MUSEUM SECTOR REOPENING PLAN June 29, 2020
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An Artists' Resume
DANTE MARIONI Selected Museum Collections The White House Collection of American Crafts, Washington, DC Tacoma Art Museum, Tacoma, WA Seattle Art Museum, Seattle, WA Corning Museum of Glass, Corning, NY Los Angeles County Museum of Art, Los Angeles, CA The Museum of Art and Design, New York, NY Smithsonian American Art Museum Renwick Gallery, Washington, DC Carnegie Museum of Art, Pittsburgh, PA Birmingham Museum of Art, Birmingham, AL Chrysler Museum of Art, Norfolk, VA Cincinnati Art Museum, Cincinnati, OH Columbia Museum of Art, Columbia, SC The Museum of Fine Arts, Houston, TX Hunter Museum of American Art, Chattanooga, TN Racine Art Museum, Racine, WI Vero Beach Museum of Art, Vero Beach, FL Huntsville Museum of Art, Huntsville, AL Mint Museum of Craft and Design, Charlotte, NC Mobile Museum of Art, Mobile, AL Suffolk Center for Cultural Arts, Suffolk VA New Orleans Museum of Art, New Orleans, LA Philadelphia Museum of Art, Philadelphia, PA Whatcom Museum, Bellingham, WA Washington State University’s Museum of Art, Pullman, WA University of Miami’s Lowe Art Museum, Miami, FL Western Washington University, Bellingham, WA University of Missouri’s Museum of Art and Archaeology, Columbia, MO Stanford University’s Iris & Gerald Cantor Center for Visual Arts, Stanford, CA Arizona State University’s Art Museum, Tempe, AZ Montreal Museum of Fine Arts, Quebec, Canada Victoria and Albert Museum, London, England Scottish National Gallery, Edinburgh, Scotland Ebeltoft Glass Museum, Ebeltoft, Denmark National Museum if Fine Arts, Stockholm, Sweden -
Cultural Resource Collective Info Packet
Current Member Organizations Organization — City Primary Contact 5th Avenue Theatre — Seattle Reesa Nelson, Marketing and Engagement Manager ACT Theatre — Seattle Amy Gentry, Director of Sales & Marketing ArtsFund — Seattle Katy Corella, CRC Coordinator ArtsWest — Seattle Michael Wallenfels, Marketing Manager Book-It Repertory Theatre — Seattle Glen Miller, Director of Marketing & Communications Capella Romana — Portland, OR Mark Powell, Executive Director Early Music Seattle — Seattle Gus Denhard, Director of Marketing Flying House Productions — Seattle Chelsea Sadler, Marketing Director Museum of History & Industry — Seattle Mariely Lemagne, Membership Program Manager Museum of Glass — Tacoma Michelle Verkooy, Membership Manager Museum of Northwest Art — La Conner Christopher Shainin, Executive Director Nordic Heritage Museum — Seattle Jan Woldseth Colbrese, Deputy Director of External Afffairs Northwest Boychoir & Vocalpoint! Seattle — Seattle Maria Johnson, Executive Director Pacific Northwest Ballet — Seattle Lia Chiarelli, Director of Marketing & Communications Pacific Science Center — Seattle Rob Wiseman, Director of Individual Giving Seattle Aquarium — Seattle Marika Wegerbauer, Philanthropy Database Specialist Seattle Art Museum — Seattle Cindy McKinley, Senior Marketing Manager Seattle Arts & Lectures — Seattle Amelia Peacock, Community Engagement Coordinator Seattle Chamber Music Society — Seattle Seneca Garber, Director of Marketing Seattle Children’s Theatre — Seattle Kanani Reichlin, Sales and Database Coordinator Seattle -
Washington Funding Report: FY 2011 – 2016
