Hard Place (Between a Rock...) for Two anne e. Mckennon Hard Place (BeTween a rock...) is a chal- lenging conversation between two flutes. Featuring extended techniques (tongue pizzicato, beatboxing, vocal shushing, and optional whistling), this duet’s dis- Hard Place sonant and sonorous nature offers drama, excitement, and color. (Between a Rock...) for Two Flutes

Anne e. McKennon (b. 1969) is a freelance flutist, teacher, and composer, based in Jacksonville, Florida. She can be found playing anything from orchestral music to rock-n- roll and Irish jigs, tin included. She holds a Bachelor of Music in composition from Jacksonville University and a Bachelor of arts in Business from the University of South Florida. Her teachers include dr. Jian-Jun He (composition), les roettges (), and Mary ellen Potter (flute).

Most of Ms. Mckennon’s compositions are focused on chamber music, with a special affinity for duets. “The clarity of two voices can bring both simplicity and intricate complexity. It is a fascinatingly malleable medium.”

Also available by Anne e. McKennon from Falls House Press:

FLeDGLInG for Flute and FledGlInG is inspired by a family of carolina wrens who built a nest above the composer’s door. This charming work for flute and piccolo depicts the pure and simple joys of a mother bird teaching her babies to fly and forage with the piccolo and flute chattering and soaring both separately and in tandem. FledGlInG is a delight for musicians and bird-watchers alike, equally suitable for students and professionals. sample ,6%1 )+

      

FH0513 coverspread.indd 1 6/20/2019 12:29:59 PM Anne E. McKennon Hard Place (Between a Rock...) for Two Flutes sample Performance Notes

WhisTlE (m.11): Player 2 either , blows a Jet Whistle (on the flute), or plays a slide Whistle. Jet Whistle: A loud blast of air produced by sealing the embouchure hole with the lips and blowing a forceful high-pressure airstream through the flute with closed keys. Slide Whistle: slide from the highest available pitch to the lowest with a preceding grace note. The specific pitches are not significant.

TonguE PizzicATo (mm.12-16 and later): This technique, also known as slap Tongue, is a short, percussive pop created by the sudden release of pressure by the tongue while holding your breath.

“shhh…” (m.50): Vocal shushing sound, not blown through the flute.

“ch” (m.74): Vocalized sound with the flute, using the fingering of the indicated pitch. The note will be an undertone to the voice. (beat-box flute)

Players are encouraged to express frustration through body language during the performance. sample Hard Place 3 Duration: c. 3'45" (Between a Rock... ) for Two Flutes ANNE E. McKENNON Raw ( = 112) D  › ›  › ›  › ›  › › Flute 1  › ›  › ›  › ›  › ›  › ›  › › › › › › › ›   › › › › › ›   M C M Flute 2   >› >›    ˛ ›  š ›I› › ¯ › › › ¯  Å ËÅ   , , M  C M

7 › › >› › I› › >› › › › › › >› › › >› › › › › › › › › › › ›     š  C *Jet WhistleM L [ Slide Whistle Ž [ Ž [ [ ›>›   [ >› ›  I› ›   [   ¯ , ›    š  C $ Ž

12 *Tongue Pizz. ord. L Ë› › Ë› ›  L ¯ L ¯ L ¯ L ¯ ¯ ¯  š š   › ¯ ›>› ¯ › ¯ ›>› › ¯ ›Ë› ˛ › ›  › › Ë › C M . Tongue Pizz. ord. › ›    › ¯ ›> › ¯  š › › š   ,  . C M

19 Å › ËÅ Æ › › Æ › › Æ › › Æ › ›  I› › › › . $ Å › Æ › › Æ › › Æ › › Æ › › Æ › › Æ › › Æ › › Æ › ›  › › › › >› › >› › . $

25 poco rit. Å › ËÅ Æ › ˛ Æ › › Æ Ë› Æ ›  >› › › ˛ › › . Å › Æ › I› Æ › › Æ › › Æ › › Æ › ›Ë› › ›Ë› › ˛  sample >› › >› › I› ˛ I› *Performance notes are provided on page 2. . © 2017, 2019 by Falls House Press All Rights Reserved International Copyright Secured FH0513 Printed in U.S.A. Unauthorized copying, arranging, adapting, recording, or digital storage or transmission is an infringement of copyright. Infringers are liable under the law. 4 a tempo 31

Æ › › Æ › › Æ>› › Æ › › Æ I› › Æ › › Æ >› › Æ › › ˛ ˛  › › › › › › › › , ¯ š š , ¯ š š M ‰ š ¯ L š ¯ L › ¯ š š  › › >Å › › >Å , ‰ M 

Weeping ( = 56) 37 ( = ) = ˛ ˛ D D   , ¯ š š ¯ š š  › ¯ › ¯ >› › ¯ › › ¯ š  ,  ˛ , › , , , Å M  › ¯ š š >› ¯ š š  L¯ L¯ L¯ L¯ L¯ L¯ L¯ L¯  , ,  › › › › › › › › › › › › › › › ›  sempre       .É 

43   L >›    › > › › >› ›  ˛ › ¯Ë› › ¯ › ¯ >› › ¯ ˛ › ¯Ë› , ¯ , ¯ , ¯  , , , , M L ¯ L L ¯ L L ¯ L L ¯ L L ¯ L ¯  › › › › ¯ › › › › ¯ › › › › ¯ › › › › ¯ › › › ›          

48 Shhh... >› › › ¯ › ¯ L ¯ L ¯ L ¯ L ¯ ¹    , , ˛ › › › ¬ ˛ › › › › ›>› › ›  C sub.    MÉ Shhh... M Shhh... L L L L L L   › › ¯ › › ¯ I› › ¯ › › ¯ ¬ I› › ¯ › › ¯ š ¬     sub. C MÉ  M 

ord. 53 Intense ( =132) › › Tongue Pizz.  D > › › I› › ›  ¯ L ¯   › › › ˛ ¯ › sampleM .

 >› >› › >› >› › >› >› › >› >› › >› >› › >› >› › >› >› ›   › › › › › › › › › › › › › ›

FH0513 ‰ .