“For Your Faithful Lord, Life Is Changed Not Ended”
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Theological Studies, Inc., for the Theological Faculties of the Society of Jesus in the United States
THEOLOGICAL <-*¡L>J*T> VOLUME 20 September 1959 NUMBER 3 Published by Theological Studies, Inc., for the Theological Faculties of the Society of Jesus in the United States WOODSTOCK COLLEGE ST. MARY'S COLLEGE WEST BADEN COLLEGE ST. MARY OF THE LAKE ALMA COLLEGE WESTON COLLEGE © THEOLOGICAL STUDIES, INC. 1959 r^L»JUr> TABLE OF CONTENTS ARTICLES Complacency and Concern in the Thought of St. Thomas Frederick E. Crowe, S J 343 The "Truth Drug" in Criminal Investigation Charhs E. Sheedy, C.S.C 396 NOTES Cullmann's New Testament Christology: An Appraisal David M. Stanley, S J 409 St. Augustine and the Recent Excavations of the Christian Monu ments of Hippo Thomas W. Phelan 422 Isidoriana Robert £. McNally, S J 432 BOOK REVIEWS 443 DANIÉLOU, J., S.J.: The Lord of History: Reflections on the Inner Meaning of History (tr. N. Abercrombie) BOUYER, L.: The Meaning of Sacred Scripture (tr. M. P. Ryan) RUDOLPH, W. : Jeremía MILIK, J. T.: Ten Years of Discovery in the Wilderness of Judaea (tr. J. Strugnell) CHEVALLIER, M.-A. : L'Esprit et le messie dans le bas-judaïsme et le Nouveau Testament ROBINSON, J. M. : A New Quest of the Historical Jesus DUPONT, J., O.S.B.: Les béatitudes: Le problème littéraire; Les deux versions du sermon sur la montagne et des béatitudes ELTESTER, F.-W. : Eikon im Neuen Testament St. Methodius: The Symposium: A Treatise on Chastity (tr.-ed. H. Musurillo, S.J.) CLARK, M. T., R.S.C.J.: Augustine, Philosopher of Freedom: A Study in Comparative Philosophy CANIVET, P., S.J.: Histoire d'une entreprise apologétique au Ve siècle Magni Aurelii Cassiodori Expositio psalmorum (éd. -
Pdf • an American Requiem
An American Requiem Our nation’s first cathedral in Baltimore An American Expression of our Roman Rite A Funeral Guide for helping Catholic pastors, choirmasters and families in America honor our beloved dead An American Requiem: AN American expression of our Roman Rite Eternal rest grant unto them, O Lord, And let perpetual light shine upon them. And may the souls of all the faithful departed, through the mercy of God, Rest in Peace. Amen. Grave of Father Thomas Merton at Gethsemane, Kentucky "This is what I think about the Latin and the chant: they are masterpieces, which offer us an irreplaceable monastic and Christian experience. They have a force, an energy, a depth without equal … As you know, I have many friends in the world who are artists, poets, authors, editors, etc. Now they are well able to appre- ciate our chant and even our Latin. But they are all, without exception, scandalized and grieved when I tell them that probably this Office, this Mass will no longer be here in ten years. And that is the worst. The monks cannot understand this treasure they possess, and they throw it out to look for something else, when seculars, who for the most part are not even Christians, are able to love this incomparable art." — Thomas Merton wrote this in a letter to Dom Ignace Gillet, who was the Abbot General of the Cistercians of the Strict Observance (1964) An American Requiem: AN American expression of our Roman Rite Requiescat in Pace Praying for the Dead The Carrols were among the early founders of Maryland, but as Catholic subjects to the Eng- lish Crown they were unable to participate in the political life of the colony. -
Christus Rex Anglican Province of Christ the King
Christus Rex Anglican Province of Christ the King Special Apostolic Christianity in the Anglican Tradition June, 2015 In Memoriam Archbishop Robert Sherwood Morse April 10, 1924 – May 28, 2015 The Most Reverend Robert Sherwood Morse, the revered first Bishop of the Anglican Diocese of Christ the King, has gone, as he would say, to gather at the river. Gather with the saints at the river That flows by the throne of God. (Robert Lowry, 1864) Archbishop Morse died peacefully, at age 91, on Thursday, May 28, at 2:25 a.m. in his house in Berkeley. His wife, Nancy Morse, and their daughter, Nina Gladish, were at his bedside. The cause of death was pancreatic cancer. “All I ever wanted to be was a college chaplain,” he once said, but God had greater plans for him. On Jan. 28, 1978, in Denver he was consecrated Bishop of the newly formed Diocese of Christ The King, an orthodox Anglo-Catholic church body formed in 1977 to ensure the continuation of historic Anglican Christianity in America. This traditional Diocese arose in response to radical changes made in the fundamental faith and practices of the Episcopal Church in the United States of America (ECUSA). As other traditional priests and churches joined this movement, the Diocese became a nation-wide Province and he was elected Archbishop. He retired as Archbishop of the Province on January 25, 2008. In his 64 years as a priest and bishop, Archbishop Morse created college ministries at Stanford University and the University of California at Berkeley, founded the York School in Monterey, and established many churches in the Bay Area, including St. -