Washington Institute of Museum and Library Services Funding Report: FY 2011 - 2016 The Institute of Museum and Library Services (IMLS) helps ensure that all Americans have access to museum, library, and information services. IMLS is an independent grantmaking agency and the primary source of federal support for the nation’s approximately 123,000 libraries and 35,000 museums. The agency supports innovation, lifelong learning, and entrepreneurship, enabling museums and libraries to deliver services that make it possible for communities and individuals to thrive. IMLS Investments IMLS Investments: FY 2011-2016 # Projects Federal % of Non-Federal Total $ or Awards Funding Federal $ Contribution $ Grants to States, Libraries 431 * $19,618,687 59% $12,830,000 * $32,448,687 Competitive Awards to Museums & Libraries 146 $13,378,884 41% $10,161,216 $23,540,100 Total 577 $32,997,571 100% $22,991,216 $55,988,787 * FY 2016 data for the Grants to States, Libraries count of projects and non-federal contribution are not yet available. Figures shown here only include FY 2011-2015. Grants to State Library Administrative Agencies The Library Grants to States Program, supported by the Library Grants to States Awards (LSTA): Services and Technology Act (LSTA), is IMLS's largest program and FY 2011-2016 provides grants to every state using a population-based formula. State Library Administrative Agencies (SLAAs) provide IMLS with a five-year FY 2016 $3.26 M plan and use subawards and statewide projects to improve library services. FY 2015 $3.30 M In FY 2014, IMLS’s $3.28 million grant to the SLAA leveraged FY 2014 $3.28 M approximately $2.27 million in support from the state that year for library services through the SLAA. -
Download NARM Member List
Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
10 Great Places to Savor the Wild Blue Yonder
As seen in USA TODAY, AUGUST 18, 2006 10 great places to savor the wild blue yonder Fasten your seat belt and soar back in restored them to pristine condition time to celebrate National Aviation using only original materials." A num- Day on August 19. From early stick- ber are flown regularly for visitors, and-canvas constructions to the including a North American P-51 Saturn V's 7.5 million pounds of Mustang and "a Curtiss Jenny from thrust, the exhibits at aviation muse- the barnstorming era." Oral histories ums are over the top. Pat Trenner, a from those who flew the aircraft give pilot and senior editor at Air and visitors the story behind the planes. Space magazine, shares her favorites 360-435-2172; flyingheritage.com with Kathy Baruffi for USA TODAY. National Museum of the United Old Rhinebeck Aerodrome States Air Force Rhinebeck, N.Y. Dayton, Ohio Some people plan their vacations The collection of Air Force Ones is a around the Aerodrome's 20-minute big draw here. Visitors can board and open-cockpit biplane tours above the "see the desks and beds in FDR, lush Hudson Valley. They also come Truman, Eisenhower and JFK presi- for the vast collection of early air- dential planes," Trenner says. Plus, planes and to watch air shows. "Every there's "an A-to-Z collection of inter- weekend from June to October, Old national airpower," from early bal- Rhinebeck re-creates a delightfully loons to modern-day craft. 937-255- Mike Tsukamoto, USA TODAY corny World War I air battle, com- Air history: Visitors to the Steven F. -
Ryan Molenkamp
RYAN MOLENKAMP Selected solo exhibitions 2018 The Last Frontier, Kirkland Arts Center/Kirkland Public Library, Kirkland, WA 2017 Vancouver! Vancouver! This is It!, Linda Hodges Gallery, Seattle, WA 2016 Still Afraid, Linda Hodges Gallery, Seattle, WA 2016 New Paintings, Duplex Gallery, Portland, OR 2014 Fear of Volcanoes, Linda Hodges Gallery, Seattle, WA 2011 The Watcher, Bryan Ohno Gallery, Seattle, WA 2010 Flood, Gallery4Culture, Seattle, WA Sound Plans, Handforth Gallery @ Tacoma Public Library, Tacoma, WA 2008 View Lots, SOIL Gallery, Seattle, WA 2003 Automatic Style, Brick and Mortar Gallery, Tacoma, WA Selected group exhibitions 2018 Collectors Choice, SAM Gallery, Seattle, WA 2018 Outside Influences, SAM Gallery, Seattle, WA 2017 Point of View, LAUNCH LA/KP Projects, Los Angeles, CA 2017 Seeing Northwest Nature, SAM Gallery, Seattle, WA 2016 Urban Artist Showcase, Chehalem Cultural Center, Newberg, OR 2015 Bellingham National 2015, Whatcom Museum, Bellingham, WA 2014 Made in the Northwest, SAM Gallery, Seattle, WA 2013 Suburbia: Dream or Nightmare?, Linda Hodges Gallery, Seattle, WA Connections, Cuchifritos Gallery, New York, NY Cascadia, Collar Works Galley, Troy, NY 2012 Conditions of Possibility, Umpqua Valley Arts Center, Roseburg, OR 2011 Earth Matters, SAM Gallery, Seattle, WA Home Away From Home, Jacob Lawrence Gallery, Seattle, WA Mad Homes, public art exhibition presented by MadArt, Seattle, WA Forecast: Communicating Weather and Climate, WA State Convention Center Bloom + Collapse, SOIL, Seattle, WA 2010 KAC Links Invitational, -
