86 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

MGMT X 404.2 Production Accounting for Film Film & TV and Television ENTERTAINMENT For more information call (310) 825-9064, email 4.0 units [email protected], or visit Responsible for maintaining financial controls and entertainment.uclaextension.edu. financial reporting of all production funds, the produc- tion accountant must provide timely and accurate reporting of the financial information that will enable Business & Management the producers to maximize production values. This comprehensive course covers duties, including set up of Entertainment and oversight of all accounting functions (i.e. budgeting, cost reporting, accounts payable, accounts receivable, MGMT X 403.31 petty cash, purchase orders, BTL payroll, ATL payroll, The Business of Entertainment per diem, and banking) and knowledge of signatory 4.0 units guilds and unions. Other topics include related soft- With the entertainment industry converging into a ware; insurance; labor laws; and production tax credits, worldwide mass media, both business and operation rebates, and refunds. Guest speakers are included. models continue to rapidly evolve. This introductory Prerequisite(s): Familiarity with basic production termi- course for producers, directors, writers, development nology and some accounting knowledge is helpful. personnel, and aspiring media executives examines the changing business issues associated with the entertain- Reg# 368199 ment industry. Through lectures, discussions with Fee: $699 No refund after 7 July. industry guests, and case studies, instruction focuses ❖❖ Classroom on current business and production issues and intro- 11 mtgs duces new business models to navigate content onto Monday, 6:30-9:30pm, June 24-Aug. 26 new distribution platforms. Some history is highlighted UCLA: Dodd Hall to provide a context for current practices and potential. Saturday, 2-5pm, July 13 The course also features opportunities to meet senior UCLA: Dodd Hall entertainment industry executives in various sectors. c Topics include financing, contracts, intellectual property Aved Savoulian, audit manager and production issues, licensing, worldwide theatrical marketing and accountant, NBC Universal Feature Pictures, who has FILM & TELEVISION MUSIC distribution, worldwide home entertainment marketing has held previous positions at CBS Television and Fox and distribution, worldwide television production and Sports Networks. 86 Business & Management 93 Film Scoring distribution, multi-channel network distribution and Greg Hemstreet, senior director, Production Finance, of Entertainment opportunities, the impact of piracy, and leveraging new Universal Pictures 94 Music Business distribution platforms. By the end of the course, stu- 87 Acting dents should have an understanding of the opportuni- MGMT X 403.01 94 Music Production ties available in the business of entertainment. Legal Primer for the 88 Cinematography Reg# 368442 Entertainment Business Fee: $699 4.0 units 89 Directing No refund after 17 July. This unique course explores key legal principles and ❖❖ Classroom contractual relationships within the film and television 90 Entertainment Development 10 mtgs industry through a dynamic assortment of lectures and Thursday, 7-10pm, June 27-Sept. 5 hands-on workshops. You develop a core understanding 91 Producing UCLA: Dodd Hall of subjects including idea protection, copyright, defa- mation, privacy, and the right of publicity. In addition, 92 Post-Production No meeting July 4. c Instructor to be announced you are exposed to key issues in manager agreements and in standard film and television agreements, includ- MGMT X 403.34 ing literary option/purchase agreements, life rights Entertainment Financing: agreements, collaboration agreements, and talent employment agreements. The course concludes with From First $ to Distribution of Profits exploring independent film finance and distribution 4.0 units deals. Through learning some essential “countermea- This course covers the financial aspects of each step sures” to use when reviewing such contracts, you are of the motion picture value chain (from development empowered in a way usually only reserved for elite through profit participation) and considers the implica- talent lawyers—and have a lot of fun in the process. For more information call (310) 825-9064. tions of financial choices. Designed to give you a general understanding of how financial deals are Reg# 367911 structured, topics include how film financing is Fee: $699 secured, connecting the production budget to the No refund after 28 June. m financing, when a completion guarantor is required, mOnline and the various types of domestic and international June 24-Sept. 8 distribution arrangements. You also learn about third- Enrollment limited; early enrollment advised. c & Entertainment Studies party profit participation agreements and the practical David Wienir, talent lawyer at United Talent Agency. aspects and procedures that underlie them; terms and Before UTA, Mr. Wienir practiced law at two top talent definitions that impact bottom line considerations, boutiques where he represented Steven Spielberg and including contingent compensation; distribution fees Madonna. He was named to Variety’ s 2014 Legal and expenses; the producer’s share of profit; distinc- Impact Report and is the author of several acclaimed Networking Opportunities tions between production, distribution, and marketing books, including Making It on Broadway. costs; and how these costs may significantly impact Reg# 368198 recoupment and profits. Fee: $699 Exclusively for Certificate Students Reg# 367914 No refund after 8 July. Fee: $699 ❖❖ Classroom Does your project need a director? An actor? A producer? A composer? No refund after 28 June. 11 mtgs mmOnline Tuesday, 7-10pm, June 25-Sept. 3 Register for FILM TV UL 700 Free Network- Summer Networking Event June 24-Sept. 8 UCLA: Dodd Hall c Daniel Lifschitz, associate counsel at Johnson & ing Opportunities for Entertainment Enrollment limited; early enrollment advised. c & Friday, June 28, 5–7pm Jeanette B. Milio, feature film and television producer Johnson, LLP, focusing on entertainment, intellectual Studies Certificate Students to attend UCLA Extension Gayley Center and financier who ran a media fund that invested in the property, and business litigation in music, film, and our free events and collaborate online! production, acquisition, and worldwide distribution of television. Mr. Lifschitz has represented industry figures This is the perfect opportunity to meet Page 92. over 40 television and theatrical projects for HBO, ranging from Quincy Jones to World Star Hip Hop and writes frequently in trade publications on major enter- your fellow Certificate Students and make Showtime, ABC, USA Network, Disney, Lionsgate, Sony Pictures, Warner Bros. and others. tainment law issues. important connections. Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 87

MGMT X 448.84 THEATER X 407.78 Copyright Law in the Improvisation Techniques for the Entertainment Industry Actor: A Course in Spontaneity 4.0 units 4.0 units What is intellectual property and how does it apply to Gain experiential understanding of improvisational act- the entertainment industry? As the ownership of intel- ing and develop a strong improvisational perspective lectual property continues to be the life blood of the essential to scripted work. Through theater games and industry and the source of income for many, this course improvising scenes, develop tools to make you more answers these questions while providing a general trusting of your own impulses and more generous with overview of intellectual property rights with a focus on your fellow actors. Learn to go for active choices to play copyright law and its role in the film, music, and digital at the top of your intelligence and at the service of the online industries, including such related areas as celeb- scene. Actors also experience that the best comedy rity endorsements and branding. Specific topics covered comes out of listening and responding honestly, not include authorship and copyright ownership, fair use, “going for jokes.” how copyrights are licensed and controlled in the enter- Reg# 368061 tainment industry, copyright “mechanics,” (such as Fee: $699 Film & Television registration and notice), copyright legislation and Con- No refund after 28 June. gress, and duration of copyright. Also examined is the ❖❖ Classroom role of copyright in the entertainment industry and its 11 mtgs interaction with other business and legal principles, key Tuesday, 7-10pm, June 25-Sept. 3 court cases, and international copyright protection. UCLA Extension Lindbrook Center: Certificates and Reg# 368455 10920 Lindbrook Dr. Fee: $699 Enrollment limited; early enrollment advised. c No refund after 28 June. Toni Attell, Emmy-nominated actor, comedian, and mime mmOnline whose background includes a variety of work in theater, June 24-Sept. 2 film, and television. Ms. Attell has opened for Jay Leno, Specializations Enrollment limited; early enrollment advised. c & Steve Martin, and Robin Williams, and has guest-starred Jaia Thomas, entertainment and sports attorney. In addi- on numerous television dramas and sitcoms. tion to her practice, Ms. Thomas is a contributor to Gain the Skills to Take Your Career to the Next Level Uptown Magazine and Entrepreneur Magazine, where she THEATER X 410.3 regularly authors articles pertaining to the intersection of Acting for the Camera I Interested in becoming a director? Want a career as a movie producer­ sports, entertainment, entrepreneurship, and the law. 4.0 units or executive? Interested in behind-the-scenes positions such as director Learn to get comfortable in front of the lens. Exercises begin with on-camera interviews so that students can of photography? Acting view their screen images in playback. Instruction focuses on understanding technical and emotional Enroll in one of our 8 Film & Television Certificates. THEATER X 407.5 adjustments required for working in front of the camera Acting Techniques: The Fundamentals in a relaxed and truthful way and developing intimacy All of the Film & Television Certificates offer a broad overview of the industry, 4.0 units with the camera. Topics include the difference between as well as targeted skills, training, and the contacts you need for success. In this introduction to acting, learn fundamental perfor- frame sizes and learning to hit marks. Hone your acting mance techniques and exercises, including relaxation, techniques through scene-study guidelines and sensory concentration, sense memory, emotional recall, impro- and moment-to-moment exercises, as well as mono- Film & Television Certificates visation, character tasks, and text analysis. You then logue work. Some exercises are performed on camera Directing Cinematography apply these techniques by rehearsing and performing with emphasis on close-ups, simple scenes, and basic monologues and two-character scenes. In-class partner camera moves. The instructor critiques individual stu- Acting Entertainment Studies work and weekly assignments are required. dents’ work during playback. Reg# 368342 Reg# 368154 Film & TV Development Business & Management Fee: $699 Fee: $699 of Entertainment No refund after Sept. 2. No refund after 29 June. Producing ❖❖ Classroom ❖❖ Classroom Independent Producing 11 mtgs 11 mtgs Monday, 7-10pm, June 24-Aug. 26 Wednesday, 7-10pm, June 26-Sept. 4 Offered entirely online! UCLA Extension DTLA: 261 S. Figueroa St. UCLA Extension 1010 Westwood: Saturday, 2-5pm, July 20 1010 Westwood Blvd. UCLA Extension DTLA: 261 S. Figueroa St. Students are recorded on camera during several Are you looking for a shorter program? sessions; those wishing to keep a copy of their work Enrollment limited; early enrollment advised. c Our specializations can be completed in as little as 2-3 quarters! Carol Lefko, veteran casting director, casts feature must bring a flash drive to each session. films, television, commercials and theater. Currently, Enrollment limited; early enrollment advised. c Film & Television Specializations Ms. Lefko is casting two feature films, The Same Sky, Instructor to be announced shooting in Puerto Rico, and The Chosen Guard, shoot- Fundamentals of the Entertainment Industry ing in Egypt. Carol is also casting sitcoms Pineapple Inn and Lawrence of Suburbia. Offered entirely online! Reg# 367891 This 4-course specialization is ideal for students who are passionate about entertain- Fee: $699 No refund after 29 June. ment and are looking for a short program to prepare them with the basic skill sets ❖❖ Classroom needed to break into the entertainment industry. 