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His Issue Newsreeling Fhe Conventions Why This Hubbub About Color? Ultra Violet Recording Shooting Thrills Make-Up for Technicolor

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His Issue Newsreeling Fhe Conventions Why This Hubbub About Color? Ultra Violet Recording Shooting Thrills Make-Up for Technicolor i Published in Hollywood, by American Society of Cinematographers AUGUST, 1936 his issue Newsreeling fhe Conventions Why this Hubbub About Color? Ultra Violet Recording Shooting Thrills Make-up for Technicolor . and other features 25c FOREIGN, 35c NOT JUST FOR LOOKS RES. u.S. PAT. OFT Not just for looks do we maintain smooth lawns, trim hedges and borders of trees and shrubbery but to help eliminate dirt and dust. By continual vigilance in our manufacturing operations, with the help of landscaping outside our buildings and washed air brought to uniform temperature inside our factories we assure vou a panchromatic film which is exceptionally clean and free from blemishes. Du Pont Film Manufacturing Corporation 35 WEST 45th STREET SMITH & ALLER, LTD. NEW YORK CITY 6656 .. SANTA MONICA BLVD CAL. PLANT . PARLIN, N. J. HOLLYWOOD, August, 1936 American Cinematographer 32) AMERICAN CINEMATOGRAPHER A Technical and Educational publication of motion picture photography. Published monthly by the ’ll AMERICAN SOCIETY OF CINEMATOGRAPHERS. INC. 6331 Hollywood Boulevard Hollywood, California Telephone CRanite 2135 JOHN ARNOLD, President, A. SC. FRED JACKMAN, Treasurer, A.S.C. Volume 17 August, 1936 Number 8 Whdt to Read NEWSREELING the Political Conventions By W. P. Montague 324 WHY All This Hubbub About Color? 327 Staff WILLIAM MELLOR Wins The Rating With Oldsters By Horry Burdick 328 EDITOR Charles J. VerHalen ULTRA Violet Recording TECHNICAL EDITOR With "Block Light" Emery Huse, A. S. C. By Wm. Stull, A.S.C 329 ASSOCIATES SHOOTING Thrills Karl Hale Hos Exciting Moments By Charles A. Marshall, A.S.C 330 Walter Blanchard CIRCULATION MANAGER MAKE-UP for the L. Graham New Technicolor Process ADVISORY By Factor Max 331 EDITORIAL BOARD A.S.C. Members On Parade 332 Victor Milner, A. S. C. James Van Trees, A. S. C. Fred Jackman, A. S. C. Farciot Edouart, A. S. C. Next Month Fred Cage, A. S. C. Dr. J. S. Watson, A. S. C. Dr. L. A. Jones, A. S. C. • Hal Mohr has devised a lens that gives both Dr. C. E. K. Mees, A. S. C. foreground and background focus. This is not Dr. W. B. Rayton, A. S. C. a Universal Focus lens, but gives the cinema- Dr. Herbert Meyer, A. S. C. Dr. V. B. Sease, A. S. C. tographer a bit more latitude in bringing into sharp relief objects at various distances from the camera. FOREIGN REPRESENTATIVES • A startling innovation in make-up that Georges Benoit, 100 Allee Franklin, will prove of interest to every studio and make- Pavi.'lions-sous-Bois. Seine. France. Tele- up man throughout the world. phone LeRaincy 13-19. • Other features pertinent to the work of REPRESENTATIVE cinematographers the world over. NEW YORK S. R. Cowan, 19 East 47th St., New York City. Phone Plaza 3-0483. ESTABLISHED 1918. Advertising Rates on application. Neither the American Cinematographer nor Subscription; U.S. $2.50 a year; Canada, $3.50 a year; the American Society of Cinematographers Foreign. $3.50 a year. Single copies, 25c; back num- is responsible for statements made by au- bers. 30c. Foreign single copies. 35c; back numbers, 40c. COPYRIGHT 1936 by American Society cf thors. This magazine will not be responsible Cinematographers, Inc. for unsolicited manuscripts. 522 American Cinematographer • August, 1936 OF COURSE! ITS THE BELL & HOWELL EYEMO Yoclay you may use it taking a speed sliot from a plane —where cramped space demands an Eyemo lo get that negative. Yonight, yonr Eyemo serves as a studio camera, comjtlete with electric motor drive, sound track mask, magazines, and a turret equipped Mith special purpose lenses, d'omorrow, your Evemo makes animated cartoons and maps and does vour titling. All with one basic camera! Before von buy, see the special Eyemo catalog, which illustrates and describes every type of Eyemo for studio, newsreel, animation, mapping, remote control nature shots, continuous candid camera, and other professional work. Mail the coupon for yonr copy — it’s free! TAYLOR-HOBSON COOKE SPEED PANCHROS, PANFOS AND VARO LENSES DESCRIBED Because their formula brings the Blue G and Red C Fraunhofer lines to the focal plane, IN NEW BOOKLET Y-If Cooke Speed Panchro and Panfo lenses offer the finest possible correction for the highly panchromatic emulsions now universally used. For full information on T-FT-C F 2 Speed Panchros, new' the 2JA'' F L3 Special Speed Panchro, the 2.8 Panfo lenses to be available September first, ^ F and the Cooke Varo lens for "zoom” shots, see our new booklet. Mail the coupon for your copy. BELL & HOWELL COMPANY Chicago — 1848 Larchmont Avenue Hollywood — 716 N. La Brea Ave- New York — 11 West 42d Street London— 14 Great Castle St., W. 1 MAIL THIS COIJPOX BELL & HOWELL COMPANY, 1848 Larchmont Avenue, Chicago Please mail me a