Worship Through Song
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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
No-Other-Name-Lead.Pdf
KEY: D Lead Sheet No Other Name q = 74 Worshipfully JOEL HOUSTON and JONAS MYRIN Elec. & Synth INTRO p diamond feel A# A# A# # D C DEmD C Bm C # 4 Œ & 4 ˙ . œ œ œ œ œ w ˙ œ 1.One VERSE 1 A# A# A# # D C DEmD C Bm C # ŒŒ ŒÓ Ó Œ & œ œ œ œ œ œ œ œ 5 name holds weight a- bove them all. His A# A# D# # D C DEmD C Bm F # ŒŒ ŒÓ Ó Œ & œ œ œ œ œ œ œ œ 9 fame out - lasts the earth He formed. His D# D# # G F GAGF Bm D # œŒŒ œ œ œ ŒŒ & œ œ œ œ œ œ œ œ. œ 13 praise re --sounds be yond the stars, and ech - oes in our Band in, Bass - 8ths D D A G F# GAGF# Bm G P C# ## j œ Ó & ‰ œ œŒœ œ œ œ ˙ Ó Œ œ 17 hearts; the great- est One of all. 2.His VERSE 2 A A A D C# DEmD C# Bm C# ## ŒŒ ŒÓ Ó Œ & œ œ œ œ œ œ œ œ 21 face shines bright- er than the sun. His A# A# D# # D C DEmD C Bm F # ŒŒ ŒÓ Ó Œ œ & œ œ œ œ œ œ œ 25 grace, as bound- less as His love. He D D G F# GAGF# Bm D ## œŒŒ œ œ œ ŒŒ & œ œ œ œ œ œ œ œ. œ 29 reigns with heal-- ing in His wings. -
3D Volumetric Modeling with Introspective Neural Networks
The Thirty-Third AAAI Conference on Artificial Intelligence (AAAI-19) 3D Volumetric Modeling with Introspective Neural Networks Wenlong Huang,*1 Brian Lai,*2 Weijian Xu,3 Zhuowen Tu3 1University of California, Berkeley 2University of California, Los Angeles 3University of California, San Diego Abstract Classification Decision Boundary In this paper, we study the 3D volumetric modeling problem by adopting the Wasserstein introspective neural networks method (WINN) that was previously applied to 2D static im- ages. We name our algorithm 3DWINN which enjoys the same properties as WINN in the 2D case: being simultane- Classification ously generative and discriminative. Compared to the existing Wasserstein 3D volumetric modeling approaches, 3DWINN demonstrates Distance competitive results on several benchmarks in both the genera- tion and the classification tasks. In addition to the standard in- ception score, the Frechet´ Inception Distance (FID) metric is also adopted to measure the quality of 3D volumetric genera- tions. In addition, we study adversarial attacks for volumetric Training Examples CNN Architecture Learned Distribution data and demonstrate the robustness of 3DWINN against ad- Synthesis versarial examples while achieving appealing results in both classification and generation within a single model. 3DWINN is a general framework and it can be applied to the emerging tasks for 3D object and scene modeling.1 Pseudo-negative Distribution Introduction The rich representation power of the deep convolutional neu- Figure 1: Diagram of the Wasserstein introspective neural ral networks (CNN) (LeCun et al. 1989), as a discrimina- networks (adapted from Figure 1 of (Lee et al. 2018)); the tive classifier, has led to a great leap forward for the im- upper figures indicate the gradual refinement over the clas- age classification and regression tasks (Krizhevsky 2009; sification decision boundary between training examples (cir- Szegedy et al. -
Aquaris X2 X2 Pro Complete User Manual
Aquaris X2 (X2 / X2 Pro) Complete User Manual Aquaris X2 / X2 Pro The BQ team would like to thank you for purchasing your new Aquaris X2 / X2 Pro. We hope you enjoy using it. Enjoy the fastest mobile network speeds with this unlocked smartphone thanks to 4G coverage. Its dual-SIM functionality (nano-SIM) means you can use two SIM cards at the same time, even if they are from different operators. You can browse the internet rapidly, check your email, enjoy games and apps (which can be acquired directly from the device), read e-books, transfer files via Bluetooth, record audio, watch films, take photos and record videos, listen to music, chat with your friends and family and enjoy your favourite social networks. It also comes with a fingerprint scanner, enabling you to add a digital fingerprint to unlock your smartphone, authorise purchases or sign in to an application. About this manual · To make sure that you use your smartphone correctly, please read this manual carefully before you start using it. · Some of the images and screenshots shown in this manual may differ slightly from those of the final product. Likewise, due to firmware updates, it is possible that some of the information in this manual does not correspond exactly to the operation of your device. · BQ shall not be held liable for any issues relating to performance or incompatibility resulting from modification of the registry settings by the user. Nor shall it be held liable for any incompatibility issues with third-party applications available through the app stores. -