11 mtgs Wednesday, 7-10pm, June 26-Sept. 4 Editing UCLA Extension Lindbrook Center: Offered entirely online! 10920 Lindbrook Dr. This 3-course specialization provides students with the fundamentals of editing theory Enrollment limited; early enrollment advised. c Ernesto Gonzalez, actor whose credits include roles and practice in the leading digital editing software. in TV shows such as No Tomorrow, Jimmy Kimmel Live, Top 10 Criminals, Animal Witness, and series regular Entertainment Project Management on Yet 2B Named. He has also performed in national This 3-course specialization provides opportunities to understand project management commercials and is an alumnus of the Improvisation m ONLINE COURSE, page 5. Conservatory at The Second City Chicago. concepts and tools in the entertainment space, covering a wide range of industries, from g HYBRID COURSE, page 5. Film and TV to Theme Parks and Gaming/Interactive. c WEB-ENHANCED COURSE, page 5. Plus, enjoy maximum flexibility—start anytime, with no admissions­ requirements. v ON-GROUND COURSE, page 5. Take the next step toward the career you’ve always wanted! & TEXTBOOK REQUIRED C UC CREDIT, page 6. For More Information (310) 825-9064 | entertainment.uclaextension.edu 88 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

FILM TV X 407.45 Acting Workshop: Cinematography The Meisner Technique Courses Offered Online FILM TV X 478.436 4.0 units Through improvisation and scene work, explore basic Composition and Framing for the Can’t attend an in-person class? Enroll in one of our courses offered online. concepts of the Meisner approach to acting with a Motion Picture Camera focus on creating and living in imaginary circum- 4.0 units stances. Learn to work more independently, improve This intensive hands-on workshop focuses on composi- MGMT X 403.34 Entertainment FILM TV X 404A Post-Production for rehearsal and research skills, and strengthen vocal and tion and framing—the principal creative job of the Financing: From First $ to Distribution Film and Television movement skills. camera operator. The course is designed for aspiring of Profits Page 92. Reg# 368065 cinematographers and other students seeking instruc- Page 86. Fee: $699 tion in the basic theory, concepts, principles, and FILM TV X 479.088 Movie Magic No refund after 28 June. techniques of motion picture camera composition and MGMT X 403.01 Legal Primer for the Budgeting ❖❖ Classroom framing. You operate high definition cameras and lenses Entertainment Business 11 mtgs equipped with video playback for later review and dis- Page 92. Tuesday, 7-10pm, June 25-Sept. 3 cussion. You work through a series of skill-enhancing Page 86. UCLA Extension Lindbrook Center: operational problems that increase in difficulty. Close MGMT X 403.61 Marketing & attention is given to designing shots, compositional MGMT X 448.84 Copyright Law in the Distributing Independent Films 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. balance, working with actors, tracking, gear-heads, fluid c heads, eye-lines, two-shots, selecting lenses, and Entertainment Industry Across All Platforms Miebaka Opuiyo-Yohannes, actor and writer whose interior and exterior framing. Page 87. Page 92. background includes various performances in film, television, and theater. His credits include acting roles Reg# 367910 FILM TV X 476.581 The Language FILM TV X 479.613 The Art and Craft of in the films South Bronx Heroes and Spike Lee’s 25th Fee: $1,299 of Filmmaking Film Editing Hour, along with numerous stage performances. No refund after 5 July. ❖❖ Classroom Page 89. Page 92. THEATER X 409 7 mtgs FILM TV X 476.22 Story Analysis for FILM TV X 477.84 Introduction to The Actor’s Tool Box: Wednesday, 7-10pm, July 3-Aug. 17 Creating Emotional Truth UCLA: Bunche Hall Film and Television Adobe Premiere Saturday, Sunday, 10am-5pm, July 6 & 7; 4.0 units July 13 & 14 Page 90. Page 92. Gain acting tools and techniques to help you create Pacoima: Mole-Richardson Co., true-to-life characters with emotional depth. In this 12154 Montague St. FILM TV X 476.244 Story Development MUSC X 479.12 Introduction to Pro Tools workshop, you learn how to draw emotional material Discounts cannot be applied to a portion of fees for Workshop: Crafting Your Original Story from an array of tools that are both external and internal Page 94. this course. to the actor. Those tools include sense memory, relax- Page 91. Enrollment limited; early enrollment advised. MUSC X 441.3 Audio Recording Theory ation, imaging, voice and body work, and improvisation c Jason Almendinger, cinematographer whose credits FILM TV X 404 Pre-Production and Page 95. techniques. Sense memory involves reliving sensations Production for Film and Television experienced through your five senses and helps create include multiple short films and many national com- a more truthful life for your character. Relaxation tech- mercial campaigns for such brands as Fiat, Cheerios, Page 91. niques help the actor loosen up and access sense Legos, and Sam’s Club memory. Imaging techniques involve the use of imagi- For More Information nary people or objects to access emotions, voice and FILM TV X 478.283 (310) 825-9064 | entertainment.uclaextension.edu/enroll movement techniques to help sharpen your body as an Lighting for Emotional Impact instrument, and improvisation increases your capability 4.0 units of being “in the moment.” All these tools are explored This course is designed to help you develop a stronger THEATER X 438 THEATER X 407.42 in a supportive environment through weekly exercises. understanding of lighting for motion pictures. Through At the end of the class, you perform a scene or a lectures, workshops, assignments, and in-class exer- Performing in TV Commercials: Inside Stanislavski: cises, you learn about different lighting styles and Practices and Opportunities in Applications for the Screen Actor monologue using the techniques explored throughout the class. techniques. Special emphasis is placed on lighting the Field 4.0 units tailored specifically for the story and the emotional Reg# 368293 4.0 units The great Russian actor, director and teacher Konstan- impact that lighting can have on the audience. The Fee: $699 Considering the lucrative field of TV commercials or tin Stanislavski had a method that combined physicality class focuses both on theory and practical application No refund after 27 June. seeking to improve your confidence in personal or and spirituality when building a character as the shorter of the concepts presented. Throughout the course, ❖❖ Classroom business communications? Take part in simulated audi- route to finding its inner life. Learn these practical visual references are discussed and completed assign- 11 mtgs tions, recorded, for both “slice of life” dialogue and techniques of Stanislavski to perform with confidence ments and supervised exercises are screened and Monday, 7-10pm, June 24-Aug. 26 “spokesperson” narrative in this course. To help you and depth. Exercises are supplemented with discussion critiqued in class. attain relaxation, taped performances are sensitively of Stanislavski’s concepts, philosophy, and ethics. Most UCLA Extension Lindbrook Center: Reg# 367909 directed and critiqued in class. This workshop also modern acting methods are grounded in the Stanislav- 10920 Lindbrook Dr. ski system and understanding the basics of this system Saturday, 2-5pm, July 20 Fee: $999 provides a comprehensive analysis of a commercial’s No refund after 8 July. helps the actor understand and study other acting UCLA Extension Lindbrook Center: production from the actor’s point of view and gives such ❖❖ Classroom techniques. Topics include action vs. emotion, using 10920 Lindbrook Dr. professional practices as successful audition tech- 9 mtgs imagination to create real emotions, relaxation and No meeting Sept. 2. niques, proper photography portfolio, agency represen- c Tuesday, 7-10pm, June 25-Aug. 6 concentration, emotional memory, and building a char- Instructor to be announced tation, and union membership. UCLA Extension 1010 Westwood: acter through physicality and voice. At the end of the Reg# 368350 1010 Westwood Blvd. course, you will have acquired techniques to learn how Fee: $699 Saturday, Sunday, 10am-5pm, July 20 & 21 to deal with stage fright, how to approach a role and No refund after 30 June. Pacoima: Mole-Richardson Co., inhabit it from the initial research to the physical ❖❖ Classroom 12154 Montague St. embodiment of the character, and how to avoid bad 11 mtgs Discounts cannot be applied to a portion of fees for acting habits such as faking emotion or overacting. Thursday, 7-10pm, June 27-Sept. 5 this course. UCLA Extension 1010 Westwood: Reg# 368271 Enrollment limited; early enrollment advised. c 1010 Westwood Blvd. Fee: $699 Instructor to be announced Saturday, 2-5pm, July 20 No refund after 30 June. UCLA Extension 1010 Westwood: ❖❖ Classroom 1010 Westwood Blvd. 11 mtgs No meeting July 4. Thursday, 7-10pm, June 27-Sept. 5 Students are recorded on camera during several UCLA Extension Lindbrook Center: sessions; those who wish to keep a copy of their 10920 Lindbrook Dr. Saturday, 2-5pm, Aug. 10 work must bring a flash drive to each session. c Toni Attell, Emmy-nominated actor, comedian, and mime UCLA Extension Lindbrook Center: whose background includes a variety of work in theater, 10920 Lindbrook Dr. film, and television. Ms. Attell has opened for Jay Leno, No meeting July 4. c Steve Martin, and Robin Williams, and has guest-starred Eric Scott Gould, actor, director, screenwriter, and on numerous television dramas and sitcoms. producer. Mr. Gould has performed in more than 50 stage productions and has appeared in TV shows such as Curb Your Enthusiasm, Numb3rs, The District, Another World, and recurred on Without A Trace for the first four seasons. Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 89

