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Summits on the Air – ARM for Canada (Alberta – VE6) Summits on the Air
Summits on the Air – ARM for Canada (Alberta – VE6) Summits on the Air Canada (Alberta – VE6/VA6) Association Reference Manual (ARM) Document Reference S87.1 Issue number 2.2 Date of issue 1st August 2016 Participation start date 1st October 2012 Authorised Association Manager Walker McBryde VA6MCB Summits-on-the-Air an original concept by G3WGV and developed with G3CWI Notice “Summits on the Air” SOTA and the SOTA logo are trademarks of the Programme. This document is copyright of the Programme. All other trademarks and copyrights referenced herein are acknowledged Page 1 of 63 Document S87.1 v2.2 Summits on the Air – ARM for Canada (Alberta – VE6) 1 Change Control ............................................................................................................................. 4 2 Association Reference Data ..................................................................................................... 7 2.1 Programme derivation ..................................................................................................................... 8 2.2 General information .......................................................................................................................... 8 2.3 Rights of way and access issues ..................................................................................................... 9 2.4 Maps and navigation .......................................................................................................................... 9 2.5 Safety considerations .................................................................................................................. -
SEPTEMBER 6, 2021 Delmarracing.Com
21DLM002_SummerProgramCover_ Trim_4.125x8.625__Bleed_4.375x8.875 HOME OF THE 2021 BREEDERS’ CUP JULY 16 - SEPTEMBER 6, 2021 DelMarRacing.com 21DLM002_Summer Program Cover.indd 1 6/10/21 2:00 PM DEL MAR THOROUGHBRED CLUB Racing 31 Days • July 16 - September 6, 2021 Day 16 • Friday August 13, 2021 First Post 4:00 p.m. These are the moments that make history. Where the Turf Meets the Surf Keeneland sales graduates have won Del Mar racetrack opened its doors (and its betting six editions of the Pacific Classic over windows) on July 3, 1937. Since then it’s become West the last decade. Coast racing’s summer destination where avid fans and newcomers to the sport enjoy the beauty and excitement of Thoroughbred racing in a gorgeous seaside setting. CHANGES AND RESULTS Courtesy of Equibase Del Mar Changes, live odds, results and race replays at your ngertips. Dmtc.com/app for iPhone or Android or visit dmtc.com NOTICE TO CUSTOMERS Federal law requires that customers for certain transactions be identi ed by name, address, government-issued identi cation and other relevant information. Therefore, customers may be asked to provide information and identi cation to comply with the law. www.msb.gov PROGRAM ERRORS Every effort is made to avoid mistakes in the of cial program, but Del Mar Thoroughbred Club assumes no liability to anyone for Beholder errors that may occur. 2016 Pacific CHECK YOUR TICKET AND MONIES BEFORE Classic S. (G1) CONFIRMING WAGER. MANAGEMENT ASSUMES NO RESPONSIBLITY FOR TRANSACTIONS NOT COMPLETED WHEN WAGERING CLOSES. POST TIMES Post times for today’s on-track and imported races appear on the following page. -
ANIMAL INSTINCT Glory in Motion... EQB Shortlist Purchase With