Building Community Through the Arts for 50 Years
Celebrating 50 years 2019 Annual Report 1 Building community through the arts for 50 years 2 TABLE OF CONTENTS 05 A Report to the Community 27 Campaign 2019 Donors 06 Mission, Vision, & Values 32 ArtsFund Visionaries Culture Council & Associates Ambassadors Council 08 Leadership Programs 33 Board of Trustees 10 Advocacy Initiatives 34 Foundation Board & Advisory Council 12 Grant Making 36 Financials 14 2019 ArtsFund Grants 39 Staff 16 ArtsFund in the Community 19 50 Years: Looking Back and Looking Forward 3 “ArtsFund is more than just a grant making organization. It represents a community of like-minded organizations and individuals who believe in the power and importance of art.” Bellevue Art Museum staff member 4 REPORT TO THE COMMUNITY A future for the arts is a future for Thanks to thousands of supporters and community. After 50 years, ArtsFund partners across the decades, our leadership, advocacy, and grant making programs are remains uniquely positioned to deliver working to ensure arts are accessible to all on that promise. and valued as central and critical to a healthy society. We are proud to have helped build the This is a milestone year for ArtsFund, founded Puget Sound arts and cultural community for in 1969 to bring corporate and civic leaders the past half century and invite you to join us in together to grow and sustain our region’s shaping a future for the arts in our region. arts and cultural institutions. Fifty years later, this region is home to an extraordinary variety of arts and cultural organizations, and we continually benefit from the creativity, inspiration, and social connections they bring. -
Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
French Impressionism and the Northwest
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest IMAGES AVAILABLE August 2, 2019 (Tacoma, WA)— Opening on September 28, Tacoma Art Museum will present Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest, a new exhibition that examines how the work of French Impressionists and their immediate precursors made their way into Northwest public and private collections. It also will include selected paintings by American and Northwest artists to illustrate the spread of Impressionism across the country. “The purpose of this exhibition is deeply connected to the same passion that drove the French Impressionists, to transform the way we see,” said David F. Setford, TAM’s Executive Director and curator of this exhibition. “It does this in two ways. First, it puts rarely seen works from TAM’s European art collection into context and allows for an expanded visitor learning opportunity. In addition, it is also the first time that these Impressionist works from museums and private collections in the Northwest have been seen together. It will provide a lasting resource about French Impressionism and its historical impact for curators and collectors in our region and beyond.” Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest was organized and curated by the Tacoma Art Museum, and includes approximately fifty (50) works of art. The exhibition is accompanied by a small publication including essays by Setford and TAM curator Margaret Bullock, as well as an online listing of French Impressionist works currently in Northwest public collections. -