FILM TV X 478.27B FILM TV X 478.282 Visualization and Exposure The Craft of the Cinematographer 4.0 units 4.0 units This advanced course is designed to deepen the cin- Learn to apply your knowledge of the principles and ematographer’s understanding of the principles and elements of cinematography through the making of methods of visualization on-set and in pre-production several short filmmaking assignments. Lectures and with particular emphasis on digital exposure and pre- discussion cover various lighting and shooting tech- visualizing lighting design and execution. Instruction niques, such as panoramic/widescreen, the use of color covers pre-production tools and techniques for cinema- or black and white, the use of composition and depth tographers with emphasis on lighting, lenses, cameras, of field as artistic tools, the different shot types and camera movement, and color. Each week, you partici- concept of screen direction, how to best frame a shot, pate in exercises and workshops designed to help you and the best ways to execute these techniques. Simul- Making Your master the skills used for visualizing the lighting, taneously, various film genres are examined. You are camera, and exposure of the scene. asked to test your creativity and understanding of the Prerequisite(s): Successful completion of X 478.27A different cinematography concepts, techniques, and Introduction to Cinematography. genres presented by completing shooting exercises Reg# 367920 using your own camera outside of class. Student work First Short Film Fee: $1,299 is screened and critiqued in class. You must provide No refund after 2 Aug. your own video camera, have access to editing equip- ❖❖ Classroom ment and software, and be able to output your assign- Always wanted to make your own short film and thought you had no experience 7 mtgs ments to various media sources. Wednesday, 7-10pm, July 31-Aug. 14 Prerequisite(s): Students must have access to a digital and no money? In this class for aspiring directors, writers, and producers, you use UCLA: Dodd Hall video camera and editing equipment and software. your own camera to learn how to write, produce, direct, and edit a three-to-five-minute Saturday, Sunday, 10am-5pm, Aug. 3 & 4 Reg# 367913 short film. Emphasis is placed on maximizing the on-screen value of the project using UCLA: Dodd Hall Fee: $999 available resources. Saturday, Sunday, 10am-5pm, Aug. 10 & 11 No refund after 14 July. Pacoima: Mole-Richardson Co., ❖❖ Classroom Page 90. 12154 Montague St. 9 mtgs Enrollment limited; early enrollment advised. c & Monday, 7-10pm, July 1-Aug. 12 Discounts cannot be applied to a portion of fees for UCLA Extension 1010 Westwood: this course. 1010 Westwood Blvd. FILM TV X 476.95 FILM TV X 476.95B Deland Nuse, cinematographer and director of inde- Saturday, Sunday, 10am-5pm, July 27 & 28 Directing Workshop I: Directing Workshop II: Storytelling pendent films whose credits include the indie feature Pacoima: Mole-Richardson Co., Composition and Movement 4.0 units The Chilling and the documentary The Other Bridge. 12154 Montague St. 4.0 units In the second part of the Directing Workshop series, As the first hands-on course in the directing series, you participants complete short narrative films using their Mr. Nuse won the Triple Play Award for Cinematography Enrollment limited; early enrollment advised. c at the 2006 Long Island Film/Video Expo for the film, Discounts cannot be applied to a portion of fees for complete four short films using your own video camera. own digital video camera. Focusing on storytelling, The Showdown. this course. Instruction focuses on the basic building blocks of nar- instruction teaches participants how to apply the prin- Roman Zenz, Award-winning cinematographer. Mr. rative filmmaking: the shot, mise-en-scene, concept, ciples and essential elements of dramatic structure and FILM TV X 478.27C Zenz has served as a director of photography on several the actor, environment, sound, and montage. Assign- character development to the filmmaking principles Advanced Lighting Workshop TV documentaries and lifestyle shows, including the ments explore aspects of visual expression through the explored in X 476.95 Directing Workshop I: Composition 4.0 units History Channel’s Million Dollar Genius and ARTE’s use of composition, rhythm, and point-of-view; moving and Movement. Through increasingly complex filmmak- A practical workshop in creating a look and executing Tracks . He recently wrote, produced, and directed the from black and white/silent compositions to the use of ing assignments, participants discover how to combine a vision through cinematography by using the key tools documentary, Urban Fruit , airing on Amazon Prime. color; non-sync sound; and editing. Your work is key elements, such as casting, working with actors, that are available to the director of photography. You screened and critiqued by the instructor and class. shot selection, sync-sound, and music, to communicate use professional-level lighting instruments (conventional Prerequisite(s): Students must provide their own digital the themes, conflict, and story arcs that create compel- and unconventional), filters, and gels to create your own Directing video camera and have access to editing equipment ling narrative for a visual medium. Student work is images on motion picture film stock or digital video. You and software. screened and critiqued by the instructor and class. work in groups during the workshop sessions, and the FILM TV X 476.581 Reg# 367896 Prerequisite(s): X 476.95 Directing Workshop I: Compo- film images are reviewed and critiqued in class. The The Language of Filmmaking Fee: $699 sition and Movement, or previous directing experience. course covers a variety of lighting situations (including No refund after 9 July. Students must provide their own digital video camera 4.0 units and have access to editing equipment and software. exterior and interior lighting) through lectures, lighting Designed for filmmakers who need to develop the ❖❖ Classroom demonstrations, and specific assignments, including necessary skills to make better films and viewers who 11 mtgs Reg# 367904 problems often encountered in film and television want to better understand and appreciate the complex- Wednesday, 7-10pm, June 26-Sept. 4 Fee: $699 production. Instruction also includes a review of color ity of the cinematic text, this course outlines the many UCLA Extension Gayley Center: No refund after 9 July. ❖❖ Classroom theory as it applies to lighting sessions. components of film language used by great directors 1145 Gayley Ave. c & Prerequisite(s): Successful completion of X 478.283 to tell their stories in the most effective way. Through a Tim Arvin, screenwriter and director who has worked 11 mtgs Lighting for Emotional Impact or X 478.27B Visualiza- wide selection of multimedia material—including film in both feature films and new media. He has written Wednesday, 7-10pm, June 26-Sept. 4 tion and Exposure. and sound clips, pictures, articles, and interviews—you films for major studios, including Sony Pictures, as UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Reg# 367906 analyze shooting and editing techniques employed by well as independent production companies. He is Enrollment limited; early enrollment advised. Fee: $1,299 the greatest filmmakers of all time. Topics range from currently developing a television series and multiple c & No refund after 16 Aug. functional usage of image composition and lighting to film projects. Bijon Imtiaz, Award-winning narrative and documen- ❖❖ Classroom camera movements, editing, and sound. The purpose tary writer, director, and producer. After the international 4 mtgs of this course is to give clarity to the filmmaking pro- success of his features Kingdom of Clay Subjects Saturday, Sunday, 7:30am-5pm, cess and to enhance the enjoyment of film viewing. (writer/director) and Live from Dhaka (producer), his current project Paradise has been an official selection Aug. 17, 18, 24 & 25 Reg# 368272 at Berlinale’s co-production market. Pacoima: Mole-Richardson Co., Fee: $699 12154 Montague St. No refund after 1 July. Reg# 367905 Enrollment limited; early enrollment advised. c mmOnline Fee: $699 Discounts cannot be applied to a portion of fees for June 27-Sept. 5 No refund after 19 July. this course. A high-speed Internet connection is suggested and ❖❖ Classroom 9 mtgs Charles Rose, AIC, cinematographer who has received QuickTime is required. c numerous international awards (Cannes, Venice, New Alessandro Pirolini, PhD in American Film History, Saturday, 10am-1:30pm, June 29-Aug. 24 York, Tokyo Film Festivals) for his work in feature films, University of London; author of Rouben Mamoulian and UCLA Extension DTLA: 261 S. Figueroa St. commercials, documentaries, and music videos. The Cinema of Preston Sturges. Dr. Pirolini also has Saturday, 10am-5pm, Sept. 7 written numerous articles, essays, and film reviews for UCLA Extension DTLA: 261 S. Figueroa St. such publications as Cineforum, Ottoemezzo.com, and No meetings July 6; Aug. 31. Il Nuovo Spettatore. m ONLINE COURSE, page 5. Enrollment limited; early enrollment advised. c & Julian Goldberger, MFA, screenwriter/director/pro- g HYBRID COURSE, page 5. ducer, WGA member, whose credits include The Hawk Is Dying, The Eulipion Chronicles, and Trans. He has c WEB-ENHANCED COURSE, page 5. pilots and features in development with Lionsgate Television, Bow Street Films, and Universal Studios. v ON-GROUND COURSE, page 5. & TEXTBOOK REQUIRED C UC CREDIT, page 6. 90 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

