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Rotational Motion (The Dynamics of a Rigid Body)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Robert Katz Publications Research Papers in Physics and Astronomy 1-1958 Physics, Chapter 11: Rotational Motion (The Dynamics of a Rigid Body) Henry Semat City College of New York Robert Katz University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/physicskatz Part of the Physics Commons Semat, Henry and Katz, Robert, "Physics, Chapter 11: Rotational Motion (The Dynamics of a Rigid Body)" (1958). Robert Katz Publications. 141. https://digitalcommons.unl.edu/physicskatz/141 This Article is brought to you for free and open access by the Research Papers in Physics and Astronomy at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Robert Katz Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 11 Rotational Motion (The Dynamics of a Rigid Body) 11-1 Motion about a Fixed Axis The motion of the flywheel of an engine and of a pulley on its axle are examples of an important type of motion of a rigid body, that of the motion of rotation about a fixed axis. Consider the motion of a uniform disk rotat ing about a fixed axis passing through its center of gravity C perpendicular to the face of the disk, as shown in Figure 11-1. The motion of this disk may be de scribed in terms of the motions of each of its individual particles, but a better way to describe the motion is in terms of the angle through which the disk rotates. -
Fox Theatre Event Schedule
FOX THEATRE EVENT SCHEDULE 9/21 OKTOBERFEST BRUNCH Presented by Lexus at the Marquee Club 11:30 AM 45.00 9/24-26 ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY 7:30 PM 35.00 – 109.00 9/27 ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY 8:00 PM 45.00 – 129.00 9/28 ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY 2:00 & 8:00 PM 45.00 – 129.00 9/29 ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY 1:00 & 6:30 PM 45.00 – 129.00 10/4 WE DO! Inclusive Wedding Planning for Atlanta’s LGBTQIA+ Community 11:00 AM 20.00 10/5 PEPPA PIG LIVE! Peppa Pig’s Adventure! 4:00 PM 25.00 – 65.00 10/6 THOM YORKE * NIGEL GODRICH * TARIK BARRI: TOMORROW’S MODERN BOXES 8:00 PM 59.00 10/10 FOR KING & COUNTRY: BURN THE SHIPS TOUR presented by 104.7 The Fish 7:00 PM 25.00 – 200.00 10/11 ONCE 8:00 PM 30.00 – 79.00 Tickets on sale 9/20 10/12 ATLANTA COMEDY JAM featuring Lavell Crawford, Deray Davis, Michael Blackson, Kountry Wayne, D.C. Young Fly, & Chico Bean 7:00 & 10:30 PM 63.00 – 129.00 10/13 PRIDE PARADE VIEWING PARTY Presented by Lexus at the Marquee Club 12:00 PM 50.00 10/13 RACHEL MADDOW 5:30 PM 41.00 – 85.00 10/14 MAGGIE ROGERS: HEARD IT IN A PAST LIFE TOUR 8:00 PM 29.50 – 45.00 10/18 FANTASIA: THE SKETCH BOOK TOUR with special guests Robin Thicke, Tank, and The Bonfyre 8:00 PM 48.50 – 128.50 10/19 RAY LAMONTAGNE: JUST PASSING THROUGH TOUR with special guests Kacy & Clayton 8:00 PM 35.50 – 121.50 10/23 WICKED 7:30 PM 43.00 – 173.00 10/24 WICKED 1:00 & 7:30 PM 43.00 – 173.00 10/25 WICKED 8:00 PM 53.00 – 173.00 10/26 WICKED 2:00 & 8:00 PM 63.00 – 203.00 10/27 WICKED -
Alienazione, Ansia, Claustrofobia: “Anima” Di Thom Yorke È Un Sogno
Hamilton Santià IMPERDIBILE 17 luglio 2019 Alienazione, ansia, claustrofobia: “Anima” di Thom Yorke è un sogno ad occhi aperti nel mondo di oggi Nel suo terzo disco solista, il cantante dei Radiohead riesce nalmente a costruire una distopia contemporanea che racconta, in musica e immagini, il nostro attuale senso di scontta FABRICE COFFRINI / AFP Negli ultimi anni la musica elettronica, anche quella più commerciale e capace di emergere rispetto ai più fertili circoli dell’underground, si è fatta portatrice e interprete di un “common feel” sulle cose del mondo. Senso di ansia e di alienazione, una