Wild Normativity: Lyotard's Search for an Ethical Antihumanism
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Dead Space 2: the Sublime, Uncanny and Abject in Survival Horror Games
Dead Space 2: The Sublime, Uncanny and Abject in Survival Horror Games Garth Mc Intosh 404209 Master of Arts by Course Work in Digital Animation 18 February 2015 Supervisor: Hanli Geyser ` 1 Figure 1. Visceral Games, Dead Space II, game cover, 2011. Copyright U.S.A. Electronic Arts. ` 2 Table of Contents INTRODUCTION ................................................................................................................................. 4 HORROR GENRE................................................................................................................................................ 5 ‘DEAD SPACE 2’ ................................................................................................................................................ 6 METHODOLOGY & STRUCTURE ...................................................................................................................... 8 CLARIFICATION OF TERMS .............................................................................................................................. 9 CHAPTER 1 SUBLIME WITHIN NARRATIVE AND MIS-EN-SCENE ....................................10 THE MARKER AND GOYA .............................................................................................................................. 11 AWAKING TO A NIGHTMARE ........................................................................................................................ 13 THE SUBLIME ................................................................................................................................................ -
A–Z Glossary
Page 279 16 A–Z Glossary Adorno A critical theorist, essayist, philosopher, musicologist and social critic, Theodor Wiesengrund Adorno (Frankfurt am Main 1903 – Visp 1969) is best known as a leading member of the Frankfurt School. Following the submission of his doctoral thesis on Husserl he studied composition and sought a career in music. Though by the end of the 1920s his essays on music had become more popular, Adorno’s early work as a composer and music critic was not well received and he came to devote more energy to philosophy, beginning his association with the Institute for Social Research in 1928. For Adorno, thought generally misrepresents reality by making it con- form to the instrumental human interests which dominate under capitalist modernity. Under Adorno’s analysis, modern society falsely understands the world as a totality of facts, when it can never be fully described or cognized in general terms. He was deeply critical of what he saw as the political conservativism of scientific positivism, and argued for dialectical method in philosophical research. Rejecting the idea that philosophy pro- vides access to a direct or unmediated set of truths, Adorno suggests that only dialectics can escape ‘identity thinking’: thought distorted by relations of social power which attempts to make objects conform to inadequate con- cepts. It is therefore in the anomalous – or ‘non-identical’ – that Adorno finds the strongest indictments of the poverty of the present state of things. Dialectics is ‘the consistent consciousness of nonidentity’, he writes in Negative Dialectics (1966). Though heavily indebted to Marx, Adorno remained sceptical about the revolutionary potential of the working class, preferring to speak of the way in which late capitalism permeates all levels of society with its own instru- mental logic. -
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/110900 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications THE BRITISH LIBRARY BRITISH THESIS SERVICE COPYRIGHT Reproduction of this thesis, other than as permitted under the United Kingdom Copyright Designs and Patents Act 1988, or under specific agreement with the copyright holder, is prohibited. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. REPRODUCTION QUALITY NOTICE Th e quality of this reproduction is dependent upon the quality of the original thesis. Whilst every effort has been made to ensure the highest quality of reproduction, some pages which contain small or poor printing may not reproduce well. Previously copyrighted material (journal articles, published texts etc.) is not reproduced. THIS THESIS HAS BEEN REPRODUCED EXACTLY AS RECEIVED FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY-FICTION Mark Fisher Presented for the degree of Doctor of Philosophy Department of Philosophy University of Warwick July 1999 Numerous Originals in Colour Abstract FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY- FICTION Cyberpunk fiction has been called “the supreme literary expression, if not of postmodernism then of late capitalism itself.” (Jameson) This thesis aims to analyse and question this claim by rethinking cyberpunk Action, postmodernism and late capitalism in terms of three - interlocking - themes: cybernetics, the Gothic and fiction. -
