Why Is Terminator Rated R
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Legion HANDBOOK D10944
THE OFFICIAL HANDBOOK OF THE LEGION OF MARY PUBLISHED BY CONCILIUM LEGIONIS MARIAE DE MONTFORT HOUSE MORNING STAR AVENUE BRUNSWICK STREET DUBLIN 7, IRELAND Revised Edition, 2005 Nihil Obstat: Bede McGregor, O.P., M.A., D.D. Censor Theologicus Deputatus. Imprimi potest: ✠ Diarmuid Martin Archiep. Dublinen. Hiberniae Primas. Dublin, die 8 September 2005 ACKNOWLEDGMENTS: Excerpts from the English translation of The Roman Missal © 1973, International Committee on English in the Liturgy, Inc. All rights reserved. Translation of The Magnificat by kind permission of A. P. Watt Ltd. on behalf of The Grail. Extracts from English translations of documents of the Magisterium by kind permission of the Catholic Truth Society (London) and Veritas (Dublin). Quotation on page 305 by kind permission of Sheed and Ward. The official magazine of the Legion of Mary, Maria Legionis, is published quarterly Presentata House, 263 North Circular Road, Dublin 7, Ireland. © Copyright 2005 Printed in the Republic of Ireland by Mahons, Yarnhall Street, Dublin 1 Contents Page ABBREVIATIONS OF BOOKS OF THE BIBLE ....... 3 ABBREVIATIONS OF DOCUMENTS OF THE MAGISTERIUM .... 4 POPE JOHN PAUL II TO THE LEGION OF MARY ...... 5 PRELIMINARY NOTE.............. 7 PROFILE OF FRANK DUFF .......... 8 PHOTOGRAPHS:FRANK DUFF .......facing page 8 LEGION ALTAR ......facing page 108 VEXILLA ........facing page 140 CHAPTER 1. Name and Origin ............ 9 2. Object . ...............11 3. Spirit of the Legion . ...........12 4. Legionary service ............13 5. The Devotional Outlook of the Legion .....17 6. The Duty of Legionaries towards Mary .....25 7. The Legionary and the Holy Trinity ......41 8. The Legionary and the Eucharist .......45 9. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
Masters of the Universe: Action Figures, Customization and Masculinity
MASTERS OF THE UNIVERSE: ACTION FIGURES, CUSTOMIZATION AND MASCULINITY Eric Sobel A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2018 Committee: Montana Miller, Advisor Esther Clinton Jeremy Wallach ii ABSTRACT Montana Miller, Advisor This thesis places action figures, as masculinely gendered playthings and rich intertexts, into a larger context that accounts for increased nostalgia and hyperacceleration. Employing an ethnographic approach, I turn my attention to the under-discussed adults who comprise the fandom. I examine ways that individuals interact with action figures creatively, divorced from children’s play, to produce subjective experiences, negotiate the inherently consumeristic nature of their fandom, and process the gender codes and social stigma associated with classic toylines. Toy customizers, for example, act as folk artists who value authenticity, but for many, mimicking mass-produced objects is a sign of one’s skill, as seen by those working in a style inspired by Masters of the Universe figures. However, while creativity is found in delicately manipulating familiar forms, the inherent toxic masculinity of the original action figures is explored to a degree that far exceeds that of the mass-produced toys of the 1980s. Collectors similarly complicate the use of action figures, as playfully created displays act as frames where fetishization is permissible. I argue that the fetishization of action figures is a stabilizing response to ever-changing trends, yet simultaneously operates within the complex web of intertexts of which action figures are invariably tied. To highlight the action figure’s evolving role in corporate hands, I examine retro-style Reaction figures as metacultural objects that evoke Star Wars figures of the late 1970s but, unlike Star Wars toys, discourage creativity, communicating through the familiar signs of pop culture to push the figure into a mental realm where official stories are narrowly interpreted. -
Cinema Augusta October 10Th 2019
