Curriculum Vitae: Michael J
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The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
The Desert Music' at the Brooklyn Academy of Music's Next Wave Festival
Swarthmore College Works English Literature Faculty Works English Literature 1984 Steve Reich's 'The Desert Music' At The Brooklyn Academy Of Music's Next Wave Festival Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Peter Schmidt. (1984). "Steve Reich's 'The Desert Music' At The Brooklyn Academy Of Music's Next Wave Festival". William Carlos Williams Review. Volume 10, Issue 2. 25-25. https://works.swarthmore.edu/fac-english-lit/211 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. 25 Steve Reich's The Desert Music at the Brooklyn Academy of Music's Next Wave Festival "For music is changing in character today as it has always done." -WCW (SE 57) On October 25-27, the 1984 Next Wave Festival at the Brooklyn Academy of Music presented the American premiere of Steve Reich's The Desert Music, a piece for chorus and orchestra setting to music excerpts from three poems by William Carlos Williams, "Asphodel, That Greeny Flower," "The Orchestra," and his translation of Theocritus' Idyl I. Michael Tilson Thomas conducted the Brooklyn Philharmonic Symphony Orchestra and chorus, and he, the musicians, and the composer received standing ovations after the performances. Steve Reich is one of this country's most promising young composers. -
Louis Armstrong (1901-1971)
Access Access To To Thesis. Thesis. This thesis is protected by the Copyright, Designs and Patents Act 1988. No reproduction This thesis is protected by the Copyright, Designs and Patents Act 1988. No reproduction is permitted without consent of the author. It is also protected by the Creative Commons is permitted without consent of the author. It is also protected by the Creative Commons Licence allowing Attributions-Non-commercial-No derivatives. Licence allowing Attributions-Non-commercial-No derivatives. • A bound copy of every thesis which is accepted as worthy for a higher degree, must be deposited in the University of • A bound copy of every thesis which is accepted as worthy for a higher degree, must be deposited in the University of Sheffield Library, where it will be made available for borrowing or consultation in accordance with University Regulations. Sheffield Library, where it will be made available for borrowing or consultation in accordance with University Regulations. • All students registering from 2008–09 onwards are also required to submit an electronic copy of their final, approved • All students registering from 2008–09 onwards are also required to submit an electronic copy of their final, approved thesis. Students who registered prior to 2008–09 may also submit electronically, but this is not required. thesis. Students who registered prior to 2008–09 may also submit electronically, but this is not required. Author: .......................................................................................................................................................................... -
Multiple Meters and Metrical Processes in the Music of Steve Reich
Multiple Meters and Metrical Processes in the Music of Steve Reich Gretchen Horlacher Minimalist and repetitive music... reduces the elements of music to one, single component - periodicity. Pierre Boulez, New York Review of Books 31/1 1 (June 28, 1984): 14 That Steve Reich's music challenges listeners' rhythmic and metric faculties is well known; the composer himself has written "If I compose music that is to use repeating patterns and is also to remain interesting I must build in rhythmic ambiguity to make it possible for the ear to hear a given pattern beginning and ending in different places depending on slight differences of accent and on how one listens."1 Reich's statement draws our attention to two signal features of his metric language. First, a repeated motive may have more than one accentual interpretation; moreover, the contrasting interpretations differentiate the repeated motives, inviting the listener to engage in a process of comparison. Boulez's emphasis on periodicity is apt, for it is Reich's creative use of repetition within meter that gives the music its charge. Consider, for example, the music shown as Example la, a portion of Reich's 1967 Piano Phase, This excerpt from the two- piano work results from the superimposition of an original melody (played on one piano, and shown in filled-in noteheads in the top line of the example) with a cyclical permutation beginning on its sixth note (played on the other piano, and shown in open noteheads on the top line); the resulting two-part counterpoint is repeated many times over. -