FILM TV X 476.12B Reg# 368200 Advanced Filmmaking Workshop: Fee: $699 Production and Post-Production No refund after 8 July. Get Credit for ❖❖ Classroom 8.0 units In this capstone course of the Directing Certificate 11 mtgs program, you maximize your learning experience and Tuesday, 7-10pm, June 25-Sept. 3 improve your filmmaking skills through the creation of UCLA Extension Woodland Hills: an Internship a short film that is screened for an invited audience 21650 Oxnard Street c & after the end of the course. Having first developed your Cynthia Riddle, MFA, award-winning writer/producer, projects in the course X 476.23 Developing Your Short a former development exec at MGM, and WGA member The Entertainment Studies Internship Internships are restricted to candidates Film, you enter the workshop ready to begin pre-pro- who wrote the films Crossroads, Puppy Love, and The duction. Through lectures, demonstrations, and hands- Brittany Murphy Story. She has also written projects for Program allows certificate students to in certificate programs, and only to on exercises, you learn the techniques for translating Netflix, Showtime, PBS, Nickelodeon, Disney, Starz, and receive elective credit for work performed those students who have completed a your script into moving images as well as the creative MarVista, among others. with companies in the film, television, substantive portion of their course work and physical requirements for directing a film. Topics Reg# 368265 and entertainment media communities. (at least 12 units). If you are planning on include budgeting and production scheduling, casting Fee: $699 actors and eliciting the best performance, collaborating No refund after 8 July. Internships are an excellent way to obtain doing an internship for academic credit, with the crew, camera blocking, creating the shot list, ❖❖ Classroom real-life work experience and make the visit our website and take a moment to visual composition, sound, and editing. By mid-class, 11 mtgs vital connections necessary to a successful familiarize yourself with our policies. you have the opportunity to put in practice all the pro- Tuesday, 7-10pm, June 25-Sept. 3 career in the entertainment industry. ducing and directorial basics you have learned through- UCLA Extension Lindbrook Center: You must be enrolled in a certificate to out the program as you shoot and edit your film with 10920 Lindbrook Dr. c & receive internship credit. guidance from the instructor. Dailies are reviewed and Monique Sorgen, writer and director who has been critiqued in class. Running time with credits must not hired to write both scripted and unscripted television exceed 15 minutes. and film for independent productions, as well as major Prerequisite(s): Enrollment is restricted to Directing studios and networks, local and foreign. Ms. Sorgen has For More Information Certificate students who have successfully completed also directed short films and music videos that have (310) 825-9064 | entertainment.uclaextension.edu/student-information/internships X 476.23 Developing Your Short Film. Students with been picked up for distribution. prior short film experience can enroll by consent of instructor, space permitting, and must submit a pro- FILM TV X 476.22 FILM TV X 475.44 Reg# 368915 posed script for the class. All students must complete Story Analysis for Film and Television Directing Actors for the Screen Fee: $699 an application for approval to enroll. No refund after 17 July. 4.0 units 4.0 units Reg# 367859 ❖❖ Classroom Designed for aspiring readers, development executives, If directors are the architects of film, then actors are Fee: $999 10 mtgs producers, and storytellers, this course offers a prag- the artisans of a collaborative team working together to No refund after 8 July. Thursday, 7-10pm, June 27-Sept. 5 matic, comprehensive overview of story analysis and realize a singular vision. Through discussions, exercises, FF Hybrid UCLA: School of Public Affairs Bldg. the tools used by the professional reader. Throughout casting sessions, and the presentation of scenes, you c 11 mtgs the course, you learn and practice coverage skills while analyze and apply the directorial skills required for a Jim Milio June 25-Sept. 8 gaining an understanding of the elements of story. successful artistic collaboration with performers. You Tuesday, 7-10pm, June 25-Sept. 3 Topics include various types of coverage, how to com- select one dramatic and one comic scene, then cast, FILM TV X 476.39 UCLA: Royce Hall pose story notes, comparative coverage, character rehearse, and present the scenes in class. Topics Making Your First Short Film Students must have access to a video camera and breakdowns, treatments, and outlines. Through weekly include analyzing the script, the Method approach to 4.0 units editing equipment. assignments, you are required to practice reading and acting, defining objectives, creating dramatic conflict, Always wanted to make your own short film and This course includes both online sessions and class- writing for several formats and to deadline. In addition, and the elements of characterization. Actors for class thought you had no experience and no money? In this room meetings. Refer to course syllabus for online the current job market and the various expectations of scenes are selected during in-class auditions and final class for aspiring directors, writers, and producers, you session details. studios and independent producers are discussed. Upon scenes are performed on camera. use your own camera to learn how to write, produce, Discounts cannot be applied to a portion of fees for completion of the course, you will have written at least Reg# 367933 direct, and edit a three-to-five-minute short film. this course. two pieces of full coverage that can be used as part of Emphasis is placed on maximizing the on-screen value Fee: $699 Enrollment limited; early enrollment advised. c a professional portfolio or for auditioning for a job as a No refund after 12 July. of the project using available resources. The first part Fernando Scarpa, award-winning director. He has reader or an assistant. ❖❖ Classroom of the class is devoted to the pre-production process, directed for the national Italian Television RaiUno and Prerequisite(s): Strong English composition skills. highlighting the role of the story, and provides an 10 mtgs the German ZDF and SAT1. Alongside work in docu- Reg# 368216 Saturday, 10am-1pm, June 29-Aug. 17; Sept. 7 overview of affordable shooting equipment and editing mentaries and film, he is developing projects based on technologies. You then develop and write your project, Fee: $699 UCLA Extension 1010 Westwood: his award-winning short, Doradus, his play Galileo No refund after 8 July. which is filmed outside of class. Instruction includes a 1010 Westwood Blvd. 1610, and a feature The Book of Ronnie. ❖❖ Classroom primer on the fundamentals of shooting and directing Saturday, 10am-5pm, Aug. 24 11 mtgs actors, as well as the basics of editing and outputting UCLA Extension 1010 Westwood: Tuesday, 7-10pm, June 25-Sept. 3 assignments. The completed films are screened and 1010 Westwood Blvd. Entertainment Development UCLA: School of Public Affairs Bldg. No meeting Aug. 31. discussed during the last class. c Prerequisite(s): Students must have access to a digital France-Luce Benson, Award-winning playwright and Enrollment limited; early enrollment advised. & FILM TV X 476.243 c video camera and editing equipment and software. screenwriter. Ms. Benson’s feature screenplay, Heal- David Martin-Porras, director and writer whose credits Developing Your Short Film ing Roots won the Alfred P. Sloan Foundation award, include the shorts Inside the Box, which was nominated Reg# 367858 4.0 units and Caroline’s Wedding won the Zoetrope Grand for a Goya Award, La Viuda (The Widow), for which Fee: $699 Learn the development process as it relates to short Prize. Her award-winning plays have premiered in he won the DGA Student Film Award, and Ida y No refund after 7 July. films with the focus on developing a short film treat- prestigious New York theaters and were published in ❖ Vuelta (Round Trip), which was a finalist for a Student ❖ Classroom ment, first draft, and second draft. You gain an under- multiple anthologies. Academy Award. 10 mtgs standing of the basics of story structure and how the Monday, 6:30-10pm, June 24-Aug. 26 Reg# 368325 specific storytelling elements: theme, plot, characters, Fee: $699 FILM TV X 478.432 UCLA Extension 1010 Westwood: and dialogue, work in synergy toward the goal of an 1010 Westwood Blvd. No refund after 29 June. Direct and Produce Reality and effective short story. Topics include character develop- mmOnline Documentary Television Students must have access to a camera and ment, creating realistic dialogue, discovering what you editing equipment. June 25-Sept. 3 4.0 units c are driven to say through you story’s theme, and plan- Enrollment limited. & Discover what it takes to be an effective producer and Arkesh Ajay, award-winning director, producer, writer c ning the scenes with a limited budget in mind. Lectures Brooks Elms, writer and director who has written 20 director in the flourishing genre of unscripted television and editor of numerous short films and theater produc- and exercises illustrated with film clips and readings scripts for companies such as Base FX and Broken and gain insights in the process of creating a valid tions. Mr. Ajay’s recent awards include the Hollywood emphasize the role of story, creating original characters Road, and recently sold a thriller entitled Snowfall to series concept that can sell. Through lectures, discus- Foreign Press Award for Artistic Merit and Alfred P. Sloan and developing plot points for different genres of films. Gold Circle, Benderspink, and Evan Astrowski. sion with industry guests, and analysis of landmark Screenwriting Award for a feature film screenplay. You submit your work-in-progress throughout the shows, this course navigates the cluttered landscape quarter for evaluation and feedback by the instructor of non-fiction broadcast and cable television, and and the class. At the end of the course you will have focuses on how to succeed as a strong producer and honed your idea and will have a final short script or director. You develop an idea from scratch and learn treatment ready for shooting. how to complete a total package that is ready to be pitched to a TV network and/or a streaming service. kkk Topics include developing your idea, pitching, getting the job, prepping the shoot, directing/producing on location, interview techniques, what to do once it’s in the can, tech talk, post-production tips, the life of a director/producer in the field, and looking ahead to the future of the genre. kkk Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 91

FILM TV X 476.244 FILM TV X 479.482 Story Development Workshop: Television Development: Crafting Your Original Story From Idea to Small Screen 4.0 units 4.0 units Producers, development executives, directors, and In today’s ever-evolving TV business and market, figur- writers gain practical experience adapting and develop- ing out how and where to sell your “product” can be ing their own stories for motion pictures, movies-of-the- confusing. Once you’ve settled on an idea, then what week, and miniseries. Emphasis is placed on studying are the next steps? How do TV shows get “on the air?” dramatic structure, learning techniques that strengthen Producers, development executives, directors, and character development, and understanding the impor- writers will benefit from learning all about the develop- tance of collaboration with writers. You are called upon ment process for TV series, limited series, and movies- to write development notes; compile directors/writers of-the-week. Course topics include how to give notes; lists; and learn the difference between beat sheets, step how to create writer lists; how attachments such as outlines, and story outlines. You also learn how to showrunners, producers, talent, and directors affect assess the marketplace by determining what network your project; how to assess the TV marketplace by and studio executives are looking for, as well as the determining which networks/outlets are right for which best way to quickly and effectively pitch an idea. You projects; what you should include in your sizzle reel; Producing Certificate are welcome to submit written works in progress for and finally how to effectively pitch your idea. The course in-class critiques. At the end of the course, you have goal is to equip you with the knowledge necessary to honed your storytelling craft by writing original treat- successfully go from an idea for a TV series to getting ments based on your story outline developed in class. it sold. At