CINEMA AUGUSTA PROGRAM COMING ATTRACTIONS BELOW or VISIT OUR WEB PAGE PHONE 86422466 TO CHECK SESSION TIMES www.cinemaaugusta.com MOVIE START END UGLY DOLLS (G) Oct 9th Wed ABOMNIABLE (G) 11.10am 12.50pm Kelly Clarkson, Nick Jonas. DORA & LOST CITY of GOLD (PG) 1.00pm 2.50pm Free‐spirited UglyDolls confront what it means to be RIDE LIKE A GIRL (PG) 3.00pm 4.40pm different, but ultimately discover who you truly are is what ANGRY BIRDS 2 (PG) 4.50pm 6.30pm matters most RIDE LIKE A GIRL (PG) 6.40pm 8.20pm AD ASTRA (M) 8.30pm 10.30pm JOKER (MA) Robert De Niro, Joaquin Phoenix. Oct 10th Thu ABOMNIABLE (G) 11.10am 12.50pm A failed stand‐up comedian is driven insane and becomes a ANGRY BIRDS 2 (PG) 1.00pm 2.40pm psychopathic murderer. UGLY DOLLS (G) 2.50pm 4.20pm GEMINI MAN (M) GEMINI MAN (M) 4.30pm 6.30pm Will Smith, Mary Elizabeth Winstead. JOKER (MA) 6.40pm 8.50pm An over‐the‐hill hitman faces off against a younger clone of GEMINI MAN (M) 9.00pm 11.00pm himself. PAW PATROL READY RACE RESCUE (G) Oct 11th Fri DORA & LOST CITY of GOLD (PG) 10.50am 12.30pm MALIFICIENT MISTRESS OF EVIL (CTC) UGLY DOLLS (G) 12.40pm 2.10pm Angelina Jolie, Chiwetel Ejiofor, Elle Fanning. GEMINI MAN (M) 2.20pm 4.20pm The complex relationship of Maleficent and Aurora RIDE LIKE A GIRL (PG) 4.30pm 6.10pm GEMINI MAN (M) 6.20pm 8.20pm continues to be explored as they face new threats to the JOKER (MA) 8.30pm 10.40pm magical land of the Moors. -
Predators 2021 8 7 6 5 4 3 2 1
1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 8 7 6 5 4 3 2 1 PREDATORS 2021 8 7 6 5 4 3 2 1 Azerbaijan 167/180* Eritrea 180/180* Isaias AFWERKI Ilham Aliyev Born 2 February 1946 Born 24 December 1961 > President of the Republic of Eritrea > President of the Republic of Azerbaijan since 19 May 1993 since 2003 > Predator since 18 September 2001, the day he suddenly eliminated > Predator since taking office, but especially since 2014 his political rivals, closed all privately-owned media and jailed outspoken PREDATORY METHOD: Subservient judicial system journalists Azerbaijan’s subservient judicial system convicts journalists on absurd, spurious PREDATORY METHOD: Paranoid totalitarianism charges that are sometimes very serious, while the security services never The least attempt to question or challenge the regime is regarded as a threat to rush to investigate physical attacks on journalists and sometimes protect their “national security.” There are no more privately-owned media, only state media assailants, even when they have committed appalling crimes. Under President with Stalinist editorial policies. Journalists are regarded as enemies. Some have Aliyev, news sites can be legally blocked if they pose a “danger to the state died in prison, others have been imprisoned for the past 20 years in the most or society.” Censorship was stepped up during the war with neighbouring appalling conditions, without access to their family or a lawyer. According to Armenia over Nagorno-Karabakh and the government routinely refuses to give the information RSF has been getting for the past two decades, journalists accreditation to foreign journalists. -
How to Analyze the Cyber Threat from Drones
C O R P O R A T I O N KATHARINA LEY BEST, JON SCHMID, SHANE TIERNEY, JALAL AWAN, NAHOM M. BEYENE, MAYNARD A. HOLLIDAY, RAZA KHAN, KAREN LEE How to Analyze the Cyber Threat from Drones Background, Analysis Frameworks, and Analysis Tools For more information on this publication, visit www.rand.org/t/RR2972 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0287-5 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2020 RAND Corporation R® is a registered trademark. Cover design by Rick Penn-Kraus Cover images: drone, Kadmy - stock.adobe.com; data, Getty Images. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface This report explores the security implications of the rapid growth in unmanned aerial systems (UAS), focusing specifically on current and future vulnerabilities. -
Film Resources Uplifting, Positive Reinforcing Films Remember the Titans
