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Six Shakespeares in Search of an Author
Six Shakespeares in Search of an Author Reviewed by Michael Dudley My Shakespeare: The Authorship Controversy: Experts Examine the Arguments for Bacon, Neville, Oxford, Marlowe, Mary Sidney, Shakspere, and Shakespeare. Edited by William D. Leahy. Brighton, UK, Edward Everett Root, 2017. (hardback $79.95 US, Kindle $15.99) common objection levelled against authorship doubters is that the number of candidates claimed for the authorship of the Shakespeare A canon makes it highly unlikely any of them could have been the true author. In My Shakespeare readers are given the opportunity to decide the matter for themselves by considering five alternative candidates, as well as traditional and novel interpretations of William from Stratford. This approach has several significant precedents, including Shakespeare and His Rivals by George McMichael and Edgar M. Glenn, and The Shake- speare Claimants by H.N. Gibson (both published in 1962), as well as The Shakespeare Controversy by Warren Hope and Kim Holston (1992/2009). Al- lowing partisans for each candidate to make their case rather than having it presented and assessed by a singular authorial voice sets My Shakespeare apart from these predecessors. In his introduction, editor William Leahy (who also edited 2010’s Shakespeare and His Authors) states that each of the candidates in the book are “presented as equal” (ix) in the spirit of deter- mining not that “we are right, but to find out if we are” (xi). Accordingly, open-minded readers will find much of interest here, even if one concedes that certain evidence, assumptions or conventions may have been long ago rejected by Oxfordian researchers. -
Olympia, Washington 98504-3096
Olympia, Washington 98504-3096 January 4, 2008 B U L L E T I N TO: ALL STORES AND CONTRACT LIQUOR STORES FROM: Steve Burnell, Marketing Manager SUBJECT: Merchandise Bulletin #02 1) The following new “L” items are in the Distribution Center. Selected stores will receive one case of these items. Managers are reminded to immediately display these items upon receipt in their outlets. Stores and contract liquor stores not receiving an allocation may place an order in the normal manner. Please order in full cases only. UNITS LIQUOR ALLO- BRAND TYPE UNITS/ UPC RETAIL CATED CODE DESCRIPTION CODE # SIZE CASE # PRICE 1 case 035155 Vincent Van Gogh Acai 265 750 ml 12 33824- $23.95 Blueberry Vodka 91343 Once again, Van Gogh Vodka’s artistic spirit shines with the first Acai-flavored vodka. Van Gogh’s Acai- Blueberry Vodka marries the exotic Acai berry with the sweet blueberry to produce a true martini in a bottle. Swathed in royal purple hues, it tingles the taste buds with a vibrant blend of berries, starting with an overtone of blueberry and finishing with the Acai nectar. Explore your exotic side. Straight or mixed with other fine Van Gogh Flavored Vodkas, Van Gogh’s Acai-Blueberry vodka always makes the Luxury Martini. UNITS LIQUOR ALLO- BRAND TYPE UNITS/ UPC RETAIL CATED CODE DESCRIPTION CODE # SIZE CASE # PRICE 1 case 073452 Dekuyper Lusciouis 475 750 ml 12 80686- $13.95 Pomegranate 36740 Now the flavor that’s on everyone’s lips can be in your drink. Put a sweet and tangy twist on your favorite cocktail with the trendy, new taste of luscious DeKuyper® Pomegranate. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Town Joins County Plan to Dispose of Solid Waste a Kidney to His Daughter
Page 18 CRANFORD CHRONICLE Thursday, August 14, 1986 f Where else but Kings? romcie SERVING CRANFORD, GARWOOD and KENILWORTH :Vol. 93 No. 34 Published Every Thursday Thursday, August 21, 1986 " USPS 136 800 Second Class Postage Paid Cranford, N.J. 30 CENTS to our own Homemade Salads. In brief Town joins county When it comes to serving a delightful change of pace for a summer dinner, our Deli Corner make a special addition to any dinner. And this week's specials Blood drive nothing can beat an entree of tender veal. go from our Oriental Vegetables to our Pesto Tortellini. The Jaycees will sponsor a plan to dispose Try our own Kings Select