DOCSLIB.ORG

Fates Warning One of Those Bands That Once Pioneered the Great Genre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fates Warning One of Those Bands That Once Pioneered the Great Genre Fates Warning one of those bands that once pioneered the great genre that is progressive metal, a band that was years ahead of the now grandest name in the genre, Dream Theater. A band that is now completing their first dozen albums with Theories of Flight and for that occasion we had the fortune to ask singer Ray Alder some questions mostly about that question because most else you already know when it comes to one of the greatest names in the progressive metal genre. Hallowed PDF-article Hallowed PDF-article Design by Daniel Källmalm Design by Daniel Källmalm WRITTEN BY DANIEL KÄLLMALM During the years the band has band formed, 32 since the debut like that. It has however earned though, he explains that the al- record. Originally it was going PHOTOS AS STATED ON THE PICTURE changed their line up many times and 30 years since ”Awaken the a much higher status now and bum stands on its own, different to be called ”Ghosts Of Home”, PUBLISHED ON 2016-06-22 and the only remaining member Guardian” that was the band’s many claim it to be an inimitable from what they have done before but once Jim saw the artwork and from that time in 1982 is guitarist first album to chart and also the album and other accolades like but with a sound still recogni- title it was an easy decision to Still, let us backtrack just a little Jim Matheos, the most distinctive first Metal Blade album to chart. that. sable as a Fates Warning sound. re-name it, seeing as it fit so well bit anyway because the story of change was probably when origi- This writer would claim that of And with that history lesson, in - After recording so many al- with the underlying theme of the Fates Warning is a long one and nal vocalist John Arch who was all the successful works of this extremely short form, let us get bums over the years I believe that lyrics. we cannot really have a lone ar- with the band for three albums band the best one is ”A Pleasant to the point with the new album we have found our formula for It is a distinctive artwork, not re- ticle about a band with such a was replaced by Ray Alder for Shade of Gray”, a complex no ”Theories of Flight”. writing music. It’s always a chal- ally similar to anything this band history without at least writing the ”No Exit” album in 1988, but bullshit album that is only for a lenge to write a new record but as has used for any of their previous something about it. It all started the band has changed members select audience and apparently Theories of Flight difficult as this one was, it was al- albums but also quite different long ago, in 1982 when vocalist many times which might explain Mr Alder agrees. 1st of July 2016 marks the release ways a pleasure to begin to hear for an album artwork in general. John Arch, guitarists Jim Mathe- why they keep evolving in diffe- - I would have to agree with of ”Theories of Flight” the twelfth the songs take shape. The artwork is done by an artist os and Victor Arduini, bassist Joe rent direction musically for eve- you… ”A Pleasant Shade Of album by progressive metal le- ”Theories of Flight” is an inte- named Graceann Warn who has DiBiase, and drummer Steve Zim- ry album. Other than changing Gray” is probably my favourite gends Fates Warning and fans resting name, it is also something done artwork for album covers merman, in Hartford Connecticut members the band has gone th- of the albums we’ve done… It is would certainly hope that it is that has made the world a lot before but Fates Warning is the in the United States of America, rough several hiatuses and since an album that I feel we wrote for much more fun and interesting smaller as we are now capable of biggest name she has worked formed the band. Two years la- 1991- album ”Parallels” They’ve ourselves, not having to think if than Ray Alders answer to being quickly traversing great distan- with and the painting itself is fo- ter in 1984 the debut ”Night On had three-year gaps between the there would be a single or a video asked to describe the coming al- ces on our little planet but the al- cused on birds and their flight. Bröcken” saw the light of day, at albums except for the long gap for it. Just music… bum. bum isn’t really a concept album The artwork is in general the ori- that time they were more into the between ”FWX” and their latest And that is just how this writer - I would describe it as a heavy about airplanes as the title actu- ginal work but slightly changed regular NWOBHM meets Ame- album to date ”Darkness in a Dif- thinks it should be, but of course melodic album with some hooks ally comes from the artwork; an to accommodate the band name rican styled metal but for each ferent Light” that was released that album wasn’t too well recei- and melodies that I believe are artwork found by Jim Matheos. (obviously) and also with the release they got more and more three years ago. ved back then as people claimed our signature sound. - It fit perfectly with the flow number 12 to commemorate that progressive. 