the end of the course you have the opportu- Looking to pursue a certificate in Producing? Taught by Hollywood professionals, Prerequisite(s): Good written communication skills. nity to pitch your shows to industry guests. the Producing Certificate gives participants an insider view of the “real world” Previous training in story analysis is recommended but Reg# 368283 aspects of producing, providing the essential skills and knowledge needed for not required. Fee: $699 Reg# 368068 No refund after 10 July. both creative and physical producing. The curriculum emphasizes the role of Fee: $699 ❖❖ Classroom story as well as principles of financing, marketing, and distribution. No refund after 9 July. 11 mtgs ❖❖ Classroom Thursday, 7-10pm, June 27-Sept. 5 Get started this summer with these MGMT X 403.61 Marketing 11 mtgs UCLA: School of Public Affairs Bldg. Wednesday, 6:30-10pm, June 26-Aug. 28 Saturday, 2-5pm, Aug. 17 recommended courses. and Distributing Independent Films UCLA Extension Lindbrook Center: UCLA: School of Public Affairs Bldg. c & Across All Platforms 10920 Lindbrook Dr. FILM TV X 404 Pre-Production and Stephanie Varella, independent producer and former Production for Film and Television Learn how to find domestic and overseas Enrollment limited; early enrollment advised. c VP of Jerry Bruckheimer TV, who has worked on shows Scott Agostoni, SVP of Development & Production and such as CSI, Without a Trace, Cold Case, Charmed, and This survey course presents an overview distribution for theatrical, television, in-house consultant at Dick Cook Studios. Scott also Seventh Heaven. She has developed shows with all the of the real-world aspects of producing as DVD, and alternative markets by gaining runs his own management and consulting practice. major studios and broadcast and cable networks, as practiced in the various sectors of filmed knowledge on how to craft a distribution Previously, Mr. Agostoni was a Motion Picture & TV well as the newer-streaming outlets. strategy from the earliest stages of Literary/Graphic Novel agent with WME and Non- entertainment, from script development scripted & Alternative TV agent with WMA. through pre-production and production. project development. Reg# 368275 Producing Page 92. Fee: $699 Page 91. No refund after 30 June. FILM TV X 404 FILM TV X 478.13A The Art You do not need to be enrolled in a mmOnline Pre-Production and Production for certificate to take a course. June 26-Sept. 4 Film and Television of Line Producing Enrollment limited; early enrollment advised. c & 4.0 units Gain an understanding of the boots-on- Peter Russell, story analyst, Imagine Films Entertain- This survey course presents an overview of the real- the-ground work of physical production ment, CBS, Anschutz Film Group (AFG and Walden world aspects of producing as practiced in the various Films), and Participant Productions; theater director sectors of filmed entertainment from script development through the various tasks of a line whose credits include New York’s Public Theater through pre-production and production. Topics include producer such as creating a budget, (Shakespeare in the Park). Mr. Russell is a recipient of the producer’s interface with the writer, director, and location scouting, hiring crew, the Nick Adams Short Story Award. other key personnel; pitching and selling ideas; script and everything in between. breakdown and scheduling; budgeting; and all the FILM TV X 476.242 critical on-the-set issues facing the producer. Page 91. Understanding Genre: Reg# 367908 How to Develop a Hollywood Classic Fee: $699 4.0 units No refund after 28 June. For More Information Producers, executives, writers, and filmmakers focus mmOnline (310) 825-9064 | entertainment.uclaextension.edu/certificates/producing on story components that make for a good movie. June 24-Sept. 8 Learn to identify the specific characteristics that define Enrollment limited; early enrollment advised. c & various film genres and how style, form, content, Amotz Zakai, vice president, Echo Lake Productions. FILM TV X 478.13A FILM TV X 476.6 mood, camera work, lighting, and pacing work together Mr. Zakai has worked on such projects as Tsotsi (Oscar The Art of Line Producing Low-Budget Filmmaking to fulfill expectations and deliver a satisfying cinematic winner, 2006), Water (Oscar nominated, 2007), Away 4.0 units 4.0 units experience. Each week, through lecture, discussion, from Her, and Thirteen Conversations About One Thing. This comprehensive, step-by-step overview of physical In this detailed exploration of low-budget filmmaking, and film clips examining its visual language and its Reg# 368360 production processes covers the tangible and intangible learn techniques and theories examining all phases of evolution over time, you break down and analyze one Fee: $699 aspects of line producing, including budget; breakdown the process from development to production to post- of the genres on which Hollywood thrives: action, No refund after 17 July. and scheduling; hiring and working with cast, director, production. The focus is on translating a minimum drama, comedy and romantic comedy, fantasy and ❖❖ Classroom staff, crew, and outside vendors; choosing locations; budget into maximum quality on screen. Topics include science fiction, the mystery-thriller, and horror. Instruc- 11 mtgs equipment and music; how to deal with divergent the script, financing the production, evaluating the tion also covers an examination of each genre’s target Thursday, 7-10pm, June 27-Sept. 5 personalities and specific problem solving during pro- marketplace, analyzing and breaking down the screen- audience and provides you with a common language UCLA: Dodd Hall duction; and the differences between producing a play, learning to apply creativity to a budgetary plan to with which to articulate and sell your ideas in the Saturday, 10am-1pm, July 27 movie independently versus with a studio. This is not maximize on-screen value, casting, selecting key pro- development process. UCLA: Dodd Hall an introduction to production course. duction personnel, production design, music, editing, Reg# 368281 No meeting July 4. & Prerequisite(s): A basic knowledge of film production sound design, marketing, and distribution. Throughout c and Movie Magic Budgeting and Scheduling software the class, you are able to apply concepts learned to Fee: $699 Bridget Terry, award-winning producer and writer are highly recommended. your own projects. No refund after 9 July. whose credits include Showtime film They, PBS docu- ❖❖ Classroom mentary The Kennedys: America’s Emerald Kings, and Reg# 368155 Reg# 368196 11 mtgs projects for Netflix and NBC-Universal. Ms. Terry for- Fee: $699 Fee: $699 Wednesday, 7-10pm, June 26-Sept. 4 merly served as a showrunner at Showtime and is No refund after 9 July. No refund after 8 July. UCLA: Royce Hall c currently the owner of Chaise Lounge Productions. ❖❖ Classroom ❖❖ Classroom Instructor to be announced 11 mtgs 11 mtgs Wednesday, 7-10pm, June 26-Sept. 4 Tuesday, 7-10pm, June 25-Sept. 3 UCLA: Dodd Hall c UCLA: Dodd Hall c Instructor to be announced Lydia Cedrone, who has over 20 years of experience in the entertainment industry; Ms. Cedrone has man- aged feature film financing at the Walt Disney Company, oversaw production at Michael Mann’s Forward Pass Inc. and produced her own films independently. 92 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

Reg# 368451 FILM TV X 477.84 Fee: $499 Post-Production Introduction to Adobe Premiere Screenwriting No refund after 30 June. 4.0 units mmOnline FILM TV X 404A Adobe Premiere Pro is used by professionals across the Courses June 26-July 31 Post-Production for Film spectrum of filmed entertainment, including feature Students enrolled in this section are eligible to and Television films, music videos, and documentaries. You learn how purchase Movie Magic Budgeting 7 at a discount. 4.0 units The UCLA Extension Writers’ Program to use this powerful program, from simple editing Enrollment limited; early enrollment advised. c & Emphasizing how new technologies continue to impact techniques to more complex compositing, layering, offers more than 200 screenwriting Elia Urquiza, who has written, shot, and edited many post-production, this course examines the post-produc- tilting, motion graphics, and sound design. Instruction courses annually—onsite and online— films, often at the crossroads of documentary and fic- tion process for film and television. Topics include includes illustrated lectures, demonstrations, discus- as well as certificates in Feature Film tion. As a producer, Ms. Urquiza has worked on a picture and sound editing processes; non-linear editing sion, and class projects. Topics include starting a number of commercial, fiction, and non-fiction projects. of single and multi-camera programs; special visual project, organization and subclipping, timeline and basic Writing, Television Writing, and Film/ Her recent documentary, Next, has been screened at effects; the impact of sound—from music scoring to editing tools, editing audio, video effects, color correc- TV Comprehensive; specializations in festivals around the world. effects design; budgeting, scheduling, and deliveries; tion and grading, titles and motion, exporting, and Television Writers Fellowship Prep and high-definition television and its impact on both posting online. and Writing and Directing Short MGMT X 403.61 feature and television post-production. Includes guest Prerequisite(s): You are required to have a working, Marketing and Distributing speakers and field trips to post-production facilities. current copy of Adobe Premiere Pro CC, as well as have Films; Pro-Series in Feature Film Independent Films Across Reg# 367869 video and audio files ready for use while learning Adobe and Television Pilot Writing; script All Platforms Fee: $699 Premiere Pro. consultations; mentorships; and 4.0 units No refund after 28 June. Reg# 367892 3 screenwriting competitions. What are the considerations involved in financing, mmOnline Fee: $699 packaging, selling, or acquiring a financially viable film? June 24-Sept. 8 c No refund after 28 June. This quarter’s screenwriting courses Producers, filmmakers, and screenwriters learn what Robert Scheid, Apple-certified Final Cut Pro, Motion, mmOnline begin on page 144. makes a project attractive to potential buyers, study a and DVD Studio Pro instructor; television producer; film June 24-Sept. 8 variety of deal structures, and learn how to find domestic and television editor and colorist. Enrollment limited; early enrollment advised. c & For more information­ call and overseas distribution for theatrical, television, DVD, Reg# 368354 James Biddle, award winning filmmaker and editor. Jeff Bonnett­ at (310) 206-1542. and alternative markets. You gain knowledge on how to Fee: $699 Mr. Biddle is a certified professional instructor of Avid craft a distribution strategy from the earliest stages of No refund after 17 July. Media Composer, Adobe Premiere, and Final Cut Pro X. project development. Topics include choosing materials, ❖❖ Classroom He is a senior lecturer at Grady College, University of budget, and casting; selling the film through festivals 10 mtgs Georgia and runs the Grady College Authorized