DOCSLIB.ORG

2021 Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2021 Program 2021 PROGRAM MELBOURNE // 16 APRIL — 1 MAY SYDNEY FANTASTICFILMFESTIVAL.COM.AU WELCOME Home to trendsetters, truth talkers, trailer blazers and loose wires, Fantastic Film Festival Australia is an event dedicated to showcasing the world’s most daring works from filmmakers with innovative and Lido Cinemas The home of FFFA in Melbourne unique perspectives. These films look both inwards and outwards to present vivid visions of our reality, A Hawthorn movie palace dedicated to the weird and wonderful. challenge cinematic convention, and offer a critical lens 675 GLENFERRIE ROAD, HAWTHORN | (03) 8658 0000 | LIDOCINEMAS.COM.AU through which to view our past, present and future. Suited for provocateurs, adrenaline junkies, cinephiles, and everyone in between, our 2021 line-up is packed full of films to scratch every cinematic itch. This is an energetic program that will inspire unpredictable and revelatory journeys into uncharted territories. Join us to celebrate extraordinary creations that offer passion, imagination and pure cinematic joy you won’t find anywhere else. HUDSON SOWADA ARTISTIC DIRECTOR Ritz Cinemas The home of FFFA in Sydney Puttin’ on fantastic films since 1937. 45 ST PAULS STREET, RANDWICK | (02) 8324 2500 | RITZCINEMAS.COM.AU FIND US fantasticfilmfestival.com.au @fantasticfilmfestaus @fantasticfilmfestaus FESTIVAL TEAM CONTENTS Films (in alphabetical order) ...................................................06 Artistic Director Hudson Sowada Short Films ......................................................................................27 Executive Director Lindy Tamir Events ................................................................................................28 Catalyst Eddie Tamir Session Times .............................................................................. 29 Creative Assistant & Shorts Programmer Zac Hellyer Festival & Marketing Manager Erin Rosenberg Tickets & Venues .........................................................................30 Festival Assistant Rachel Bostock Code of Conduct .........................................................................30 Publicity Original Spin Design Ryan Beasley Web Development Chook Trailer Hudson Sowada Materials & Conversion Jorr SPECIAL THANKS Emily Milledge Richard & Coco Sowada The Lido and Ritz Cinemas teams Jessa Shields We’re grateful for the inspiration and support from Alamo Drafthouse Cinema’s Fantastic Fest. Fantastic Film Festival Australia has received a classification exemption from the Classification Board. Unless stated otherwise on the website, all screenings are restricted to patrons aged 18 and over. 5 VIC/NSW PREMIERE AUSTRALIAN PREMIERE AKILLA’S ESCAPE BEAST CLAWING AT STRAWS JIPURAGIRADO JABGO SIPEUN JIBSEUNGDEUL From a young age, Akilla’s life has been dictated by CANADA • 2021 • 90 MIN “Beasts Clawing at Straws looks like it has SOUTH KOREA • 2020 • 109 MIN the seemingly inescapable pull of crime and violence. DIRECTOR CHARLES OFFICER it all.” — UK FILM REVIEW DIRECTOR KIM YONG-HOON Thrown into drug-running young, he’s worked his way LANGUAGE ENGLISH LANGUAGE KOREAN into managing his own cannabis operation. With his (ENGLISH SUBTITLES) SESSIONS LIDO CINEMAS Hands pass over a Louis Vuitton bag of money as profession soon to become legally legitimate, there at SUN 18 APRIL 9:00PM violence follows close behind. A cleaner who comes SESSIONS LIDO CINEMAS last seems to be an exit. But when a run-of-the-mill drug MON 26 APRIL, 9:00PM WED 21 APRIL, 6:30PM into possession of the cache becomes entwined in a SAT 1 MAY, 6:30PM drop goes haywire and a violent robbery breaks out, all RITZ CINEMAS twisting narrative well beyond his imagination. SUN 18 APRIL, 9:00PM RITZ CINEMAS of Akilla’s years in crime are tested along with whatever MON 26 APRIL, 9:00PM Yong-hoon Kim directs and writes his debut film based THU 22 APRIL, 6:30PM humanity he has managed to keep intact. With money on the novel from Keisuke Sone with a precision and missing, debts to be paid and a young teenage thief confidence that propels him into the auteur discussion. held captive, Akilla has to confront not only those 2020 TORONTO INTERNATIONAL FILM WINNER SPECIAL JURY PRIZE 2020 FESTIVAL The Cannes award-winning best-actress Jeon Do-Yeon INTERNATIONAL FILM FESTIVAL responsible but his own traumatic past. ROTTERDAM, 2020 BUSAN shines among a brilliant cast to anchor this money- INTERNATIONAL FILM FESTIVAL This neo-noir captures a crushing cycle of crime grabbing epic. The film balances a Coen Brothers spanning generations. Charles Officer crafts an comedic thriller style, drama, and non-linear storytelling entertaining, stylistic and affectionate narrative with swagger and finesse. that oozes confidence, driven by a thumping and Questions are raised about where our faith lies, and electrifying soundtrack composed in collaboration who we pick as our heroes and villains. As the audience, with Massive Attack’s 3D. Actor, poet and musician we attempt to locate ourselves within this wild affair Saul Williams’ stoic lead performance is controlled and of blades, monsters tattoos and saunas. Can we make effortless, a dead ringer of Alain Delon in Le Samouraï. moral sense of this chaotic cacophony of human filth The combined effect is a film overflowing with aesthetic and fantasy? and political substance. 6 7 GALA SCREENING VIC/NSW PREMIERE 2K DIGITAL RESTORATION VIC/NSW PREMIERE BLOODSHOT HEART COME AND SEE IDI I SMOTRI “ A rich minestrone stew of AUSTRALIA • 2020 • 90 MIN “I have rarely seen a film more ruthless in its RUSSIA • 1985 • 142 MIN cinephilic allusions.” – SCREEN HUB DIRECTOR PARISH MALFITANO depiction of human evil.” — ROGER EBERT DIRECTOR ELEM KLIMOV LANGUAGE ENGLISH LANGUAGE RUSSIAN, BELARUSIAN, GERMAN At 44, Hans still lives with his mother and makes SESSIONS LIDO CINEMAS “One of the best things I’ve ever seen.” (ENGLISH SUBTITLES) ends meet as a driving instructor. He’s plagued by SUN 25 APRIL, 6:30PM — STEVEN SODERBERGH WED 28 APRIL, 6:30PM SESSIONS LIDO CINEMAS visions of a lost love which begin to derail his grip on SAT 24 APRIL, 5:00PM reality. When Matilda, a tenant half his age, moves RITZ CINEMAS Fear of the void. The dark consciousness of human FRI 23 APRIL, 6:30PM RITZ CINEMAS in, deeply repressed feelings emerge within Hans. TUE 27 APRIL, 8:40PM brutality. Russian filmmaker Elem Klimov presents this SAT 24 APRIL, 4:00PM Tension emerge between Hans and his mother as THU 29 APRIL, 8:40PM hallucinogenic horror in a newly restored form. The their relationship is revealed to be not quite what it events of 1943, as the Nazis marched through Belarus, seems. Meanwhile, it appears that Matilda is harbouring are reimagined through the eyes of a naive boy, WINNER BEST RESTORED FILM 2017 VENICE FILM FESTIVAL, WINNER dangerous secrets of her own. Driven by his manic bewildered by the honour of defending his country. The FIPRESCI PRIZE 1985 MOSCOW obsession, Hans hatches the perfect plan to win torture of war seeps into his skin rotting the core of any INTERNATIONAL FILM FESTIVAL Matilda’s heart. sense of romanticism in victory, violence or nationalism. Filled with luscious colour and stunning surreal This groundbreaking work is a dizzying achievement flourishes, Bloodshot Heart is a thrilling new piece of in cinematography and sound design, led by a pulsing Australian genre cinema. It announces exciting new soundtrack by Oleg Yanchenko. Unrelenting and talent from director Parish Malfitano, supported by an precise, Come and See is a timeless masterpiece of electric performance by prolific producer-turned-actor horror and anti-war cinema. Richard James Allen. Screens with live cast and crew Q&A. 8 9 AUSTRALIAN PREMIERE AUSTRALIAN PREMIERE GET THE HELL OUT A GLITCH IN THE MATRIX TAO CHU LI FA YUAN “Get the Hell Out is the sort of giddy big- TAIWAN • 2020 • 96 MIN “A mind-blowing dive into simulation theory.” USA • 2021 • 110 MIN screen experience that’s ideal for late-night DIRECTOR I-FAN WANG - THE GUARDIAN DIRECTOR RODNEY ASCHER festival screenings.” — SCREENDAILY LANGUAGE MANDARIN LANGUAGE ENGLISH (ENGLISH SUBTITLES) Are we living in a simulation? Is the world around us SESSIONS LIDO CINEMAS Taiwanese parliament quickly escalates from hurling SESSIONS LIDO CINEMAS fabricated? Where does virtual reality stop and the THU 22 APRIL, 6:30PM insults to literal fist-fights regularly on the legislature FRI 23 APRIL, 8:40PM real world begin? These questions, consolidated WED 28 APRIL, 8:30PM RITZ CINEMAS through simulation theory, have existed on the fringes RITZ CINEMAS floor. Despite Hsiung excelling in martial arts she is THU 22 APRIL, 8:30PM TUE 20 APRIL 9:15PM kicked out of government by her corrupt, sexist peers. FRI 30 APRIL, 6:30PM of popular culture and have been building momentum TUE 27 APRIL, 6:30PM She resorts to using Wang, a deadbeat security guard, for years. From Plato’s cave to Elon Musk’s Twitter feed, as a puppet for her political endeavours. But as Wang’s this documentary presents a staggering synthesis campaign gains traction a deadly virus turns politicians 2020 TORONTO INTERNATIONAL FILM of perspectives that capture a poignant 21st century 2021 SUNDANCE FILM FESTIVAL FESTIVAL into flesh-hungry zombies. existential crisis. With his debut feature, I-Fan Wang exhibits a chaotic As demonstrated in his previous film, Room 237, gonzo enthusiasm that doesn’t let up off the brakes. acclaimed director Rodney Ascher is no stranger With political satire at its core, this gore-horror kung fu to left-field ideas. He uses voices on the fringes
Load more

Recommended publications
  • Resource Collection for High Ability Secondary Learners 2011
