Summary of the Known Historical Records
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Introductiontoshakespearianstu
I N TR O D U C TI O N SHA KESPEA R IA N STU DY . C O L L I N S ’ SCHOOL AND COLLEGE CLASSICS, I I N A N D TE W TH I NTROD UCT O S N O S. i e 1 clo t/z. Fcap. 8270} pr c s. , ’ A . A E PE T D M o nm s B . H KE SPEA RE S M S b Rev . S T , y , V E I E b R ev D I B A M ERC H A N T O F N C . O RR S . , y M , R IS B A I b R D MO R . CH A RD ev . R I I , y . , W LA W N Rx CH A RD b M . SO . I I I , y K I N G E N Y b WM L AW N R V . SO . H I I I , y I N A b W B KEM H E D G LE R . S A K , y Dr . A CB ETH b A M U E L EI L M , y S N , A s YO U I K E I T b A M UE L EI L L , y S N , U L I US CE S A R b A M UE L EI L J , y S N , ’ M x L'rO N s PA RA m SE O ST B oks I and o mus et b S G . DAV I o C c . L , I I , , , y J . -
English Professional Theatre, 1530-1660 Edited by Glynne Wickham, Herbert Berry and William Ingram Index More Information
Cambridge University Press 978-0-521-10082-3 - English Professional Theatre, 1530-1660 Edited by Glynne Wickham, Herbert Berry and William Ingram Index More information Index Note: search under ‘London and Environs’; ‘Playing Companies’; ‘Playhouses’; and ‘Stage Characters’ for individual entries appropriate to those categories. Abell, William (alderman), 586 Andrews, Richard (player), 245 Abuses, 318 Anglin, Jay P., ‘The Schools of Defense’, Acton, Mr (justice of the peace), 158 296 Actors. See Players Anglo, Sydney, 20; ‘Court Festivals’, 291 Adams, John (player), 300 Annals of England. See Stow, John Adams, Joseph Quincy, Shakespearean Playhouse, Anne, Queen, 119, 122, 125, 513–14, 561, 562, 550n, 597n, 626n; Dramatic Records of Sir 564, 580, 625, 630–1; her company of Henry Herbert, 581, 582, 582n players, see Playing Companies Admiral, Lord. See Lord Admiral Apothecaries, 388, 501 Admiral’s players. See Playing Companies Arber, Edward, 192 Aesop, 171 Archer, George (rent gatherer), 611n Agrippa, Henry Cornelius (writer), 159 Arches, Court of the, 292, 294n, 312 Alabaster, William (playwright), 650 Ariosto, Ludovico, I Suppositi, 297n Aldermen of London. See London Armin, Robert (player and writer), 123, 196, Alderson, Thomas (sailor), 643 197, 198; Foole vpon Foole, 411–12 All Hallowtide, 100 Army Plot, The, 625, 636 All Saints Day, 35 Arthur, Thomas (apprentice player), 275–7 Allen, Giles, 330–2&n, 333–6&n, 340, 343–4, Arundel, Earl of (Henry Fitzalan, twelfth Earl), 346–7, 348, 352, 355, 356–7, 367–72, 372–5, 73, 308; his company -
Introducing John Hall, Master of Physicke
1 Introducing John Hall, Master of Physicke The earliest reference to John Hall is his admission to Queens’ College, Cambridge, aged 14, in 1589. The last is his will dated 25 November 1635. His Little Book of Cures, Described in Case Histories and Empirically Proven, Tried and Tested in Certain Places and on Noted People forms the most substantial account of his life and work among his patients in the locale made famous by Hall’s father-in-law, William Shakespeare. Most of the records relating to Hall concern his life in Stratford-upon-Avon, starting with his marriage to Susanna, the Shakespeares’ eldest child, in June 1607. Hall was born in Carlton, Bedfordshire, the son of William Hall. John Taplin has written importantly and extensively on Hall’s family background in Shakespeare’s Country Families (Taplin 2018: 85–112). Taplin’s book is not widely known but is available for consultation in the Shakespeare Centre Library. Hall received his BA in 1593/4 and his MA in 1597. A doctorate in medicine was required for licensing by the College of Physicians of London or to teach at a university, but not otherwise. An academic doctorate was no more necessary as a medical qualification then than it is now. Although Hall never obtained, or claimed to have, the degree of Doctor of Medicine, his MA made him better qualified than most physicians in England at this time. Hall never used the title of Dr, nor was he addressed so by his contemporaries, though he has frequently and confusingly been granted it post mortem. -
The Playwright