Training FILM TV X 478.733 and markets; key buyers; evolving distribution outlets, Center for Avid Media Composer and Adobe Premiere. Producing Documentaries Thursday, 7-10pm, June 27-Sept. 5 such as Internet and cell phones; the roles of producer, UCLA: La Kretz Hall 4.0 units marketing and sales executives, and executive produc- No meeting July 4. FILM TV UL 700 Learn about the opportunities available to the indepen- ers; and an overview of film financing models. c Free Networking Opportunities dent documentary producer in this overview of the entire Tyler Danna, filmmaker who has edited and produced Reg# 368320 documentary production process, from idea through content for Sony Pictures, Fox, Disney, Universal, Fre- for Entertainment Studies Fee: $699 distribution. Emphasis is placed on today’s market—for mantle, Riot Games, Verizon, and more. He offers Certificate Students No refund after 30 June. both television and theatrical one-to-two-hour pro- training in editing software: Avid, Premiere, and Final Does your project need a director, cinematographer, mmOnline grams—through screening and discussing examples of Cut Pro. He has also written pilots and feature screen- screenwriter, actor, producer, composer, or other crew June 26-Sept. 8 documentary genres. Lectures emphasize story, struc- c & plays for production companies. member? Would you like to meet other like-minded ture, and style and address related budgetary, financial, Kevin Mardesich, former head of the story department students who have the same business or career goals and technical aspects of television documentaries. Each at Oliver Stone’s development company, Ixtlan. He cur- FILM TV X 479.613 as you? This is the perfect opportunity to meet your participant conceives and drafts a written synopsis for rently runs KevinMardesich.com, a communications The Art and Craft of Film Editing fellow certificate students and make important connec- a one-hour television documentary with the option to practice specializing in written communications for film, 4.0 units tions. Attend our free networking events or collaborate independently produce a presentation video. Specialists television, and industry leaders. Editing is storytelling. Throughout the process, from first with fellow students online! with expertise in archival footage, interview techniques, assembly to final delivery, editors are responsible for Prerequisite(s): Enrollment is restricted to certificate location shooting, editing, and other areas are invited as FILM TV X 408 fulfilling the film’s potential through a full command of students and alumni in the following programs: Entertain- guest lecturers, subject to availability. Building an Online Audience craft, as well as an aesthetic understanding of story, ment Studies, Acting, Cinematography, Directing, Film 4.0 units character, and rhythm. By examining different editing and TV Development, Independent Producing, Producing, Reg# 368284 In the Internet age, uploading your work to YouTube or styles, this course covers the elements of storytelling, Business & Management of Entertainment, Film Scoring, Fee: $699 Vimeo is imperative, and successful producers/directors/ performance, pace, emotion, action, continuity, and time Independent Music Production, Music Business, Screen- No refund after 7 July. actors can now demonstrate a growing online audience. manipulation. Instruction includes lectures, discussion, writing: Film and TV Comprehensive, Feature Film Writ- ❖❖ Classroom This course shows you how to create a public face and and viewing exercises. You also learn to select the most ing, Television Writing, and the Editing series. 11 mtgs promotional platform for your creative content. Using appropriate editing systems and technology by evaluat- Monday, 7-10pm, June 24-Aug. 26 Reg# 368613 relevant video platforms, social media, and available ing the limitations of budgets and time. UCLA Extension DTLA: 261 S. Figueroa St. Fee: $0 website creation tools, learn to present and promote your Saturday, 2-5pm, July 27 Reg# 367877 No refund after 21 June. body of work. Instruction emphasizes group discussion m UCLA Extension DTLA: Fee: $699 mInformation Session and interaction as you are encouraged to use each 261 S. Figueroa St. & No refund after 28 June. 1 mtg c other’s sites and platforms in various assignments. Topics mmOnline Friday, 5-7pm, June 28 Priscilla Gonzalez Sainz, Priscilla Gonzalez Sainz , an include identifying different audiences; basic video and experienced director, producer and editor. Ms. Gonzalez June 24-Sept. 8 UCLA Extension Gayley Center: audio production; mastering available video and audio; 1145 Gayley Ave. has worked as an independent film producer – Enrollment limited; early enrollment advised. c & review of social media branding sites; creating an indi- Robert Scheid, Apple-certified Final Cut Pro, Motion, Enroll to participate in any of the following FREE primarily in documentaries – and also worked vidual brand and brand messages; understanding design in television distribution. She has also been a film and DVD Studio Pro instructor; television producer; film Entertainment Studies Networking Opportunities for as it relates to presentation; audience building tools, such and television editor and colorist. the Summer 2019 Quarter: curator and strategist for independent film financing as fan pages, tweet marketing, cross-commenting strate- and distribution. Summer Networking Event—Friday, June 28, gies and “response-to” uploading; responding to audi- 5-7pm ence; and professional interaction. The course goal is to FILM TV X 479.088 Featuring Round Table Networking, a fun, face-to-face create an individual presentation plan, across chosen activity where you will have the opportunity to con- Movie Magic Budgeting platforms that is critiqued by your peers. nect with students in various certificate programs. 2.0 units Reg# 368344 After the round table networking activity, students will For production managers, producers, corporate finance Fee: $699 be able to mingle and continue building on connec- personnel, and production accounting professionals, No refund after 3 July. tions made during the round table networking activity. this course provides you with a practical understanding FF Hybrid Online Networking—June 25-Sept. 8 of the budgeting process, including how to use Movie 2 mtgs Connect with fellow students all quarter long via Magic Budgeting, a budgeting software application. You Classroom meetings Canvas (the UCLA Extension online learning platform) prepare a movie-of-the-week budget based on informa- Saturday, 10am-5pm, June 29 by participating in online discussions and posting the tion that typically would be available during pre-produc- Saturday, 10am-1pm, Sept. 7 positions that you need filled for your projects! tion, including a script, day-out-of-days, one line UCLA Extension DTLA: 261 S. Figueroa St. schedule, shooting schedule, departmental budgets, Uninstructed Lab Online sessions and other hypothetical parameters. This is not an June 30-Sept. 6 introduction to production course. This course includes both online sessions and class- Prerequisite(s): Students must purchase Movie Magic room meetings. Refer to course syllabus for online Budgeting 7. A discount code will be provided to session details. Attendance at the first meeting is enrolled students after the start of class. mandatory. kkk Enrollment limited; early enrollment advised. c Robert Scheid, Apple-certified Final Cut Pro, Motion, and DVD Studio Pro instructor; television producer; film and television editor and colorist. Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 93

MUSC X 403.51 Music The Art of Counterpoint 4.0 units Film Scoring Certificate For more information call (310) 825-9064, email The study of counterpoint has been the foundation of [email protected], or visit training for performing musicians and composers for entertainment.uclaextension.edu. centuries. This course is designed for all those who Endorsed by the Society of Composers & Lyricists wish to develop a foundation in the craft of composition regardless of stylistic concerns. By studying the prin- Film Scoring ciples of voice leading, the treatment of dissonances, intervallic and harmonic organization, and melodic MUSC X 483.43 structures—all in a polyphonic texture—the aspiring Instrumentation and Introduction composer and performer not only gains an important to Orchestration skill, but also develops musicianship, as the exercises 4.0 units in writing counterpoint provide an excellent vehicle for Explore why musical instruments sound as they do, how furthering the development of aural perception. their sound is produced, and the rudiments of combin- Prerequisite(s): Ability to read music. ing those sounds together. Learn the characteristics and Reg# 367842 basic idiomatic scoring techniques for each orchestral Fee: $699 instrument family (strings, woodwinds, brass, and No refund after 12 July. percussion), as well as approaches of writing for differ- ❖❖ Classroom ent ensembles. Coursework also includes a review of 11 mtgs music fundamentals and how to read and study an Saturday, 1:30-4:30pm, June 29-Sept. 7 orchestral score. Apply your knowledge by composing UCLA Extension Lindbrook Center: three short pieces to be played in class. 10920 Lindbrook Dr. Prerequisite(s): The ability to read music, knowledge Enrollment limited; early enrollment advised. c & of music notation, and an understanding of the fun- Steve Rothstein, PhD, composer of numerous orches- damentals of music theory. Basic working knowledge tral, choral, and chamber works Under the direction of talented industry professionals, learn the essential creative, of a music notation program such as Sibelius is business and technical skills needed for a succesful career in film scoring. Compose your highly recommended as students are required to MUSC X 483.3 own scores for film, TV, and video games, both electronically and using professional produce and print music scores and instrumental Score like the Masters: union musicians. parts for their assignments. Additionally, it is recom- Contemporary Techniques mended to have any professional quality computer- 4.0 units Flexible evening and weekend scheduling allows for completion of the program in as based Digital Audio Workstation. Gain an understanding of and learn to emulate current little as 1 year. Reg# 367854 compositional techniques and their enhanced possibili- Fee: $1,299 ties of expression. Very often composers are asked to Students may begin the program in either the Summer or Winter quarters. No refund after 4 July. compose music “sounding like” that of the major ❖❖ Classroom composers today. Study recent film scores and their 10 mtgs harmonic, melodic, and textural language of such Sunday, 3-6:30pm, June 30-Sept. 8 composers as John Williams, Jerry Goldsmith, Alan Burbank: Local 47 Musicians Union, Silvestri, and Danny Elfman.You have the opportunity to 3220 Winona Ave apply these techniques by composing short pieces For More Information No meeting Sept. 1. using your own DAW MIDI setup. Enrollment limited; early enrollment advised. Visitors Prerequisite(s): Access to and proficiency in using a (310) 825-9064 | entertainment.uclaextension.edu/certificates/film-scoring not permitted. c & home studio with sequencing software, as samples are Discounts cannot be applied to a portion of fees for required for completion of assignments. The course Reg# 367926 MUSC X 482.3 this course. does not include instruction in any specific software. Fee: $1,999 Bringing the Power of Music to Film: Instructor to be announced Participants must already have adequate knowledge No refund after 10 July. A Film Scoring Seminar and resources to MIDI program short compositions and ❖❖ Classroom deliver these electronically. 