    Resource Collection for High Ability Secondary Learners Office of Gifted Education Montgomery County Public Schools 2011 - 2012 Table of Contents 2011 – 2012 Materials for High Ability Secondary Students How to Order .................................................................................................................................. 3 Professional Resources for Teachers .............................................................................................. 4 Differentiation ............................................................................................................................. 4 Assessment .................................................................................................................................. 5 Learning Styles and Multiple Intelligences ................................................................................ 6 Curriculum, Strategies and Techniques ...................................................................................... 7 Miscellaneous ............................................................................................................................. 9 English ...................................................................................................................................... 10 Mathematics .............................................................................................................................. 13 History......................................................................................................................................
    [Show full text]
  • Celebrations Press PO BOX 584 Uwchland, PA 19480
    Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 1 year for only $29.99* *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. Subscribe online at www.celebrationspress.com, or send a check or money order to: Celebrations Press PO BOX 584 Uwchland, PA 19480 Be sure to include your name, mailing address, and email address! If you have any questions about subscribing, you can contact us at [email protected] or visit us online! Cover Photography © Garry Rollins Issue 67 Fall 2019 Welcome to Galaxy’s Edge: 64 A Travellers Guide to Batuu Contents Disney News ............................................................................ 8 Calendar of Events ...........................................................17 The Spooky Side MOUSE VIEWS .........................................................19 74 Guide to the Magic of Walt Disney World by Tim Foster...........................................................................20 Hidden Mickeys by Steve Barrett .....................................................................24 Shutters and Lenses by Mike Billick .........................................................................26 Travel Tips Grrrr! 82 by Michael Renfrow ............................................................36 Hangin’ With the Disney Legends by Jamie Hecker ....................................................................38 Bears of Disney Disney Cuisine by Erik Johnson ....................................................................40
    [Show full text]
  • A Summative History
    CHAPTER 1 “A MUSEUM HERE FOUNDED” A Summative History Chip Colwell-Chanthaphonh, Museum Origins, 1897−1910 Kristine A. Haglund, In 1893 the city of Chicago hosted the World’s Columbian Exposi- Richard K. Stucky, and tion, a celebration inspired by the 400th anniversary of Columbus’s arrival Pamela Wineman in the Americas. The fair attracted global attention and inspired a generation to rethink architecture, science, industry, the arts, and city planning. Even the severe economic depression that started that year would not dampen the enthusiasm awakened by the exposition’s displays, performances, buildings, and demonstrations. Spurred in part by the exposition, Denver’s most prominent citizens visited Edwin Carter in his mountain home in Breck- enridge, Colorado (Fig. 1.1). Headed by Governor John L. Routt, the Denver entourage knew Carter held a magnificent collection of Colorado wildlife. Carter (Fig. 1.2) had come to Colorado during the 1859 Pikes Peak gold rush and had had modest success. He retired several years later, settled in a tiny cabin in Breckenridge in 1868, and pursued his passion for natural history, particularly the study of birds and mammals. Carter was a wholehearted collector, as one historian has written: Edwin Carter found such joy in collecting that he too structured his life and work around it. The prospecting and tanning that filled his summers played second fiddle to the wintertime pleasures of tramping through the Figure 1.1. Edwin Carter’s cabin, woods, observing, tracking, and taking game. Breckenridge, Colorado. Accompanied by a burro and his dog, Bismark, who pulled a small sled with food and supplies, the tall, thin miner roamed the hills in snowshoes, watching the small movements of the birds in trees and the way the snow dropped from the branches 11 DENVER MUSEUM OF NATURE & SCIENCE ANNALS | No.