34 years have passed since the it wasn’t memorable and things When asked to elaborate and feel of the lyrics for the new it is the band’s twelfth album. Hallowed PDF-article 3 4 Hallowed PDF-article Design by Daniel Källmalm Design by Daniel Källmalm - Jim found the piece that is the people and places… So the title have been alive, that is no small the band on the road. There is no in autumn where he hopes to be check the band’s website for up- album cover now and saw the works very well. feat. One thing this writer often tour confirmed for this album yet visiting South America again and dates on tours and other things title and was drawn to it… It is Any favourite song? finds interesting is how one does but the band are doing two shows he is sure that there will be shows Fates Warning. quite different than our album - I think my favourite track is find inspiration to create new in 2016 as a thirtieth anniversary in Europe and USA. More on that covers. The Light And Shade Of Things works for such a long time, so tour for the ”Awaken the Guar- will be updated on the band’s Read more: The album deals with change there’s a lot going on in that song, what inspires one to create new dian” album, one was in April in website later on when things fall Our review of Theories of Flight that is a loose theme throughout and I think it’s one of my favori- stuff for such a long time? Germany and the other one is in into place. Our review of Darkness in... the album. tes we’ve ever done. - I love writing and recording September on ProgPower USA in With that there isn’t much else http://www.fateswarning.com - The lyrics for the album have music… I love touring even Atlanta. This tour has a special we can add, the album ”Theories Fates Warning on Youtube a loose theme running through Tours and Inspirations more. Being able to see the world line-up consisting of Jim Mathe- of Flight” is out on July 1 and if them. Ghosts of home is about Jims ”Theories of Flight”, darkness in and meet so many amazing pe- os, John Arch, Frank Aresti, Joe you are near Atlanta in early Sep- Fates Warning 2016: constant moving around when different lights, pleasant shades ople has been a dream come true DiBiase, Steve Zimmerman that tember you should not miss the Ray Alder - vocals he was young and never having of gray, awakening guardians for me. I can’t imagine a world was the members of that album. chance to see a vintage version of Jim Matheos - guitar (I assume) the same home for less and many other things through where I wasn’t in music. I guess Ray will have to watch Fates Warning performing a clas- Joey Vera - bass than a few years. My lyrics tend a career spanning well over 30 With the love of touring even those shows from the side but he sic album. Bobby Jarzombek - drums to deal with change, and moving, years – this band has actually larger than the love of recording, says that the band will be doing And with that we thank Ray Al- flights and saying goodbye to been around about as long as I we can probably be certain to see a tour for this album, probably der for his time and advise you to Liv Kristine - promo photo 2011 Hallowed PDF-article 5 6 Hallowed PDF-article Design by Daniel Källmalm Design by Daniel Källmalm.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Alive in Color
    Redemption – Alive In Color (95:57, 2-CD, DVD, AFM Records, 2020) Die Band von Nick van Dyk hat mittlerweile auch schon satte 20 Jahre auf dem Buckel. Die Zeit vergeht wie im Flug und – je älter man wird – auch viel zu schnell. Auf dem selbstbetitelten Debüt im Jahr 2003 war beinahe die halbe Mannschaft von Fates Warning vertreten (Ray Alder, Joey Vera und Mark Zonder) und bis zum sechsten Album „The Art Of Loss“ (2016) bliebt zumindest Ray Alder dem Bandgefüge als Sänger und Aushängeschild erhalten. Auch aus diesem Grund erübrigt sich fast der Hinweis, dass die Band durchweg immer hochwertige Prog-Metal-Kost veröffentlicht hat und sich weit vom Durchschnitt der üblichen Veröffentlichungen aus diesem Genre abgesetzt hat. Nun erscheint nach „Live From The Pit“ (2014) nun das zweite Live-Album der Band. Diesmal allerdings heißt der Sänger Tom S. Englund (Evergrey), der seit dem letzten Studio-Album „Long Night’s Journey Into Day“ den Platz am Mikro übernommen hat. Natürlich kann er Ray Alder nicht ersetzen, muss er aber auch nicht. Er ist im Gegenteil durchaus in der Lage, dem Sound und den (alten) Songs seine eigene Note zu verpassen, ohne dass man irgendwie traurig sein müsste, dass Herr Alder nicht mehr dabei ist. Sollte man ihn – Ray Alder – trotzdem vermissen, so gibt es zumindest auf dieser Doppel-Live-CD, mit Aufnahmen vom Prog Power USA 2018, ein kurzes Wiedersehen bzw. -hören beim Song ‚Threads‘ vom Album „The Fullness Of Time“. Diesen Song gibt es übrigens später nochmal von Tom Englund gesungen. So hat man, sofern man ihn denn benötigt, den direkten Vergleich.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.