Praise & Worship from Moody Radio
Praise & Worship from Moody Radio 04/28/15 Tuesday 12 A (CT) Air Time (CT) Title Artist Album 12:00:10 AM Hold Me Jesus Big Daddy Weave Every Time I Breathe (2006) 12:03:59 AM Do Something Matthew West Into The Light 12:07:59 AM Wonderful Merciful Savior Selah Press On (2001) 12:12:20 AM Jesus Loves Me Chris Tomlin Love Ran Red (2014) 12:15:45 AM Crown Him With Many Crowns Michael W. Smith/Anointed I'll Lead You Home (1995) 12:21:51 AM Gloria Todd Agnew Need (2009) 12:24:36 AM Glory Phil Wickham The Ascension (2013) 12:27:47 AM Do Everything Steven Curtis Chapman Do Everything (2011) 12:31:29 AM O Love Of God Laura Story God Of Every Story (2013) 12:34:26 AM Hear My Worship Jaime Jamgochian Reason To Live (2006) 12:37:45 AM Broken Together Casting Crowns Thrive (2014) 12:42:04 AM Love Has Come Mark Schultz Come Alive (2009) 12:45:49 AM Reach Beyond Phil Stacey/Chris August Single (2015) 12:51:46 AM He Knows Your Name Denver & the Mile High Orches EP 12:55:16 AM More Than Conquerors Rend Collective The Art Of Celebration (2014) Praise & Worship from Moody Radio 04/28/15 Tuesday 1 A (CT) Air Time (CT) Title Artist Album 1:00:08 AM You Are My All In All Nichole Nordeman WOW Worship: Yellow (2003) 1:03:59 AM How Can It Be Lauren Daigle How Can It Be (2014) 1:08:12 AM Truth Calvin Nowell Start Somewhere 1:11:57 AM The One Aaron Shust Morning Rises (2013) 1:15:52 AM Great Is Thy Faithfulness Avalon Faith: A Hymns Collection (2006) 1:21:50 AM Beyond Me Toby Mac TBA (2015) 1:25:02 AM Jesus, You Are Beautiful Cece Winans Throne Room 1:29:53 AM No Turning Back Brandon Heath TBA (2015) 1:32:59 AM My God Point of Grace Steady On 1:37:28 AM Let Them See You JJ Weeks Band All Over The World (2009) 1:40:46 AM Yours Steven Curtis Chapman This Moment 1:45:28 AM Burn Bright Natalie Grant Hurricane (2013) 1:51:42 AM Indescribable Chris Tomlin Arriving (2004) 1:55:27 AM Made New Lincoln Brewster Oxygen (2014) Praise & Worship from Moody Radio 04/28/15 Tuesday 2 A (CT) Air Time (CT) Title Artist Album 2:00:09 AM Beautiful MercyMe The Generous Mr. -
Script Identification in Printed Bilingual Documents
Script Identification in Printed Bilingual Documents D. Dhanya and A.G. Ramakrishnan Department of Electrical Engineering, Indian Institute of Science, Bangalore 560 012, India [email protected] Abstract. Identification of script in multi-lingual documents is essen- tial for many language dependent applications suchas machinetransla- tion and optical character recognition. Techniques for script identification generally require large areas for operation so that sufficient information is available. Suchassumption is nullified in Indian context, as thereis an interspersion of words of two different scripts in most documents. In this paper, techniques to identify the script of a word are discussed. Two different approaches have been proposed and tested. The first method structures words into 3 distinct spatial zones and utilizes the informa- tion on the spatial spread of a word in upper and lower zones, together with the character density, in order to identify the script. The second technique analyzes the directional energy distribution of a word using Gabor filters withsuitable frequencies and orientations. Words withvar- ious font styles and sizes have been used for the testing of the proposed algorithms and the results obtained are quite encouraging. 1 Introduction Multi-script documents are inevitable in countries housing a national language different from English. This effect is no less felt in India, where as many as 18 regional languages coexist. Many official documents, magazines and reports are bilingual in nature containing both regional language and English. Knowledge of the script is essential in many language dependent processes such as machine translation and OCR. The complexity of the problem of script identification depends on the disposition of the input documents. -
October 14, 2020 ,2, 2020