SUNDAY, MAY 8, 2011 For information about TDN, call 732-747-8060. ANIMAL INSTINCT Glory in Motion... AIt was meant to be.@ Jockey John Velazquez, the Trainer Graham Motion, whose main GI Kentucky regular rider of Uncle Mo (Indian Charlie), uttered those Derby hope Toby=s Corner (Bellamy Road) was words shortly after crossing withdrawn Tuesday with an injury, provided a more- the wire first in the able-deputy in the form of the GIII Vinery Spiral S. GI Kentucky Derby on the winner. AIt=s just extraordinary,@ said Motion, who is ultimate pick-up mount, Team based at Fair Hill in Maryland. AHe=s a special horse. Valor=s Animal Kingdom Johnny gave him a (Leroidesanimaux {Brz}). Uncle great ride.@ In Mo was scratched Friday winning the Derby morning, and Robby Albarado, in just his fifth who had been named aboard career start, Animal Kingdom, sustained Animal Kingdom is minor injuries in a spill the most lightly Wednesday. AI feel bad for raced winner of Horsephotos Robby, but this one=s for both the Classic since of us. I=ve been pretty unlucky [here], so, to pick up Exterminator in The 2011 Kentucky Derby winner’s circle this one, words can=t describe it.@ Cont. p2-5 1918. AI=ve only Horsephotos won a couple of the big ones and, when it happens, it=s Saturday, Kentucky Derby surreal,@ said Team Valor founder and CEO Barry Irwin. KENTUCKY DERBY PRESENTED BY YUM! BRANDS-GI, AI couldn=t see a whole lot from where I was sitting. I $2,171,800, CDX, 5-7, 3yo, 1 1/4m, 2:02, ft. -
Horse Todos a B Alliebelle 23.072 a Big To'do 26.392 a Bit
HORSE TODOS A B ALLIEBELLE 23.072 A BIG TO'DO 26.392 A BIT STORMY 25.592 A BOY NAMED EM 28.675 A BRILLIANT IDEA 31.402 A BRUSH OF BEAUTY 21.393 A CAT NAMED SNIPE 28.551 A CAT THAT FLIES 25.368 A CENTURIAN 29.172 A DEVILISH RIDE 24.916 A DIEHL 34.923 A DOS PUNTAS 42.616 A E PHI SENSATION 23.497 A FLEET OF NINE 23.302 A GIRL NAMED MARIA 29.537 A GLASS OF WATER 22.147 A GOLDEN JET 22.575 A GRAND N' MORE 19.560 A JEALOUS WOMAN 36.719 A LA MODA 28.673 A LIL DUMAANI 27.721 A LISTER 25.068 A LITTLE AT A TIME 26.233 A LITTLE OFF 31.467 A LITTLE TOO LATE 25.373 A LOT OF ACTION 26.490 A LOT OF MON 27.211 A MATTEROFSPEAKING 24.041 A MCCOUGHTRY 25.178 A MI ZORRITO 44.348 A MILLION FIELDS 25.005 A MOMENT IN TIME 29.541 A NATIONALTREASURE 33.592 A NATURAL 29.383 A NEW DAWN 25.094 A NEW YORK PHILLIE 23.229 A P MINK 29.223 A P VALOR 30.045 A PERFECT SQUEEZE 28.415 A PINT FOR MARY 26.393 A PLUS TOPPER 28.873 A QUESTION OF TIME 21.185 A RACING DELIGHT 28.495 A RANG A TANG 26.600 A ROCKY STORM 21.775 A ROD 33.263 A ROGUE SNUCK IN 24.666 A ROYAL FLUSH A 18.962 A SHE'S ADORABLE 33.925 A SHOT AWAY 28.920 A SINGLE MAN 21.532 A SMART JUDGE 23.806 A STAR IS GORN 23.954 A STORY OF REVENGE 29.442 A STUDENT 29.494 A T MONEY 30.054 A TOE BY THREE 25.800 A TOUT L'HEURE 42.875 A TRIPP ROYALE 29.433 A USED GUN 23.246 A WALK ABOVE 25.728 A WINK AND A SMILE 32.705 A WISH FOR KOSUTE 20.514 A WORD TO THE WISE 30.596 A Z WARRIOR 35.400 A'INTYOUDREAMIN 22.520 A. -
Racing Flow-TM FLOW + BIAS REPORT: 2008
Racing Flow-TM FLOW + BIAS REPORT: 2008 CIRCUIT=1-NYRA date=12/31/08 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 6.00 Lights Off Annie 0.0 59 8 2 DIRT 6.00 Apple 0.0 59 -69 3 DIRT 6.00 Mr Madison 13.2 59 -39 4 DIRT 8.32 Cat Three Approach 29.7 59 97 5 DIRT 6.00 Great Emperor 8.1 59 39 6 DIRT 6.00 Personal Good 11.2 59 -58 7 DIRT 6.00 Serious Fever 0.0 59 35 8 DIRT 13.00 Delosvientos 0.0 59 33 9 DIRT 6.00 Mrs Holden 0.0 59 23 CIRCUIT=1-NYRA date=12/28/08 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 8.50 Curvature 11.7 206 -85 2 DIRT 6.00 Coaltown Legend 20.5 206 264 3 DIRT 6.00 Pu Dew 7.2 206 151 4 DIRT 6.00 Mr. Fantasy 0.5 206 180 5 DIRT 8.50 Northern Buster 6.0 206 153 6 DIRT 6.00 Mia's First 4.5 206 96 7 DIRT 8.50 Eltish Star 11.2 206 137 8 DIRT 8.50 R Clear Victory 3.5 206 -207 9 DIRT 6.00 Undocumented 19.5 206 106 CIRCUIT=1-NYRA date=12/27/08 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 6.00 Sunday Elegance 2.0 39 19 2 DIRT 8.32 Tee With the Tiger 12.7 39 71 3 DIRT 6.00 Z Day 0.0 39 -8 4 DIRT 6.00 Zip of Fools 0.0 39 67 5 DIRT 6.00 Confirmondi 2.5 39 183 6 DIRT 8.32 Rodeo Hand 13.7 39 49 7 DIRT 6.00 January Gent 3.5 39 52 8 DIRT 6.00 Fabulous Strike 5.0 39 32 9 DIRT 8.32 Manteca 7.5 39 44 CIRCUIT=1-NYRA date=12/26/08 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 6.00 Gimmearoutine 2.2 -14 -78 2 DIRT 8.00 Father Tim 0.0 -14 1 3 DIRT 8.00 Tulipmania 8.0 -14 -90 4 DIRT 6.00 Living Out a Dream 8.0 -14 41 5 DIRT 5.50 Kamboo Man 0.0 -14 -110 6 DIRT 6.00 Momwnt Sensor 2.5 -14 -