THE PLAYWRIGHT Young Shakespeare would have attended the Stratford grammar school, where he would have learned to read and write not only English, but also Latin and some Greek. In 1582, at age 18, Shakespeare married Anne Hathaway, and the couple would have three children: Susanna in 1583 and twins Hamnet and Judith in 1585. After an eight-year gap where Shakespeare’s activity is not known, he appeared in London by 1592 and quickly began to make a name for himself as a prolific playwright. He stayed in London for about 20 years, becoming increasingly successful in his work as an actor, writer and shareholder in his acting company. Retirement took him back to Stratford to lead the life of a country gentleman. His son Hamnet died at age 11, but both WILLIAM SHAKESPEARE daughters were married: Susanna to Dr. John Hall and Judith to Thomas Quiney. William Shakespeare was born in 1564 to John and Mary Arden Shakespeare and raised in Shakespeare died in Stratford in 1616 on Stratford-upon-Avon, Warwickshire, in April 23, which is thought to be his England’s West Country. birthday. He is buried in the parish church, where his grave can be seen to Much of the information about him comes from this day. His known body of work includes official documents such as wills, legal at least 37 plays, two long poems and documents and court records. There are also 154 sonnets. contemporary references to him and his writing. Originally printed in the Guthrie Theater Play Guide: As You While much of the biographical information is Like It, 2019. -
Bess of Hardwick) Gave the Queen an Embroidered Gown Made by William Jones, the Queen’S Tailor (Cost Over £100)
1592 1592 At WHITEHALL PALACE Jan 1,Sat New Year gifts. Gift roll not extant, but Elizabeth Countess of Shrewsbury (Bess of Hardwick) gave the Queen an embroidered gown made by William Jones, the Queen’s tailor (cost over £100). Her other gifts included: Ramsey, the Court Jester, 20s; six of the Queen’s trumpeters, 5s each.SH Jan 1: Queen to Lord Burghley, Lord Howard of Effingham, and Lord Hunsdon: Commission to execute the office of Earl Marshal.RT This post, in overall charge of the College of Arms, was vacant since Earl of Shrewsbury died, 1590. Also Jan 1: play, by Lord Strange’s Men.T Jan 2,Sun French Ambassadors at Whitehall for audience.HD Beauvoir, resident Ambassador, with Duplessis-Mornay, who took his leave. Lord Burghley kept a diary in 1592, shown here as HD. [HT.xiii.464-6]. Also Jan 2: play, by Earl of Sussex’s Men.T Jan 6,Thur play, by Earl of Hertford’s Men.T Jan 6: Allegations against Sir John Perrot, former Lord Deputy of Ireland, noted by the law officers, included: Perrot boasted that he was King Henry’s son; he said the Irish had a prophecy that a bird would do them good, and applied it to himself, he having a parrot in his crest; he uttered ‘immodest and venomous words’ about the Queen; of the Council in Ireland he said he cared no more for them than for so many dogs. [SP12/241/7]. Robert Naunton: ‘Sir Thomas Perrot his father was a Gentleman to the Privy Chamber to Henry the Eighth and in the court married to a lady of great honour and of the King’s familiarity...If we go a little further and compare his picture, his qualities, his gesture and voice with that of the King’s.. -
Review of Literary Records
Shakespearean Biografiction: How modern biographers rely on context, conjecture and inference to construct a life of the Bard A thesis submitted for the degree of Doctor of Philosophy Department of Arts and Humanities Brunel University By Kevin Gilvary November 2014 ii Candidate Kevin Gilvary (1955- ) B.A. (Hons), Classics, Southampton, 1976 M.A., Classics, Southampton, 1978 M.A. (Ed), Language in Education, Southampton 1996 P.G.C.E., Institute of Education, London, 1980 Doctoral Study 2007-2014 (part-time), Brunel University Supervisor 1 Professor William Leahy, School of Arts, Brunel University Supervisor 2 Dr. Sean Gaston, School of Arts, Brunel University Examiner 1 Professor Tom Betteridge, School of Arts, Brunel University Examiner 2 Professor Tom Healey, University of Sussex iii Abstract Modern biographies of William Shakespeare abound: new studies appear almost every year, each claiming new research and new insights, while affirming that there are enough records for a documentary life. In this thesis, I argue that no biography of Shakespeare is possible due to insufficient material, that most of what is written about Shakespeare cannot be verified from primary sources, and that Shakespearean biography did not attain scholarly or academic respectability until Samuel Schoenbaum’s Documentary Life (1975). The thesis therefore is concerned with demythologising Shakespeare by exposing numerous “biogra-fictions.” I begin by reviewing the history and practice of biography as a narrative account of a person’s life based on primary sources. Next I assess the very limited biographical material for Shakespeare identifying the gaps, e.g. there is no record that he spent any of his childhood in Stratford or ever attended school. -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608. -