4.0 units MUSC X 403.52 11 mtgs This seminar is for film composers, filmmakers, and Harmony I: Crash Course in Reg# 367856 Thursday, 7-10pm, June 27-Sept. 5 others interested in the subtle art of film scoring. It Composing for Tonal Music Fee: $699 UCLA Extension 1010 Westwood: examines the crucial contribution music makes to nar- 4.0 units No refund after 8 July. 1010 Westwood Blvd. rative and emotional expression in film. Lectures and The study of harmony has been the foundation of ❖❖ Classroom Sunday, 1:30-4:30pm, July 7 discussions, enhanced with film clips and recordings, composers for centuries. This intensive crash course 11 mtgs UCLA Extension 1010 Westwood: cover such topics as great film themes and how melo- not only serves as a complete review of diatonic har- Tuesday, 7-10pm, June 25-Sept. 3 1010 Westwood Blvd. dies work in films; musical style, fashion, and concept: mony, but also teaches you how to apply theoretical UCLA Extension 1010 Westwood: No meeting July 4. what’s in and what’s out; love and sex in film music: concepts to your own compositions. Instruction consists 1010 Westwood Blvd. Three recording sessions to be arranged. what’s hot and what’s not; horror, suspense, and how of three stages: establishing a strong foundation in Enrollment limited; early enrollment advised. c & Enrollment limited; early enrollment advised. Visitors to scare people with music; comedy, emotion, and what diatonic harmony, studying music scores of the great Instructor to be announced not permitted. c makes us laugh and cry; songs and singing in movies: masters who demonstrate these techniques, and creat- Discounts cannot be applied to a portion of fees for what the singer/songwriter can do; and a guest com- ing your own music compositions emulating what you MUSC X 483.1 this course. posers’ roundtable. have learned. Concepts covered include proper usage Film Scoring on a Budget Charles Fernandez, Emmy- and Annie-nominated Reg# 367847 of scales; functional chord progressions and how they 4.0 units composer who has worked for most of the major stu- Fee: $699 work; roman numeral analysis; how to create both Learn to compose an effective film score on a limited dios as a composer on such animated series as Casper, No refund after 9 July. regional and true modulation; creating chord inversions; budget using both MIDI pre-records and live profes- 101 Dalmatians, Doug, Aladdin, Mermaid, and Robot ❖❖ Classroom cadence types; and proper notational practices dealing sional musicians. Topics include spotting: the practical Chicken, as well as many live and animated features. 10 mtgs with rhythm, meter, and score set-up. Scores studied and psychological considerations of music placement; Wednesday, 6:30-10pm, June 26-Aug. 21 include works by J.S. Bach, Mozart, Haydn, Beethoven, methods of synchronizing score to picture; and the UCLA Extension Lindbrook Center: Mendelssohn, and more. As you work on your own dramatic utilization of melody, harmony, rhythm, and 10920 Lindbrook Dr. compositions, utilizing many of the concepts learned, orchestral texture. You write three cues using MIDI that A field trip to a professional recording environment you receive guidance from the instructor and gain the will be enhanced with live recording sessions played by will be scheduled, date to be arranged. opportunity to build your portfolio. professional musicians. Enrollment limited; early enrollment advised. Prerequisite(s): The ability to read music, knowledge of Prerequisite(s): Knowledge of music notation and the- c Charles Bernstein, Emmy Award-winning composer music notation, and an understanding of the fundamen- ory, experience in music composition, MUSC X 449.91 whose music is featured in Quentin Tarantino’s Inglouri- tals of music theory. The Art and Craft of MIDI, and MUSC X 483.2 Advanced ous Basterds and Kill Bill, and who has scored A Reg# 367841 Orchestration: Applied Techniques for the Studio and Nightmare on Elm Street, Cujo, and The Entity. His Fee: $699 Scoring Stage, or consent of instructor. m ONLINE COURSE, page 5. television credits include Darwin’s Darkest Hour, Miss No refund after 12 July. kkk Ever’s Boys, and Drug Wars, among many others. ❖❖ Classroom g HYBRID COURSE, page 5. 11 mtgs Saturday, 9:30am-12:30pm, June 29-Sept. 7 WEB-ENHANCED COURSE, page 5. UCLA Extension Lindbrook Center: c 10920 Lindbrook Dr. v ON-GROUND COURSE, page 5. Enrollment limited; early enrollment advised. c & Steve Rothstein, PhD, composer of numerous orches- & TEXTBOOK REQUIRED tral, choral, and chamber works C UC CREDIT, page 6. 94 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

music, copyrights, and merchandising in a global music Music Business market. Discussions on current events relating to the ever-changing tides of the music industry, including the MUSC X 446.2 ongoing legislative developments in Washington, D.C. A&R: Making Music from affecting copyright reform and their impact on the Acquisition to Release future of the business are also woven into lectures 4.0 units throughout the course. A definitive analysis of the functions of the A&R profes- Reg# 367931 sional, this course stresses the collective effort needed Fee: $699 from all departments—artist and label—in the creation No refund after 12 July. of recorded music in all formats, from creation to ❖❖ Classroom acquisition and release. Topics include new artist 11 mtgs acquisition; record deals; the role of the producer; Thursday, 7-10pm, June 27-Sept. 5 working with personal managers and booking agents; UCLA Extension Gayley Center: the role of social media from the artist and executive 1145 Gayley Ave. perspectives; A&R and sync strategies; independent Saturday, 10am-1pm, July 13 touring; the current local music scene; specific A&R UCLA Extension Gayley Center: Music Business Certificate approaches for urban music, EDM, singer/songwriter, 1145 Gayley Ave. alternative, and indie music; how to attract interest from No meeting July 4. c & major and independent labels without compromising Kia Kamran, attorney who represents a variety of cli- Summer is the perfect time to begin pursuing a Music Business Certificate! artistic integrity; paths to A&R career positions; and ents in music and entertainment. He also serves as an This program is for aspiring and established artists, producers, managers, analysis of how recently signed artists got their first executive board member of the Beverly Hills Bar contracts. Guest speakers include recording artists, Association’s Entertainment Law Section. Formerly, Mr. songwriters, and publishers on the principles of the music industry in the areas producers, managers, record company executives, and Kamran was an agent at Variety International. of A&R, touring, marketing, legal issues, publishing, and artist management. A&R personnel. Reg# 367889 Don’t know where to begin? We recommend getting started with the Fee: $699 Music Production following courses. No refund after 7 July. ❖❖ Classroom MUSC X 480 MUSC X 446.2 A&R: Making Music MUSC X 448.6 The Record Production 11 mtgs Introduction to Logic Pro Monday, 7-10pm, June 24-Aug. 26 4.0 units from Acquisition to Release Process: Professional Practices UCLA: Dodd Hall Logic Pro is a professional music production program Learn the functions of the A&R professional, An overview of the role of the record Saturday, 10am-1pm, Aug. 10 that combines composition, notation, and audio produc- UCLA: Dodd Hall c tion facilities. Of interest to songwriters, composers, including the collective effort needed producer and his responsibility through Justin Paul, Artist and label developer, charting music audio producers, and audio engineers, this course from all departments—artist and label—in all the stages of making a record: pre- producer, recording artist, and co-founder at Underground introduces you to the primary features and basic user the creation of recorded music in all production, recording, overdubs, editing, Sol. He is also an international DJ performing at festivals interface of Logic Pro X. Using your own Mac, you walk formats, from inception to acquisition mixing, and mastering. and venues around the world. He recently became the through the process of creating an actual song, from Head of Audio & Music for Spafax Inflight Entertainment. recording, producing a Virtual Drum track, editing audio and release. Page 95. with Flex Time and Pitch, and recording/editing/arrang- Page 94. MUSC X 448.86 ing of MIDI sequences and Apple Loops to digital effects You do not need to be enrolled in a Touring, Tour Accounting, processing using virtual amps and pedals, Logic remote MUSC X 448.35 Legal and Practical certificate to take a course. and Merchandising on the iPad, automation, and mixing. This course pre- Aspects of the Music Business 4.0 units pares you for the Apple Certification exam. Discover the fundamental aspects of the concert touring Prerequisite(s): Basic computer skills and basic audio Discover how to monetize and maintain industry. This course guides students through the entire technology concepts. Students must have access to revenue in the music industry, no matter touring process from planning to settling live perfor- their own Mac computer with a minimum of 15 GB of what your role may be, by exploring mances. Participants gain an understanding of such free space, a power adapter, and Logic Pro X 10.4 copyrights, streaming services, social BMI proudly supports UCLA Extension different tour revenue streams as ticket sales, sponsor- and above (installed and fully updated); external hard certificates. ship income, and merchandising. Students also learn drive/audio interface/mic/midi keyboard are optional networks, the nature of talent/business how to maximize tour profits through effective marketing, but recommended. agreements, and much more. promotion, budgeting and monitoring. Instruction includes Reg# 367927 Page 94. lectures, industry guest speakers, and discussion. Fee: $699 Reg# 367923 No refund after 21 July. Fee: $699 FF Hybrid For More Information No refund after 9 July. 8 mtgs (310) 825-9064 | entertainment.uclaextension.edu/certificates/music-business ❖❖ Classroom July 8-Sept. 8 10 mtgs Monday, 6:30-10pm, July 8-Aug. 26 Wednesday, 6:30-10pm, June 26-Aug. 28 UCLA Extension 1010 Westwood: 1010 Westwood Blvd. MUSC X 483.12 Reg# 367887 UCLA: School of Public Affairs Bldg. c Writing and Scoring for Strings Fee: $1,999 Instructor to be announced This course includes both online sessions and 4.0 units No refund after 3 July. eclassroom meetings. Refer to course syllabus for This comprehensive workshop in writing music for the ❖❖ Classroom MUSC X 448.35 online session details. string family—violin, viola, cello, and double bass— 