Japan, 1868-1945: from Isolation to Occupation</Article-Title>
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Japan Between the Wars
JAPAN BETWEEN THE WARS The Meiji era was not followed by as neat and logical a periodi- zation. The Emperor Meiji (his era name was conflated with his person posthumously) symbolized the changes of his period so perfectly that at his death in July 1912 there was a clear sense that an era had come to an end. His successor, who was assigned the era name Taisho¯ (Great Righteousness), was never well, and demonstrated such embarrassing indications of mental illness that his son Hirohito succeeded him as regent in 1922 and re- mained in that office until his father’s death in 1926, when the era name was changed to Sho¯wa. The 1920s are often referred to as the “Taisho¯ period,” but the Taisho¯ emperor was in nominal charge only until 1922; he was unimportant in life and his death was irrelevant. Far better, then, to consider the quarter century between the Russo-Japanese War and the outbreak of the Manchurian Incident of 1931 as the next era of modern Japanese history. There is overlap at both ends, with Meiji and with the resur- gence of the military, but the years in question mark important developments in every aspect of Japanese life. They are also years of irony and paradox. Japan achieved success in joining the Great Powers and reached imperial status just as the territo- rial grabs that distinguished nineteenth-century imperialism came to an end, and its image changed with dramatic swiftness from that of newly founded empire to stubborn advocate of imperial privilege. Its military and naval might approached world standards just as those standards were about to change, and not long before the disaster of World War I produced revul- sion from armament and substituted enthusiasm for arms limi- tations. -
America's Withdrawal from Siberia and Japan-US Relations
The Japanese Journal of American Studies, No. 24 (2013) America’s Withdrawal from Siberia and Japan-US Relations Shusuke TAKAHARA* INTRODUCTION Japan-US relations after the Russo-Japanese War (1904–5) were gradually strained over the Open Door in Manchuria, the naval arms race in the Pacific, and Japanese immigration into the United States. After the Russo-Japanese War, Japan emerged as a regional power and proceeded to expand its interests in East Asia and the Pacific. The United States also emerged as an East Asian power in the late nineteenth century and turned its interest to having an Open Door in China and defending the Western Pacific. During World War I the relationship of the two countries deteriorated due to Japanese expansion into mainland China (Japan’s Twenty-One Demands on China in 1915). As the Lansing-Ishii agreement (1917) indicated, their joint war effort against Germany did little to diminish friction between Japan and the United States. After World War I, however, the Wilson administration began to shift its policy toward Copyright © 2013 Shusuke Takahara. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. *Associate Professor, Kyoto Sangyo University 87 88 SHUSUKE TAKAHARA Japan from maintaining the status-quo to warning against Japanese acts. Wilson hoped to curb Japanese expansion in East Asia and the Pacific without isolating it by cooperating in the establishment of a new Chinese consortium and a joint expedition to Siberia, as well as in founding the League of Nations. -
Art Projects in Japan a Society That Co-Creates with Art
An Overview of Art Projects in Japan A Society That Co-Creates with Art Written by Sumiko Kumakura and The Art Project Research Group Translated by Art Translators Collective Table of Contents Introduction 2 What are Art Projects?: History and Relationship to Local Areas 3 by Sumiko Kumakura and Yūichirō Nagatsu What are “Art Projects”? The Prehistory of Art Projects Regional Art Projects Column 1 An Overview of Large-Scale Art Festivals in Japan Case Studies from Japan’s Art Projects: Their History and Present State, 1990-2012 13 by The Art Project Research Group 1 Universities and Art Projects: Hands-On Learning and Hubs for Local Communities 2 Alternative Spaces and Art Projects: New Developments