depressione permanente dovuta alla perdita di orizzonti, fallimenti collettivi e individuali, disastri su larga scala, incapacità di distinguere il vero dal falso e il sonno dalla veglia, ma anche una volontà di esaminare il vuoto attorno al quale si prova non più tanto a danzare, ma a muoversi con ostinata e ritmica resistenza. Come se la musica elettronica fosse diventata a sua volta un lunghissimo saggio teorico di critica culturale sull’esistente. A leggere le dichiarazioni di Thom Yorke che hanno anticipato l’uscita di Anima (qui potete leggere una bellissima intervista rilasciata a Crack), il suo terzo disco solista lontano dalla casa madre Radiohead è intriso di questo “common feel”. Del resto, senza andare a guardare nella parte post Kid A, la band di Oxford ha sempre ragionato molto su questi concetti: dall’alienazione giovanile di Creep all’insoddisfazione apatica verso il nulla di Just e Fake Plastic Trees, passando per l’ossessione per l’eccellenza di Fitter Happier (in piena esplosione cyberpunk, una voce robotica su suoni raccolti qui e là e ltrati sinteticamente che elogiava l’etica della produttività) e ovviamente l’esplosione perturbante di Paranoid Android. -
“Stranger Things 3” Review: the New Dvds Tribune News Service Following Is a Partial Schedule of Coming Movies on DVD
Page B2 Wyoming Tribune Eagle Saturday, July 6, 2019 NEW RELEASES “Stranger Things 3” review: The New DVDs Tribune News Service Following is a partial schedule of coming movies on DVD. Release dates are subject to same formula and New Coke, too change: By Verne Gay July 9 Newsday Pet Sematary Little WHAT IT’S ABOUT: A mall has After come to Hawkins, Ind., but there’s High Life something strange about this shiny Broad City: Season Five new establishment, packed with Gotham: Season 5 shiny new stores – real, recogniz- The Magicians: Season Four able ones, in fact. Or is that strange The Professor “something” what lies beneath? The mall is a magnet for the gang – Elev- July 16 en (Millie Bobby Brown), Lucas Shazam! (Caleb McLaughlin), Dustin (Gaten Breakthrough Matarazzo), Mike (Finn Wolfhard) Teen Spirit and Max (Sadie Sink). Lucas’ wise- Little Woods acre little sister, Erica (newcomer Abduction Priah Ferguson), is one of the mall Criminal Minds: Season 14 rats, too. Meanwhile, Billy (Dacre Fast Color Montgomery) is pool lifeguard, and Titans: The Complete First still, surprise, conceited. Season Oh, and speaking of magnets and July 23 rats – real ones – they’re behaving Alita: Battle Angel strangely in Hawkins. Hellboy This third season begins late June Missing Link 1985 and wraps a few days later, on Master Z: Ip Man Legacy July 4. Critters Attack MY SAY: Before getting their Manifest: Season 1 hands on these eight episodes, Netf- July 30 lix made critics promise not to reveal Cast at the “Stranger Things” Season 3 World Premiere at the Santa Monica High School on Sunday in Santa Monica, Calif. -
Michael Mission 105250 BAP210.1 Comparative Analysis of Two Producers Table of Contents
Comparative Analysis: Nigel Godrich and Timbaland Michael Mission 105250 BAP210.1 Comparative Analysis of Two Producers Table of Contents INTRODUCTION! 1 NIGEL GODRICH! 1 TIMBALAND! 1 PRODUCTION TRAITS! 2 CREATIVE ACCIDENTS! 2 THE BEAT MAKER! 3 IN COMPARISON! 4 CONCLUSION! 6 BIBLIOGRAPHY! 