Glaciers of the Canadian Rockies
Glaciers of North America— GLACIERS OF CANADA GLACIERS OF THE CANADIAN ROCKIES By C. SIMON L. OMMANNEY SATELLITE IMAGE ATLAS OF GLACIERS OF THE WORLD Edited by RICHARD S. WILLIAMS, Jr., and JANE G. FERRIGNO U.S. GEOLOGICAL SURVEY PROFESSIONAL PAPER 1386–J–1 The Rocky Mountains of Canada include four distinct ranges from the U.S. border to northern British Columbia: Border, Continental, Hart, and Muskwa Ranges. They cover about 170,000 km2, are about 150 km wide, and have an estimated glacierized area of 38,613 km2. Mount Robson, at 3,954 m, is the highest peak. Glaciers range in size from ice fields, with major outlet glaciers, to glacierets. Small mountain-type glaciers in cirques, niches, and ice aprons are scattered throughout the ranges. Ice-cored moraines and rock glaciers are also common CONTENTS Page Abstract ---------------------------------------------------------------------------- J199 Introduction----------------------------------------------------------------------- 199 FIGURE 1. Mountain ranges of the southern Rocky Mountains------------ 201 2. Mountain ranges of the northern Rocky Mountains ------------ 202 3. Oblique aerial photograph of Mount Assiniboine, Banff National Park, Rocky Mountains----------------------------- 203 4. Sketch map showing glaciers of the Canadian Rocky Mountains -------------------------------------------- 204 5. Photograph of the Victoria Glacier, Rocky Mountains, Alberta, in August 1973 -------------------------------------- 209 TABLE 1. Named glaciers of the Rocky Mountains cited in the chapter -
Seeing with Eyes Unclouded Representations of Creativity in the Works of Hayao Miyazaki
Seeing With Eyes Unclouded Representations of Creativity in the Works of Hayao Miyazaki By Jonathan R. Lack Examination Committee Melinda Barlow Advisor and Honors Council Representative Film Studies Ernesto Acevedo-Muñoz Film Studies Paul Strom Honors Date of Defense: November 3 rd , 2014 Table of Contents Abstract 3 Prologue: To See With Eyes Unclouded Charting a path of creative reflexivity in the films of Hayao Miyazaki 5 Endnotes 22 Chapter One: Enveloped in Tenderness Kiki’s Delivery Service and the journey towards a creative spirit 26 Endnotes 48 Chapter Two: Country Roads Whisper of the Heart and the search for home 52 Endnotes 79 Chapter Three: Vapor Trail Rectifying the kingdom of cursed dreams in The Wind Rises 84 Endnotes 122 Epilogue: Always With Me Applying the lessons of Hayao Miyazaki’s creative reflection 133 Bibliography 142 Abstract Though Japanese animation director Hayao Miyazaki is best known for creating imaginative fantasy and adventure features, he has also, on multiple occasions, directly engaged with realistic, contemporary, or historical settings in films that examine everyday human issues and present reflexive musings on the nature of creativity. This study explores how Miyazaki represents creativity in relation to fundamental aspects of the human condition through close analysis of three of these films: Kiki’s Delivery Service (1989), Whisper of the Heart (1995, Dir. Yoshifumi Kondo, written by Hayao Miyazaki), and The Wind Rises (2013). Each of these works explores creativity as a dynamic and multifaceted force, and gives way to larger discussions of how individuals find, define, and maintain their personal voice or talent in a world that is complex, demanding, and imbalanced. -
