Throbbing Gristle the First Annual Report
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Julia Wolfe Magnus Lindberg Phill Niblock Frederic
FESTIVALIO KOMPOZITORIAI JULIA WOLFE COMPOSERS IN FOCUS: MAGNUS LINDBERG PHILL NIBLOCK FREDERIC RZEWSKI BERND ALOIS ZIMMERMANN Festivalyje skambės daugiau nei 100 skirtingų žanrų kūrinių, dauguma jų – premjeros Lietuvoje Festivalio programoje – 7 lietuvių kompozitorių kūriniai ir 8 pasaulinės premjeros Festivalio puošmena – pasaulinio garso solistai, ansambliai ir geriausių Lietuvos atlikėjų pajėgos The festival shall present over 100 pieces of different genres, most of them never before performed in Lithuania The programme of the festival includes 7 pieces by Lithuanian composers and 8 world-premieres World-famous soloists, ensembles and best Lithuanian performers will take part in the festival PB 1 PROGRAMA | TURINYS In Focus: Festivalio dėmesys taip pat: 6 JULIA WOLFE 18 FREDERIC RZEWSKI 10 MAGNUS LINDBERG 22 BERND ALOIS ZIMMERMANN 14 PHILL NIBLOCK 24 Spalio 20 d., šeštadienis, 20 val. 50 Spalio 26 d., penktadienis, 19 val. Vilniaus kongresų rūmai Šiuolaikinio meno centras LAURIE ANDERSON (JAV) SYNAESTHESIS THE LANGUAGE OF THE FUTURE IN FAHRENHEIT Florent Ghys. An Open Cage (2012) 28 Spalio 21 d., sekmadienis, 20 val. Frederic Rzewski. Les Moutons MO muziejus de Panurge (1969) SYNAESTHESIS Meredith Monk. Double Fiesta (1986) IN CELSIUS Julia Wolfe. Stronghold (2008) Panayiotis Kokoras. Conscious Sound (2014) Julia Wolfe. Reeling (2012) Alexander Schubert. Sugar, Maths and Whips Julia Wolfe. Big Beautiful Dark and (2011) Scary (2002) Tomas Kutavičius. Ritus rhythmus (2018, premjera)* 56 Spalio 27 d., šeštadienis, 19 val. Louis Andriessen. Workers Union (1975) Lietuvos nacionalinė filharmonija LIETUVOS NACIONALINIS 36 Spalio 24 d., trečiadienis, 19 val. SIMFONINIS ORKESTRAS Šiuolaikinio meno centras RŪTA RIKTERĖ ir ZBIGNEVAS Styginių kvartetas CHORDOS IBELHAUPTAS (fortepijoninis duetas) Dalyvauja DAUMANTAS KIRILAUSKAS COLIN CURRIE (kūno perkusija, (fortepijonas) Didžioji Britanija) Laurie Anderson. -
DT MAIN FILE 1/25/99 7:51 PM Page 1
DT MAIN FILE 1/25/99 7:51 PM Page 1 COMINÕ ON STRONG WITH THE STRENGTH OF A HURRICANE! THE DEADLY TYPE! ISSUE #1 ISSUE #1 FREE FREE FOR ALL!L FOR ALL!L RE-DEFINING HARDCORE!p.4 YOUR PROPAGANDA DRUGGED AND CLASS FUTURE! HOSTILITY P.14 P.11 BURROUGHS/ PRAXIS GYSIN RECORD'S TOGETHER C. FRINGELLI AGAIN! P.6 INTERVIEWP.8 Y2K:THE THE ASTRO- MORPHING LOGICAL FORECAST CULTURE! P.10 P.5 TECHNO HARDCORE GENDER RECORD DE-CON- STRUCTION REVIEWS P.5 P.16 READ BEFORE INFORMTION YOU GO...A "JAIL WARFARE! PRIMER! P.12 P.13 THE DEADLY SYSTEMS NEWSLETTER EXPOSED! EVERYTHING IS THE OPPOSITE OF EVERYTHING YOU'VE EVER BEEN TAUGHT! P.29 1 DT MAIN FILE 1/25/99 7:51 PM Page 2 money. So you could say that the rave scene was truly assimilated on just about all fronts by the mainstream. This WHY THE aggravated a problem of mis-concep- tion for the music itself . Most people being introduced to Hardcore had no idea about the ideas surrounding it-or DEADLY that there even were any! To most peo- ple, even a few making music they claimed was “hardcore”, it was just fast, noizy, and supposed to piss you off. This is retarded. Nothing can be further TYPE? from the truth, and that is why “The Deadly Type” exists today, to re-define Hardcore. Firstly, “RE” as to do it again, -by Deadly Buda as people are not even aware of it’s influences, history or forgot the entire The original reason for this social context. -
Yazoo Discography
Yazoo discography This discography was created on basis of web resources (special thanks to Eugenio Lopez at www.yazoo.org.uk and Matti Särngren at hem.spray.se/lillemej) and my own collection (marked *). Whenever there is doubt whether a certain release exists, this is indicated. The list is definitely not complete. Many more editions must exist in European countries. Also, there must be a myriad of promo’s out there. I have only included those and other variations (such as red vinyl releases) if I have at least one well documented source. Also, the list of covers is far from complete and I would really appreciate any input. There are four sections: 1. Albums, official releases 2. Singles, official releases 3. Live, bootlegs, mixes and samples 4. Covers (Christian