Veal and taste for yourself. As lean as can be, it's For salad ideas of your own, simply turn to our Farmer's Corner for blood drive to benefit two' hemophiliac residents, Judd high in protein, low in cholesterol and just the thing to highlight a. dinner for everything from Jersey Fresh Scallions and Cucumbers to California Bartlefts and Kopicki and Tom Kane. The drive two, four or more. • %' Honeydews. -- • will take place at the Community I of solid waste Let our nijjjk}',Kings Select Veal specials inspire you to choose anything from For more entree ideas, come to our Seafood Corner. Our specials include Center Friday from 4:30 to 8:30 | After reviewing several options, am afraid we will have to provide Cutlets to a ,'B$iieless Shoulder Roast. Ip addition, let our outdoor-grill Block Island Bluefish Fillets, Maine Lobsters and North Atlantic Squid, not to p.m. -
Summary of the Known Historical Records
Records for WS Section A Distribution Strat Stratford Record (including marriage licence issued in Worcester). Section A below. Lon London Record (including references in records of playing companies). Sections B & C. PR Publication Record (title pages & Stationers’ Register). Section E. LA Literary Allusion (mainly printed, some handwritten). Sections C & D Strat / Lon PR / LA 1564 Strat 65 66 67 68 69 1570 The lost years of Childhood, 71 Education, and Youth 72 73 After his baptism in 1564, there is no record of William Shakspere until the issue of a marriage 74 licence in Worcester in 1582. 75 76 77 78 79 1580 81 82 Strat Marriage licence 83 Strat Named as father of Susanna 84 85 Strat 2 Feb. Named as father of Hamnet & Judeth 86 The lost years of early manhood 87 88 (Lon) William Shakspere is mentioned only once – in a legal document as heir to a disputed portion of 89 land. This record does not say where he was or 1590 what he was doing. 91 1 Strat / Lon PR / LA (LA) The cryptic allusion in Groatsworth might refer to William 1592 Shakespeare, or it might not 93 PR Named in dedication of Venus & Adonis 94 PR Named in dedication of Lucrece 95 Lon LA Strat Lon Named in Stratford as the father of Hamnet, deceased. 96 Bound over in London to keep the peace (Langley writ). 97 Strat 98 Strat Lon PR LA Lon PR LA Eight records only: Cited as author on four title pages; 99 mentioned twice as tax defaulter; twice elsewhere. 1600 PR 01 02 Strat PR 03 Lon PR 04 Lon PR LA 05 Strat Lon PR 06 The lost London years of middle-age. -
Impact Melt Emplacement on Mercury
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-24-2018 2:00 PM Impact Melt Emplacement on Mercury Jeffrey Daniels The University of Western Ontario Supervisor Neish, Catherine D. The University of Western Ontario Graduate Program in Geology A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Science © Jeffrey Daniels 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Geology Commons, Physical Processes Commons, and the The Sun and the Solar System Commons Recommended Citation Daniels, Jeffrey, "Impact Melt Emplacement on Mercury" (2018). Electronic Thesis and Dissertation Repository. 5657. https://ir.lib.uwo.ca/etd/5657 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Impact cratering is an abrupt, spectacular process that occurs on any world with a solid surface. On Earth, these craters are easily eroded or destroyed through endogenic processes. The Moon and Mercury, however, lack a significant atmosphere, meaning craters on these worlds remain intact longer, geologically. In this thesis, remote-sensing techniques were used to investigate impact melt emplacement about Mercury’s fresh, complex craters. For complex lunar craters, impact melt is preferentially ejected from the lowest rim elevation, implying topographic control. On Venus, impact melt is preferentially ejected downrange from the impact site, implying impactor-direction control. Mercury, despite its heavily-cratered surface, trends more like Venus than like the Moon. -
Final Words Casco Bay High School Class of 2009
