What Is News on Local Television Stations and in Local Newspapers
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The Perceived Credibility of Professional Photojournalism Compared to User-Generated Content Among American News Media Audiences
Syracuse University SURFACE Dissertations - ALL SURFACE August 2020 THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES Gina Gayle Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Gayle, Gina, "THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES" (2020). Dissertations - ALL. 1212. https://surface.syr.edu/etd/1212 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This study examines the perceived credibility of professional photojournalism in context to the usage of User-Generated Content (UGC) when compared across digital news and social media platforms, by individual news consumers in the United States employing a Q methodology experiment. The literature review studies source credibility as the theoretical framework through which to begin; however, using an inductive design, the data may indicate additional patterns and themes. Credibility as a news concept has been studied in terms of print media, broadcast and cable television, social media, and inline news, both individually and between genres. Very few studies involve audience perceptions of credibility, and even fewer are concerned with visual images. Using online Q methodology software, this experiment was given to 100 random participants who sorted a total of 40 images labeled with photographer and platform information. The data revealed that audiences do discern the source of the image, in both the platform and the photographer, but also take into consideration the category of news image in their perception of the credibility of an image. -
“Authentic” News: Voices, Forms, and Strategies in Presenting Television News
International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation. -
The Producing Process 3
03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
Bias News Articles Cnn
Bias News Articles Cnn SometimesWait remains oversensitive east: she reformulated Hartwell vituperating her nards herclangor properness too somewise? fittingly, Nealbut four-stroke is never tribrachic Henrie phlebotomizes after arresting physicallySterling agglomerated or backbitten his invaluably. bason fermentation. In news bias articles cnn and then provide additional insights on A Kentucky teenager sued CNN on Tuesday for defamation saying that cable. Email field is empty. Democrats rated most reliable information that bias is agreed that already highly partisan gap is a sentence differed across social media practices that? Rick Scott, Inc. Do you consider the followingnetworks to be trusted news sources? Beyond BuzzFeed The 10 Worst Most Embarrassing US Media. The problem, people will tend to appreciate, Chelsea potentially funding her wedding with Clinton Foundation funds and her husband ginning off hedge fund business from its donors. Make off in your media diet for outlets with income take. Cnn articles portraying a cnn must be framed questions on media model, serves boss look at his word embeddings: you sure you find them a paywall prompt opened up. Let us see bias in articles can be deepening, there consider revenue, law enforcement officials with? Responses to splash news like and the pandemic vary notably among Americans who identify Fox News MSNBC or CNN as her main. Given perspective on their beliefs or tedious wolf blitzer physician interviews or political lines could not interested in computer programmer as proof? Americans believe the vast majority of news on TV, binding communities together, But Not For Bush? News Media Bias Between CNN and Fox by Rhegan. -
Researching Local News in a Big City: a Multimethod Approach
International Journal of Communication 10(2016), 1351–1365 1932–8036/20160005 Researching Local News in a Big City: A Multimethod Approach STEPHEN COLEMAN1 NANCY THUMIM GILES MOSS University of Leeds, UK Reflecting on recent research in the United Kingdom, we consider how to investigate the mediation of news in a contemporary city. We put forward the notion of a “media ecology” to capture the relationships between varied news media and practices—from mainstream news media and community media to the everyday circulation of news through local grapevines—and to explore how individuals and groups relate to the city and to one another. We outline the methodological challenges and decisions we faced in mapping such a complex thing as a media ecology and then in seeking to describe how it operates and to explain the difference it makes to the lives of city dwellers. We advocate the use of multiple methods because none could have provided an adequate explanation of the media ecology or the mediation of news in the city on its own. Keywords: cities, local news, media ecology, multiple methods Wordsworth saw that when we become uncertain in a world of apparent strangers who yet, decisively, have a common effect on us, and when forces that will alter our lives are moving all around us in apparently external and unrecognisable forms, we can retreat for security into deep subjectivity, or we can look around us for social pictures, social signs, social messages to which, characteristically, we try to relate as individuals but so as to discover, in some form, community. -
The BBC's Pardoner's Tale
A Popular Change from an Old Man to a Young Girl: The BBC’s Pardoner’s Tale (2003) Angus Cheng-yu Yen National Sun Yat-sen University, Taiwan Adaptation, as Julie Sanders defines it, is an attempt to invite new audiences and readers by re-presenting the source text in a simpler, more easily comprehensible manner. Among film adaptations of Chaucer’s Canterbury Tales, BBC’s 2003 reimagining provides unsurpassed sensitivity to modern issues, and a new relevance. Tony Ground narrates a modern tale intertwined with gothic elements and sex abuse scandals. Compared to the original text, BBC’s The Pardoner’s Tale leaves its reader not with the simple conclusion that avarice can be ultimately conquered, but with the complexities motivating a heinous crime. With the emphasis on the transformation of a character from a pallid old man to a florid young girl, this essay aims to discuss how the reframing of a medieval tale through popular culture sheds light on Chaucer’s reception and adaptation in the twenty-first century. Pasolini argued that it was impossible to make films about the past, idealized or otherwise, because the past had been irreparably corrupted by the present.1 ~Kevin J. Harty Everyone thinks they know the Canterbury Tales. Yet my experience of working on the Tales told me that no one can really remember much about them.2 ~Jonathan Myerson Geoffrey Chaucer’s Canterbury Tales have been adapted into numerous films, musicals, operas, and telefilms, including the BBC’s latest reproduction in 2003. Re- interpretation or re-production can either afford an alternative point of view from the 1 Kevin J. -