Seeking God Serving Others Loving All October 14, 2020 We look forward to continuing this ,2, 2020 Sunday with our drive-in service at Dear Chosen One, 10:30am! This will still be located in , 2020 the lower parking lot, South side of Have you ever, 20 thought20 Newsletter about who God is choosing and the Morph Student Center (chapel). what He is choosing one for in life, and why He does things the We have a FM transmitter that you way he chooses too? I know that sounds like a tongue- twister can tune into in your car at FM 89.1. but these are thoughts or question that most of us have at some point in our lives. We look at our culture and may ask ‘why would God allow certain things to happen’. What is our role in the believing and unbelieving world, you may ask? Some may even wonder if God really is in control or can he erect good out of bad situations. I am so grateful that we have God’s written word to guide us in these matters. The prophet Isaiah speaks of the time when God moved in a direction that probably caught most people off Exciting news! Sunday, October guard. God uses a non-believer to free His chosen people, Israel, 25th we plan on going back into the from the bondage of Babylon (including its culture) and eventually sanctuary for morning worship. to restore the temple. Isaiah even uses the word “anointed” in the Inside worship will require masks, calling of this king named Cyrus. -
Song-Book-Take-45.Pdf
SONG BOOK Second Edition Church Family, The Song Book that you are holding is a testament to this fact: we (the pastors at First Irving) deeply care about singing as a church family! As Christians, we understand that God’s Word actually commands us to sing (every single Christian). Psalm 66:1-2 says, “Shout for joy to God, all the earth; sing the glory of his name; give to him glorious praise!” This tells us so much, but I’d like to point out two things: First, that we must sing, but perhaps more foundational is the second truth – that God is magnificently, unquestionably, and supremely worthy of our songs and praise! As the old hymn says, “How can I keep from singing?!” So, we desired to give you this Song Book as a tool to help facilitate singing among God’s people at First Irving; a tool that would lead us to praise and glorify God through song. Our desire is that the songs here would stir your soul to treasure and love God (Father, Son, & Holy Spirit) increasingly in every season of life, but also we pray that this book would strengthen and encourage your singing! In this book we have tried to select some of the very best songs that our church sings. There are certainly more we could have included (perhaps more to come later!), but these are particularly strong in rich biblical content and seem to have an enduring quality to them. In the spirit of 1 Thessalonians 5:23-24, we pray that God would use this Song Book to His glory and as a part of “sanctifying you completely.” Kurt Bost Worship Pastor Worship Ministry Convictions “Make disciples locally and globally for the glory of God” (Matt. -
Uncut (Album Review + Mini-Feature, UK, Print, 2013)
NewAlbums THE PENNY DUANE PITRE PURE X BLACK REMEDY Bridges Crawlino Uo lnhale... Exhale... IMPORTANT The Staiis ' A OK, NowYou MEROK/ACEPHALE Can Panic! Just Intonating, brother SOUNDINISTAS - beautiful modern Austinpsychwaffir minimalism getlostinmusic t London-based festival Duane Pitre's career Atatimewhere 6fiO favourites hit cross- 8tlo traiectoryis fair\ 7fiO psychedelic rock is tniry AI cultural sweet spot unique - from professional madeoverinrugged On the followup to TPBR's zoog debut, No Oneb skateboarder through to minimalist composer fashionbyTySegall, Thee OhSees, etel.PM -tr Fault But Your Own, Keith MThomson's is abigleap in somerespects, thoughboth X seem content with being out of time ard m* deadpan compositions often recall the wry do share a love of, to paraphrase minimalist ofphase. Their second album, CrawlingUp Dia worldview of Loudon Wainwright. Emboldened guru La Monte Young, 'drawing a straight IheSfairs, takes a spacier, more ambied byhearty live shows, the dynamicallyprimed line and following it'. OnBridges, Pitre approach, a lava-lamp swirl of effects-selad eh arrangements blendmusic hall, folk and works the mathematical precision of the guitar and bubbling electronics through Balkan influences in a swishlycalibrated Just Intonation tuning systeminto two which frontman Nate Grace's falsetto fl@ fashion. The archness in some of Thomson's side Jong, gorgeously free-fl odting untethered. It is a wispy thing, not alwaprry' topical observations is offset by the sprightly compositions, full of arcing, swooping to gdp. But its more soulful moments canb tempos and welcome brushes of colour. stdngs that accumulate and disperse like quietly transcendent: the languidiazz-ktfr. Melliflous Croatian singer Mariiana tides of fog. -