    [Show full text]
  • Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
    1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
    [Show full text]
  • No:07 2009. 11. 24
    NO:07 2009. 11. 24. - 12. 08 TARTALOM Rockélet Magazin Kéthetente Megjelenő Ingyenes Programmagazin 4-6 MOZAIK kishírek a Megjelenik keddenként 20 000 példányban nagyvilágból Kiadja: Rockélet Kft. 2360 Gyál, Juhász Gyula u. 29. Főszerkesztő: Nyerges Tamás 6 Főmunkatárs: Balás Péter Nitus & The Rollin’Dice Design & layout: Németh Tamás 8-9 Hirdetésfelvétel: MOTORBLOKK Rockélet Magazin 06.20.944.66.79 Jour D’espoir Munkatársak: Hantos Tamás // [email protected] Dorogi László // [email protected] 13 Sebastian Bach, Lapzárta: megjelenés előtti hét csütörtök. Wisdom Programokat a [email protected] várjuk! www.rockelet.hu • [email protected] 19-20 Zenekarok A ROCKÉLET szókép és embléma a RockÉlet Kft. tulajdona, felhasználása a RockÉlet Kft. írásbeli engedélyéhez kötött! A ROCKÉLET Magazinban és a www.rockelet.hu-n megjelenő anya- 22-29 Szórakozóhelyek gok – cikkek, képek, illusztrációk, grafikák – a RockÉlet Kft. tulajdonát képezik. Szerzői jogvédelem alá tartozó termékek, ezért azok teljes vagy részleteiben történő újraközléséhez, illetve bármi nemű felhasz- nálásához a szerkesztőség előzetes írásbeli engedélye szükséges! Az újságban megjelenő hirdetések és programajánlatok tartalmáért szer- kesztőségünk nem vállal felelősséget! Nyomdai munkák: Oláh Nyomdaipari Kft. 1211 Budapest, Központi út 69–71. (Csepel Művek) Felelős vezető: Oláh Dániel Partnereink: MOZAIK KISHÍREK A NAGYVILÁGBÓL Tavasszal visszatér Európába a Metallica gárdája, leg- alábbis ezt nyilatkozta a zenekar és három, már biztos dátum is erről árulkodik: Április 13. – Oslo, Norway – Telenor Arena, 24. – Moscow, Russia – Olimpiski Arena, _Duff_McKagan:_ 25. – Moscow, Russia – Olimpiski Arena. Hamarosan újabb helyek és dátumok látnak napvilágot. __Ne_híVjatok_senkit_szupergruppnak!_ Megérkeztek az „első fecskék” a jövő évi, 15. alkalom- ”Nem titkolom, amikor először meghallot- mal megrendezésre kerülő német Bang Your Head fesz- tam, hogy John Paul Jones, Dave Grohl és tivál fellépői kapcsán.
    [Show full text]
  • 207 096 1917 FAX:(310) 913-1517 EMAIL:[email protected] »
    9electric Darkest Hour Headcat** Motor Sister Skid Row Ace Frehley** Dave MacPherson Heaven’s Basement* Mudvayne Skindred** Adelitas Way Death Angel** Heavygrinder Mushroomhead Skyharbor Adrenaline Mob Diamond Plate Hed PE MXPX* Slaves On Dope Aeges Diamante Hinder** New Years Day* Slim Jim Phantom of The Alien Ant Farm Diecast Hoobastank Nonpoint Stray Cats Altitudes & Attitude Dope IDIOM One Eyed Doll Snocore Tour American Head Charge Double Vision Tour Ill Nino* P.O.D Soil Angra Doyle INC. Pat Travers Band Spineshank* Anthrax Drowning Pool INME Pearl Still Remains* Armored Saint Duff McKagan’s Loaded Islander Phil Campbell’s All Starr Sumo Cyco Ashes Earthtone9* It Dies Today Band Superjoint Ritual Avatar Eddie Money* Janus Powerman 5000 Tantric Beyond Threshold Empty Hearts Jeff Gutt Psychostick The Ataris* Bachman and Turner Even the Dead Love a Kaleido Queensrÿche The Bosshoss Billy Squier Parade Karnivool Randy Bachman The Coffis Brothers Black Tide Eyes Set to Kill Katastro RED The Damned Things Blue Öyster Cult Fates Warning Kelley James Red Dragon Cartel The Last Vegas Breed 77* Fear Factory Kill Devil Hill Rev Theory The Letter Black Brett Scallions Fireball Ministry Kittie** Revoker The Missing Letters Bridge To Grace Flaw Kottonmouth Kings Righteous Vendetta Thousand Foot Krutch Brokencyde* Flotsam & Jetsam Kris Roe* Robby Krieger of The Thomas Nicholas Band* Buck and Evans Fozzy* Life of Agony Doors Threat Signal Buffalo Summer Framing Hanley Like A Storm Robin Zander Band Ugly Kid Joe Burton Cummings Fuel Like Monroe Romantic
    [Show full text]
  • Forma Y Fondo En El Rock Progresivo
    Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa.