Copyright by Chuyun Oh 2015
Copyright by Chuyun Oh 2015 The Dissertation Committee for Chuyun Oh Certifies that this is the approved version of the following dissertation: K-popscape: Gender Fluidity and Racial Hybridity in Transnational Korean Pop Dance Committee: Rebecca Rossen, Supervisor Omi Osun Joni L. Jones Paul Bonin-Rodriguez Cherise Smith Heather Hindman Youjeong Oh K-popscape: Gender Fluidity and Racial Hybridity in Transnational Korean Pop Dance by Chuyun Oh, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2015 Acknowledgements I would like to extend my thanks to PPP faculty members whose advice and help significantly contributed to my dissertation. I offer the deepest appreciations to my academic advisor, Rebecca Rossen, for supporting my dissertation and academic progress for the last five years with great enthusiasm, insight, and mentorship. I am also thankful to Omi Osun Joni L. Jones and Paul Bonin for their generous help and inspiring scholarship. I want to thank each member of my committee, Cherise Smith, Heather Hindman, and Youjeong Oh, for the time to read and respond to my work with advice. I also offer thanks to my colleagues, friends, and Theatre and Dance faculty members whose artistic and scholarly endeavors have significantly inspired my work. Lastly, I express my sincere gratitude and love to my family members and loved one. Without their help, care, love, and patience, everthing I have achieved would not have been possible. -
HERE and THERE: a FIRE SURVEY to the Last Smoke
HERE AND THERE: A FIRE SURVEY To the Last Smoke . Volume , Florida: A Fire Survey Volume , California: A Fire Survey Volume , e Northern Rockies: A Fire Survey Volume , e Southwest: A Fire Survey Volume , e Great Plains: A Fire Survey Volume , e Interior West: A Fire Survey Volume , e Northeast: A Fire Survey Volume , Slopovers: Fire Surveys of the Mid- American Oak Woodlands, Paci c Northwest, and Alaska Volume , Here and ere: A Fire Survey STEPHEN J. PYNE HERE AND THERE A Fire Survey e University of Arizona Press www .uapress .arizona .edu © by e Arizona Board of Regents All rights reserved. Published ISBN- : - - - - (paper) Cover design by Leigh McDonald Cover art: Lesnoi pozhar by A. K. Denisov- Uralsky [detail] Library of Congress Cataloging- in- Publication Data are available at the Library of Congress. Printed in the United States of America ♾ is paper meets the requirements of ANSI/NISO Z.- (Permanence of Paper). To Sonja old ame, eternal ame CONTENTS Series Preface: To the Last Smoke ix Preface to Volume xi Acknowledgments xiii FIRE NEAR Our Coming Fire Age: A Prolegomenon Coming to a Forest Near You Science Supplies the Solution The Red Prescribed Longleaf Cockaded Wire Grass Burning Refuge Slouching Toward Gatlinburg FIRE SIDEWAYS An Endangered Process Act Subprime Fires: A Socratic Tutorial Spotting Pack Rats Fire Scars Smokey’s Cubs The Cash- Value of Fire History From Story to History VIII CONTENTS Prometheus Shrugged The American Fire Community’s Euro Moment The Wrath of Kuhn Untamed Art FIRE FAR East of the Wind and West of the Rain Strabrechtse Heide In the Line of Fire Portal to the Pyrocene Burning Ban A Journey to the Source Note on Sources Notes Index SERIES PREFACE To the Last Smoke HEN I DETERMINED to write the «re history of America in recent times, I conceived the project in two voices. -
Hoyusong.Pdf
