“For Your Faithful Lord, Life Is Changed Not Ended”

Total Page:16

File Type:pdf, Size:1020Kb

“For Your Faithful Lord, Life Is Changed Not Ended” Yearbook for Ritual and Liturgical Studies IRiLiS / CRH Vol. 36 (2020) 83–97 • https://doi.org/10.21827/YRLS.36.83-97 “For your Faithful Lord, Life is Changed not Ended” The Roman Catholic Funeral Rite in Flanders and the Paschal Mystery Samuel Goyvaerts Abstract Since Vatican II, the paschal mystery has become the focal point of all liturgy, a development that also has consequences for the Roman Catholic funeral liturgy. Celebrating the funeral in the context of the Eucharist underscores the concept of the paschal mystery very explicitly. Since 2011, a number of factors has led to the funeral liturgy without Eucharist becoming the liturgical norm in Flanders. This paper investigates this shift in light of the funeral liturgy being a memorial of the paschal mystery. It (1) sketches the shift that occurred in the revised funeral rite, (2) presents a detailed study of the new Flemish approach towards the funeral liturgy, using the diocese of Hasselt as an example, and (3) evaluates this new approach to the funeral liturgy, specifically from the perspective of the liturgy as a memorial of the paschal mystery. Finally, some conclusions regarding this case from a liturgical-theological and pastoral point of view are formulated. Keywords Funeral liturgy, paschal mystery, Vatican II, memorial Introduction In him the hope of blessed resurrection has dawned, that those saddened by the certainty of dy- ing might be consoled by the promise of immortality to come. Indeed, for your faithful, Lord, life is changed not ended, and, when this earthly dwelling turns to dust, an eternal dwelling is made ready for them in heaven.1 1) This Preface for the Dead I originated in the 1738 Parisian Missal and was added to the Roman Missal by Pope Benedict XV in 1919, the first such addition in more than eight centuries. See Anthony ardW and Cuthbert Johnson, The Prefaces of the Roman Missal: A Source Compendium with Concordance and Indices (Roma: Centro Liturgico Vincenziano, 1989). Hosting Transcendence in Immanence | Van Braak 83 Yearbook for Ritual and Liturgical Studies 36 (2020) 83–97 This excerpt from Preface I for the Dead is a good summary of a Christian perspective on death, which in this case is also connected to the resurrection of Christ. In this paper, I will investigate a recent shift in the Flemish Roman Catholic funeral rite from the perspective of the paschal mystery.2 Since the Second Vatican Council, the memorial of the paschal mystery has become the focal point of all liturgy, which also has had consequences for the Roman Catholic funeral liturgy. In recent years, however, the execution of this funeral rite has experienced some major changes in Flanders, resulting in a new litur- gical reality: the celebration of a funeral liturgy without the Eucharist, led in many parishes almost ex- clusively by lay presiders. In order to understand this phenomenon better, I will first briefly sketch the shift that occurred in the revised funeral rite after the Council, focusing on the paschal mystery. Then, I will present a more detailed study of the evolutions in the liturgical prescriptions and the execution of the funeral liturgy in the Flemish dioceses using the example of the diocese of Hasselt. Finally, I will evaluate this new form of the funeral liturgy, specifically from the perspective of the liturgy as me- morial of the paschal mystery, and I will draw some conclusions regarding this case from a liturgical, theological, and pastoral point of view. 1 The paschal mystery in the revised funeral rite of 1969 I will not present a complete historical overview of the many changes the funeral rite has undergone – this has been done elsewhere.3 I will, instead, focus on the paschal mystery. As R. Ferrone and many others have argued, “the paschal mystery is without a doubt the central theological concept of the liturgical renewal advanced at Vatican II”.4 Sacrosanctum Concilium (SC) has only two paragraphs on the funeral rite, one concerning the funeral rite for children, no. 82, and the previous one, which states that the rite for the burial of the dead should express more clearly the paschal character of Christian death, and should correspond more closely to the circumstances and traditions found in various regions. This holds good also for the liturgical color to be used.5 2) This article was first presented as a paper at the Societas Liturgica Conference of 2019 in Durham, which had as its theme “Anamnesis: Remembering in Action, Place and Time”. 3) For a general introduction, see for example Richard Rutherford, The Death of a Christian: The Rite of Funerals, Studies in the Reformed Rites of the Catholic Church 7 (Collegeville: Liturgical Press, 1990). Very useful from a theological, liturgical, and pastoral view is Thomas G. Long, Accompany Them with Singing: The Christian Funeral (Louisville: Presbyterian Publishing Corporation, 2009). For an extensive empirical study on (Roman Catholic) funeral rites, see Thomas Quartier, Bridging the Gaps: An Empirical Study of Catholic Funeral Rites. Empirische Theologie, Bd. 17 (Wien: LIT, 2007) and Thomas Quartier and Chris A. M. Hermans, “Roman Catholic Funeral Liturgy and Human Finitude: Empirical Explorations of Life, Death and Afterlife in Connection with Liturgical Memory,” in Discourse in Ritual Studies, ed. Hans Schilderman (Leiden: Brill, 2007), 199-228. 4) Rita Ferrone, Liturgy: Sacrosanctum Concilium, Rediscovering Vatican II (New York: Paulist Press, 2007), 23. 5) SC 81, emphasis added. I have used the English version found on the Vatican’s website: www.vatican.va. For your Faithful Lord, Life is Changed not Ended | Goyvaerts 84 Yearbook for Ritual and Liturgical Studies 36 (2020) 83–97 At the outset of the chapter on the various other sacraments and sacramentals, the Council fathers state that “the paschal mystery of the passion, death, the resurrection of Christ, [is] the font from which all sacraments and sacramentals draw their power”.6 In several ways, this new orientation is reflected in the revised funeral rite. The Belgian liturgist J. Lamberts has shown how the new liturgical ordo stresses death more as an Easter-event in compa- rison to the Tridentine rite.7 In the latter, hymns and responsories such as the Dies irae and the Libera me are exemplary of a perspective on death that stresses the fear of judgment and subsequent pu- nishment for one’s sins. The former is sung as the sequence during the Tridentine requiem mass, while the Libera me is used as part of the Absolution of the Dead after the conclusion of the requiem mass and before the burial. The perspective on death of the Libera me is clear from its first two stanzas: Deliver me, O Lord, from death eternal on that fearful day: when the heavens and the earth shall be moved, when thou shalt come to judge the world by fire. I am made to tremble and fear, until the judgment will come, and the coming wrath. When the heavens and the earth shall be moved.8 A very different perspective is evident in the first paragraph of the introduction of the revised funeral rite, in which the paschal mystery becomes the horizon against which the entire rite has to be inter- preted: The Church confidently celebrates Christ’s paschal mystery in the funeral liturgy of her children, that they who through baptism are united to Christ, who died and was raised, can pass with Him through death into life.9 6) SC 61. 7) Jozef Lamberts, “De rooms-katholieke uitvaartliturgie,” in Levensrituelen. Dood & Begrafenis, eds. L. Leijssen et al., KADOC-Studies 31 (Leuven: Universitaire Pers Leuven, 2007), 119-35. Also compare Rutherford, The Death of a Christian, 115 ff, and the somewhat older A Goumans,“ Hopen op verrijzenis. Grenzen en ruimte van deze thematiek in het vernieuwde romeinse rituale van de uitvaartliturgie,” in Tijdschrift voor Liturgie 64 (1980): 209-27. 8) S. Sedis Apostolica et Sacrorum Rituum Congregationis Typographi, Graduale Sacrosanctæ Romanæ Ecclesiæ. De tempore et de Sanctis (Paris, Tournai, and Rome: Desclée, 1961). “Libera me, Domine, de morte æterna, in die illa tremenda:/ Quando cœli movendi sunt et terra,/ dum veneris iudicare saeculum per ignem.// Tremens factus sum ego, et timeo, dum discussio venerit, atque ventura ira./ Quando cœli movendi sunt et terra.” 9) My translation of the Latin praenotanda: “Paschale Christi mysterium in filiorum suorum exsequiis fidenter celebrat Ecclesia, ut illi, qui Christi mortui et suscitati per Baptismum concorporales actif sunt, cum ipso per mortem transeant ad vitam.” Like the Flemish version, the English version is also not a literal translation, although of course the same ideas are evident. For the edition typica I have used Cuthbert Johnson, Christian For your Faithful Lord, Life is Changed not Ended | Goyvaerts 85 Yearbook for Ritual and Liturgical Studies 36 (2020) 83–97 According to Lamberts, this paschal dimension of the funeral liturgy is expressed by celebrating the rite in the context of a Eucharist.10 This is, however, not a requirement. The paschal mystery is further expressed by the presence of the paschal candle and the use of the liturgical color that – according to the introduction – should testify to the Christian faith in light of the paschal mystery.11 There is a sprin- kling with the water of baptism, first at the entrance of the church, secondly during the final commen- dation at the end of the rite, and a third time at the location of burial. Likewise, in the prayers, hymns, and Scripture readings, the memorial of the paschal mystery in the revised Roman Catholic funeral rite is one of the main themes.12 For example, in the rite of final commendation, an important rite within the entire funeral service, this change of perspective becomes very clear.
Recommended publications
  • Theological Studies, Inc., for the Theological Faculties of the Society of Jesus in the United States
    THEOLOGICAL <-*¡L>J*T> VOLUME 20 September 1959 NUMBER 3 Published by Theological Studies, Inc., for the Theological Faculties of the Society of Jesus in the United States WOODSTOCK COLLEGE ST. MARY'S COLLEGE WEST BADEN COLLEGE ST. MARY OF THE LAKE ALMA COLLEGE WESTON COLLEGE © THEOLOGICAL STUDIES, INC. 1959 r^L»JUr> TABLE OF CONTENTS ARTICLES Complacency and Concern in the Thought of St. Thomas Frederick E. Crowe, S J 343 The "Truth Drug" in Criminal Investigation Charhs E. Sheedy, C.S.C 396 NOTES Cullmann's New Testament Christology: An Appraisal David M. Stanley, S J 409 St. Augustine and the Recent Excavations of the Christian Monu­ ments of Hippo Thomas W. Phelan 422 Isidoriana Robert £. McNally, S J 432 BOOK REVIEWS 443 DANIÉLOU, J., S.J.: The Lord of History: Reflections on the Inner Meaning of History (tr. N. Abercrombie) BOUYER, L.: The Meaning of Sacred Scripture (tr. M. P. Ryan) RUDOLPH, W. : Jeremía MILIK, J. T.: Ten Years of Discovery in the Wilderness of Judaea (tr. J. Strugnell) CHEVALLIER, M.-A. : L'Esprit et le messie dans le bas-judaïsme et le Nouveau Testament ROBINSON, J. M. : A New Quest of the Historical Jesus DUPONT, J., O.S.B.: Les béatitudes: Le problème littéraire; Les deux versions du sermon sur la montagne et des béatitudes ELTESTER, F.-W. : Eikon im Neuen Testament St. Methodius: The Symposium: A Treatise on Chastity (tr.-ed. H. Musurillo, S.J.) CLARK, M. T., R.S.C.J.: Augustine, Philosopher of Freedom: A Study in Comparative Philosophy CANIVET, P., S.J.: Histoire d'une entreprise apologétique au Ve siècle Magni Aurelii Cassiodori Expositio psalmorum (éd.
    [Show full text]
  • Pdf • an American Requiem
    An American Requiem Our nation’s first cathedral in Baltimore An American Expression of our Roman Rite A Funeral Guide for helping Catholic pastors, choirmasters and families in America honor our beloved dead An American Requiem: AN American expression of our Roman Rite Eternal rest grant unto them, O Lord, And let perpetual light shine upon them. And may the souls of all the faithful departed, through the mercy of God, Rest in Peace. Amen. Grave of Father Thomas Merton at Gethsemane, Kentucky "This is what I think about the Latin and the chant: they are masterpieces, which offer us an irreplaceable monastic and Christian experience. They have a force, an energy, a depth without equal … As you know, I have many friends in the world who are artists, poets, authors, editors, etc. Now they are well able to appre- ciate our chant and even our Latin. But they are all, without exception, scandalized and grieved when I tell them that probably this Office, this Mass will no longer be here in ten years. And that is the worst. The monks cannot understand this treasure they possess, and they throw it out to look for something else, when seculars, who for the most part are not even Christians, are able to love this incomparable art." — Thomas Merton wrote this in a letter to Dom Ignace Gillet, who was the Abbot General of the Cistercians of the Strict Observance (1964) An American Requiem: AN American expression of our Roman Rite Requiescat in Pace Praying for the Dead The Carrols were among the early founders of Maryland, but as Catholic subjects to the Eng- lish Crown they were unable to participate in the political life of the colony.
    [Show full text]
  • Christus Rex Anglican Province of Christ the King
    Christus Rex Anglican Province of Christ the King Special Apostolic Christianity in the Anglican Tradition June, 2015 In Memoriam Archbishop Robert Sherwood Morse April 10, 1924 – May 28, 2015 The Most Reverend Robert Sherwood Morse, the revered first Bishop of the Anglican Diocese of Christ the King, has gone, as he would say, to gather at the river. Gather with the saints at the river That flows by the throne of God. (Robert Lowry, 1864) Archbishop Morse died peacefully, at age 91, on Thursday, May 28, at 2:25 a.m. in his house in Berkeley. His wife, Nancy Morse, and their daughter, Nina Gladish, were at his bedside. The cause of death was pancreatic cancer. “All I ever wanted to be was a college chaplain,” he once said, but God had greater plans for him. On Jan. 28, 1978, in Denver he was consecrated Bishop of the newly formed Diocese of Christ The King, an orthodox Anglo-Catholic church body formed in 1977 to ensure the continuation of historic Anglican Christianity in America. This traditional Diocese arose in response to radical changes made in the fundamental faith and practices of the Episcopal Church in the United States of America (ECUSA). As other traditional priests and churches joined this movement, the Diocese became a nation-wide Province and he was elected Archbishop. He retired as Archbishop of the Province on January 25, 2008. In his 64 years as a priest and bishop, Archbishop Morse created college ministries at Stanford University and the University of California at Berkeley, founded the York School in Monterey, and established many churches in the Bay Area, including St.
    [Show full text]
  • A Conductor's Guide to the Da Vinci Requiem by Cecilia Mcdowall
    University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall Jantsen Blake Touchstone Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Commons Recommended Citation Touchstone, J. B.(2020). A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5920 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A CONDUCTOR’S GUIDE TO THE DA VINCI REQUIEM BY CECILIA MCDOWALL by Jantsen Blake Touchstone BaChelor of MusiC Mississippi College, 2011 BaChelor of MusiC Education Mississippi College, 2013 Master of MusiC Mississippi College, 2013 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of MusiCal Arts in Conducting SChool of MusiC University of South Carolina 2020 ACCepted by: AliCia W. Walker, Major Professor Jabarie Glass, Committee Member Andrew Gowan, Committee Member J. Daniel Jenkins, Committee Member Cheryl L. Addy, ViCe Provost and Dean of the Graduate SChool © Copyright by Jantsen Blake Touchstone, 2020 All Rights Reserved ii DEDICATION To my wife, Amy Touchstone, for your endless support, patience, love, and saCrifiCe. Your support, patience and understanding have allowed me to complete this projeCt; I thank you. iii ACKNOWLEDGEMENTS I would begin by thanking CeCilia MCDowall for writing such wonderful choral musiC and allowing such aCCess to her life and thoughts.
    [Show full text]
  • Diary 1839-1841
    Collection Oblate Writings 20 Saint EUGENE de MAZENOD DIARY 1839 -1841 Edited by Yvon Beaudoin, o.m.i. Translated by Edward Cardan, o.m.i Missionarii O.M.I. Rome, 2015 Editor: General Service for Oblate Studies Missionary Oblates of Mary Immaculate Via Aurelia 290 - 00165 Roma, Italia e-mail: [email protected] Finito di stampare nel mese di novembre 2015 dalla Tipografia Citta Nuova Via Pieve Torina, 55 - 00156 Roma Cover Image: Statue of Mons. Eugene de Mazenod Artwork of Father Andrea Martini, OFM, in the chapel of the General House O.M.I. in Rome, inaugurated February 7,1985 Table of Contents INTRODUCTION......................................................................... 5 TEXT Diary for 1839................................................................................. 17 Diary for 1840 ............................................................................... 165 Diary for 1841 ............................................................................... 209 Appendix: Administrative Letters ............................................... 235 Index of Proper Names ................................................................ 249 Index of Subjects........................................................................... 261 ILLUSTRATIONS Saint-Louis country h o u se ............................................................ 162 Emilie de V ialar............................................................................. 162 C.D. A lbini,O M I..........................................................................
    [Show full text]
  • (Lathulir (Ulmuirmaster
    Uhe (lathulir (Ulmuirmaster J U Lºſ º | - N IN E T E E N E I G. H. T. E. E. N. surietu uſ st. Øreguru mt America Approved by the Holy Sze by Resºrpt No. 61%, May 1, 1915. --- Uhr (Jathulir (ſhuirntagter T H E O FFICIAL BU L L E T IN of The Society of St. Gregory of America A magazine for those interested in Liturgical Church Music. Nicola A. Montani, Editor. STAFF OF CONTRIBUTORS. Very Rev. E. R. Dyer, S.S. D. D.; Very Rev. A. De Santi, S.J.; Mr. Alois Bartschmid, F. A. G.O.; Rev. L. Bouhier, S.S.; Mr. James A. McDavitt; Rev. A. Dress, Mus. D.; Dom A. Eudine, O. S. B.; Rev. A. L. Gabert, Mus. D.; Dom Gajard, O.S.B.; Rev. Garrouteigt, S.S.; Rev. Virgil Genevrier; Rev. G. Gleason, S.S.; Mr. F. W. Goodrich; Rt. Rev. Mgr. H. T. Henry, Litt. D.; Rev. N. Holly; Rev. G. Huegle, O.S.B.; Mr. J. P. Keating; Rev. E. M. McKeever, LL.D.; Rev. Theo. Laboure, O. M. L.; Rev. L. P. Manzetti, Mus. D. : Mr. A. Mauro, Mus. D.; Dom A. Mocquereau, O. S. B. ; Rev. J. M. Petter, S. T. B., Mus. D.; A. Wan Dyke Power, Litt. D. : Mr. Aloysius Rhode: Mr. R. R. Terry; Rev. D. Waedenschwiler, O. S. B. : Mr. W. N. Waters; Rev. S. M. Yenn; Dom L. M. Zerr, O. S. B. : Rev. John J. Hacker, S. J.; Justine B. Ward; Herbert Antcliffe: Rev. Ludwig J. Bonvin S. J.; Mr. James P.
    [Show full text]
  • The University of Oklahoma Graduate College A
    THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A CONDUCTOR’S RESOURCE GUIDE TO THE OFFICE OF COMPLINE A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts By D. JASON BISHOP Norman, Oklahoma 2006 UMI Number: 3239542 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3239542 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 A CONDUCTOR’S RESOURCE GUIDE TO THE OFFICE OF COMPLINE A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Dennis Shrock, Major Professor Dr. Irvin Wagner, Chair Dr. Sanna Pederson, Co-Chair Dr. Roland Barrett Dr. Steven Curtis Dr. Marilyn Ogilvie ' Copyright by D. JASON BISHOP 2006 All Rights Reserved. TABLE OF CONTENTS Chapter I: Introduction Purpose of the Study 1 Need for the Study 2 Survey of Related Literature 3 Scope & Limitations of the Study,
    [Show full text]
  • November 3.Indd
    Maxwell Street Service for the Lord’s Day Presbyterian Church MSPC November 3, 2019 WE ARE BUILDING FOR EVERYONE Gabriel Fauré (1845-1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers and he was best known for his Requiem. Composer-teacher Louis Niedermeyer was so impressed by the nine-year old Fauré that he was belatedly enrolled (free!) at the Ecole de Musique Classique et Religieuse Paris. He stayed there for 11 years. In 1888, after almost 20 year’s labor, Fauré’s Requiem, a radiant masterwork, received its first performance. It wasn’t until he was 50 years old that Fauré’s exceptional talents began to be recognized. WELCOME • Greeting • Announcements • Minute for Stewardship - Madison Cissel We invite you to sign and pass the Fellowship Pad located at the end of your pew during the Prelude and then return it to the center aisle so that you can turn and greet one another during the Passing of the Peace. CHILDREN’S MESSAGE INTRODUCTION PRELUDE ~ Movement I: Introit CALL TO WORSHIP Our help is in the name of the Lord, Who made heaven and earth. In life and in death we belong to God. Baptized into Christ’s death We live unto Him. Come, let us Worship God! +HYMN 326 ~ For All the Saints vs.1,3, and 5 +CALL TO CONFESSION + PRAYER OF CONFESSION Eternal God, in every age you have raised up men and women to live and die in faith.
    [Show full text]
  • Holy Communion
    REQUIEM MASS FOR THE DEPARTED TRINITY COLLEGE CHAP EL 30 SEPTEMBER 2020 The choir sings the introit: INTROIT & KYRIE MAURICE DURUFL É Requiem aeternam dona eis, Domine: Give them eternal rest, Lord: et lux perpetua luceat eis. and let perpetual light shine upon them. Te decet hymnus, Deus, in Sion, A hymn becomes you, God, in Zion, et tibi reddetur votum in Ierusalem. and a vow shall be paid to you in Jerusalem. Exaudi orationem meam: Hear my prayer: ad te omnis caro veniet. to you all flesh shall come. Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy. THE PREPARATION FOR COMMUNION The Priest says alone: Our Father, which art in heaven, Hallowed be thy Name. Thy Kingdom come. Thy will be done, in earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, As we forgive them that trespass against us. And lead us not into temptation; But deliver us from evil. Amen. Almighty God, unto whom all hearts be open, all desires known, and from whom no secrets are hid; Cleanse the thoughts of our hearts by the inspiration of thy Holy Spirit, that we may perfectly love thee, and worthily magnify thy holy Name; through Christ our Lord. Amen. THE SUMMARY OF THE L AW CONFESSION AND F ORGIVENESS Y e that do truly and earnestly repent you of your sins, and are in love and charity with your neighbours, and intend to lead a new life, following the commandments of God, and walking from henceforth in his holy ways; Draw near with faith, and take this holy Sacrament to your comfort; and make your humble confession to Almighty God, meekly kneeling upon your knees.