    [Show full text]
  • Film Reviews
    Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a scene­for­scene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a re­imagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of non­English language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its ever­growing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man.
    [Show full text]
  • The Planet, 2013, Fall
    Western Washington University Masthead Logo Western CEDAR The lP anet Western Student Publications Fall 2013 The lP anet, 2013, Fall Mikey Jane Moran Western Washington University Huxley College of the Environment, Western Washington University Follow this and additional works at: https://cedar.wwu.edu/planet Part of the Environmental Sciences Commons, Higher Education Commons, and the Journalism Studies Commons Recommended Citation Moran, Mikey Jane and Huxley College of the Environment, Western Washington University, "The lP anet, 2013, Fall" (2013). The Planet. 66. https://cedar.wwu.edu/planet/66 This Issue is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in The Planet by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. EDITOR-IN-CHIEF Mikey Jane Moran ADVISOR Dr. Rebekah Green MANAGING EDITOR Sarah Mikkelborg EDITORS Julian Theberge Meg Duke SCIENCE EDITOR Christopher Zemp DEAR READER, PHOTO EDITOR Jasper Gibson When you were a child, did you ever flip over rocks? In the imprint of each stone, a myriad of many-legged creatures retreated from the light, MULTIMEDIA EDITOR worms wriggled deeper into the soil. Each rock held the mystery of what Ryan Hasert lay beneath, and once you turned one over, you had to know what was lurking under the next. Curiosity took over. Fingers got muddy. DESIGNERS Ruth Ganzhorn Zachary Sankey This fall. The Planet started flipping. ASSISTING DESIGNER This issue is about the process and pursuit of knowledge. We Enkhbayar Munkh-Erdene researched emerging theories about salmon navigation and trailed after scat-sniffing dogs, not for answers, but out of curiosity.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • Switchblade Comb" by Mobius Vanchocstraw
    00:00:00 Music Music "Switchblade Comb" by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I'm April Wolfe. Every week, I invite a new female filmmaker on—a writer, director, actor, or producer—and we talk in-depth about one of their fave genre films, perhaps one that influenced their own work in some small way, and today I'm very excited to have writer-director Alice Waddington here with me. Hi, Alice! 00:00:28 Alice Guest Hi, April! How are you? Waddington [Music fades out.] 00:00:30 April Host Oh, I'm quite well. [Alice laughs.] Despite fires raging. 00:00:32 Alice Guest Oh my goodness. 00:00:33 April Host But I gotta say your pink jumpsuit—pink corduroy jumpsuit is really livening up the place. 00:00:39 Alice Guest [Laughs.] Thank you so much. I'm—you know, I am on my Logan's Run stuff already. So. [Laughs.] 00:00:44 April Host Absolutely. I mean, Halloween should be year-round. [Alice laughs.] Okay, so for those of you who are not as familiar with Alice's work, please let me give you an introduction. Alice Waddington was born in a rural background, but she was raised in the big city of Bilbao, Spain.
    [Show full text]
  • A Film by Stephen Graves
    A film by Stephen Graves Poster art by Grant Kempster © Stephen Graves 2019 A film by Stephen Graves “It always is Christmas Eve, in a ghost story.” Jerome K Jerome “Have they no refuge or resource?” cried Scrooge. “Are there no prisons?” said the Spirit, turning on him for the last time with his own words. “Are there no workhouses?” Charles Dickens, A Christmas Carol Logline After an affluent man leaves a rough sleeper to die in the cold on Christmas Eve, he’s haunted by a figure that may be a vengeful spirit - or his own guilty conscience. Short synopsis On Christmas Eve, HARRY (40s, affluent) is accosted in an alley by a ROUGH SLEEPER, who’s clearly in a bad way. In a rush, Harry brushes the man off - leaving him to die. Later, Harry’s car engine stalls on a country road; trying to restart the car, he sees a FIGURE in the headlights. It vanishes. That night, Harry is woken by the wind. He sees the Figure standing on his lawn, and heads out to confront it. He gets lost in the fog and stumbles, striking his head; as his life ebbs away, the Figure stands over him... © Stephen Graves 2019 Director’s Statement In the tradition of Invasion of the Body Snatchers and Dawn of the Dead, The Dead of Winter addresses contemporary social concerns through the heightened reality of the horror genre. A reinterpretation of the classic ghost story, it tackles themes of privilege, social responsibility, guilt and the “fear of the other,” through a modern interpretation of the classic ghost story.
    [Show full text]
  • Fantastic Arcade Added to Festival
    1 THE DAILY TEXAN NEWS PAGE 6 SPORTS PAGE 7 TOMORROW’S WEATHER UT gets ready to move High Low to new data center Lone Star State showdown 91 73 Thursday, September 23, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com Friendship TODAY Fantastic Arcade added to Festival from Navy raises $15m Calendar for building Free Henna By Collin Eaton Students help drum up Daily Texan Staff donations to aid flood victims in About 40 years ago, a young Na- Pakistan by offering free henna val officer named William Powers tattoos for donors. Stop by in Jr. was on a tour in Bahrain when front of the FAC from 9 a.m. to James Mulva, the man who would 5 p.m. become the chairman and CEO of ConocoPhilips, came to the island Craziest Cake fresh from UT’s Na- Competition val Re- Austin’s creative bakers serve Offi- compete for the title of the cer Train- craziest cake. The competition is ing Corps. at the AT&T Executive Education On two and Conference Center from different 7 to 10 p.m. and will offer sides of free cake samples. RSVP by the island, e-mailing rsvp@austinmonthly. Powers com. and Mul- va occa- sionally Delfos Danza James Mulva met each Conoco Philips CEO Contemporánea other at The Teresa Lozano Long events Institute of Latin American during their tours. But eight years Studies and the Department ago, it was at a Texas Exes event hon- of Theater and Dance presents Thomas Allison | Daily Texan Staff oring Mulva that UT President Pow- contemporary dance by Tech director Kody McKay Sandel demos one of eight custom-made arcade-style games for the upcoming Fantastic Arcade at The Highball.
    [Show full text]
  • PRESS NOTES March 2019
    PRESS NOTES March 2019 INFORMION 114 Minutes Ratio: 2:35 color Red Dragon DCP • AUDIO: 5.1 PRESS Emma Griffiths [email protected] PRODUCERS Larry Fessenden [email protected] Chadd Harbold [email protected] Jenn Wexler [email protected] PRINT TRAFFIC GLASS EYE PIX 172 East 4th Street #5F New York, NY 10009 WEBSITES A film by Larry Fessenden glasseyepix.com depravedfilm.com GLASS EYE PIX & FORAGER FILM COMPANY present DAVID CALL JOSHUA LEONARD and ALEX BREAUX "DEPRAVED" ANA KAYNE MARIA DIZZIA CHLOË LEVINE OWEN CampBELL and ADDISON TIMLIN cinematography CHRIS SKOTCHDOPOLE James SIEWERT production design APRIL LASKY costume design SARA ELISABETH LOTT makeup effects GERNER & SPEARS EFFECTS visual effects james SIEWERT music WILL bates sound design JOHN MOROS mix TOM EFINGER executive producers JOE SWANBERG EDWIN LINKER PETER GILBERT co-executive producerS andrew MER SIG DE MIGUEL STEPHEN VINCENT co-producer LIZZ ASTOR producers CHADD HARBOLD JENN WEXLER writer director editor producer LARRY FESSENDEN (c) 2019 DEPRAVED PRODUCTIONS INC. ALL RIGHTS RESERVED. A Glass Eye Pix COSTUME Lucy Double POST PICTURE "depRAVEd" Forager Film Company assistant costume designer ASHLEY MORGAN BLOOM Finishing Written and Performed by production ARIS BORDO Polidori Double CONTACT POST UNWANTED HOUSEGUEST wardrobe supervisor COLIN VAN WYE colorist publisher Tavistock Records CREW ALANNA GOODMAN Child Singers BLASE THEODORE BELLA MAGGIO "Wheels on the Bus" writer director editor Uniforms Edit and Online Facilities LARRY FESSENDEN KAUFMAN’S ARMY & NAVY JOEY MAGGIO THE STATION Performed by NIA AMALIA MOROS UNWANTED HOUSEGUEST producers additional animation LARRY FESSENDEN MAKEUP TV Voices BEN DUFF JAMES LE GROS "Pleasant Street" CHADD HARBOLD hair and makeup dept.
    [Show full text]
  • Organizzazione Di Un Festival Cinematografico: Il Caso Far East Film Festival
    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e gestione delle Arti e delle attività culturali Tesi di Laurea Organizzazione di un festival cinematografico: Il caso Far East Film Festival Relatore Prof.ssa Valentina Carla Re Correlatore Prof. Fabrizio Panozzo Laureanda Elisa Ceotto Matricola 816375 Anno Accademico 2012 / 2013 RINGRAZIAMENTI Innanzitutto, vorrei esprimere la mia gratitudine a Sabrina Baracetti e a tutto il personale del C.E.C. per l’aiuto datomi durante le mie ricerche. Desidero inoltre ringraziare il mio relatore, la Prof.ssa Valentina Carla Re per il sostegno ricevuto; e il Prof. Fabrizio Panozzo e il Dott. Lorenzo Mizzau per il tempo dedicatomi. Infine ringrazio con affetto la mia famiglia che mi ha sostenuto durante gli anni all'università, e gli amici che mi sono stati vicini. INDICE INTRODUZIONE pag. 1 PRIMA PARTE 1. I FESTIVAL CINEMATOGRAFICI pag. 4 1.1. Cenni storici pag. 4 1.2. Situazione attuale del circuito festivaliero: una breve panoramica pag. 9 2. ORGANIZZAZIONE DI UN FESTIVAL pag. 15 2.1. Definizioni pag. 15 2.2. Festival management pag. 16 2.3. Lo sviluppo organizzativo pag. 17 2.4. Le fasi di sviluppo di un festival pag. 20 2.4.1. Ideazione pag. 21 2.4.2. Attivazione pag. 24 2.4.3. Pianificazione pag. 24 2.4.4. Attuazione – Completamento – Valutazione pag. 25 2.5. Le aree di competenza pag. 26 2.6. La struttura organizzativa pag. 28 2.7. Gli stakeholder e la gestione delle risorse umane pag. 32 2.8. Comunicazione e marketing pag. 35 2.9.
    [Show full text]
  • Jaarverslag VAF/Filmfonds 2008
    COVER BUITEN [ONTWERP KERN 02] Vlaams Audiovisueel Fonds vzw | Jaarverslag 2008 - 1 - COVER BINNEN [WITTE PAGINA] Vlaams Audiovisueel Fonds vzw | Jaarverslag 2008 - 2 - Vlaams Audiovisueel Fonds vzw Jaarverslag 2008 Vlaams Audiovisueel Fonds vzw | Jaarverslag 2008 - 3 - Uitgegeven door het Vlaams Audiovisueel Fonds vzw Bischoffsheimlaan 38 – 1000 Brussel T 02 226 06 30 - F 02 219 19 36 [email protected] - www.vaf.be Met de steun van de Vlaamse Minister van Cultuur Vlaams Audiovisueel Fonds vzw | Jaarverslag 2008 - 4 - Inhoudsopgave 1. De opdracht van het VAF binnen het Vlaams audiovisueel beleid .............- 14 - 2. Overzicht cijfers 2008 ..............................................................................- 19 - 2.1. Inleiding ..............................................................................................- 19 - 2.2. Onderscheid tussen goedkeuringen en contracteringen...............................- 19 - 2.3. Boekhoudkundige cijfers ........................................................................- 19 - 3. Steun aan creatie......................................................................................- 23 - 3.1 Inleiding ...............................................................................................- 23 - 3.2 Het selectiesysteem................................................................................- 23 - 3.3 Coaching ..............................................................................................- 23 - 3.4 Financiële steun per categorie..................................................................-
    [Show full text]