11 mtgs Legal and Practical Aspects of the Enrollment limited; early enrollment advised. c & takes a thorough look at the contemporary and histori- Saturday, 10am-1pm, June 29-Sept. 7 Music Business Maurizio OttO De Togni, composer for commercials cal use of the strings and their usage in both film and Burbank: Local 47 Musicians Union, 4.0 units and TV, music/sound editor and producer. Mr. De Togni concert music composition. The film composers studied 3220 Winona Ave Whether you are an artist, manager, lawyer, accountant, is an Apple Certified Master Trainer in Logic Pro and an include Bernard Herrmann, John Williams, Thomas Enrollment limited; early enrollment advised. Visitors music industry executive, producer, songwriter, music Avid Certified Pro Tools Expert instructor. His clients Newman, Michael Giacchino, and Jerry Goldsmith. The not permitted. c & publisher, or work for a digital service provider or other include Paramount Pictures, Maroon 5’s James Valen- concert composers include Johannes Brahms, Maurice Discounts cannot be applied to a portion of fees for digital media company, this course is essential to tine, and Jesse Carmichael. Ravel, Leonard Bernstein, Edward Elgar, Igor Stravinsky, this course. understanding the various ways in which rights are and John Adams. The course examines how film com- Instructor to be announced exploited and monetized and how revenue is generated MUSC X 479.12 position has utilized concert music for specific tech- in the music business. In addition, the critical topics of Introduction to Pro Tools niques as well as for inspiration. Many sessions feature building your artist’s brand as a business, along with 4.0 units one of the members of the string family, with top pro- the necessity of ancillary revenue streams outside of Ideal for those who have recently purchased Pro Tools fessionals from the L.A. recording studios demonstrat- music and the cutting edge deals dealt with in the digi- and have been working with the system for less than ing their respective instruments and playing student tal space are all covered. Also examined are arrange- one year. Learn the foundational skills and working compositions. The final project is the writing and sub- ments between record companies and artists; knowledge needed to perform basic Pro Tools opera- sequent recording of a work for string quintet. production deals, producer agreements and other legal tions, and begin your own projects or interface with Prerequisite(s): The ability to read music, knowledge of and business issues that arise in the recording studio; others using Pro Tools. Topics include system capabili- music notation, and an understanding of the fundamen- trademark and rights of publicity; agreements relating ties, navigation and display basics, understanding the tals of music theory. to the artist’s team of advisors; topics and agreements edit and mix windows, making your first audio record- ing, making selections and playing audio, using the kkk relating to music publishing rights; monetizing and understanding the differences between subscription editing modes and tools, importing audio and working and ad-supported services, as well as other digital with video files, using fades, managing audio clips, media opportunities; and fans, brands, social network- elastic audio, basic mixing concepts, introduction to ing sites, and cultural communities as they affect Real Time plug-ins, and an introduction to MIDI within Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 95

Pro Tools. This course prepares you for the AVID certi- Tina Turner, The Cure, Wet Wet Wet, Roxette, Kiss, Rush, fied Pro Tools 101 exam. Beck, Nikka Costa/Lenny Kravitz, John Cale, and Prerequisite(s): Basic computer skills and basic audio many more. technology concepts. Students must have access to their own Mac or PC laptop with a minimum of 15 GB MUSC X 401.5 of free space, a power adapter, and Pro Tools 12 or Elements of Hit Songwriting 2018 (installed and fully updated); external hard drive/ 4.0 units audio interface/mic/midi keyboard are optional but Designed for both musicians and lyricists, this hands-on recommended. introduction to the craft of songwriting focuses on col- Reg# 367853 laboration and teaches a step-by-step method for Fee: $699 writing a professional-quality song. Instruction empha- No refund after 12 July. sizes the elements that make up a successful song and mmOnline the completion of a demo in preparation for a market- July 8-Sept. 15 able product. You gain an understanding of all aspects of hit songwriting from structure to groove, covering the Enrollment limited; early enrollment advised. c & Maurizio OttO De Togni, composer for commercials different approaches for writing rock, pop, alternative, and TV, music/sound editor and producer. Mr. De Togni blues, R&B, hip-hop, and country. You practice creating is an Apple Certified Master Trainer in Logic Pro and an and developing a hook, learn where to place it, how to Avid Certified Pro Tools Expert instructor. His clients set it up, and how to exploit it within different types of include Paramount Pictures, Maroon 5’s James Valen- song structure. Discussion includes a wide variety of tine, and Jesse Carmichael. guests from the industry, such as A&R/record compa- nies, music supervisors, record producers, and film and MUSC X 441.3 television executives. Audio Recording Theory Reg# 367844 Music Certificates 4.0 units Fee: $699 Specifically tailored to independent artists, this course No refund after 8 July. presents a practical and effective introduction to the ❖❖ Classroom theory, art, and craft of sound recording. Instruction 11 mtgs covers the basics of audio, acoustics, and electronics, Tuesday, 7-10pm, June 25-Sept. 3 & Specializations as well as the theory and operation of the most com- Burbank: Burbank Music Academy, monly used signal processors, audio consoles, monitor 4107 W. Burbank Blvd loudspeakers, and microphones, and their application Enrollment limited; early enrollment advised. c Jump-Start Your Career in Music to the digital audio workstation production process. Arlene Matza-Jackson, songwriter, producer, indepen- Reg# 367846 dent A&R, publisher, and music supervisor who has Interested in a career in music business? Want to pursue film scoring or creating Fee: $699 co-written songs with Kenny Loggins, Maurice White, No refund after 28 June. and many more. She co-wrote two albums with the music independently? mmOnline Grammy-nominated Grand Illusion, songs for Earth, June 24-Sept. 8 Wind & Fire, and many song placements in TV & Film. Enroll in one of our Music Certificates. Enrollment limited; early enrollment advised. c Michael Blum, award-winning producer/music engi- MUSC X 451 Music Certificates neer. Mr. Blum engineered several LPs for Madonna and Entrepreneurship for the Indie Artist worked with such artists as Pink Floyd, Bryan Ferry, and 4.0 units BMI proudly supports UCLA Extension certificates. Kenny Loggins. He produced platinum artist Anastacia Record-low album sales, industry lay-offs, and ever- in his own Titan Recording Studio, and discovered, evolving changes in technology can be disheartening recorded, and produced Kelly Clarkson. for the aspiring artist looking to break into the business, but nothing could be further from the truth! There’s MUSC X 448.6 never been a better time to be a do-it-yourself artist, Music Business The Record Production Process: and this course gives you the tools to assess what you Learn the principles of the music industry in the areas of A&R, touring, marketing, legal Professional Practices can do yourself (and how), and when you should bring issues, publishing, and artist management. 4.0 units in the professionals. Many musicians record and market This course provides an overview of the role of the their own music, but only a handful actually monetize Independent Music Production record producer and his responsibility through all the those efforts. Learn the importance of establishing a stages of making a record: pre-production, recording, brand and how to harness the power of the Internet to Designed for independent artists, develop the creative skills to write, produce, and overdubs, editing, mixing, and mastering. Topics generate awareness and excitement around your music. record music in your home studio, along with the marketing and business skills to sell it. include how to use appropriate terminology to com- Topics include creating a business plan for yourself and municate effectively with the various members of the your brand, forming a marketing campaign, deciding on Film Scoring distribution options, optimizing sales through targeted production team, sharpening your listening skills so Endorsed by the Society of Composers & Lyricists, learn the essential you can incorporate specific elements into your own use of social media tracking tools, building a fan base production, producing for a specific artist’s genre of through gigging and merchandise, publishing and creative, business, and technical skills needed for a successful career music and how to get the best performance from the licensing, and the latest developments in promotion—all in film scoring from talented industry composers. artist, how producing a band is different from a solo on a shoestring budget. Instruction features guest artist, and how to budget for record production. You speakers who work in various facets of the industry to also learn arrangement techniques as well as key vocal bring real-world perspective to the topics. production techniques for main and background Reg# 367922 vocals. Discover the difference between producing a Fee: $699 Are you looking for a shorter program? mix and engineering a mix, as well as the different No refund after 8 July. style of mixes that are needed before going into the FF Hybrid Our new specialization in music supervision can be completed in as little as 2 quarters! mastering phase of a project. At the end of the course, 11 mtgs you will have gained musical, emotional, performance, Classroom meetings and arrangement techniques designed to make your Tuesday, 7-10pm, June 25-Sept. 3 Music Specializations music more compelling. UCLA: La Kretz Hall This course includes both online sessions and Music Supervision Reg# 367932 classroom meetings. Refer to course syllabus for Fee: $699 This 4-course specialization equips students with the skills needed to succeed as No refund after 17 July. online session details. c music supervisors. ❖❖ Classroom Robert Teegarden, former manager at Universal Music 11 mtgs Group, music business educator, and entrepreneur. Plus, enjoy maximum flexibility—start anytime, with no admissions requirements. Thursday, 7-10pm, June 27-Sept. 5 (Exceptions apply to the Film Scoring Certificate.) UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Take the next step toward the career you’ve always wanted! Saturday, 10am-1pm, Aug. 10 UCLA Extension 1010 Westwood: 1010 Westwood Blvd. No meeting July 4. Enrollment limited; early enrollment advised. c Adam Moseley, record producer, engineer, and mixer who started his career at the legendary Trident studios For More Information where he worked with Phil Ramone, Steve Lillywhite, (310) 825-9064 | entertainment.uclaextension.edu