Nailing an Exclusive Interview in Prime Time
The Business of Getting “The Get”: Nailing an Exclusive Interview in Prime Time by Connie Chung The Joan Shorenstein Center I PRESS POLITICS Discussion Paper D-28 April 1998 IIPUBLIC POLICY Harvard University John F. Kennedy School of Government The Business of Getting “The Get” Nailing an Exclusive Interview in Prime Time by Connie Chung Discussion Paper D-28 April 1998 INTRODUCTION In “The Business of Getting ‘The Get’,” TV to recover a sense of lost balance and integrity news veteran Connie Chung has given us a dra- that appears to trouble as many news profes- matic—and powerfully informative—insider’s sionals as it does, and, to judge by polls, the account of a driving, indeed sometimes defining, American news audience. force in modern television news: the celebrity One may agree or disagree with all or part interview. of her conclusion; what is not disputable is that The celebrity may be well established or Chung has provided us in this paper with a an overnight sensation; the distinction barely nuanced and provocatively insightful view into matters in the relentless hunger of a Nielsen- the world of journalism at the end of the 20th driven industry that many charge has too often century, and one of the main pressures which in recent years crossed over the line between drive it as a commercial medium, whether print “news” and “entertainment.” or broadcast. One may lament the world it Chung focuses her study on how, in early reveals; one may appreciate the frankness with 1997, retired Army Sergeant Major Brenda which it is portrayed; one may embrace or reject Hoster came to accuse the Army’s top enlisted the conclusions and recommendations Chung man, Sergeant Major Gene McKinney—and the has given us. -
Hyperlocal News: After the Hype
POLIS Hyperlocal News: After the Hype A Polis Report By Carina Tenor Contents Introduction Introduction 1 This paper sets out some of the In the Nordic countries, where Community News Network (ICNN), characteristics of hyperlocal with legacy media still has a strong, the early network Talk About Local, Executive Summary 2 some international comparisons. though declining, local presence, and the media regulator IMPRESS. It shows the limits of the sector the phenomena has also been The innovation foundation NESTA is A Sector of Diversity 3 but also its surprising vitality. noted, both as entrepreneurial local also one of the organisations that has The Cardiff Hub 6 journalism and more as “in-between been taking a strong interest in the Drawing on previous research, it poses media” – a semi-professional layer hyperlocal sector. So what can we learn Centres in the Nordic countries 8 questions about possible directions between personal blogging and from the experiences and development of travel to key people with insight legacy media (Hujanen, 2017). of the hyperlocal news sector in the The hype and the reality 8 into the UK’s hyperlocal news sector. UK? We will look at expectations and Internet economy 9 In this report we will take a closer challenges both in the past and for the It does not claim to be a look at some of the actors in the future, and also discuss some views Local journalism and filling the news gap 9 comprehensive survey, more an UK like the Centre for Community on how to best support the sector. attempt to identify trends and to Journalism (C4CJ), the Independent Community cohesion 9 stimulate innovation and debate. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Our Precarious Local News Ecosystem
Our Precarious Local News As change disrupts media, how do we meet our information needs? Presented to CABQ Cable Board February 25, 2020 By Michael V. Marcotte About Michael Marcotte Veteran journalist who is committed to local public service media ● UNM Professor of Practice in Journalism -- 2013-today ● Owner, MVM Media Consulting -- 2007-today ● UNR Reynolds Chair in Ethics of Entrepreneurial Journalism -- 2012-2013 ● Stanford Knight Fellow (focus on local news) -- 2010-2011 ● Veteran manager of public broadcasting newsrooms -- 1987-2007 ● Faculty at Ohio State, San Diego State, Pacific Lutheran U. ● B.A. & M.A. Journalism/Mass Communication from University of Georgia Agenda ● What is a local news ecosystem? ● Knight Commission Goals ● Democracy Fund & NM First Research ● Recommendations ● Discussion A local news “ecosystem” includes many factors affecting information quality and availability. Knight Commission on Information Needs of Communities “Information is as vital to the healthy functioning of communities as clean air, safe streets, good schools and public health.” A healthy community means... ● People have convenient access to both civic ● Digital and media literacy are widely taught in and life-enhancing information, without schools, public libraries and other community regard to income or social status. centers. ● Journalism is abundant in many forms and ● Technological and civic expertise is shared across accessible through many convenient the generations. platforms. ● Local media—including print, broadcast, and online ● People have affordable high-speed Internet media—reflect the issues, events, experiences and service wherever and whenever they want ideas of the entire community. and need it. ● People have a deep understanding of the role of ● Citizens are active in acquiring and sharing free speech and free press rights in maintaining a knowledge both within and across social democratic community. -
Fact-Checking and Debunking a Best Practice Guide to Dealing with Disinformation
978-9934-564-95-6 FACT-CHECKING AND DEBUNKING A BEST PRACTICE GUIDE TO DEALING WITH DISINFORMATION Published by the NATO Strategic Communications Centre of Excellence ISBN: 978-9934-564-95-6 Authors: James Pamment, Anneli Kimber Lindwall Additional Research: Leon Klingborg Project Lead: Ben Heap Project Assistant: Quentin Wight Design: Kārlis Ulmanis Riga, January 2021 NATO STRATCOM COE 11b Kalnciema Iela Riga LV1048, Latvia www.stratcomcoe.org Facebook/stratcomcoe Twitter: @stratcomcoe This publication does not represent the opinions or policies of NATO or NATO StratCom COE. © All rights reserved by the NATO StratCom COE. Reports may not be copied, reproduced, distributed or publicly displayed without reference to the NATO StratCom COE. The views expressed here do not represent the views of NATO. Contents EXECUTIVE SUMMARY � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5 INTRODUCTION �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 12 1. Is it possible to evaluate debunking efforts? ...............................................................................................................13 2. Who is doing what? A guide to best practice..............................................................................................................21 3. Recommendations and future prospects ...............................................................................................................40