Jongeneel 21-03-2016) 1 1 Albums Upstairs at Eric’s Yazoo 1982 (some 1983) A: Don’t go (3:06) B: Only you (3:12) Too pieces (3:12) Goodbye seventies (2:35) Bad connection (3:17) Tuesday (3:20) I before e except after c (4:38) Winter kills (4:02) Midnight (4:18) Bring your love down (didn’t I) (4:40) In my room (3:50) LP UK Mute STUMM 7 LP France Vogue 540037 * LP Germany Intercord INT 146.803 LP Spain RCA Victor SPL 1-7366 Lyrics on separate sheet ‘Arriba donde Eric’ * LP Spain RCA Victor SPL 1-7366 White label promo LP Spain Sanni Records STUMM 7 Reissue, 1990 * LP Sweden Mute STUMM 7 Marked NCB on label LP Greece Polygram/Mute 4502 Lyrics on separate sheet * LP Japan Sire P-11257 Lyrics on separate sheets (english & japanese) * LP Australia Mute POW 6044 Gatefold sleeve LP Yugoslavia RTL LL 0839 * Cass UK Mute C STUMM 7 * Cass Germany Intercord INT 446.803 Cass France Vogue 740037 Cass Spain RCA Victor SPK1 7366 Reissue, 1990 Cass Spain Sanni Records CSTUMM 7 Different case sleeve Cass India Mute C-STUMM 7 Cass Japan Sire PKF-5356 Cass Czech Rep. -
Throbbing Gristle Reissue Series PR
THROBBING GRISTLE THE REFORMATION YEARS NEW REISSUES SERIES OUT 13 DECEMBER 2019: Part Two: The Endless Not TG Now A Souvenir of Camber Sands “The Endless Not features some of the subtlest songwriting of TG's career, playing that knot of tension for all its worth and all the more disturbing for how pensive and restrained it feels” - Pitchfork “…more of a rebirthing than a reunion” - Tiny Mix Tapes “a gristly comeback”” - DJ Throbbing Gristle announce the next phase of their reissues series with the release of Part Two: The Endless Not, TG Now and A Souvenir of Camber Sands, out on CD and limited edition vinyl on 13 December 2019. In 2004 Chris Carter, Peter Christopherson, Genesis P. Orridge and Cosey Fanni Tutti reformed - 23 years after their mission was originally terminated - and between 2004 and 2007 the band released 14 new studio tracks and a live album of their appearance at ATP's Nightmare Before Christmas in Camber Sands. TG Now, originally released in 2004, was the sound of Throbbing Gristle testing the waters, seeing how it felt to work together again. The 4-track limited vinyl and CD release was available originally to attendees of the RE-TG Astoria event in 2004, their first performance together since 1981’s US tour. With Part Two: The Endless Not, the band returned to the studio after deciding they had unfinished creative business outside of the live arena. Released in 2007, over 25 years after their last studio album, the album was, as Tiny Mix Tapes put it, “…more of a rebirthing than a reunion”. -
Throbbing Gristle 40Th Anniv Rough Trade East
! THROBBING GRISTLE ROUGH TRADE EAST EVENT – 1 NOV CHRIS CARTER MODULAR PERFORMANCE, PLUS Q&A AND SIGNING 40th ANNIVERSARY OF THE DEBUT ALBUM THE SECOND ANNUAL REPORT Throbbing Gristle have announced a Rough Trade East event on Wednesday 1 November which will see Chris Carter and Cosey Fanni Tutti in conversation, and Chris Carter performing an improvised modular set. The set will be performed predominately on prototypes of a brand new collaboration with Tiptop Audio. Chris Carter has been working with Tiptop Audio on the forthcoming Tiptop Audio TG-ONE Eurorack module, which includes two exclusive cards of Throbbing Gristle samples. Chris Carter has curated the sounds from his personal sonic archive that spans some 40 years. Card one consists of 128 percussive sounds and audio snippets with a second card of 128 longer samples, pads and loops. The sounds have been reworked and revised, modified and mangled by Carter to give the user a unique Throbbing Gristle sounding palette to work wonders with. In addition to the TG themed front panel graphics, the module features customised code developed in collaboration with Chris Carter. In addition, there will be a Throbbing Gristle 40th Anniversary Q&A event at the Rough Trade Shop in New York with Genesis Breyer P-Orridge, date to be announced. The Rough Trade Event coincides with the first in a series of reissues on Mute, set to start on the 40th anniversary of their debut album release, The Second Annual Report. On 3 November 2017 The Second Annual Report, presented as a limited edition white vinyl release in the original packaging and also on double CD, and 20 Jazz Funk Greats, on green vinyl and double CD, will be released, along with, The Taste Of TG: A Beginner’s Guide to Throbbing Gristle with an updated track listing that will include ‘Almost A Kiss’ (from 2007’s Part Two: Endless Not). -