William Shakespeare
The National Archives Education Service Engraving of William Shakespeare by Martin Droeshout from the first folio first editiontheplays, 1623 folio of from Engraving Martin Shakespeare of by Droeshout William William Shakespeare What can we find out about his life? William Shakespeare What can we find out about his life? Introduction Lesson at a Glance William Shakespeare Suitable For: KS1-3 William Shakespeare is often thought of as one of the greatest writers in the English language. His plays have been translated into every major language, and are performed more often than any other Time Period: playwright. Shakespeare’s writing also affected the way the English Early Modern 1485- language evolved, and several words and phrases, such as ‘all’s well that ends well’, ‘with bated breath’ and ‘a foregone conclusion’ have 1750 moved into everyday use. Curriculum Link: This lesson gives you the chance to look at primary sources concerning The lives of significant Shakespeare, including his will and information about his taxes. people who have contributed to national Contents: and international achievements. Background: 3 Enquiry Questions: Teacher’s notes: 4 What can we find out Source One: 6 about William Shakespeare’s life? Source Two: 9 Resources needed: Source Three: 11 Printed sources Source Four: 13 This resource was produced using documents from the collections of The National Archives. It can be freely modified and reproduced for use in the classroom only. 2 William Shakespeare What can we find out about his life? Background William Shakespeare, also known as the 'Bard', was born in Stratford-upon-Avon on April 23rd 1564. -
The Globe Theatre
The Globe Theatre The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, on land owned by Thomas Brend, and was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and closed by an order of The Globe's actual dimensions Parliament on 6 September 1642. are unknown, but its shape and A modern reconstruction of the Globe opened in 1997 approximately size has been approximated from 750 feet (230 m) from the site of the original theatre. research over the last two centuries. The evidence suggests History of The Globe Theatre The Globe was owned by actors who that it was a three-storey, open- were members of a troupe called ‘The Lord Chamberlain’s Men. There air amphitheatre approximately were six actor shareholders, of which Shakespeare was one. However, 100 feet (30 m) in diameter that he did not own the majority of shares: Richard Burbage and his brother could house up to Cuthbert, owned 50% of the share. 3,000 spectators. The Globe is The Globe was built in 1599 using timber from an earlier theatre which shown as round on Wenceslas had been built by Richard Burbage's father, James. Though James Hollar's sketch of the building, owned the theatre, he did not own the land on which it was built: he later incorporated into his leased it. The landowner, Giles Allen, claimed that the theatre etched Long View of London from belonged to him once the lease expired. -
Shakespeare's Original Will
SHAKESPEARE’S ORIGINAL WILL: A RE-READING, AND A REFLECTION ON INTERDISCIPLINARY RESEARCH WITHIN ARCHIVES By Amanda Bevan and David Foster* Much academic ink has been spilled on the importance of William Shakespeare’s last will and testament, particularly as a source illuminating his life and character. Drawing upon recent archival research and technical analysis, this article details the processes by which interdisciplinary approaches to the will have resulted in a fundamental reinterpretation of what the contents of the will can tell us about Shakespeare’s final years. Keywords: William Shakespeare’s will, law, archives, family settlements, conveyancing, methodology, interdisciplinary research, biography, literary history, conservation, multi-spectral imaging Shakespeare’s family: dramatis personae William Shakespeare, gentleman