    [Show full text]
  • What Is a Requiem? About Gabriel Fauré a Requiem Is Essentially a Mass for the Dead
    Valedictio - In paradisum (“Into paradise” - The “fare thee well” of the mass. This is sung in procession on the way from the final blessing of the corpse in church to the graveyard where burial takes place.) What is a Requiem? About Gabriel Fauré A Requiem is essentially a mass for the dead. The Gabriel Fauré lived from 1845 till 1924. He was born in ceremony is usually celebrated in context with a funeral the south of France. Notable works include his Pavane, within the Roman Catholic Church, though similar Requiem, nocturnes for piano and the songs "Après un ceremonies exist within other denominations. The rêve" and "Clair de lune". The Requiem was written in Requiem Mass (typically performed in Latin) is notable 1888 - 1890. In 1924 the Requiem, in its full orchestral for all of the musical compositions it has inspired; over version, was performed at Fauré's own funeral. Fauré 2,000 Requiem compositions have been composed to himself said of the work, "Everything I managed to date. entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning What are the parts of a Requiem Mass? to end by a very human feeling of faith in eternal rest." The Requiem texts typically set to music are the He told an interviewer, "It has been said that my following: Requiem does not express the fear of death and Introit – Requiem aeternam (“Rest eternal” -Mass someone has called it a lullaby of death. But it is thus formulas are known by the first text in the Introit.
    [Show full text]
  • Faithful Departed
    Commemoration of All Faithful Departed The Solemn Holy Eucharist November 3, 2019 4 pm Washington National Cathedral about today’s commemoration The observance of All Souls’ Day is an extension of the Feast of All Saints’. From very early times, the word “saint” was most associated with persons of heroic sanctity, whose deeds were recalled with gratitude by later generations. By the tenth century, it became customary to set aside another day on which the Church remembered that vast body of the faithful who, though no less members of the company of the redeemed, are unknown in the wider fellowship of the Church. It then became a day for particular remembrance of family members and friends. In keeping with this practice, we will recall by name those who have been a part of the broader Cathedral community who died over this past year. Commemoration of All Faithful Departed Entrance Rite The people remain seated as the choir enters. organ voluntary Prelude, Fugue, and Variation, Op. 18 César Franck (1822-1890) The people stand as able at the procession of the ministers. introit & kyrie Gabriel Fauré (1845–1924) Sung in Latin. Rest eternal grant to them, O Lord, and let perpetual light shine upon them. A hymn befits thee, O God in Zion, and to thee a vow shall be fulfilled in Jerusalem. Hear my prayer, for unto thee all flesh shall come. Sung in Greek. Lord, have mercy. Christ, have mercy. Lord, have mercy. the collect for all faithful departed O God, the Maker and Redeemer of all believers: Grant to the faithful departed the unsearchable benefits of the passion of your Son; that on the day of his appearing they may be manifested as your children; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever.
    [Show full text]
  • CATHOLIC CHURCH MUSIC Iwtbil Obstat
    CATHOLIC CHURCH MUSIC IWtbil obstat. GULIELMUS CANONICUS GILDEA, S.T.D.,. Censor deputatus. 3mprimatut\ •p GULIELMUS EPISCOPUS ARINDELENSIS, Vicanus Generalis. Westmonasterii, die 13 Dec, 1906. CATHOLIC CHURCH MUSIC BY RICHARD R. TERRY ORGANIST AND DIRECTOR OF THE CHOIR AT WESTMINSTER CATHEDRAL LONDON GREENING & CO., LTD 1907 All Rights Reserved SteMcatton TO THE RIGHT REVEREND HUGH EDMUND FORD, O.S.B. ABBOT OF DOWNSIDE DEAR ABBOT FORD, I esteem it a privilege to dedicate this book to you. It was entirely due to your support and encouragement that I was able, ten years ago, to begin the work of reviving, on anything like a large scale, the forgotten music of our English Catholic forefathers, and to restore to the Church in their original Latin form, compositions which since 1641 had only appeared in English dress. And it was to your support, as Head of a great Abbey, that it became possible to restore these works under almost the same ideal conditions which obtained in the old days—in a Monastery Church with its school attached, where daily Mass and Office were said; and where the life of the Church was lived from day to day, by monk and scholar, in the quiet seclusion of the Mendip Hills, far from the hurry of roaring towns. It is, moreover, specially fitting that this revival should have taken place at Downside, since the Downside Benedictine monks are the same identical community—without a break in the chain of their continuity — who served Westminster Abbey in the old time before the dissolution of the monasteries.
    [Show full text]