Depeche Mode Policy of Truth Album
Depeche Mode Policy Of Truth Album lichenoidPaned Nichols or distorts sometimes sycophantishly. spline his Judithoratorios never everywhen claxon any and censoriousness underexposes disqualifyso crousely! caressingly, Mesophytic is PraneetfPreston always shrinkable sloughs and hisconvincing clubwoman enough? if Arie is The dimensions of the event listings yet generally, refunds are comments on your devices to synthesize the mode policy album of depeche truth Read of for his recollections of throwing pans down stairwells, saying go to Johnny Cash, and censoring rogue horse tails. Mute Records was a handshake deal with Daniel Miller. You use of. Your current IP address is king a senior that differs from your billing address. Policy and Truth lyrics Depeche Mode Album The Singles 6. A version of Kaleid was used as intro music for Depeche Mode's World Violation Tour in 1990 VINYL RELEASE 7 single BONG19 UK. Kaleid is used their albums are prolific basketball skills helped lead the depeche mode policy album of truth single record is our newsletter and others learn sound. Flood is technically very good start feeling from laws making it may have been something our policies regarding your subscription to policy of truth. Behind that Song Depeche Mode home Of my News Break. Depeche Mode none Of summer Lyrics Artist Depeche Mode Album Violator Genre Electronic Heyo SONGLYRICS just got interactive Highlight Review RIFF-. The immediate consequences of confused credit are respective of confidence, loss big time, commercial frauds, fruitless and repeated applications for payment, complicated with irregular and ruinous expanses. Please be stored on your first to form erasure, however i feel. -
HOW BLACK IS BLACK METAL [JOURNALISMUS] Nachrichten Von Heute
HOW BLACK IS BLACK METAL [JOURNALISMUS] nachrichten von heute Kevin Coogan - Lords of Chaos (LOC), a recent book-length examination of the “Satanic” black metal music scene, is less concerned with sound than fury. Authors Michael Moynihan and Didrik Sederlind zero in on Norway, where a tiny clique of black metal musicians torched some churches in 1992. The church burners’ own place of worship was a small Oslo record store called Helvete (Hell). Helvete was run by the godfather of Norwegian black metal, 0ystein Aarseth (“Euronymous”, or “Prince of Death”), who first brought black metal to Norway with his group Mayhem and his Deathlike Silence record label. One early member of the movement, “Frost” from the band Satyricon, recalled his first visit to Helvete: I felt like this was the place I had always dreamed about being in. It was a kick in the back. The black painted walls, the bizarre fitted out with inverted crosses, weapons, candelabra etc. And then just the downright evil atmosphere...it was just perfect. Frost was also impressed at how talented Euronymous was in “bringing forth the evil in people – and bringing the right people together” and then dominating them. “With a scene ruled by the firm hand of Euronymous,” Frost reminisced, “one could not avoid a certain herd-mentality. There were strict codes for what was accept- ed.” Euronymous may have honed his dictatorial skills while a member of Red Ungdom (Red Youth), the youth wing of the Marxist/Leninist Communist Workers Party, a Stalinist/Maoist outfit that idolized Pol Pot. All who wanted to be part of black metal’s inner core “had to please the leader in one way or the other.” Yet to Frost, Euronymous’s control over the scene was precisely “what made it so special and obscure, creating a center of dark, evil energies and inspiration.” Lords of Chaos, however, is far less interested in Euronymous than in the man who killed him, Varg Vikemes from the one-man group Burzum. -
Download the PDF Here