A Conductor's Guide to the Da Vinci Requiem by Cecilia Mcdowall
University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall Jantsen Blake Touchstone Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Commons Recommended Citation Touchstone, J. B.(2020). A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5920 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A CONDUCTOR’S GUIDE TO THE DA VINCI REQUIEM BY CECILIA MCDOWALL by Jantsen Blake Touchstone BaChelor of MusiC Mississippi College, 2011 BaChelor of MusiC Education Mississippi College, 2013 Master of MusiC Mississippi College, 2013 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of MusiCal Arts in Conducting SChool of MusiC University of South Carolina 2020 ACCepted by: AliCia W. Walker, Major Professor Jabarie Glass, Committee Member Andrew Gowan, Committee Member J. Daniel Jenkins, Committee Member Cheryl L. Addy, ViCe Provost and Dean of the Graduate SChool © Copyright by Jantsen Blake Touchstone, 2020 All Rights Reserved ii DEDICATION To my wife, Amy Touchstone, for your endless support, patience, love, and saCrifiCe. Your support, patience and understanding have allowed me to complete this projeCt; I thank you. iii ACKNOWLEDGEMENTS I would begin by thanking CeCilia MCDowall for writing such wonderful choral musiC and allowing such aCCess to her life and thoughts. -
Diary 1839-1841
Collection Oblate Writings 20 Saint EUGENE de MAZENOD DIARY 1839 -1841 Edited by Yvon Beaudoin, o.m.i. Translated by Edward Cardan, o.m.i Missionarii O.M.I. Rome, 2015 Editor: General Service for Oblate Studies Missionary Oblates of Mary Immaculate Via Aurelia 290 - 00165 Roma, Italia e-mail: [email protected] Finito di stampare nel mese di novembre 2015 dalla Tipografia Citta Nuova Via Pieve Torina, 55 - 00156 Roma Cover Image: Statue of Mons. Eugene de Mazenod Artwork of Father Andrea Martini, OFM, in the chapel of the General House O.M.I. in Rome, inaugurated February 7,1985 Table of Contents INTRODUCTION......................................................................... 5 TEXT Diary for 1839................................................................................. 17 Diary for 1840 ............................................................................... 165 Diary for 1841 ............................................................................... 209 Appendix: Administrative Letters ............................................... 235 Index of Proper Names ................................................................ 249 Index of Subjects........................................................................... 261 ILLUSTRATIONS Saint-Louis country h o u se ............................................................ 162 Emilie de V ialar............................................................................. 162 C.D. A lbini,O M I.......................................................................... -
(Lathulir (Ulmuirmaster
Uhe (lathulir (Ulmuirmaster J U Lºſ º | - N IN E T E E N E I G. H. T. E. E. N. surietu uſ st. Øreguru mt America Approved by the Holy Sze by Resºrpt No. 61%, May 1, 1915. --- Uhr (Jathulir (ſhuirntagter T H E O FFICIAL BU L L E T IN of The Society of St. Gregory of America A magazine for those interested in Liturgical Church Music. Nicola A. Montani, Editor. STAFF OF CONTRIBUTORS. Very Rev. E. R. Dyer, S.S. D. D.; Very Rev. A. De Santi, S.J.; Mr. Alois Bartschmid, F. A. G.O.; Rev. L. Bouhier, S.S.; Mr. James A. McDavitt; Rev. A. Dress, Mus. D.; Dom A. Eudine, O. S. B.; Rev. A. L. Gabert, Mus. D.; Dom Gajard, O.S.B.; Rev. Garrouteigt, S.S.; Rev. Virgil Genevrier; Rev. G. Gleason, S.S.; Mr. F. W. Goodrich; Rt. Rev. Mgr. H. T. Henry, Litt. D.; Rev. N. Holly; Rev. G. Huegle, O.S.B.; Mr. J. P. Keating; Rev. E. M. McKeever, LL.D.; Rev. Theo. Laboure, O. M. L.; Rev. L. P. Manzetti, Mus. D. : Mr. A. Mauro, Mus. D.; Dom A. Mocquereau, O. S. B. ; Rev. J. M. Petter, S. T. B., Mus. D.; A. Wan Dyke Power, Litt. D. : Mr. Aloysius Rhode: Mr. R. R. Terry; Rev. D. Waedenschwiler, O. S. B. : Mr. W. N. Waters; Rev. S. M. Yenn; Dom L. M. Zerr, O. S. B. : Rev. John J. Hacker, S. J.; Justine B. Ward; Herbert Antcliffe: Rev. Ludwig J. Bonvin S. J.; Mr. James P. -