University of Mary Jazz Festival Guest Artists
University of Mary Jazz Festival Guest Artists 2020 Kim Nazarian, vocal Jeremy Allen, bass Nestor Torres flute Jennifer Scovell Parker, vocal Mike Waldrop, drums Jorge Luis Sosa piano Shon Parker, vocal Kirby Shaw, vocal jazz Edwin Bonilla drums Stephen Futrell, vocal jazz Rey Monroig drums 2015 Rueben Caban trombone Donny McCaslin, sax 2011 Agustin Conti bass Kirk Marcy, vocal Jeff Coffin, saxophone Amie Nolte vocal jazz Jay Ware, percussion Vijay Singh, vocalist Justin Binek vocal jazz * Jeremy Fox, vocal Michele Weir, vocalist Rachel Eckroth, vocal/piano Tom Giampietro, drums 2019 Joey Tartell, trumpet Vladan Milenkovic, piano Terell Stafford, trumpet Zach Lapidus, piano 2010 Ulysses Owens, Jr. drums Jon Faddis, trumpet Christine Jensen, saxophone 2014 Darmon Meader, saxophone, Luke Malewicz, trombone Conrad Herwig, trombone vocalist Stephen Futrell, vocal jazz Shawn Edmonds, trumpet Steve Zegree, vocalist Jennifer Scovell Parker, vocal Mark Gross, sax jazz Champian Fulton, 2009 Shon Parker, vocal jazz vocal/piano Everette DeVan, organ Steven Zegree, vocal/piano Tim Whitmer, piano 2018 Dion Parson, percussion Rod Fleeman, guitar Helen Sung, piano Millie Edwards, vocalist Steve Davis, trombone 2013 Duck Warner, vocalist Corey Christiansen, guitar (40th Anniversary) Jim Mair, sax (’88)* Josh Johnson, saxophone Dave Lisik, True North, vocal jazz composer/trumpet * 2008 John Pittman, trumpet * Mario DeCiutiis, percussion 2017 Terry Peffer, saxophone * Paul van Wageningen, New York Voices Justin Binek, vocal/piano * percussion Jay Ashby, trombone Kerry Marsh, vocal Jim Mair, sax (’88)* Dave Douglas, trumpet Michael Land, piano Marc van Wageningen, bass Jonathan Maron, electric Jim McMahon, trumpet * David K Mathews, keyboards bassist Jon Baumann, trombone * John Worley, Jr. -
Herbie Hancock Man-Child Mp3, Flac, Wma
Herbie Hancock Man-Child mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Man-Child Country: Germany Released: 2013 Style: Jazz-Funk MP3 version RAR size: 1786 mb FLAC version RAR size: 1873 mb WMA version RAR size: 1545 mb Rating: 4.8 Votes: 953 Other Formats: AC3 MP2 AAC DMF DXD WMA WAV Tracklist A1 Hang Up Your Hang Ups 7:28 A2 Sun Touch 5:10 A3 The Traitor 9:37 B1 Bubbles 9:01 B2 Steppin' In It 8:41 B3 Heartbeat 5:16 Companies, etc. Recorded At – Wally Heider Studios Recorded At – The Village Recorder Recorded At – Funky Features Recorded At – Crystal Sound Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Manufactured By – Columbia Records Pressed By – Columbia Records Pressing Plant, Terre Haute Credits Art Direction – Ren Deaton Productions* Artwork [Cover] – Dario Campanile Bass – Henry Davis, Louis Johnson, Paul Jackson Drums – Harvey Mason, James Gadson, Mike Clark Engineer – David Rubinson, Fred Catero, Jack Leahy Guitar – David T. Walker, Blackbird McKnight* Harmonica – Stevie Wonder Management [Artist] – Adamsdad Management Co.* Mastered By – George Horn, Phil Brown Percussion – Bill Summers Piano [Acoustic], Electric Piano [Fender Rhodes], Synthesizer [Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic], Clavinet [Hohner D6] – Herbie Hancock Producer – David Rubinson & Friends, Inc., Herbie Hancock Saxophone, Flute – Ernie Watts, Jim Horn Soprano Saxophone – Wayne Shorter Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Bass Flute, Alto Flute – Bennie Maupin Trombone – Garnett Brown Trumpet – Bud Brisbois, Jay DaVersa Tuba, Bass Trombone – Dick Hyde Notes Misprinted release: Columbia red-label on side A has no text. Recorded at Wally Heider Studios, San Francisco; Village Recorders, Los Angeles; Funky Features, San Francisco; and Crystal Studios, Los Angeles. -
Section I - Overview
EDUCATOR GUIDE Story Theme: Masterworks Subject: Terry Riley Discipline: Music SECTION I - OVERVIEW ......................................................................................................................2 SECTION II – PROFILE & CONTEXT..................................................................................................3 ARTIST PROFILE CONTEXT: THE BIG PICTURE.............................................................................................................4 SECTION III – RESOURCES .................................................................................................................6 TEXTS & PERIODICALS AUDIO RECORDINGS WEB SITES VIDEOS SECTION IV – BAY AREA FIELD TRIPS..............................................................................................9 SECTION III – VOCABULARY.......................................................................................................... 10 SECTION IV – ENGAGING WITH SPARK ...................................................................................... 12 Composer Terry Riley reflects on a long, successful career. Still image from SPARK story June 2005. SECTION I - OVERVIEW EPISODE THEME INSTRUCTIONAL STRATEGIES Masterworks Individual and group research Individual and group exercises SUBJECT Written research materials Terry Riley Group oral discussion, review and analysis GRADE RANGES K-12, Post-Secondary EQUIPMENT NEEDED TV & VCR with SPARK story “Masterworks,” about CURRICULUM CONNECTIONS Terry Riley and Kronos Quartet Music -
HENRY and LEIGH BIENEN SCHOOL of MUSIC SPRING 2017 Fanfare
HENRY AND LEIGH BIENEN SCHOOL OF MUSIC SPRING 2017 fanfare 124488.indd 1 4/19/17 5:39 PM first chair A MESSAGE FROM THE DEAN One sign of a school’s stature is the recognition received by its students and faculty. By that measure, in recent months the eminence of the Bienen School of Music has been repeatedly reaffirmed. For the first time in the history of the Van Cliburn International Piano Competition, this spring one of the contestants will be a Northwestern student. EunAe Lee, a doctoral student of James Giles, is one of only 30 pianists chosen from among 290 applicants worldwide for the prestigious competition. The 15th Van Cliburn takes place in May in Ft. Worth, Texas. Also in May, two cello students of Hans Jørgen Jensen will compete in the inaugural Queen Elisabeth Cello Competition in Brussels. Senior Brannon Cho and master’s student Sihao He are among the 70 elite cellists chosen to participate. Xuesha Hu, a master’s piano student of Alan Chow, won first prize in the eighth Bösendorfer and Yamaha USASU Inter national Piano Competition. In addition to receiving a $15,000 cash prize, Hu will perform with the Phoenix Symphony and will be presented in recital in New York City’s Merkin Concert Hall. Jason Rosenholtz-Witt, a doctoral candidate in musicology, was awarded a 2017 Northwestern Presidential Fellowship. Administered by the Graduate School, it is the University’s most prestigious fellowship for graduate students. Daniel Dehaan, a music composition doctoral student, has been named a 2016–17 Field Fellow by the University of Chicago. -
Sousa May 2004 Rev 5.Pub
The Community Band of Brevard Recipient of the John Philip Sousa Foundation’s 1999 Sudler Silver Scroll Award Presents A John Philip Sousa Sesquicentennial Concert Friday, May 21, 2004 at 8:00 P.M. Fine Arts Auditorium Brevard Community College, Cocoa Sunday, May 23, 2004 at 3:00 P.M. Auditorium Merritt Island High School Featuring Barbara McGillicuddy, vocalist Tom Waid, soloist Barbara Ziegler, vocalist 1 2 Purpose and History The Community Band of Brevard exists to educate its members, to entertain its audiences, and to serve its community. Specifically, For members, The Community Band of Brevard will provide: Enjoyable and meaningful music experiences; Opportunities to utilize their music performing skills and broaden their music horizons; Opportunities to develop and improve their performing skills both as individuals and as an ensemble. For audiences, The Community Band of Brevard will provide entertaining concerts of music performed at the highest level of quality. For the community, The Community Band of Brevard will provide its services, schedule permitting, when requested to