    [Show full text]
  • Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
    COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4.
    [Show full text]
  • Sommerfestival '18 Im Biergarten
    07/2018 eventmagazin - SOMMERFESTIVAL ‘18 EINTRITT - SOMMERFESTIVAL ‘18 EINTRITTFREI! FREI! IM BIERGARTEN Online- Programm: 9.7. - 31.8. Mo. - Sa. 19:30 - 22 Uhr + So. 14 - 17 Uhr Online- Programm: 9.7. - 31.8. Mo. - Sa. 19:30 - 22 Uhr + So. 14 - 17 Uhr Exkl. Sitzplatzreservierung: 13,50 EUR inkl. Verzehr + ÖPNV Ludwig-Erhard-AlleeExkl. Sitzplatzreservierung: 20 • 13,50Bonn EUR • rheinaue.de inkl. Verzehr + ÖPNV Ludwig-Erhard-Allee 20 • Bonn • rheinaue.de Ab 20 Uhr* den General-Anzeiger von morgen lesen. *Sonntags ab 21 Uhr Lesen Sie das ePaper jetzt kostenlos zur Probe: ga-bonn.de/probelesen ePaper INTERMOT Änderungen und Irrtümer vorbehalten lanxess-arena.de und hre TICKETS: 0221- 8020 20 Ja EDITORIAL Sommerfestival im Biergarten ��������������������������������������������������������������������� 4 Quatsch keine Oper, das neue Programm ������������������������������������������������� 4 Titelstory: GOP – Die neue Show – FASHION ������������������������������������������� 5 KinoSzene aktuell ����������������������������������������������������������������������������������9 – 15 Liebe Kulturfreunde, - Konzertgänger und Musikliebhaber, Terminkalender �������������������������������������������������������������������������������������16 – 32 mitten in einer teils zähen Fußball-Weltmeisterschaft möchten wir euch die anstehenden kulturellen Tipps und Termine präsentieren. Bekanntlich gibt es neben denen, 10 Jahre Rocks Magazin ����������������������������������������������������������������������������� 33 die den rollenden Ball keine
    [Show full text]
  • 2014 Celebrity Rockers and Comedians Come Together for Rock N Bowl
    For Release on October 14, 2014 CELEBRITY ROCKERS AND COMEDIANS COME TOGETHER FOR T.J. MARTELL FOUNDATION CELEBRITY ROCK N’ BOWL Fleetwood Mac, Metallica, Maroon 5, Aerosmith, Slash, YES, Ariana Grande, Alice Cooper, Anthrax, Fuel, Def Leppard and Many More Donate Autographed Collectible Bowling Pins In Support of Charity Bowling Tournament to Wipe out Cancer The T.J. Martell Foundation’s Celebrity ROCK ‘N’ BOWL tournament, held last week at the PINZ Bowling Center in Studio City, brought together a myriad of celebrity rockers, comedians and music industry executives to raise funds for cancer research. The event, chaired by Wendy Dio, President and Co-Founder of the Ronnie James Dio Stand Up and Shout Cancer Fund, who also serves on The T.J. Martell Foundation Board, raised over $45,000 for the charity. Among the celebrities who participated in the evening were: Lita Ford; Richie Sambora; producer Bob Kulick; Chris Broderick (Megadeth); Christian Martucci and Josh Rand of Stone Sour; comedians Craig Gass, Joe Bartnick, Alice Wetterlund, Will Weldon and Brian Posehn; Craig Goldy, Rowan Robertson and Rudy Sarzo of Dio; Dino Cazares (Fear Factory); Fee Waybill (The Tubes); Gonzo Sandoval, Joey Vera, John Bush and Phil Sandoval of Armored Saint; Mark Steines and Christina Ferrare (Hallmark Channel's Home and Family); John Payne (Asia); Marc Ferrari (Keel); Chuck Billy (Testament); Marty O'Brien (Lita Ford, Methods of Mayhem); Mike Inez (Alice in Chains); Monte Pitman (Madonna); Nigel Glockler (Saxon); Oni Logan (Lynch Mob); Robert Sarzo (Hurricane); Audie Desbrow, Mark Kendall, Michael Lardie and Terry Ilious of Great White, Brendon Small (METALOCALYPSE); Brian Tichy (Whitesnake, Foreigner); Jimmy D’Anda, Lonnie Vencent, Shane Tassart and Mick Sweda of the BulletBoys; and Rita Haney, widow of Dimebag Darrell (Pantera).
