey of Music, and Music in the Western World. The examination measures knowledge of facts and terminology, an understanding of concepts and forms related to music theory for example: pitch, dynamics, rhythm, melodytypes of voices, instruments, and ensembles, characteristics, forms, and representative composers from the Middle Ages to the present, elements of contemporary and non-Western music, and the ability to apply this knowledge and understanding An Introduction to Music Studies audio excerpts from musical compositions. No prior knowledge of music is assumed. Multiple-choice examination. The Introduction to Music exam requires the use of headphones. Not all test centers have headphones. If a testing center does not have headphones, you will not be able to register to take the Introduction to Music examination at that test center even though the test center will show up on the list of available test centers. Visit our bookstore to purchase the recommended resources for this exam: Find recommended books and study materials. The content guide outlines what you need to learn for each exam and includes a list of recommended textbooks, links to online learning resources, and sample exam questions: View, download, or print the Content Guide. You must be registered for the corresponding credit-bearing exam first before you can register for the practice exam. You can An Introduction to Music Studies and pay for your An Introduction to Music Studies online. After you register, you will receive an Authorization to Test letter. You'll need to select the 8- or week term in which you'll take your exam. Pearson charges a test administration fee when you schedule your appointment to test. Additional fees apply for phone transactions scheduling, rescheduling, and canceling. Visit the Pearson website for the current fee structure. MyExcelsior Sign In. An Introduction to Music Studies Info. Call Us. Financial Aid Office 1. International Students 1. Frequently Asked Questions How many credits can I transfer? How much is tuition? How do I apply? How do I request a transcript online? What is OneTranscript and how does it work? Is my employer an Excelsior College Partner? Exam Detail. Home Exams. Catalog Number MUSx Exam Type Multiple Choice. Other associated expenses such as books and study resources, or travel, lodging, or providing any required documentation, are additional. Register for this exam. We use cookies to ensure the best web experience possible. You can learn more about how we use cookies in our Privacy Policy. By continuing to use this website, you consent to our usage of cookies in accordance with our Privacy Policy.