7 Nigel Godrich and Timbaland INTRODUCTION The ambiguous role of a music producer continues to escape common definition, made the more difficult in today’s ever growing expanse of musical genres and styles. McKinnon (2006), writing for CBC (Canadian Broadcasting Corporation) gives us a broad working definition: “Music producers are like film directors. They supervise the recording process, and are responsible for its final result.” Over recent decades, two significant individuals have had a major impact in shaping this very role; English producer Nigel Godrich and American producer Timothy Zachary Mosley better known to the world as ‘Timbaland’. The following essay analyses and compares these two individuals with particular focus on their key stylistic traits, their approach and methodologies and the techniques they employ in the craft of music production. NIGEL GODRICH Born in February 28, 1971, Godrich is best known for his close collaboration with the English five piece rock band Radiohead. The noted partnership began with a chance opportunity to record some B-sides during the band’s studio sessions for The Bends, “a notoriously difficult album for the band to make” (Robinson, 1997). His immediate connection with the band and his thorough knowledge of tape machines, mixing consoles and outboard gear made him the first port of call during the pre-production stages for Ok Computer (1997), Radiohead’s third studio album. -
Six Units for Primary (K-2) Gifted/Talented Students. Self
DOCUMENT RESUME ED 333 675 EC 300 431 AUTHOR McCallister, Corliss TITLE Six Units for Primary (K-2) Gifted/Talented Students. Se?f (Psychology), Plants (Botany), Animals (Zoology), Measurement (Mathematics), Space (Astronomy), Computers (Technology). INSTITUTION Education Service Center Region 7, Kilgore, Tex. PUB DATE 88 NOTE 403p. PUB TYPE Guides - Classroom Use - Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Animals; Computers; *Curriculum; Diagnostic Teaching; Experiential Learning; *Gifted; Learning Activities; Measurement; Plants (Botany); Primary Education; Self Concept; Space Sciences; *Student Educational Objectives; *Talent; *Teaching Methods ABSTRACT This curriculum for gifted/talented students in kindergarten through grade 2 focuses on the cognitive, affective, and psychomotor domains in the areas of language arts, mathematics, music, physical education (dance), science, social studies, theatre, and visual arts. The curriculum is student centered, experientially based, exploratory, holistic/integrative, and individualized by diagnostic prescriptive teaching. An introductory section provides goals; long-term objectives; and information on adapting the curriculum by kind and degree of giftedness, minority subpopulation, and delivery system. The curriculum covers six units: self, plants, animals, measurement, space, and computers. For each unit, the curriculum contains background information, a chart depicting visual organization of the topics, short-term objectives, field trip ideas, speaker -
DC Biog Current
THE DIVINE COMEDY – A BIOGRAPHY The Divine Comedy is Neil Hannon. Over the years, the name has encompassed other musicians, but the driving force of the band and its main (sometimes only!) member has always been Neil Hannon. He chose the name 'The Divine Comedy' aged 18, almost at random. He and two Enniskillen school friends needed a new name for their band and Neil spotted a copy of Dante’s epic poem on the family bookshelf. It stuck, and a year later it was the name under which the trio signed to Irish run indie Setanta Records. They left Northern Ireland, moved into a squat in London, released a mini-album, 1990’s REM/Ride influenced 'Fanfare for the Comic Muse' and ‘91’s ‘Europop’ E.P. then split up. Neil's bandmates went to university and Neil returned home. Retaining the name, he spent 18 months living in his parents’ attic, sleeping during the day, watching old movies and writing songs at night. Influenced by everything from Jacques Brel, Scott Walker and Michael Nyman to "A Room with a View", Wordsworth, and Mr Benn, these songs eventually evolved into two albums. The first of these, ‘Liberation’ was released in 1993. Totally different to anything else around, and indeed his previous work, he now considers it his first album proper. The press adored it. The NME described it as "..an array of seductive yarns.. glorious, gleeful tunesmanship." Dave Cavanagh, writing in Select said "...one of the bountiful, overflowing joys of the year. Any year." Melody Maker described it as "An album that could make any listener want to stumble up to him and proclaim ‘Neil, you’re a genius’". -