Your Abjection Is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-In-Différance
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 6-2017 Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance Ricardo R. Ramirez California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Digital Humanities Commons, Feminist, Gender, and Sexuality Studies Commons, and the Other Film and Media Studies Commons Recommended Citation Ramirez, Ricardo R., "Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in- Différance" (2017). Electronic Theses, Projects, and Dissertations. 560. https://scholarworks.lib.csusb.edu/etd/560 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. YOUR ABJECTION IS IN ANOTHER CASTLE: JULIA KRISTEVA, GAMER THEORY, AND IDENTITIES-IN-DIFFÉRANCE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Ricardo Rodriguez Ramirez June 2017 YOUR ABJECTION IS IN ANOTHER CASTLE: JULIA KRISTEVA, GAMER THEORY, AND IDENTITIES-IN-DIFFÉRANCE A Thesis Presented to the Faculty of California State University, San Bernardino by Ricardo Rodriguez Ramirez June 2016 Approved by: Dr. Jacqueline Rhodes, Committee Member Dr. Chad Luck, Committee Member © 2016 Ricardo Rodriguez Ramirez ABSTRACT Typified rhetorical situations are often a result of normalized ideologies within cultures; however, they also have the capability to produce new ideology. -
Jean Genet and Subaltern Socialities by Kadji Amin Department Of
Agencies of Abjection: Jean Genet and Subaltern Socialities by Kadji Amin Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Marc Schachter, Co-Supervisor ___________________________ Michèle Longino, Co-Supervisor ___________________________ Robyn Wiegman ___________________________ Francisco-J. Hernández Adrián Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2009 ABSTRACT Agencies of Abjection: Jean Genet and Subaltern Socialities by Kadji Amin Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Marc Schachter, Co-Supervisor ___________________________ Michèle Longino, Co-Supervisor ___________________________ Robyn Wiegman ___________________________ Francisco-J. Hernández Adrián An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2009 Copyright by Kadji Amin 2009 Abstract This dissertation explores the concept of agential abjection through Jean Genet’s involvement with and writings about the struggles of disenfranchised and pathologized peoples. Following Julia Kristeva, Judith Butler has argued that modern subjectivity requires the production of a domain of abjected beings denied subjecthood and forced to live "unlivable" lives. "Agencies of Abjection" brings these feminist theories of abjection to bear on multiple coordinates of social difference by exploring forms of abjection linked to sexuality, criminality, colonialism, and racialization. Situating Genet within an archive that includes the writings of former inmates of penal colonies, Francophone intellectuals, and Black Panther Party members, I analyze both the historical forces that produce abjection and the collective forms of agency that emerge from subaltern social forms. -
ABJECT Performances AESTHETIC STRATEGIES in LATINO CULTURAL PRODUCTION
ABJECT performances AESTHETIC STRATEGIES IN LATINO CULTURAL PRODUCTION Leticia Alvarado ABJECT performances Dissident Acts A series edited by Macarena Gomez- Barris and Diana Taylor ABJECT performances AESTHETIC STRATEGIES IN LATINO CULTURAL PRODUCTION LETICIA ALVARADO Duke University Press / Durham and London / 2018 © 2018 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Heather Hensley Typeset in Scala Pro by Copperline Book Services, Inc. Library of Congress Cataloging- in- Publication Data Names: Alvarado, Leticia, [date] author. Title: Abject performances : aesthetic strategies in Latino cultural production / Leticia Alvarado. Description: Durham : Duke University Press, 2018. | Series: Dissident acts | Includes bibliographical references and index. Identifiers: lccn 2017045246 (print) | lccn 2017051045 (ebook) isbn 9780822371939 (ebook) isbn 9780822370635 (hardcover : alk. paper) isbn 9780822370789 (pbk. : alk. paper) Subjects: lcsh: Hispanic American mass media—Social aspects. | Hispanic American arts—Social aspects. | Hispanic Americans and mass media. | Mass media and culture. Classification: lcc p94.5.h58 (ebook) | lcc p94.5.h58 A48 2018 (print) | ddc 302.2308968/073—dc23 lc record available at https://lccn.loc.gov/2017045246 Cover art: Xandra Ibarra with Sophia Wang, Untitled (skins), 2015–2016. Performance documentation. Photograph by Robbie Sweeny. For the only people I ever want to see on purpose: Sydney, Lu, and Mika. And also for JEM. Love, a Hologram. Contents ix Acknowledgments 1 Introduction Sublime Abjection 25 Chapter 1 Other Desires: Ana Mendieta’s Abject Imaginings 57 Chapter 2 Phantom Assholes: Asco’s Affective Vortex 89 Chapter 3 Of Betties Decorous and Abject: Ugly Betty’s America la fea and Nao Bustamante’s America la bella 131 Chapter 4 Arriving at Apostasy: Performative Testimonies of Ambivalent Belonging 161 Conclusion Abject Embodiment 167 Notes 193 Bibliography 209 Index Acknowledgments i am humbled by the amount of support that brought this book to fruition. -
OF the POSTHUMAN SUBJECT, ABJECTION, and the BREACH in MIND/BODY DUALISM John Perham John Perham, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUSB ScholarWorks California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of Graduate Studies 3-2016 SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM John Perham John Perham, [email protected] Follow this and additional works at: http://scholarworks.lib.csusb.edu/etd Part of the Other English Language and Literature Commons Recommended Citation Perham, John, "SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM" (2016). Electronic Theses, Projects, and Dissertations. Paper 268. This Thesis is brought to you for free and open access by the Office of Graduate Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition: English Composition and English Literature by John Perham March 2016 SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM A Thesis Presented to the Faculty of California State University, San Bernardino by John Perham March 2016 Approved by: Dr. Jacqueline Rhodes, Committee Chair, English Dr. Caroline Vickers, Committee Member Sunny Hyon, Department Chair © 2016 John Perham ABSTRACT This thesis investigates the multiple readings that arise when the division between the biological and technological is interrupted--here abjection is key because the binary between abjection and gadgetry gives multiple meanings to other binaries, including male/female. -
An Antihumanist Reinterpretation of the Philosophy of Singularity 2016/27 245
An Antihumanist Reinterpretation of the Philosophy of Singularity 2016/27 245 Kaygı Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi Uludağ University Faculty of Arts and Sciences Journal of Philosophy Sayı 27 / Issue 27│Güz 2016 / Fall 2016 ISSN: 1303-4251 Research Article Araştırma Makalesi Dilara BİLGİSEL İstanbul Bilgi Üniversitesi, Sosyal ve Beşeri Bilimler Fakültesi, İstanbul-Türkiye Istanbul Bilgi University, Faculty of Social Sciences, Philosophy and Social Thought, Istanbul-Turkey [email protected] An Antihumanist Reinterpretation of the Philosophy of Singularity Abstract This article takes a close look at the discussion of singularity in Jean-Luc Nancy’s The Inoperative Community and Being Singular Plural as an attempt to negate the subject/object dichotomy and create a new context for a re-evaluation of resistance. With its aim of refuting individualistic subjectivity, the philosophy of singularity puts forward that the humanist point of view unnecessarily polarizes individuality and community. By placing a challenging scenario of antihumanism against the humanist sense of responsibility, the philosophy of singularity questions whether it is possible to do philosophy without saying ‘I’. This antihumanist stance, which replaces the ‘I’/‘other’ differentiation with Nancy’s ‘the other of another,’ chooses to strengthen the link between ontology and resistance in the notion of coexistence, beyond traditional hypotheses on immanence or transcendence. In order to discover the manifestation of coexistence within the frame of an antihumanist philosophy of singularity, this article begins with digging deep under the notion of individualistic subjectivity to show that it embodies a hollow and plastic category. Following this, Nancy’s stress on the term ‘ecstasy’ will be grounded upon the Freudian theory of drives and the concept of coexistence will be situated in a dark realm that the humanist worldview would expect in the least. -
Adopting a Posthumanist Ethics to Inform Value Sensitive Design
philosophies Article The Ecological Turn in Design: Adopting a Posthumanist Ethics to Inform Value Sensitive Design Steven Umbrello Institute of Ethics and Emerging Technologies (IEET), University of Turin, 10124 Turin, Italy; [email protected] Abstract: Design for Values (DfV) philosophies are a series of design approaches that aim to incorpo- rate human values into the early phases of technological design to direct innovation into beneficial outcomes. The difficulty and necessity of directing advantageous futures for transformative technolo- gies through the application and adoption of value-based design approaches are apparent. However, questions of whose values to design are of critical importance. DfV philosophies typically aim to enrol the stakeholders who may be affected by the emergence of such a technology. However, regardless of which design approach is adopted, all enrolled stakeholders are human ones who propose human values. Contemporary scholarship on metahumanisms, particularly those on posthumanism, have decentred the human from its traditionally privileged position among other forms of life. Arguments that the humanist position is not (and has never been) tenable are persuasive. As such, scholarship has begun to provide a more encompassing ontology for the investigation of nonhuman values. Given the potentially transformative nature of future technologies as relates to the earth and its many assemblages, it is clear that the value investigations of these design approaches fail to account for all relevant stakeholders (i.e., nonhuman animals). This paper has two primary objectives: (1) to argue for the cogency of a posthuman ethics in the design of technologies; and (2) to describe how existing DfV approaches can begin to envision principled and methodological ways of incorporating Citation: Umbrello, S. -