Final Words Casco Bay High School Class of 2009 Casco Bay High School Final Word 2009 (first graduating class) Table of Contents Preface 4 Hazel Abramson 33 Ali Leighton 5 Adrienne Abromowitz 34 Michael Leighton 6 Ekhlas Ahmed 35 Alex Lyscars 7 Courtney Amergian 37 Susan McCray 8 Marcy Angelo 39 Kiersten McDonald 9 Olivia Barber 39 Elliot McInnis 11 Marley Bergeron 40 Kristina Madjerac 11 Jolene Bouffier 41 Marija Matulyte 13 Chaney Burlin 42 Anna Muri 14 Tara Clark 43 Colin Myers 15 Myles Crawford 44 William Nelligan 16 Joel Daley 46 James Nguyen 17 Sage Dance-Wright 47 Johnna Ossie 18 Kate Farsaci 48 Zain Karim Padamsee 19 Molly Garson 49 Christine Peddle 20 Peter Griffin 50 Rebecca Peter 21 Bennett Gross 51 Elijah Putnam Riley 22 Dominic Grosso 52 Zoey Rausch 23 Jesse Heasly 54 Jennifer Romero 24 Chelsea Heath 55 Robin Ryder 25 Allie Heller 55 Colin Shepard 26 Dri Huber 56 Zachary Shirland 27 Abdiraham Ibrahim 57 Nathalie Simon 29 Kevin Kirby 58 Regina Stait 30 Lila Kole-Berlingieri 59 Isabel Turk 31 Selby Landmann 59 Sam Underwood 32 Adrian LaSala 60 Zachary Walker Preface The 2009 class of Casco Bay High School were pioneers. They started a school, traveled to West Virginia to build houses for Habitat for Humanity, created a professional show for a gallery, wrote public policy, not to mention all the individualized projects they have embarked on. So, how could they share a slice of that experience? It was a daunting task but in the last weeks of their high school careers, we asked them to write their “final words.” These words would serve as a farewell to the school, their community and as a keepsake of all they take with them on their next journey. -
National Song Binder
SONG LIST BINDER ——————————————- REVISED MARCH 2014 SONG LIST BINDER TABLE OF CONTENTS Complete Music GS3 Spotlight Song Suggestions Show Enhancer Listing Icebreakers Problem Solving Troubleshooting Signature Show Example Song List by Title Song List by Artist For booking information and franchise locations, visit us online at www.cmusic.com Song List Updated March 2014 © 2014 Complete Music® All Rights Reserved Good Standard Song Suggestions The following is a list of Complete’s Good Standard Songs Suggestions. They are listed from the 2000’s back to the 1950’s, including polkas, waltzes and other styles. See the footer for reference to music speed and type. 2000 POP NINETIES ROCK NINETIES HIP-HOP / RAP FP Lady Marmalade FR Thunderstruck FX Baby Got Back FP Bootylicious FR More Human Than Human FX C'mon Ride It FP Oops! I Did It Again FR Paradise City FX Whoomp There It Is FP Who Let The Dogs Out FR Give It Away Now FX Rump Shaker FP Ride Wit Me FR New Age Girl FX Gettin' Jiggy Wit It MP Miss Independent FR Down FX Ice Ice Baby SP I Knew I Loved You FR Been Caught Stealin' FS Gonna Make You Sweat SP I Could Not Ask For More SR Bed Of Roses FX Fantastic Voyage SP Back At One SR I Don't Want To Miss A Thing FX Tootsie Roll SR November Rain FX U Can't Touch This SP Closing Time MX California Love 2000 ROCK SR Tears In Heaven MX Shoop FR Pretty Fly (For A White Guy) MX Let Me Clear My Throat FR All The Small Things MX Gangsta Paradise FR I'm A Believer NINETIES POP MX Rappers Delight MR Kryptonite FP Grease Mega Mix MX Whatta Man -
Spring Preview Spring World Premiere Previewchildren’S Or Teens’ Show SAN FRANCISCO
THEATRE BAY AREA 2016 spring preview spring World Premiere previewChildren’s or Teens’ Show SAN FRANCISCO 3Girls Theatre Company 3girlstheatre.org Thick House 1695 18th St. Z Below 470 Florida St. ` 2016 Salon Reading Series (By resident & associate playwrights) Thru 6/19 ` Low Hanging Fruit (By Robin Bradford) Z Below 7/8-30 ` 2016 New Works Festival Thick House David Naughton, Abby Haug & Lucas Coleman in 42nd Street Moon's production of 8/22-28 The Boys From Syracuse. Photo: David Allen 42nd Street Moon ` The Colored Museum American Conservatory Theater (By George C. Wolfe; dirs. Velina Brown, L. 42ndstreetmoon.org act-sf.org Peter Callender, Edris Cooper-Anifowoshe Geary Theater Eureka Theatre & Michael Gene Sullivan) 415 Geary St. 215 Jackson St. Thru 3/6 Strand Theater ` The Boys from Syracuse ` Antony and Cleopatra 1127 Market St. (By R. Rodgers, G. Abbott & L. Hart; dir. (By Shakespeare; dir. Jon Tracy) Greg MacKellan) 