拝啓 時下益々ご清栄のこととお喜び申し上げます。 さて、この度は弊社の商品をご購入頂きまして誠にありがとうございます。ご不明な点が ございましたら、お気軽に下記までお問い合わせ下さいますよう宜しくお願い致します。 他に追加曲の取り扱いに関しましては下記のとおりご案内申し上げます。 敬具 記 追加曲を希望される方は、初回申し込み時に、別売り追加曲専用カートリッジが必要となります。 そのカートリッジに保有曲リストより選曲して、ご自分のオリジナルカートリッジを作成できます。 カートリッジには約 300 曲が入力できます。 • 追加曲専用カートリッジ 1個 6,300円 (税込) • 追加曲入力料金 1曲 210 円 (税込) (別途 ⋅ 代金引換手数料がかかります) (状況により値段が変動する場合もありますのでご了承願います) 注意 ： ダウンロードした時点で著作権料が発生しますので、曲のキャンセルは出来ませんので ご注意ください。 • 追加曲の販売 随時受付発送中 • 申込方法 ： 別紙注文書にて FAX、郵送等でお申込み下さい。 ※ 本体機種と製造番号を必ず明記して下さい。(本体の裏面にシールで記載されています。) ※ 支払方法：基本的には ①代金引換え支払 ②現金書留 ③銀行振込 いずれでも可(②③は入金確認後の発送となります) 株式会社 TJMジャパン 〒114－0013 TEL：03-5206 - 86 15 , FAX：03-5225-9869 追 加 曲 注 文 書 申込 FAX (03) 5225-9869 株式会社 TJMジャパン 下記の通りに追加曲を申し込みます。 FAX (03) 5225-9869 カートリッジ 個 追加曲 曲 合計 210X 曲+ = 円 NO 番号 曲名 NO 番号 曲名 1 26 2 27 3 28 4 29 5 30 6 31 7 32 8 33 9 34 10 35 11 36 12 37 13 38 14 39 15 40 16 41 17 42 18 43 19 44 20 45 21 46 22 47 23 48 24 49 25 50 〒 ご住所 住所： ふりがな 電話 お名前 FAX 製造番号 購入日 追 加 曲 注 文 書 申込 FAX (03) 5225-9869 株式会社 TJMジャパン 下記の通りに追加曲を申し込みます。 FAX (03) 5225-9869 カートリッジ 個 追加曲 曲 合計 210X 曲+ = 円 NO 番号 曲名 NO 番号 曲名 1 26 2 27 3 28 4 29 5 30 6 31 7 32 8 33 9 34 10 35 11 36 12 37 13 38 14 39 15 40 16 41 17 42 18 43 19 44 20 45 21 46 22 47 23 48 24 49 25 50 〒 ご住所 住所： ふりがな 電話 お名前 FAX 製造番号 購入日 追 加 曲 注 文 書 申込 FAX (03) 5225-9869 株式会社 TJMジャパン 下記の通りに追加曲を申し込みます。 FAX (03) 5225-9869 カートリッジ 個 追加曲 曲 合計 210X 曲+ = 円 NO 番号 曲名 NO 番号 曲名 1 26 2 27 3 28 4 29 5 30 6 31 7 32 8 33 9 34 10 35 11 36 12 37 13 38 14 39 15 40 16 41 17 42 18 43 19 44 20 45 21 46 22 47 23 48 24 49 25 50 〒 ご住所 住所： ふりがな 電話 お名前 FAX 製造番号 購入日 -
The Magic of Spain
THE MAGIC OF SPAIN THE MAGIC OF SPAIN BY AUBREY F. G. BELL WILLIAM CLOWES AND SONS, LIMITED, LONDON AND EECCLES. NOTE is rather a collection of stray notes THISon Spain than a connected study—of notes from many pleasant hours of Spanish literature and travel, but per- haps of too individual an interest to appear without some apology. No reference will be found to those great social and political problems which disturb Spanish life. To fill the idler moments of a Spanish holiday, and possibly to help the reader to feel that "parfum du terroir" which pervades Spain, is the unambitious object of these pages. Better still, if he turns from them in dissatisfaction to authoritative writers on Spanish life and letters, and to the magic- land of Spanish literature itself. For permission to reprint some of these short essays in slightly altered form the author 1 is to thank the Editors of the Morning Post, the Outlook, and the Queen. ; PREFACE is not easy in a few words to account for the IT strange Oriental spell that Spain has exercised over many minds nor to explain the potency of its attraction. For indeed the great Penin- sula possesses a special spice and flavour. It has not the immemorial culture of Italy, nor the pleasant smiling landscapes of France with her green meadows and crystal streams. The old Iberia, that dura tellus, has a peculiar raciness. Its colour is often harsh and crude ; many of its districts are barren and discom- fortable. The bleak and rocky uplands and the ragged sierra ridges cut the countiy into sharp divisions and cause it to be thinly and variously populated. -
Cross-Modal Experience in Music and Visual Art: Their Correspondences and a New Perspective of Appreciation in Education
Cross-modal experience in music and visual art: their correspondences and a new perspective of appreciation in education Kalaly Chu BA (Music with Hons) MA (Music Education) School of English, Media and Performing Arts Thesis submitted for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences The University of New South Wales 2008 Original Statement I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked in UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own word, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged. Signed: Kalaly Chu Date: 29-1-2008 Copyright Statement ‘I hereby grant the University of New South Wales or its agent the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all form of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation.