Efron Is All Grown up in 'The Lucky One'
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Star Channels, Jan. 13-19
JANUARY 13 - 19, 2019 staradvertiser.com END OF DAYS Federal agent Brad Wolgast (Mark-Paul Gosselaar) and the most important girl in the world (Saniyya Sidney) are on the run in an epic tale of survival in a world on the brink of total destruction. The end is near when an experiment with a deadly virus goes off the rails in The Passage. Premiering Monday, Jan. 14, on Fox. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TOMORROW, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | THE PASSAGE Most wanted A fugitive pair run for their incredibly high and that things might get a bit Horror Story: Roanoke”) is deemed to be the lives in ‘The Passage’ apocalyptic. perfect candidate and is selected to be a test Like all good tales of science gone bad, the subject. Project Noah scientists, comprised of lead Federal agent Brad Wolgast (Mark-Paul By Francis Babin scientist Dr. Major Nichole Sykes (Caroline Gosselaar, “Franklin & Bash”) is chosen to TV Media Chikezie, “The Shannara Chronicles”), Dr. Jonas protect the young girl and escort her to the re- Lear (Henry Ian Cusick, “The 100”) and other mote facility, but things soon get complicated he new year is officially upon us, which geniuses are in desperate need of human test when the two form a very close bond. Over the means New Year’s resolutions are in full subjects. course of their trip to the secret medical facil- vogue once again. -
Fire Claims First Casualty
NULL beats HAPPY Willits Friday INDEPENDENCE DAY! ..........Page A-6 July 4, 2008 INSIDE Mendocino County’s World briefly The Ukiah local newspaper .......Page A-2 Saturday: Sunny H 93º L 57º 7 58551 69301 0 Sunday: Mostly sunny H 92º L 56º 50 cents tax included DAILY JOURNAL ukiahdailyjournal.com 38 pages, Volume 150 Number 86 email: [email protected] Measure Fire claims first casualty B on hold Flags fly at half-staff for court locally and at Capitol decisions to honor AV firefighter By BEN BROWN By BEN BROWN The Daily Journal The Daily Journal ‘He was a hugely enthusiastic A tangle of lawsuits have Flags at the state Capitol brought enforcement of Measure and at the Anderson Valley volunteer. He didn’t care what B to a temporary halt while Volunteer Fire Department he did, he wanted to be of county law enforcement officials flew at half-staff Thursday in await court rulings. honor of volunteer service.’ Mendocino County Sheriff Firefighter Bob Roland, who Tom Allman said the Sheriff’s died early Thursday morning Office would be delaying at Ukiah Valley Medical Fire Chief COLIN WILSON enforcement of Measure B’s Center, becoming the first new medical marijuana plant casualty in the Mendocino limits until Mendocino County Lightning Complex fire. ‘We are forever indebted to Superior Court Judge John Anderson Valley Fire Bob’s extraordinary and heroic Behnke rules on the lawsuit filed Chief Colin Wilson said the by county residents George 63-year-old Roland was act- service..’ Hanamoto and Paula Laguna. ing as a spotter on the Oso “County counsel asked that fire north of Boonville when we hold off until the next hear- he started feeling fatigue and Gov. -
Monday Morning, Feb. 18
MONDAY MORNING, FEB. 18 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest (cc) The View (cc) (TV14) Live! With Kelly and Michael (N) (cc) 2/KATU 2 2 (cc) (Cont’d) (TVPG) KOIN Local 6 at 6am (N) (cc) CBS This Morning (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right Nick and Drew The Young and the Restless (N) (cc) 6/KOIN 6 6 Lachey play for charity. (N) (TVG) (TV14) NewsChannel 8 at Sunrise at 6:00 Today Keri Russell; mapped-out meals. (N) (cc) The Jeff Probst Show (cc) (TV14) 8/KGW 8 8 AM (N) (cc) Power Yoga: Mind Wild Kratts (cc) Curious George Cat in the Hat Dinosaur Train: Submarine Adven- Sesame Street Humpty Dumpty Daniel Tiger’s Sid the Science WordWorld (TVY) Barney & Friends 10/KOPB 10 10 and Body (TVY) (TVY) Knows a Lot ture (cc) (TVY) wants to play football. (TVY) Neighborhood Kid (TVY) (TVY) Good Day Oregon-6 (N) Good Day Oregon (N) The 700 Club (cc) (TVPG) Paid Paid Better (N) (cc) (TVPG) 12/KPTV 12 12 Paid Paid Paid Paid Through the Bible International Fel- Paid Paid Paid Paid Sleepers ★★★ (‘96) Kevin Bacon, 22/KPXG 5 5 lowship Robert De Niro. ‘R’ (2:32) Creflo Dollar (cc) John Hagee Joseph Prince This Is Your Day Believer’s Voice Northwest Focus Always Good Manna From Behind the Jewish Voice (cc) Life Today With Today With Mari- 24/KNMT 20 20 (TVG) Today (cc) (TVG) (cc) (TVG) (cc) (TVG) of Victory (cc) News (cc) Heaven (cc) Scenes (cc) James Robison lyn & Sarah Eye Opener (N) (cc) The Steve Wilkos Show (N) (cc) The Bill Cunningham Show May/ Jerry Springer Choice between The Steve Wilkos Show (N) (cc) 32/KRCW 3 3 (TV14) December romances. -
CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Heartthrob Can't Inject Life Into Latest Nicholas Sparks Tale
PAGE b8 THE STATE JOURNAL Ap RiL 19, 2012 Thursday ALMANAC 50 YEARS AGO Danny Rodgers set a new ‘Lucky One’ not Zac Efron school record for the high jump and Frankie Brown picked up 10 individual points in two hurdles events Heartthrob can’t inject life into latest Nicholas Sparks tale to lead the Franklin County Flyers to a 71.5 to 46.5 victory over Clark County in a dual By RogeR MooRe (Blythe Danner). Zac track meet at Kentucky State McT clA chy-TriBune news service Logan (Zac Efron) is a Efron College’s Alumni Field. brooding ex-soldier, and “The Lucky One” is the attends chivalrous. edgiest-ever film adaptation Warner 25 YEARS AGO “Isn’t he chivalrous, dear?” of the writings of Nicholas Bros. Franklin County School granny says, elbowing Beth. Sparks. Pic- board members attended Which isn’t saying much. And the viewer. tures the Kentucky School Boards Logan met Beth before she Yeah, it has the violence of “The Association conference in knew it. He found her photo Louisville. Mac Quarles, war, and the heat of near-sex. Lucky And profanity! Don’t forget in the dust after a fierce fire- Jack Badgett, Billy Perkins, fight in Iraq. He lost comrades One” Dr. Harry Cowherd and Lee the profanity! pre- But it still has the ro- that day, and one of them had Troutwine heard speakers miere mance novelist’s favorite her photo. Somehow, Logan offering national and state- tropes – most of them, any- manages to track Beth down held at wide perspectives on issues way. -
From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017). -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
For Immediate Release
‘ICE DREAMS’ CAST BIOS SHELLEY LONG (Harriet Clayton) – Shelley Long is an Emmy® and Golden Globe-winning actress. She began her career after attending Northwestern University by performing in small films and local theater, eventually becoming co-host and associate producer of a critically acclaimed Chicago magazine show “Sorting it Out,” for which she won three local Emmys. She eventually returned to her first passion, acting, and joined Chicago’s famed Second City improvisational comedy troupe. Shortly after, Long landed a role as barmaid Diane Chambers in the long-running NBC comedy “Cheers.” Long entertained audiences for five seasons, garnering an Emmy and two Golden Globes. She returned for the series’ top-rated finale and has reprised her “Cheers” role in guest appearances on NBC’s “Frasier,” one episode garnering an Emmy nomination. Long recently starred in a film short titled “A Couple of White Chicks at the Hairdresser,” and starred in a children’s DVD, “Mr. Vinegar and the Curse.” In 2006, Long starred in “Honeymoon With Mom” on Lifetime, and co-starred in the Hallmark Channel Valentine’s Day movie, “Falling In Love with the Girl Next Door.” She has made a number of guest TV appearances including “Boston Legal,” “Yes, Dear, “Joan of Arcadia,” “Complete Savages” and, most recently, ABC’s hit comedy “Modern Family.” Long was seen in the Robert Altman film “Dr. T and the Women” for Artisan Entertainment. Written by Anne Rapp and executive produced by Cindy Cowan and James McLindon, the film tells the story of a gynecologist, played by Richard Gere, who is battling a mid-life crisis. -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
'Tortured' Reasoning for Snubbing 'Zero'? by Christy Lemire January
‘Tortured’ reasoning for snubbing ‘Zero’? By Christy Lemire January 16, 2013 A few weeks ago, “Zero Dark Thirty” seemed well on its way to capturing the Academy Award for best picture. It was winning early critic awards and gaining the kind of momentum a movie needs to win Hollywood’s biggest prize. Much was made about the authenticity of the film by director Kathryn Bigelow and screenwriter Mark Boal, who used insider access to tell the sweeping, meticulously detailed story of the decade-long search for Osama bin Laden. Then last week, “Zero Dark Thirty” won five Academy Award nominations, including for best picture, and this past weekend, it was No. 1 at the domestic box office with a gross of nearly $25 million. Yet what may be the film’s biggest challenge in the pursuit of Oscar glory is playing out from Hollywood to Washington as debate mounts over the film’s accuracy in its depiction of what some regard as torture and whether the movie itself endorses the use of torture. Lawmakers are also investigating whether the CIA gave Ms. Bigelow and Mr. Boal false information as to whether enhanced-interrogation tactics led directly to the 2011 capture and killing of the al Qaeda leader in Pakistan. The Academy of Motion Picture Arts and Sciences failed to nominate Ms. Bigelow for director, and on Sunday night, “Zero Dark Thirty” received only one Golden Globe award from the Hollywood Foreign Press Association — for best actress Jessica Chastain’s portrayal of a driven CIA operative. Could congressional scrutiny over such an emotionally charged issue as alleged torture be affecting the film’s awards momentum? Will the bicoastal backlash ultimately prevent the film from winning the best picture award when the Oscars are presented on Feb. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.