Film Resources Uplifting, positive reinforcing films Remember the Titans (2000) The true story of a newly appointed African-American coach and his high school team on their first season as a racially integrated unit. – IMDB Directed By: Boaz Yakin Starring: Denzel Washington, Will Patton IMDB Link: http://www.IMDb.com/title/tt0210945/?ref_=fn_al_tt_1 http://www.youtube.com/watch?v=nPhu9XsRl4M Soul Surfer (2011) Teenage surfer Bethany Hamilton overcomes the odds and her own fears of returning to the water after losing her left arm in a shark attack. – IMDB Directed By: Sean McNamara Starring: AnnaSophia Robb, Dennis Quaid IMDB Link: http://www.IMDb.com/title/tt1596346/ http://www.youtube.com/watch?v=MWeOjBCi3c4 The Help (2011) An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis. – IMDB Directed By: Tate Taylor Starring: Emma Stone, Viola Davis IMDB Link: http://www.IMDb.com/title/tt1454029/?ref_=nv_sr_1 http://www.youtube.com/watch?v=WbuKgzgeUIU Dove Evolution (2006) (YouTube) A video about the impacts on how media today can affect the way people think of body image and looks. Director: Unknown Starring: Unknown (TV Commercial) http://www.youtube.com/watch?v=iYhCn0jf46U Cyberbully (2011) Teen girl Taylor Hillridge gets a laptop for her birthday and signs up on a social networking site. – IMDB Directed By: Charles Binamé Starring: Emily Osment, Kay Panabaker IMDB Link: http://www.IMDb.com/title/tt1930315/?ref_=nv_sr_1 http://www.youtube.com/watch?v=fk_YSO0py7s Forrest Gump (1994) Forrest Gump, while not intelligent, has accidentally been present at many historic moments, but his true love, Jenny Curran, eludes him. -
Paper Teplate
Volume-03 ISSN: 2455-3085 (Online) Issue-07 RESEARCH REVIEW International Journal of Multidisciplinary July-2018 www.rrjournals.com [UGC Listed Journal] Representation of Sarah Connor in Terminator 2: Judgment Day as "Tough Woman" *1Girish N & 2Dr Nagya Naik B H *1Research Scholar, Department of Postgraduate Studies and Research in English, Kuvempu University, Shankaraghatta, Shivamogga (India) 2Professor, Department of Postgraduate Studies and Research in English, Kuvempu University, Shankaraghatta, Shivamogga (India) ARTICLE DETAILS ABSTRACT Article History The character of Sarah Connor performed by Lynda Hamilton in Terminator 2: Judgment Published Online: 05 July 2018 Day serves as a barometer for the representation of‘ ‗Tough Woman‘ in Science Fiction Films. Usually science fiction films portrayed female protagonists as damsel in distress, Keywords victim, or femme fatale. But Sarah Connor in T2 transcends all the limitations paving way tough Woman, action Heroine, feminity, to recocenptualise gender roles in films in particular and society in general. Using Sherrie masculinity, body, attitude, action, authority Inness‘ four characteristic features which define tough woman i.e., body, attitude, action and authority the paper closely analyses Sarah Connor‘s transformation into a tough *Corresponding Author woman. Email: nagirish[at]yahoo.com 1. Introduction we see a pair of sweaty hands grip metal bar. Tendons knot and release as someone does pull-ups. In the next wide angle Representation of female protagonist as ‗Tough Woman‘ shot we a see a woman in a tank top and hospital pants has become a major archetype in the Science Fiction Films of hanging from the top leg of the vertical bedframe. Her body is recent times. -
Terminator Dark Fate Sequel
Terminator Dark Fate Sequel Telesthetic Walsh withing: he wags his subzones loosely and nope. Moth-eaten Felice snarl choicely while Dell always lapidify his gregariousness magic inertly, he honours so inertly. Sometimes unsentenced Pate valuate her sacristan fussily, but draconian Oral demodulating tunelessly or lay-offs athletically. Want to keep up with breaking news? Schwarzenegger against a female Terminator, lacked the visceral urgency of the first two films. The Very Excellent Mr. TV and web series. Soundtrack Will Have You Floating Ho. Remember how he could run like the wind, and transform his hands into blades? When the characters talk about how the future is what you make, they are speaking against the logic of the plot rather than organically from it. 'Dark Fate' is our best 'Terminator' sequel in over 20 years. Record in GA event if ads are blocked. Interviews, commentary, and recommendations old and new. Make a donation to support our coverage. Schwarzenegger appears as the titular character but does not receive top billing. Gebru has been treated completely inappropriately, with intense disrespect, and she deserves an apology. Or did the discovery of future Skynet technology start a branching timeline where the apocalypse came via Cyberdyne instead of Skynet? Need help contacting your corporate administrator regarding your Rolling Stone Digital access? We know that dark fate sequel. Judgment Day could be a necessary event that is ultimately the only way to ensure the future of the human race. Beloved Brendan Fraser Movie Has Been Blowing Up On Stream. Underscore may be freely distributed under the MIT license. -