    [Show full text]
  • Anthrax Volume 8 Full Album Download Anthrax: the Story Behind Every Album Cover
    anthrax volume 8 full album download Anthrax: the story behind every album cover. Unlike Slayer, Anthrax have always had a huge amount of input into their cover art, especially drummer Charlie Benante. Seizing control of the band’s aesthetic after the widely-ridiculed Fistful Of Metal sleeve, Benante has conceived, overseen and approved every image the band have since stamped their name on, tracing an artistic line from the garish excesses of the 80s, through the moody, minimalist 90s, to the hip superhero likenesses and ‘Pentathrax’ insignia of their post-millennial graphic design. In 2016 Charlie told Artist Direct “That’s one of the reasons I still take the time and effort to make an album cover: I want our audience to get lost in it.” Here are the stories behind every Anthrax sleeve… Fistful Of Metal (1984) “The cover was all wrong, but we didn’t have the budget to do anything else,” admits Scott Ian in his 2014 autobiography I’m The Man . The notorious sleeve was conceived by short-lived frontman Neil Turbin (whose homemade glove is depicted on the fist) and painted by a friend of guitarist Dan Spitz, who clinched the job when he designed the band’s iconic logo. It often ends up in ‘worst cover of all time’ lists, a status the band agreed with, although Scott says he’s grown fonder of it over the years “just because it’s so goofy”, reasoning “all the big thrash debut albums… had terrible covers.” Spreading The Disease (1985) Boasting surely the most famous sneaker soles in heavy metal history, the cover art for Spreading The Disease was produced by designer Peter Corriston and illustrator Dave Heffernan.
    [Show full text]
  • Lauschangriff Vol.082 11.2020 Lauschangriff Vol.082 11.2020 Gema
    CD-BACKCOVER ZUMSELBERBASTELN!EINFACHANDENMARKIERUNGENAUSSCHNEIDENUNDINEINECD-BLANKO-HÜLLELEGEN.FERTIG! GEMA 1. ARMORED SAINT - End Of The Attention Span 5:13 11.2020 (Joey Vera, Phil Sandoval/John Bush) Don´t Funk With My Music And My Own Agenda Publishing administered by BMG Rights Management, P. Sandoval Publishing/BMI* Metal Blade/Sony 2. FATES WARNING - Scars 5:04 (Jim Matheos/Ray Alder) Matheos Music/Horrendous Music/BMG Rights Management* Metal Blade/Sony LAUSCHANGRIFF 3. STÄLKER - Intruder 5:00 VOL.082 (Dave King, Chris Calavrias, Nick Oakes/Dave King) Iron Avantgarde Publishing* Napalm/Universal 4. SÓLSTAFIR - Her Fall From Grace 6:35 (Tryggvason, Sæþórsson, Hallgrímsson, Traustason) Season Of Mist Publishing* Season Of Mist/Soulfood 5. PHIL CAMPBELL AND THE BASTARD SONS - Son Of A Gun 3:01 (Phil Campbell, Todd Campbell, Dane Campbell, Tyla Campbell, Neil Starr) Copyright Control* Nuclear Blast/Warner 6. HJELVIK - Helgrinda 4:21 (Erlend Hjelvik) Copyright Control* Nuclear Blast/Warner 7. HATEBREED - Weight Of The False Self 2:43 (James Shanahan, Chris Beattie, Matthew P. Byrne) Crippling Velocity Music (SESAC)/Devastation Music (SESAC)/ VOL.082 The Mark Of Clover Music (SESAC)* Nuclear Blast/Warner LAUSCHANGRIFF 8. EVILDEAD - Word Of God 3:04 (Phil Flores, Albert Gonzales, Karlos Medina, Rob Alaniz, Juan Garcia/Robert S. Rangel) Terrorama Music (BMI)* Steamhammer/SPV 9. KILLER BE KILLED - Dream Gone Bad 4:15 (Max Cavalera, Greg Puciato, Troy Sanders, Ben Koller) Kill Posers (ASCAP)/Neandertroy Music (BMI)/ 11.2020 Songtrust Music, LLC/Soul Desert (ASCAP)* Nuclear Blast/Warner 10. THEM - Battle Blood 3:56 (Markus Lutz Ullrich/Troy Norr) Copyright Control* Steamhammer/SPV.
    [Show full text]