of Stratford upon Avon Anne Shakespeare his wife • Susanna, their elder daughter { Dr John Hall her husband (married 5 June 1607) { Elizabeth Hall their daughter • Hamnet, their son (died aged 11 in 1596) • Judith, their younger daughter, and twin of Hamnet { Thomas Quiney her husband (married 10 February 1616) Joan Hart, his sister, and wife of William Hart, a hatter Francis Collins, his lawyer The will William Shakespeare’s will was written 400 years ago, in brownish iron gall ink on one side only of three large paper folios, each signed by him. It looks like a draft with many alterations and corrections, some in a darker ink, with even the date being amended from 25 January 1616 to 25 March.1 Some eight weeks after his death on 23 April 1616, this ‘original’ will was taken to the Prerogative Court of Canterbury, housed in Doctors’ Commons near St Paul’s Cathedral in London, by John Hall (the husband of his elder daughter Susanna and, with her, joint executor), and was proved *DR AMANDA BEVAN is a principal records specialist at The National Archives. -
Newsletter Vol
The Shakespeare Oxford O Newsletter Vol. 50, No. 4 Published by the Shakespeare Oxford Fellowship Fall 2014 Whittemore Keynotes; McNeil and Altrocchi Honored at Madison SOF Conference by Howard Schumann " The first authorship conference sponsored by the Shakespeare Oxford Fellowship was held at the Overture Center in Madison, Wisconsin, from September 11 to 14, 2014. The keynote address was presented by Hank Whittemore. The Oxfordian of the Year award was given to Alex McNeil, Shakespeare Oxford Newsletter editor and former president of the Shakespeare Fellowship. An Oxfordian Achievement Award was given to Paul Altrocchi, MD. McNeil’s award was presented by former SOF President John Hamill and President Tom Regnier. Hamill said that McNeil had helped make the 2013 unification of the Shakespeare Fellowship and the Shakespeare Oxford Society a “reality.” Regnier lauded him as the “conscience of the movement and one of its rocks.” Accepting the award, McNeil thanked Hamill and Regnier for their leadership in effecting the merger. He said that he is optimistic about the future even though “there is little consensus about all aspects.” His advice to attendees was “there should always be a shred of doubt. Don’t think you know everything.” Altrocchi’s award was presented by Hank Paul Altrocchi, MD Whittemore, who praised Altrocchi as a physician, artist, " and indomitable seeker of truth. Altrocchi is a former Daniel stated that APT has performed Romeo and trustee of the Shakespeare Fellowship, and has written or Juliet seven times and A Midsummer -
'Fhe Shakespeare :7Vewsletter
'fhe Shakespeare :7Vewsletter Vo 1.35:no.4 "L et me study so, to know the thing I am fo rbid to know" Winter 2000 Shakespeare's Society opens its library, "Bad Law" establishes an EndowlTIent A journey through Two long-standing goals becon1e realities the history of through the generosity of our supporters the argUl1'lents notiler major step has been taken in the Shakespeare Oxford Society's By MarkAndreAlexander Aadvancement of Oxfordian author n Shakespeare, IN FA CT (1994), Irvin ship research. Leigh Matus attempts to dispose of any With several significant grantsand do notions that Shakespeare had a fo rmal nations already received this year, we have legalI education and used legal terms accu been able to take major steps within the past several months in fulfillmentof several long rately: standing goals of the Society: a permanent Shakespeare Oxford Society Endowment The question of his legal knowledge has Fund has been established, and the Society been most recently [sic] tackled by O. Hood has rented (in Malden, MA) space to house Phillips, aj urist, legal scholar and educator, in its library, archives and office. The library Shakespeare and the Lawyers. In the chapter, consists of book collections donated to the "Did Shakespeare have a Legal Training?" he Society over the years, with the gathered and summarized the varying opin CheJyle Sims, one of the Directors of the centerpiece being the Victor Crichton ions that have been handed down. The most Gertrude C. Ford Foundation, addressed Collection. reliable assessment oftheplay wright' s knowl For many years it had been a goal ofthe the Conference at the Saturday luncheon, edge of law, in his opinion, is that of P.