The Terminator by John Wills
The Terminator By John Wills “The Terminator” is a cult time-travel story pitting hu- mans against machines. Authored and directed by James Cameron, the movie features Arnold Schwarzenegger, Linda Hamilton and Michael Biehn in leading roles. It launched Cameron as a major film di- rector, and, along with “Conan the Barbarian” (1982), established Schwarzenegger as a box office star. James Cameron directed his first movie “Xenogenesis” in 1978. A 12-minute long, $20,000 picture, “Xenogenesis” depicted a young man and woman trapped in a spaceship dominated by power- ful and hostile robots. It introduced what would be- come enduring Cameron themes: space exploration, machine sentience and epic scale. In the early 1980s, Cameron worked with Roger Corman on a number of film projects, assisting with special effects and the design of sets, before directing “Piranha II” (1981) as his debut feature. Cameron then turned to writing a science fiction movie script based around a cyborg from 2029AD travelling through time to con- Artwork from the cover of the film’s DVD release by MGM temporary Los Angeles to kill a waitress whose as Home Entertainment. The Library of Congress Collection. yet unborn son is destined to lead a resistance movement against a future cyborg army. With the input of friend Bill Wisher along with producer Gale weeks. However, critical reception hinted at longer- Anne Hurd (Hurd and Cameron had both worked for lasting appeal. “Variety” enthused over the picture: Roger Corman), Cameron finished a draft script in “a blazing, cinematic comic book, full of virtuoso May 1982. After some trouble finding industry back- moviemaking, terrific momentum, solid performances ers, Orion agreed to distribute the picture with and a compelling story.” Janet Maslin for the “New Hemdale Pictures financing it. -
Michael Clancy Costume Designer
MICHAEL CLANCY COSTUME DESIGNER WWW.MICHAELCLANCYCOSTUMEDESIGN.COM FEATURE FILMS BLOOD TIES DIRECTOR: GUILLAUME CANET CAST: CLIVE OWEN, MARION COTILLARD, MILA KUNIS, BILLY CRUDUP, ZOE SALDANA, LILI TAYLOR, JAMES CAAN WATERBUG (AKA CARTEL) DIRECTOR: ASGER LETH PRODUCERS: IMAGINE ENT, BRIAN GRAZER / UNIVERSAL PICTURES / ROBERT STONE CAST: JOSH BROLIN ALL GOOD THINGS DIRECTOR: ANDREW JARECKI PRODUCERS: GROUNDSWELL PRODUCTIONS / MICHAEL LONDON, BRUNO PAPANDREA CAST: RYAN GOSLING, KIRSTEN DUNST TWO LOVERS DIRECTOR: JAMES GRAY PRODUCERS: 2929 PRODUCTIONS / MARK CUBAN, TODD WAGNER, MARC BUTAN CAST: JOAQUIN PHOENIX, GWYNETH PALTROW *2008 Cannes Film Festival THE WACKNESS DIRECTOR: JONATHAN LEVINE PRODUCERS: KEITH CALDER, FELIPE MARINO, JOE NEURAUTER CAST: BEN KINGSLEY, FAMKE JANNSEN, MARY-KATE OLSON *Best Dramatic Film Audience Award – 2008 Sundance Film Festival WE OWN THE NIGHT DIRECTOR: JAMES GRAY PRODUCERS: 2929 PRODUCTIONS / MARK CUBAN, TODD WAGNER, MARC BUTAN CAST: JOAQUIN PHOENIX, MARK WAHLBERG, ROBERT DUVALL, EVA MENDES EVERYTHING IS ILLUMINATED DIRECTOR: LIEV SCHREIBER PRODUCERS: WARNER INDEPENDENT PICS / TELEGRAPH FILMS / PETER SARAF MARC TURTLETAUB CAST: ELIJAH WOOD. *2005 Toronto Film Festival TRUST THE MAN DIRECTOR: BART FREUNDLICH PRODUCERS: SIDNEY KIMMEL, TIM PERELL / SIDNEY KIMMEL ENTERTAINMENT CAST: JULIANNE MOORE, MAGGIE GYLLENHAAL, BILLY CRUDUP, ELLEN BARKIN, DAVID DUCHOVNY *2005 Toronto Film Festival A CRIME DIRECTOR: MANUEL PRADAL PRODUCERS: ROBIN O’HARA / FORENSIC FILMS CAST: HARVEY KEITEL, EMMANUELLE BEART THE GURU DIRECTOR: DAISY VON SCHERLER MAYER PRODUCERS: SHEKHAR KAPUR, TIM BEVAN, LIZA CHASEN / WORKING TITLE FILMS CAST: JIMMY MISTRY, MARISA TOMEI, HEATHER GRAHAM. FEATURE FILMS (CONT.) MY BIG FAT GREEK WEDDING DIRECTOR: JOEL ZWICK PRODUCERS: RITA WILSON, TOM HANKS, GARY GOETZMAN / PLAYSTONE PICTURES CAST: NIA VARDALOS, LANIE KAZAN, MICHAEL COSTANTINE, ANDREA MARTIN.