5/6-29 ` The Realistic Joneses 3/23-4/17 (By Will Eno; dir. Loretta Greco) Geary Theater ` The Most Happy Fella AlterTheater Ensemble 3/9-4/3 altertheater.org 4/27-5/15 ACT Costume Shop ` The Unfortunates (By Frank Loesser; dir. Cindy Goldfield) 1117 Market St. (By J. Beavers, K. Diaz, C. Hurt, I. Merrigan African-American Shakespeare & R.; dir. Shana Cooper) ` Vi [working title] Strand Theater Company (By Michelle Carter) Thru 4/10 african-americanshakes.org 6/2-19 Buriel Clay Theater 762 Fulton St. All information listed comes directly from publicity information supplied to Theatre Bay Area by the producing companies. Please contact companies or venues directly with questions. -
Ramia S. Badri
1 THE DIVISION A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY RAMIA S. BADRI (CHAIRPERSON, DAVID HANNON) BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2011 2 Abstract This is about my artistic activity involving my six paintings that were finished in 2008 on which I used oil medium on canvas. Carrying the theme “The Division,” the paintings were reflective of my experiences of struggle. I have had my ample share of life experiences involving dissection. My country was and is tribally divided. I moved to a country, which I expected to be the beacon of equality in the world. I found myself to be proven wrong, as I still stumble across instances of social partitions. It has appeared to me as though everywhere I go division is going to be a fact of life. Division simply alters its form; its pangs are nevertheless as lethal. I could have lost my life in Iraq; I stand to have my spirit crushed in America. I approach my artworks from a feministic perspective that highlights more how my fate is shaped in the patriarchal society. I followed the lead of the symbolist painters, I used symbols to represent my thoughts and colors and lines to make known to the public my emotions that accompany my intellectual concerns. Painting is the political tool that suits my individuality and more effectively brings to the fore my personal struggles which I believe other people, despite our cultural differences, may relate to. 3 Statement of the problem This artistic activity intends to accomplish my self-disclosure of my self- identity (Franchi & Duncan, 2007, pp. -
Rape of Lucretia) Tears Harden Lust, Though Marble Wear with Raining./...Herpity-Pleading Eyes Are Sadly Fix’D/In the Remorseless Wrinkles of His Face
ART AND IMAGES IN PSYCHIATRY SECTION EDITOR: JAMES C. HARRIS, MD Tarquin and Lucretia (Rape of Lucretia) Tears harden lust, though marble wear with raining./...Herpity-pleading eyes are sadly fix’d/In the remorseless wrinkles of his face... She conjures him by high almighty Jove/...Byheruntimely tears, her husband’s love,/By holy hu- man law, and common troth,/By heaven and earth and all the power of both,/That to his borrow’d bed he make retire,/And stoop to honor, not to foul desire.1(p17) UCRETIA WAS A LEGENDARY HEROINE OF ANCIENT shadow so his expression is concealed as he rips off Lucretia’s Rome, the quintessence of virtue, the beautiful wife remaining clothing. Lucretia physically resists his violence and of the nobleman Lucius Tarquinius Collatinus.2 brutality. A sculpture decorating the bed has fallen to the floor, In a lull in the war at Ardea in 509 BCE, the young the sheets are in disarray, and Lucretia’s necklace is broken, noblemen passed their idle time together at din- her pearls scattered. Both artists transmit emotion to the viewer, Lners and in drinking bouts. When the subject of their wives came Titian through her facial expression and Tintoretto in the vio- up, every man enthusiastically praised his own, and as their ri- lent corporeal chaos of the rape itself. valry grew, Collatinus proposed that they mount horses and see Lucretia survived the rape but committed suicide. After en- the disposition of the wives for themselves, believing that the best during the rape, she called her husband and her father to her test is what meets his eyes when a woman’s husband enters un- and asked them to seek revenge. -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608.