The Pleasure of the Intertext: Towards a Cognitive Poetics of Adaptation
!1 THE PLEASURE OF THE INTERTEXT: TOWARDS A COGNITIVE POETICS OF ADAPTATION A dissertation presented by Meg Tarquinio to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April, 2017 !2 THE PLEASURE OF THE INTERTEXT: TOWARDS A COGNITIVE POETICS OF ADAPTATION by Meg Tarquinio ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Literature in the College of Social Sciences and Humanities of Northeastern University April, 2017 !3 ABSTRACT The field of adaptation studies has been diagnosed as lacking consensus around its main tenets, especially those that would build a strong ontological foundation. This study participates in the burgeoning critical approach that places cognitive science in conversation with literary theory, looking towards the start of a cognitive turn in adaptation studies. Specifically, I offer the axiom that adaptations are analogies. In other words, I advance the original argument that adaptations are the textual expression of the cognitive function of analogy. Here, I’m using a cognitive theory of analogy as the partial mapping of knowledge (objects and relations) from a source domain to a target domain. From this vantage point, I reassess the theoretical tensions and analytical practices of adaptation studies. For instance, the idea of essence is an anathema within academic studies of adaptation, yet it continues to hold sway within popular discourse. My approach allows for a productive return to essence, not as some mystical quality inherent in an original text and then indescribably transmitted to its adaptation, but as the expression of a key sub-process of analogical reasoning – what Douglas Hofstadter refers to, conveniently, as “essence” or “gist extraction.” This line of argument demonstrates the degree to which André Bazin’s 1948 theorization of adaptation is in line with this cognitive version of essence. -
Radiohead in 2007: Phil Selway, Ed O'brien, Jonny Greenwood, Thom Yorke, and Colin Greenwood (From Le )
Radiohead in 2007: Phil Selway, Ed O’Brien, Jonny Greenwood, Thom Yorke, and Colin Greenwood (from le) 20494_RNRHF_Text_Rev1_22-61.pdf 33 3/11/19 5:23 PM > > ONE OF THE MOST RadioheadINNOVATIVE GROUPS OF RadioheadTHE NINETIES, THEY CONTINUE TO BUCK MUSICAL TRENDS BY DAVIDA FRICKE n October 2000, a week after Radiohead’s fourth al- (1993), a Top Five hit in the U.S. or U.K., usually both – and bum – the cryptic, electronica-soaked Kid A – shot a succession of sold-out arena tours and festival triumphs to Number One in America upon release, singer that have established the 2019 Rock & Roll Hall of Fame Thom Yorke politely dodged a question about the inductees as enduring alternative-rock heirs to the Beatles’ record’s improbable success, especially given the psychedelic idealism and Pink Floyd’s progressive-rock English modern-rock band’s perversely low-key searching. Willfully experimental in their songwriting promotion. They had done no videos and released and exploration of the studio’s outer limits, Radiohead are no singles; they did three tour dates in North America plus fiercely uncompromising in their protection and presenta- a TV appearance on Saturday Night Live; and they had just tion of the results. But they are also absolutely commercial one U.S. interview, on a bench in New York’s Central Park in in their consistent all-embracing impact: a people’s band on the crisp autumn dusk. record and in performance, propelling Yorke’s naked, often “I’m actually the last person in the band to talk about it,” brutal lyric honesty with an explosive, universal resonance Yorke declared with an impish grin. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Ultraísta Remixes