in Realizing Sustainable Support Systems 3 Museums and Art Projects: Community Projects Initiated by Museums 4 Urban Renewal and Art Projects: Building Social Capital 5 Art Project Staff: The Different Faces of Local Participants 6 Art Projects and Society: Social Inclusion and Art 7 Companies and Art Projects: Why Companies Support Art Projects 8 Artists and Art Projects: The Good and Bad of Large-Scale Art Festivals Held in Depopulated Regions 9 Trends After the 3.11 Earthquake: Art Projects Confronting Affected Areas of the Tōhoku Region Thinking about the Aesthetic and Social Value of Art Projects 28 by Sumiko Kumakura Departure from a Normative Definition of the Artwork Trends and Cultural Background of Art Project Research in Japan Local People as Evaluators of Art Projects Column 2 Case Studies of Co-Creative Projects 1: Jun Kitazawa’s -
1 Reexaminating TERAUCHI Masatake's Character
February 2019 Issue Reexaminating TERAUCHI Masatake's Character - As a “Statesman”- KANNO Naoki, Cheif, Military Archives, Center for Military History Introduction What comes to mind when you think of TERAUCHI Masatake (1852 - 1919)? For example, at the beginning of the Terauchi Cabinet (October 1616 - September 1918), it was ridiculed as being both anachronistic and a non-constitutional cabinet. Using NISHIHARA Kamezo, also known as Terauchi's private secretary, he provided funds of up to 110 million yen to the Duan Qirui government in northern China (the Nishihara Loans). The so-called Rice Riots broke out in his final year, and Siberian Intervention began. Terauchi was also called a protégé of YAMAGATA Aritomo, the leading authority on Army soldiers from former Choshu domain (Choshu-han). On the other hand, what about the succeeding Hara Cabinet (September 1918 - November 1921)? Exactly 100 years ago, HARA Takashi had already started the cabinet that consists of all political party members, except for the three Ministers of the Army, Navy, and Foreign Affairs. After the World War I, a full-on party politics was developed in Japan as global diplomatic trends drastically changed. Compared to Hara, Terauchi has not been evaluated. After Chinese-Japanese relations deteriorated following the Twenty-One Demands in 1915, the aforementioned Nishihara Loans, implemented for recovery, were over-extended to the only northern part of China, the Duan Qirui government only for a limited time. Then, ultimately, the Loans did not lead an improvement in relationships. Thus it can be said that, until recently, Terauchi's character has been almost entirely neglected by academia. -
Yalın Akçevin History of Modern Japan 1 Between Empire And
Yalın Akçevin History of Modern Japan Between Empire and Democracy: Japan’s Taishō Experience Beginning under the reign of the Taishō emperor, with the cabinet of the first commoner Prime Minister Hara Takashi in 1918, the Empire of Japan experienced a period of democratic and liberal ascendancy until 1932, when Prime Minister Inukai Tsuyoshi was assassinated on May 15 by young naval officers wherewith a definitive slide towards militarism took hold. Looking at the rise and fall of this section of the Taishō Democracy period, which lasted for fourteen years between 1918 and 1932, I would argue that the rise and decline of democracy and liberalism in Imperial Japan coincided with the fall and rise of an aggressive empire building campaign in Asia. Furthermore, despite being a “failure” in the practice of democracy and liberalism, the experience of the Taishō Democracy does not show that democracy and liberalism have been – and/or still are – incompatible with and are fundamentally alien to Japan. What the Japanese experience in this period rather shows is that democracy in this period rested on shaky grounds with a weak defense, which allowed it to be washed aside by more aggressive forces bent on imposing their will on Imperial Japan. Looking into the rise of democratic and liberal political trends in 1918, one thing that can be seen definitively is that these developments came at a time when the peacetime empire of Japan reached its greatest extent, the pursuit of empire calmed down, and equality with the West was thought to be achieved. Japan was a victorious Allied power and a party to the Paris Peace Conference that would follow in 1919, the empire stretched from Korea to “South Seas” in Micronesia, and there was a noticeable lack of immediate enemies to the empire with the West in alliance, Russia in turmoil, and China crippled as it had been for the past half century. -
Why an American Quaker Tutor for the Crown Prince? an Imperial Household's Strategy to Save Emperor Hirohito in Macarthur's
WHY AN AMERICAN QUAKER TUTOR FOR THE CROWN PRINCE? AN IMPERIAL HOUSEHOLD’S STRATEGY TO SAVE EMPEROR HIROHITO IN MACARTHUR’S JAPAN by Kaoru Hoshino B.A. in East Asian Studies, Wittenberg University, 2007 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Kaoru Hoshino It was defended on April 2, 2010 and approved by Richard J. Smethurst, PhD, UCIS Research Professor, Department of History Akiko Hashimoto, PhD, Associate Professor, Department of Sociology Clark Van Doren Chilson, PhD, Assistant Professor, Department of Religious Studies Thesis Director: Richard J. Smethurst, PhD, UCIS Research Professor, Department of History ii Copyright © by Kaoru Hoshino 2010 iii WHY AN AMERICAN QUAKER TUTOR FOR THE CROWN PRINCE? AN IMPERIAL HOUSEHOLD’S STRATEGY TO SAVE EMPEROR HIROHITO IN MACARTHUR’S JAPAN Kaoru Hoshino, M.A. University of Pittsburgh, 2010 This thesis examines the motives behind the Japanese imperial household’s decision to invite an American Christian woman, Elizabeth Gray Vining, to the court as tutor to Crown Prince Akihito about one year after the Allied Occupation of Japan began. In the past, the common narrative of scholars and the media has been that the new tutor, Vining, came to the imperial household at the invitation of Emperor Hirohito, who personally asked George Stoddard, head of the United States Education Mission to Japan, to find a tutor for the crown prince. While it may have been true that the emperor directly spoke to Stoddard regarding the need of a new tutor for the prince, the claim that the emperor came up with such a proposal entirely on his own is debatable given his lack of decision-making power, as well as the circumstances surrounding him and the imperial institution at the time of the Occupation. -
Japanese Spatial Culture, Nature and Architecture
PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword by Kengo KUMA Edited by Salvator-John A. LIOTTA and Matteo BELFIORE PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword: Kengo KUMA Editors: Salvator-John A. LIOTTA Matteo BELFIORE Graphic edition by: Ilze PakloNE Rafael A. Balboa Foreword 4 Kengo Kuma Background 6 Salvator-John A. Liotta and Matteo Belfiore Patterns, Japanese Spatial Culture, Nature, and Generative Design 8 Salvator-John A. Liotta Spatial Layering in Japan 52 Matteo Belfiore Thinking Japanese Pattern Eccentricities 98 Rafael Balboa and Ilze Paklone Evolution of Geometrical Pattern 106 Ling Zhang Development of Japanese Traditional Pattern Under the Influence of Chinese Culture 112 Yao Chen Patterns in Japanese Vernacular Architecture: Envelope Layers and Ecosystem Integration 118 Catarina Vitorino Distant Distances 126 Bojan Milan Končarević European and Japanese Space: A Different Perception Through Artists’ Eyes 134 Federico Scaroni Pervious and Phenomenal Opacity: Boundary Techniques and Intermediating Patterns as Design Strategies 140 Robert Baum Integrated Interspaces: An Urban Interpretation of the Concept of Oku 146 Cristiano Lippa Craft Mediated Designs: Explorations in Modernity and Bamboo 152 Kaon Ko Doing Patterns as Initiators of Design, Layering as Codifier of Space 160 Ko Nakamura and Mikako Koike On Pattern and Digital Fabrication 168 Yusuke Obuchi Foreword Kengo Kuma When I learned that Salvator-John A. Liotta and Matteo Belfiore in my laboratory had launched a study on patterns and layering, I had a premonition of something new and unseen in preexisting research on Japan. Conventional research on Japan has been initiated out of deep affection for Japanese architecture and thus prone to wetness and sentimentality, distanced from the universal and lacking in potential breadth of architectural theories. -
From the Japanese Traditional Edo Culture to Anime and Manga Takuji
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kwansei Gakuin University Repository 1 Kwansei Gakuin University Social Sciences Review Vol.19, 2014 Nishinomiya, Japan Roots of Cool Japan: From the Japanese Traditional Edo Culture to Anime and Manga Takuji OKUNO Japan’s transition from making things to making tales Japanese popular culture, known as “Cool Japan,” includes animations, comics, video games, figures, and J-pops that are highly acclaimed in Europe and the United States as well as throughout Asia. From the 1970s to the 1980s, Japan gained confidence in its ability to “make things” because consumers around the world embraced its manufactured products such as electric home appliances and automobiles with open arms in preference to the products of other advanced countries. However, at the beginning of the Heisei era, the bubble in the Japanese economy suddenly burst and Japan’s gross national product (GNP) plummeted, resulting in what is termed “the burst of economic bubble of 1990.” Relatively cheaper manufactured products from other Asian countries gained precedence over Japanese products. In response, many Japanese manufacturers moved their production plants to other Asian countries, particularly settling in mainland China, where labor costs were lower than in Japan. The recession was protracted and the Japanese people suffered from a sense low confidence in their abilities to overcome the recession. By the late 1990s, Prime Ministers Mori and, subsequently, Koizumi responded to Japanese political leader Heizo Takenaka’s advocacy of an information technology (IT) revolution in Japan as a way to beat the recession. -
Smaa Journal
Vol. 17, Issue 2 SMAA JOURNAL Shudokan Martial Arts Association ▪ PO Box 6022, Ann Arbor, MI 48106-6022 http://smaa-hq.com/ ▪ [email protected] ▪ 1-734-645-6441 ANNOUNCEMENTS OBJECTIVES OF THE SMAA 2012 DUES 1. To promote and aid in the growth of Japan’s traditional arts and ways. SMAA dues should have been paid on the first of January, 2012. Please make a point of sending 2. To assist the public in achieving spiritual your check or money order to our Michigan growth and physical development through headquarters on or before this date. You can also budo/bujutsu. pay online with a major credit card at 3. To further friendship and understanding http://smaa-hq.com/payments.php. Prompt between Asian and Western martial artists. payment helps the SMAA to run smoothly, and it reduces the amount of labor and cost associated 4. To establish goodwill and harmony among with sending late dues notices. martial artists of various systems. 5. To offer Western martial artists access to A NOTE TO MEMBERS OF THE SMAA legitimate budo/bujutsu organizations and We have recently become aware of at least one teachers in Japan. other martial arts group that uses the acronym 6. To give practitioners of authentic “SMAA.” Please note that the Shudokan Martial budo/bujutsu recognition for their years of Arts Association is not affiliated with any other devotion to these arts. group or organization that uses SMAA to identify itself. Though we do not believe any careful BOARD OF DIRECTORS observer would confuse our thoughtful, ▪ Karl Scott Sensei traditional approach with that of another ▪ Nicklaus Suino Sensei organization, we suggest that you be sure to type ▪ H. -
A Repeated Story of the Tragedy of the Commons a Short Survey on the Pacific Bluefin Tuna Fisheries and Farming in Japan
A Repeated Story of the Tragedy of the Commons A Short Survey on the Pacific Bluefin Tuna Fisheries and Farming in Japan YASUHIRO SANADA A Repeated Story of the Tragedy of the Commons A Short Survey on the Pacific Bluefin Tuna Fisheries and Farming in Japan YASUHIRO SANADA Organization for Regional and Inter-regional Studies, Waseda University Contents Introduction 1 List of Abbreviations 4 PART 1: PBF Fisheries in Japan 7 PART 2: Fish Farming in Japan 53 Conclusion 89 Annexes 91 Acknowledgements This study was funded by the Pew Charitable Trusts based on a research agreement between Waseda University and the Pew Charitable Trust on “Research and Analysis on Fisheries Issues in Japan.” We gratefully acknowledge