The University of Oklahoma Graduate College A
THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A CONDUCTOR’S RESOURCE GUIDE TO THE OFFICE OF COMPLINE A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts By D. JASON BISHOP Norman, Oklahoma 2006 UMI Number: 3239542 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3239542 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 A CONDUCTOR’S RESOURCE GUIDE TO THE OFFICE OF COMPLINE A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Dennis Shrock, Major Professor Dr. Irvin Wagner, Chair Dr. Sanna Pederson, Co-Chair Dr. Roland Barrett Dr. Steven Curtis Dr. Marilyn Ogilvie ' Copyright by D. JASON BISHOP 2006 All Rights Reserved. TABLE OF CONTENTS Chapter I: Introduction Purpose of the Study 1 Need for the Study 2 Survey of Related Literature 3 Scope & Limitations of the Study, -
November 3.Indd
Maxwell Street Service for the Lord’s Day Presbyterian Church MSPC November 3, 2019 WE ARE BUILDING FOR EVERYONE Gabriel Fauré (1845-1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers and he was best known for his Requiem. Composer-teacher Louis Niedermeyer was so impressed by the nine-year old Fauré that he was belatedly enrolled (free!) at the Ecole de Musique Classique et Religieuse Paris. He stayed there for 11 years. In 1888, after almost 20 year’s labor, Fauré’s Requiem, a radiant masterwork, received its first performance. It wasn’t until he was 50 years old that Fauré’s exceptional talents began to be recognized. WELCOME • Greeting • Announcements • Minute for Stewardship - Madison Cissel We invite you to sign and pass the Fellowship Pad located at the end of your pew during the Prelude and then return it to the center aisle so that you can turn and greet one another during the Passing of the Peace. CHILDREN’S MESSAGE INTRODUCTION PRELUDE ~ Movement I: Introit CALL TO WORSHIP Our help is in the name of the Lord, Who made heaven and earth. In life and in death we belong to God. Baptized into Christ’s death We live unto Him. Come, let us Worship God! +HYMN 326 ~ For All the Saints vs.1,3, and 5 +CALL TO CONFESSION + PRAYER OF CONFESSION Eternal God, in every age you have raised up men and women to live and die in faith. -
Holy Communion
REQUIEM MASS FOR THE DEPARTED TRINITY COLLEGE CHAP EL 30 SEPTEMBER 2020 The choir sings the introit: INTROIT & KYRIE MAURICE DURUFL É Requiem aeternam dona eis, Domine: Give them eternal rest, Lord: et lux perpetua luceat eis. and let perpetual light shine upon them. Te decet hymnus, Deus, in Sion, A hymn becomes you, God, in Zion, et tibi reddetur votum in Ierusalem. and a vow shall be paid to you in Jerusalem. Exaudi orationem meam: Hear my prayer: ad te omnis caro veniet. to you all flesh shall come. Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy. THE PREPARATION FOR COMMUNION The Priest says alone: Our Father, which art in heaven, Hallowed be thy Name. Thy Kingdom come. Thy will be done, in earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, As we forgive them that trespass against us. And lead us not into temptation; But deliver us from evil. Amen. Almighty God, unto whom all hearts be open, all desires known, and from whom no secrets are hid; Cleanse the thoughts of our hearts by the inspiration of thy Holy Spirit, that we may perfectly love thee, and worthily magnify thy holy Name; through Christ our Lord. Amen. THE SUMMARY OF THE L AW CONFESSION AND F ORGIVENESS Y e that do truly and earnestly repent you of your sins, and are in love and charity with your neighbours, and intend to lead a new life, following the commandments of God, and walking from henceforth in his holy ways; Draw near with faith, and take this holy Sacrament to your comfort; and make your humble confession to Almighty God, meekly kneeling upon your knees. -
What Is a Requiem? About Gabriel Fauré a Requiem Is Essentially a Mass for the Dead