Exclusive Discount Offer for Groups of 10 Or More
EXCLUSIVE DISCOUNT OFFER FOR GROUPS OF 10 OR MORE “No Other Name” is this year's highly anticipated annual Hillsong Worship album release, and the name of their summertime tour. The album includes 11 original songs for individual and congregational worship. The tour heads to more than a dozen outstanding venue in just four weeks across 10 states. The tour and the album featuring the songwriting, worship leadership, musicianship and vocals of those now well-known as the Hillsong Worship team, including Reuben Morgan, Ben Fielding, Matt Crocker, Joel Houston, Nigel Hendroff, Autumn Hardman, Annie Garratt, Jad Gillies, David Ware, and Taya Smith. The album’s standout songs include the title track, ‘No Other Name’, which captures Hillsong Church’s current season of building on the foundations of the past three decades and 'pioneering again’, whilst continuing to lift up the One it all began with, Jesus. Group Prices Accessible seating requested Item Price Per Ticket Discount Price # of Tickets Total GA Floor $45.00* $N/A $ GA Arena $29.00* $25.00 $ Processing Fee $5.00 Grand Total $ Deadline to order: Wednesday, August 27 at 12:00pm Group/Organization Name: Purchaser Name: Mailing Address: City: State: Zip Code: Daytime Phone Number: E-mail Address: To Order Tickets Charge by phone – 859-292-2890 o We accept Visa, MasterCard, Discover, and American Express Mail Order Form with Cash or Check to: The Bank of Kentucky Center, 500 Nunn Drive, Highland Heights, KY 41099 (Make checks payable to The Bank of Kentucky Center - No checks accepted after Friday, August 1) Mail or Will Call (circle one) Name for will-call if different from above ________________________ All tickets ordered on or after Monday, August 25, 2014 will be left in will-call For Office Use Only Date Account Rec’d/Processed Number Date Paid/Printed Seat Locations Date Mailed Seat Locations All children over 2 years of age must have a ticket for this show. -
Ts 136 423 V11.2.0 (2012-10)
ETSI TS 136 423 V11.2.0 (2012-10) Technical Specification LTE; Access Network (E-UTRAN); X2 Application Protocol (X2AP) (3GPP TS 36.423 version 11.2.0 Release 11) 3GPP TS 36.423 version 11.2.0 Release 11 1 ETSI TS 136 423 V11.2.0 (2012-10) Reference RTS/TSGR-0336423vb20 Keywords LTE ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://portal.etsi.org/tb/status/status.asp If you find errors in the present document, please send your comment to one of the following services: http://portal.etsi.org/chaircor/ETSI_support.asp Copyright Notification No part may be reproduced except as authorized by written permission. -
What a Friend We Have in Jesus (Converse)
What A Friend We Have In Jesus (Converse) Verse 1 What a friend we have in Jesus All our sins and griefs to bear What a privilege to carry Everything to God in prayer O what peace we often forfeit O what needless pain we bear All because we do not carry Everything to God in prayer Verse 2 Have we trials and temptations Is there trouble anywhere We should never be discouraged Take it to the Lord in prayer Can we find a friend so faithful Who will all our sorrows share Jesus knows our every weakness Take it to the Lord in prayer Verse 3 Are we weak and heavy laden Cumbered with a load of care Precious Savior still our refuge Take it to the Lord in prayer Do thy friends despise forsake thee Take it to the Lord in prayer In His arms He'll take and shield thee Thou wilt find a solace there Verse 4 Blessed Savior Thou hast promised Thou wilt all our burdens bear May we ever Lord be bringing All to Thee in earnest prayer Soon in glory bright unclouded There will be no need for prayer Rapture praise and endless worship Will be our sweet portion there CCLI Song # 27714 Charles Crozat Converse | Joseph Medlicott Scriven © Words: Public Domain Music: Public Domain For use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.com CCLI License # 542701 At Your Name Verse 1 At Your name The mountains shake and crumble At Your name The oceans roar and tumble At Your name angels will bow The earth will rejoice Your people cry out Chorus 1 Lord of all the earth we shout Your name Shout Your name Filling up the skies with endless praise