Title Page: Arial Font
2016 IACC Conference - S24 Heritage Project 10/19/2016 Funding Heritage Capital Projects Funding? Does the project your organization is planning involve an historic property or support access to heritage? If so… it may be eligible for state HCP funding. WASHINGTON STATEExamples: HISTORICAL SOCIETY GRANT FUNDS FOR CAPITAL PROJECTS Historic Seattle PDA – Rehabilitation of THAT SUPPORT HERITAGE Washington Hall IACC CONFERENCE 2016 - OCTOBER 19, 2016 City Adapts and Reuses Old City Hall Park District Preserves Territorial History Tacoma Metropolitan Parks City of Bellingham - 1892 Old City Hall Preservation of the Granary at the Adaptively Reused as Whatcom Museum Fort Nisqually Living History Museum Multi-phased Window Restoration Project Point Defiance Park, Tacoma Suquamish Indian Nation’s Museum City Restores Station for Continued Use The Suquamish Indian Nation Suquamish Museum Seattle Dept. of Transportation King Street Station Restoration 1 2016 IACC Conference - S24 Heritage Project 10/19/2016 Funding Small Town Renovates its Town Hall City Builds Park in Recognition of History City of Tacoma – Chinese Reconciliation Park Town of Wilkeson – Town Hall Renovation Port Rehabilitates School and Gym Public Facilities District Builds New Museum Port of Chinook works with Friends of Chinook School – Chinook School Rehabilitation as a Community Center Richland Public Facilities District –The Reach City Preserves & Interprets Industrial History City Plans / Builds Interpretive Elements City of DuPont Dynamite Train City of Olympia – Budd Inlet Percival Landing Interpretive Elements 2 2016 IACC Conference - S24 Heritage Project 10/19/2016 Funding Port: Tourism as Economic Development Infrastructure That Creates Place Places and spaces – are social and community infrastructure Old and new, they connect us to our past, enhance our lives, and our communities. -
Dale Chihuly
Dale Chihuly Born September 20, 1941, Tacoma, WA EDUCATION 1968 M.F.A., Rhode Island School of Design, Providence, RI 1967 M.S., University of Wisconsin, Madison, WI SELECTED SOLO EXHIBITIONS 2016 Chihuly in the Garden, Atlanta Botanical Garden, Atlanta, GA Chihuly Drawings, Wichita Art Museum, Wichita, KS Chihuly, Royal Ontario Museum, Toronto, Ontario, Canada 2015 Chihuly Drawings, Museum of Glass, Tacoma, WA Chihuly in the Garden, Chrysler Museum of Art, Norfolk, VA Glass Art Garden, Toyama Glass Art Museum, Toyama, Toyama, Japan Ulysses Cylinders, Vassar College, Dutchess County, NY 2014 Chihuly, Arthur Roger Gallery, New Orleans, LA Chihuly, Clinton Presidential Center, Little Rock, AR Chihuly, Denver Botanic Gardens, Denver, CO Ulysses Cylinders, Dublin Castle, Dublin, Ireland Chihuly at Fairchild, Fairchild Tropical Botanic Garden, Coral Gables, FL 2013 Chihuly Venetians: From the George R. Stroemple Collection, Paine Art Center and Gardens, Oshkosh, WI Chihuly: Tradition and Transformation, Jundt Art Museum, Gonzaga University, Spokane, WA Chihuly, Montreal Museum of Fine Arts, Montreal, Quebec, Canada Irish Cylinders, Museum of Glass, Tacoma, WA Chihuly in the Garden, Desert Botanical Garden, Phoenix, AZ 2012 Chihuly Venetians: From the George R. Stroemple Collection, Foothills Art Center, Golden, CO Chihuly at the Dallas Arboretum, Dallas Arboretum and Botanical Garden, Dallas, TX Origins: Early Works by Dale Chihuly, Museum of Glass, Tacoma, WA Chihuly Garden and Glass, Chihuly Garden and Glass, Seattle, WA Chihuly Venetians: From the George R. Stroemple Collection, Kimball Art Center, Park City, UT Chihuly at the VMFA, Virginia Museum of Fine Arts, Richmond, VA 2011 White, Arthur Roger Gallery, New Orleans, LA Dale Chihuly’s Northwest, Tacoma Art Museum, Tacoma, WA Chihuly: Through the Looking Glass, Museum of Fine Arts Boston, Boston, MA Chihuly Venetians: From the George R.