Valedictio - In paradisum (“Into paradise” - The “fare thee well” of the mass. This is sung in procession on the way from the final blessing of the corpse in church to the graveyard where burial takes place.) What is a Requiem? About Gabriel Fauré A Requiem is essentially a mass for the dead. The Gabriel Fauré lived from 1845 till 1924. He was born in ceremony is usually celebrated in context with a funeral the south of France. Notable works include his Pavane, within the Roman Catholic Church, though similar Requiem, nocturnes for piano and the songs "Après un ceremonies exist within other denominations. The rêve" and "Clair de lune". The Requiem was written in Requiem Mass (typically performed in Latin) is notable 1888 - 1890. In 1924 the Requiem, in its full orchestral for all of the musical compositions it has inspired; over version, was performed at Fauré's own funeral. Fauré 2,000 Requiem compositions have been composed to himself said of the work, "Everything I managed to date. entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning What are the parts of a Requiem Mass? to end by a very human feeling of faith in eternal rest." The Requiem texts typically set to music are the He told an interviewer, "It has been said that my following: Requiem does not express the fear of death and Introit – Requiem aeternam (“Rest eternal” -Mass someone has called it a lullaby of death. But it is thus formulas are known by the first text in the Introit. -
Faithful Departed
Commemoration of All Faithful Departed The Solemn Holy Eucharist November 3, 2019 4 pm Washington National Cathedral about today’s commemoration The observance of All Souls’ Day is an extension of the Feast of All Saints’. From very early times, the word “saint” was most associated with persons of heroic sanctity, whose deeds were recalled with gratitude by later generations. By the tenth century, it became customary to set aside another day on which the Church remembered that vast body of the faithful who, though no less members of the company of the redeemed, are unknown in the wider fellowship of the Church. It then became a day for particular remembrance of family members and friends. In keeping with this practice, we will recall by name those who have been a part of the broader Cathedral community who died over this past year. Commemoration of All Faithful Departed Entrance Rite The people remain seated as the choir enters. organ voluntary Prelude, Fugue, and Variation, Op. 18 César Franck (1822-1890) The people stand as able at the procession of the ministers. introit & kyrie Gabriel Fauré (1845–1924) Sung in Latin. Rest eternal grant to them, O Lord, and let perpetual light shine upon them. A hymn befits thee, O God in Zion, and to thee a vow shall be fulfilled in Jerusalem. Hear my prayer, for unto thee all flesh shall come. Sung in Greek. Lord, have mercy. Christ, have mercy. Lord, have mercy. the collect for all faithful departed O God, the Maker and Redeemer of all believers: Grant to the faithful departed the unsearchable benefits of the passion of your Son; that on the day of his appearing they may be manifested as your children; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. -
CATHOLIC CHURCH MUSIC Iwtbil Obstat
CATHOLIC CHURCH MUSIC IWtbil obstat. GULIELMUS CANONICUS GILDEA, S.T.D.,. Censor deputatus. 3mprimatut\ •p GULIELMUS EPISCOPUS ARINDELENSIS, Vicanus Generalis. Westmonasterii, die 13 Dec, 1906. CATHOLIC CHURCH MUSIC BY RICHARD R. TERRY ORGANIST AND DIRECTOR OF THE CHOIR AT WESTMINSTER CATHEDRAL LONDON GREENING & CO., LTD 1907 All Rights Reserved SteMcatton TO THE RIGHT REVEREND HUGH EDMUND FORD, O.S.B. ABBOT OF DOWNSIDE DEAR ABBOT FORD, I esteem it a privilege to dedicate this book to you. It was entirely due to your support and encouragement that I was able, ten years ago, to begin the work of reviving, on anything like a large scale, the forgotten music of our English Catholic forefathers, and to restore to the Church in their original Latin form, compositions which since 1641 had only appeared in English dress. And it was to your support, as Head of a great Abbey, that it became possible to restore these works under almost the same ideal conditions which obtained in the old days—in a Monastery Church with its school attached, where daily Mass and Office were said; and where the life of the Church was lived from day to day, by monk and scholar, in the quiet seclusion of the Mendip Hills, far from the hurry of roaring towns. It is, moreover, specially fitting that this revival should have taken place at Downside, since the Downside Benedictine monks are the same identical community—without a break in the chain of their continuity — who served Westminster Abbey in the old time before the dissolution of the monasteries.