copy of your O Standard camera catalog Eyemo catalog Taylor-Hohson Cooke lens catalog. A'a me Addre s,s City - State August, 1936 • American Cinematographer 323 he AMERICAN SOCIETY OR CINEMA- T TOGRAPHERS was founded in 1918 for the purpose of bringing into closer confederation and cooperation all those leaders in the cinema- AMERICAN tographic art and science whose aim is and ever SOCIETY OF will be to strive for pre-eminence in artistic per- fection and technical mastery of this art and science. CINEMATOGRAPHERS Its purpose is to further the artistic and scientific advancement of the cinema and its allied crafts through unceasing research and experimentation OFFICERS JOHN ARNOLD President as well as through bringing the artists and the scien- VICTOR MILNER First Vice-President tists of cinematography into more intimate fellow- CHARLES LANG Second Vice-President JAMES VAN TREES Third Vice-President ship. To this end its membership is composed of the FRED JACKMAN Treasurer outstanding cinematographers of the world with FRANK B. GOOD Secretary Associate and Honorary memberships bestowed BOARD OF GOVERNORS upon those who, though not active cinematog- John Arnold Frank Good Bert Clennon Fred Jackman Don Clark Ray June raphers, less are engaged none the in kindred pur- Elmer Dyer Charles B. Lang, Jr. Arthur Edeson Victor Milner George Folsey suits, and who have, by their achievements, con- Joseph Walker Alfred Gilks James Van Trees Vernon L. Walker tributed outstandingly to the progress of cinema- Frederick L. Kley, Executive Business Manager tography as an Art or as a Science. To further these PAST PRESIDENTS lofty aims and to fittingly chronicle the progress of Philip E. Rosen Hal Mohr Gaetano Gaudio Homer Scott cinematography, the Society's publication. The James Van Trees John F. Seitx John W. Boyle Daniel B. Clark Fred W. Jackman American Cinematographer, is dedicated. HONORARY MEMBERS Mr. Albert S. Howell Mr. Edward O. Blackburn Mr. George A. Mitchell PUBLIC RELATIONS COMMITTEE John Arnold Charles Bell. St. Paul. Minn. Charles J. Davis, Washington, D. C. Georges Benoit, Paris, France John W. Boyle, London, Englar.d Ariel Varges, Tokyo, Japan Edwin L. Dyer, Detroit. Mich. Charles W. Herbert, New York City Lloyd Knechtel, London. England John Dored, Paris, France Paul Perry, Manila, P. I. Max B. DuPont. Papeete. Tahiti Philip M. Chancellor MEMBERSHIP COMMITTEE George Folsey Dan Clark Alfred Gilks ENTERTAINMENT COMMITTEE Elmer Dyer Frank B. Good Charles B. Lang, Jr. Vernon Walker Arthur Edeson WELFARE COMMITTEE Ray June James Van Trees RESEARCH COMMITTEE Fred W. Jackman Victor Milner, George A. Mitchell, Dr. Herbert Meyer, John Arnold, Farciot Edouart, GENERAL COUNSEL Emery Huse Arthur C. Webb 324 American Cinematographer • August. 1936 •' *, r - \ .« -t t'f LIGHTING EQUIPMENT FU^NI»H«D A'f MOTION PICTURE LIGHTING AND EQUIPMENT COaP. ^ ' 250 WEST 49"S“T., NEW YOR.K.N.y. ow THAT THE Republican and Democratic na- tional conventions are history and all participants Newsreeling N presumably have survived the ordeals of oratory, the newsreel crews have had time to catch up on lost sleep and are able to review the hectic days. Always one of the big stories of any year for newsreel cameras, the conclaves this year received coverages far surpassing any previous record. Practically no event of any kind has been worked out in so elaborate detail of preparation. With this thorough advance planning, we were able to lar liasion was needed and at the request of all the news- get better shots and more of them, on floor and rostrum, reels, Edward Brown, of the Democratic National Com- to the result that there was a considerable increase in the mittee's publicity staff, was rushed from Washington to footage actually released in all the newsreels. act as contact between the convention committees and the Newsreels offer a potential audience of some eighty- cameramen. seven million people a week. This is more than the distri- Conditions at both conventions were much similar. The bution of any newspaper chain. It equals the circulation preliminary work at Cleveland was better, but at Phila- of any broadcasting network but with the double-edged delphia we had the advantage of the previous experience. appeal of both sight and sound. Realizing this, the two As instance, we had more control over lights and avoided larger political campaign committees are convinced that the Cleveland incident where we couldn't cut the lights newsreel audiences are well worth fighting for. above the rostrum and just about burned the speakers out With the campaign now getting really hot and with both of the stand. parties bringing all possible pressure to bear for publicity Proper lighting of the huge halls was the first problem. for their candidates, the newsreels have found it necessary With eighteen electricians, Charles Ross, of Motion Pic- to keep record of footage released on each party and bal- ture Lighting and Equipment Company, New York, set ance one against the other in strict impartiality.
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