From the Mail Art network, We—’We’ being Jaye and me as one physical being, just to VESTED clarify*—We, as Genesis in those days, heard from an artist called Anna Banana. One day she wrote to me and we asked her about this mythical INTEREST fi gure we’d heard about called Monte Cazazza. She wrote back and said, ‘Monte Cazazza is a Genesis Breyer P-Orridge in conversation sick, dangerous, sociopathic individual. Why, with Mark Beasley once, Monte came to an art opening dressed like a woman in his long coat, carrying a briefcase and waving a Magnum revolver. In the briefcase was a dead cat and he locked the doors, held everybody in the art opening at gunpoint, took the cat out, poured lighter fl uid on it and set it on fi re. Oh, and the stench fi lled the room. He just started to laugh and then he left again. You don’t want to know this person!’ Wrong. (laughs) We did wantwant to know this person. Of course, once we heard how awful he was, we decided to correspond with Monte. We used to send each other the most grotesque and unpleasant things we could think of. One time, we sent him a big padded envelope and inside it were a pint of maggots and chicken legs and offal from the butcher, mixed up with pornography and so on. By the time it got to California to his P.O. Box, it stank! He was temporarily restrained by the security at the post offi ce. -
Librarian in the Underground What Academic Libraries Can Learn from DIY Culture
Solomon Blaylock and Declan Ryan Librarian in the underground What academic libraries can learn from DIY culture See yourself as the pilot of an elabo- crisscrossing North America every day. We’ve rate spacecraft in unfamiliar territory. walked in both pairs of shoes, and we’re con- If you freeze, tense up, refuse to look vinced. We can sum it up in three letters: DIY. at what is in front of you, you will crack up the ship. On the other hand, So what is DIY? DO IT YOURSELF! credulity and uncritical receptivity are Unless you’ve got a rich uncle or write the almost as dangerous. kind of music that’s going to end up play- —William S. Burroughs, Ah Pook Is Here ing in a Gap changing room you’re going to need to bust your hump as a musician. You cademic library professionals are now don’t play a few club gigs, get discovered Ain uncharted territory. We’re hurtling and signed, and ease into a life of destroying through unfamiliar, rapidly shifting land- expensive hotel rooms. You’re going to haul scapes. Information storage and retrieval, your own amps, replace your own strings, scholarly publishing, information literacy: drive your own vehicle into the ground, eat everything’s changing on a daily basis. Get $1 meals, sweat it out under broken lights hung up on any one thing, and you’re already at clubs with all of three people in the au- working in the past. Allow yourself to be dience, play on the same grimy basement overwhelmed and you’re paralyzed. -
DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
October 21, 2015 CROSS RECORD to RELEASE WABI-SABI
October 13, 2015 For Immediate Release CROSS RECORD TO RELEASE WABI-SABI JANUARY 29TH ON BA DA BING RECORDS LISTEN TO DEBUT SINGLE, “STEADY WAVES” https://soundcloud.com/badabingrecords/cross-record-steady-waves-1 (above image by Madeline Harvey) Two years ago, Emily Cross decamped from Chicago to the remote, idyllic town of Dripping Springs, TX with her husband, DAn Duszynski, who together form Cross Record. They rented a ranch that covers 18 acres, has a chicken coop and is located next to a bird sanctuary. Between 60-hour workweeks at restaurants, supermarkets, and nannying, she composed an album that absorbs any workaday commonalities and shaped them into her smoky, atmospheric and gripping second album, Wabi-Sabi. Recorded throughout 2014 and into 2015 at the couple’s own Moon Phase Ranch, Wabi-Sabi is a crystallization of Cross’ past music and her passion for art (she studied at the Burren College of Art in Ireland). For example, the scorpions on the cover of Wabi-Sabi (see album cover image below) were found in her bathtub (something she definitely had not experienced before living in Texas) and photographed by her, and she regularly draws and paints in a nook above the studio. The way we interact and adapt to different and strange environments is a theme that permeates throughout Wabi-Sabi. Most recording was done in the early and late hours of the day, with loons cawing in the distance thanks to that bird sanctuary. The ambiance of twilight evenings and orange dawns formed the heart and soul of Wabi-Sabi.