generous support from the Pew Charitable Trust. Introduction On November 17, 2014, the news that the International Union for the Conservation of Nature (IUCN) added the Pacific Bluefin tuna (PBF) to its Red List of Threatened Species as “Vulnerable,” which meant that it was threatened with extinction, made headlines and received substantial TV coverage around Japan. After citing the IUCN’s comment that the species was extensively targeted by the fishing industry for the predominant sushi and sashimi markets in Asia, Mainichi Shimbun, one of the major newspapers in Japan, reported that the population was estimated to have declined by 19 to 33% over the past 22 years1. Nihon Keizai Shimbun, a leading Japanese economic newspaper, referring to the fact that the American eel was also added to the List as “Endangered,” pointed out that -
Who Should Govern: the Political Reformation After the First World
Kobe University Repository : Kernel タイトル Who Should Govern: The Political Reformation after the First World Title War in Japan 著者 Murai, Ryouta Author(s) 掲載誌・巻号・ページ Kobe University law review,36:19-43 Citation 刊行日 2002 Issue date 資源タイプ Departmental Bulletin Paper / 紀要論文 Resource Type 版区分 publisher Resource Version 権利 Rights DOI JaLCDOI 10.24546/00387151 URL http://www.lib.kobe-u.ac.jp/handle_kernel/00387151 PDF issue: 2021-10-02 19 Who Should Govern: The Political Reformation after the First World War in Japan1 Ryota Murai2 In modern Japan, the Meiji Constitution created a bicameral Imperial Diet, which included a House of Representatives with members chosen by direct election. However, this was not what made the party cabinet system a necessity. Rather, it was because the Meiji Constitutional system was a multiple union of many organs, such as the Privy Council and the House of Peers. The House of Representatives was also one of them. The selection of the prime minister was not based on the intentions of the House of Representatives, but rather on the elder statesmen (genro)’s consensus directed by protocol. Nevertheless, under the slogans like “Protecting the Constitutional Government (Kensei-Yogo)” or “The Normal way of the Constitutional Government (Kensei-Jodo),” the situation slowly changed. The politics that made the House of Representatives and political parties an axis became the undercurrent that was hard to suppress. During the final stages of the First World War, Takashi Hara, the leader of the Seiyukai, the majority party of the House of Representatives, formed his own cabinet; and over a span of eight years, from 1924 to 1932, this was the time when the party leader possessed political power. -
Copyright by Peter David Siegenthaler 2004
Copyright by Peter David Siegenthaler 2004 The Dissertation Committee for Peter David Siegenthaler certifies that this is the approved version of the following dissertation: Looking to the Past, Looking to the Future: The Localization of Japanese Historic Preservation, 1950–1975 Committee: Susan Napier, Supervisor Jordan Sand Patricia Maclachlan John Traphagan Christopher Long Looking to the Past, Looking to the Future: The Localization of Japanese Historic Preservation, 1950–1975 by Peter David Siegenthaler, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2004 Dedication To Karin, who was always there when it mattered most, and to Katherine and Alexander, why it all mattered in the first place Acknowledgements I have accumulated many more debts in the course of this project than I can begin to settle here; I can only hope that a gift of recognition will convey some of my gratitude for all the help I have received. I would like to thank primarily the members of my committee, Susan Napier, Patricia Maclachlan, Jordan Sand, Chris Long, and John Traphagan, who stayed with me through all the twists and turns of the project. Their significant scholarly contributions aside, I owe each of them a debt for his or her patience alone. Friends and contacts in Japan, Austin, and elsewhere gave guidance and assistance, both tangible and spiritual, as I sought to think about approaches broader than the immediate issues of the work, to make connections at various sites, and to locate materials for the research.