Ultraísta ULTRAÍSTA REMIXES LP 6 56605 32281 0 BIO ARTIST: Ultraísta When Ultraísta released their eponymous debut album TITLE: Ultraísta Remixes last fall, it quickly established a couple universal truths: CATALOG: TRR228 1) Nigel Godrich and Joey Waronker are incredibly RELEASE DATE: August 6, 2013 innovative musicians and producers whose fingerprints FORMAT: 2xLP are embedded in their most notable collaborators UPC: 656605322810 (namely Atoms For Peace, Radiohead, and Beck); and BOX LOT: 25 2) Laura Bettinson's beguiling voice and mesmerizing VINYL IS NON-RETURNABLE stage presence make the impressive pedigree of this band a moot point. Her voice could stand out over virtually any sound, and nothing proves this better than TRACK LISTING an album of star-studded remixes. 1. You’re Out (Prefuse 73 Remix) (5:28) 2. Smalltalk (Four Tet Remix) (6:06) Ultraísta Remixes compiles a year's worth of remixes 3. Gold Dayzz (FaltyDL Remix) (3:52) from friends and collaborators within the ever-expanding 4. Wash It Over (ERAAS Remix) (4:44) Ultraísta orbit. Though some of these tracks have 5. Party Line (Canon Blue Remix) (3:57) become social media sensations in their own right – 6. Easier (Zammuto Remix) (4:02) collectively clocking more than two million plays on the 7. Static Light band's Soundcloud and YouTube channels – Ultraísta (Matthew Herbert Remix) (4:10) Remixes has been perfectly sequenced to succeed as a 8. Bad Insect (DC Sux Remix) (4:30) stand-alone album (an alarmingly strong one, no less). 9. Our Song (Zero 7 Remix) (6:15) Rarely do remix albums have this level of quality control 10. -
Thom Yorke Torna in Italia: Unico Concerto a Milano
Thom Yorke torna in Italia: unico concerto a Milano MILANO, 14 ottobre 2019-Dopo lo straordinario successo del tour 2019, che in Italia si è concluso con l’acclamatissimo concerto all’Auditorium Parco della Musica in Roma,Thom Yorke, storico frontman dei Radiohead, annuncia nuove date in Europa e Regno Unito fra giugno e luglio 2020 per il suo Tomorrow’s Modern Boxes, il progetto live che include Yorke, Nigel Godrich e il visual artist Tarik Barri. L’unico appuntamento in Italia è a Milano, giovedì 9 luglio 2020, all’Ippodromo SNAI San Siro nel programma della rassegna Milano Summer Festival. I biglietti sono disponibili in prevendita anticipata esclusiva per gli iscritti a My Live Nation dalle 10 di giovedì 17 ottobre, mentre dalle ore 10 di venerdì 18 ottobre saranno in vendita in tutti i circuiti autorizzati Ticketmaster.it (online) e Ticketone (online e punti vendita sul territorio). Le date in Europa e UK, 11 in tutto, delle quali 2 festival, seguiranno nuove date aggiunte anche negli Stati Uniti, dove Thom Yorke fino a fine ottobre è ancora impegnato con gli ultimi concerti del 2019. In Tomorrow’s Modern Boxes, il trio composto da Yorke, Godrich e Barri mette in scena le canzoni tratte dai diversi progetti musicali solisti di Thom. Il programma spazia quindi fra The Eraser, prima prova datata 2006 e prodotta da Godrich, già produttore dei Radiohead, Tomorrow’s Modern Boxes (2014), Amok uscito nel 2013 a firma Atoms For Peace,Suspiria , colonna sonora composta per il remake del film di Dario Argento a cura di Luca Guadagnino del 2018, e naturalmente daAnima , la sua ultima pubblicazione, uscita il 27 giugno scorso su etichetta XL Recordings, accompagnata da un cortometraggio diretto da Paul Thomas Anderson e visibile solo su Netflix.