satisfy the needs of the entire or significant subsets of the community. The musical director of the Community Band of Brevard is Mr. Marion Scott, formerly the Director of Bands at Brevard Community College. Mr. Scott formed the Community Band of Brevard in 1985 to provide a performance outlet for adult musicians in the area. The Band’s membership, currently numbering about sixty, includes people of all ages representing many occupations. The Community Band of Brevard takes seriously its responsibility to provide entertaining concerts at the highest level of quality. That has always been our goal, but in June, 1992 the Band’s members formally committed to Philosophy, Purpose, and Vision statements which succinctly describe the operating principles governing the Band's decisions and processes and which have produced a high quality ensemble. -
Herbie Hancock Man-Child Mp3, Flac, Wma
Herbie Hancock Man-Child mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Man-Child Country: US Released: 1975 Style: Jazz-Funk MP3 version RAR size: 1224 mb FLAC version RAR size: 1626 mb WMA version RAR size: 1735 mb Rating: 4.9 Votes: 229 Other Formats: XM RA DMF WMA FLAC AC3 VOC Tracklist A1 Hang Up Your Hang Ups 7:28 A2 Sun Touch 5:10 A3 The Traitor 9:37 B1 Bubbles 9:01 B2 Steppin' In It 8:41 B3 Heartbeat 5:16 Companies, etc. Manufactured By – CBS/Sony Inc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Credits Art Direction – Ren Deaton Productions* Artwork [Cover] – Dario Campanile Bass – Henry Davis, Louis Johnson, Paul Jackson Drums – Harvey Mason, James Gadson, Mike Clark Engineer – David Rubinson, Fred Catero, Jack Leahy Guitar – David T. Walker, Blackbird McKnight* Harmonica – Stevie Wonder Mastered By – George Horn, Phil Brown Percussion – Bill Summers Piano [Acoustic], Electric Piano [Fender Rhodes], Synthesizer [Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic], Clavinet [Hohner D6] – Herbie Hancock Producer – David Rubinson & Friends, Inc., Herbie Hancock Saxophone, Flute – Ernie Watts, Jim Horn Soprano Saxophone – Wayne Shorter Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Bass, Alto Flute – Bennie Maupin Trombone – Garnett Brown Trumpet – Bud Brisbois, Jay DaVersa Tuba, Bass Trombone – Dick Hyde Notes Issued with a single sided insert with notes in Japanese. Recorded at Wally Heider Studios, San Francisco; Village Recorders, Los Angeles; Funky Features, San Francisco; and and Crystal Studios, Los Angeles. On rear sleeve: © 1975 CBS, Inc. / ℗ 1975 CBS, Inc. / Manufactured by CBS/Sony Inc. -
Model Musician Sounds Provided By: Jim Matthews Who Are YOUR
Model Musician Sounds Provided by: Jim Matthews Who are YOUR models for music? Which performing artists do YOU listen to? Who do you play for your students as a STANDARD - model of excellence? This certainly is NOT a complete list as there are many models which are not listed. This is simply a start. Flute - Emmanuel Pahud, Andreas Blau, Sharon Bezaly, Julius Baker, Jean-Pierre Rampal, James Galway, Ian Clarke, Thomas Robertello, Mimi Stillman, Aurele Nicolet, Jasmine Choi, Paula Robison, Andrea Griminelli, Jane Rutter, Jeanne Baxtresser, Sefika Kutluer, Jazz: Hubert Laws, Nestor Torres, Greg Patillo (beatbox), Ian Anderson (Jethro Tull), Herbie Mann, Dave Valentine, Oboe - Albrecht Mayer, Marcel Tabuteau, John Mack, Joe Robinson, Alex Klein, Eugene Izotov, Heinz Holliger, Elaine Douvas, John de Lancie, Andreas Whitteman, Richard Woodhams, Ralph Gomberg, Katherine Needleman, Marc Lifschey, David Weiss, Liang Wang, Francios Leleux, Bassoon - David McGill, Arthur Grossman, Klaus Thunemann, Dag Jensen, Joseph Polisi, Frank Morrelli, Judith LeClair, Breaking Winds Bassoon Quartet, Albrecht Holder, Milan Turkovic, Gustavo Nunez, Antoine Bullant, Bill Douglas, Julie Price, Asger Svendsen, Carl Almenrader, Karen Geoghegan, Clarinet - Sabine Meyer, Julian Bliss, Andrew Mariner, Martin Frost, Larry Combs, Stanley Drucker, Alessandro Carbonare, John Manasse, Sharon Kam, Karl Leister, Ricardo Morales, Jack Brymer, Yehuda Gilad, Harold Wright, Robert Marcellus, Richard Stoltzman, Jazz: Benny Goodman, Artie Shaw, Paquito D’Rivera, Eddie Daniels, Pete -
Piano Bass (Upright And/Or Electric)
January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.