Inhuman Power: Infrastructural Modernism and the Fiction of Social Form
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form Natalie Amleshi University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Modern Literature Commons, and the Other History Commons Recommended Citation Amleshi, Natalie, "Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form" (2019). Publicly Accessible Penn Dissertations. 3442. https://repository.upenn.edu/edissertations/3442 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3442 For more information, please contact [email protected]. Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form Abstract E.M. Forster’s imperative to “only connect” has long been read as modernist slogan for the rarefied depth of authentic interpersonal intimacy. Reframing the historical co-emergence of literary modernism and modern social science, this project tells a different story—not of connections between exceptional humans, but of connections between persons and environments. The prevailing canons of modernism have not yet grasped the internal complexity of early-twentieth-century debates regarding the interdependence of human and nonhuman agency. Early-twentieth-century sociologists like Émile Durkheim grounded both the autonomy of human culture and the disciplinary authority of sociology on the premise of species exceptionalism—the independence -
Abjection, the Abject
abjection/the abject A term used by Julia Kristeva to designate that which upsets, disturbs, or undermines some established order or stable position. It does so because it is in in between what we ordinarily take to be absolute opposites (for example, life and death, or the human and the mechanical). A number of English words are derived from the Latin jacere, "to throw." Some of these words (subject, object, and abject) are important for semiotics. Etymologically, the subject (sub = under) is that which is thrown under, or subjected to, some process; the object (ob = against) is that which throws itself against, or resists, another; and the abject is that which is thrown off, away, or from. The abject is neither subject nor object; rather, it is something that "disturbs identities, systems and orders. Something that does not respect limits, positions, rules. The in- between, the ambiguous, the mixed up" (Kristeva). A corpse is an example of the abject, for it is neither human nor nonhuman—it is in between and mixed up. A mother's body is for a child something abject, something both belonging to and not belonging to the child. The abject is, according to Kristeva, a key factor in the formation of subjectivity (or the "l"). Early in the process of forming an identity (a process involving a transition from the pre-Oedipal semiotic level to the symbolic level), the abject contributes to the child's separation from the mother. But the formation of identity is a continuous process in which the semiotic dimension of subjectivity and language often disrupts the symbolic order. -
The Abjection of Performance in Lessing's Dramaturgy
theatre research international · vol. 30 | no. 1 | pp19–35 C International Federation for Theatre Research 2004 · Printed in the United Kingdom DOI:10.1017/S0307883304000847 Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing’s Dramaturgy karen jurs-munby¨ Proceeding from the observation that Gotthold Ephraim Lessing’s famous Hamburgische Dramaturgie (Hamburg Dramaturgy) soon abandons the analysis of actual performances in favour of a discussion of character, the article explores Lessing’s problematic relationship with the performing body, situating it in the context of an increasingly textual culture. It shows the implications of this move in terms of gender prescriptions before discussing Lessing’s ‘disgust’ with a particular performance of his Emilia Galotti. Reading this example with Lessing’s treatise Laokoon and drawing on Julia Kristeva’s theory of abjection, it argues that Lessing’s struggle with the performers reveals a profound crisis in subject formation in the sense that the disturbing corporality of the performing body is always threatening sympathetic identification. The article concludes that the Dramaturgie itself constitutes an ‘abjection’ of performance. A postscript opens up the view onto the contemporary relevance and refiguration of Lessing’s Laokoon in the Laokoon Festival in Hamburg. The eighteenth-century dramatist, critic, translator and aesthetic theorist Gotthold Ephraim Lessing sits comfortably enthroned on a pedestal in one of the main squares, the Gansemarkt,¨ in Hamburg (Fig. 1). This monument to him is the only reminder of a barn-like theatre that once stood here and of the short-lived enterprise of the ‘Hamburgische Nationaltheater’ (Hamburg National Theatre) from 1767 to 1769,which was the first ‘standing’ (i.e.