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Houston LGBT History ,. .•. I'm not you're style? Then call these Hot Horny Studs! ~~f March 14· 11:30 PM with Guest Me Kara Dion and Special Guests Jordynn Scott and Scarlett Leigh Join the Staff of Charlie's For The March On Austin! This Sunday, March 21 Congratulations to Nacha Type L- Ist Runner-up, Miss Highland Park America! II' MANWATCH STEAK NIGHT $1 WELL & DANCERS 25¢ DRAFT 6-8 PM POOL MANWATCH BEER & MORE NO COVER I 6 PM-CLOSE OPEN-CLOSE WHEEL SPECIALS TOURNAMENT DANCERS OPEN UNTIL SUPER 2-11 PM, CASH PRIZES 6 PM-CLOSE CLOSE, MANWATCH SUNDAY WET 8:30 PM MANWATCH DANCERS UNDERWEAR MALE AMATEUR NACHA DANCERS SHOW 10:30 - 11:30 PM CONTEST STRIP CONTEST, SHOW AT TYPE'S SHOW 6-9 PM, FREE CLOSE 25¢ DRAFT 12:30AM 25¢ DRAFT 11:30 PM 12 AM BUFFET OPEN-CLOSE OPEN-CLOSE 5 PM-UNTIL VOLUME25, NUMBER 3 MARCH 79-MARCH 25, 7999 9 MOVIES Tango Dances Its Way Across the Silver Screen Reviewed by Steven Lindsey 17 SNAPSHOTS Miss Texas Continental Plus Pageant Photos by CRASH Productions 20 FRESH BEATS Bette Midler and Other Highlights from The Winter Music Conference in Miami by Jimmy Smith 24 ON OUR COVER Brett Navarro of EI Paso Photos by Alber Tovar/Photo Shoots! 27 ALL ABOUT HEALTH & FITNESS by Michael Kasten 31 RANTING & RAVING Sibling Rivalry by Jeffrey L. Linthicum 33 TEXAS NEWS 35 CURRENT EVENTS 51 BACKSTAGE Austin's Zachary Scott Theatre Zooms In On The Life and Times of Fashion Maven Diana Vreeland in Full Gallop, Toni Tennille Stars in Victor/Victoria at Dallas' Music Hall 57 STARSCOPE The Sun in Aries and Venus in Taurus Add Focus to Your Quest for Love by C. Lichtenstein 63 TEXAS TEA 73 CLASSIFIEDS 89 THE GUIDE TWT(ThisWeek in Texas) is published by Texas Weekly Times Newspaper Co.. at 3300 Reagan Street In Dallas, Texas 75219 and 500 Lovett Suite 102 In Houston, Texas 77C1J6. Opinions expressed by columnists ore not necessarily those of TWTor of Its staff. Publication of the nome or photograph of any person or organization in articles or advertising In TWTIs not to be construed as any Indication of the sex- ual orientation of said person or organization. Subscription rates: $79 per year, $40 per half year. Back Issues available at 52 each. Payment must accompany all orders. Copyright © 1999 by Texas Weekly Times Newspaper Co. All rIghts reserved. PartIal or complete reproduction of any advertisement, news, article or feature, copy or photograph from T\fVTIsspecifically prohibited by federal statute. THIS WEEK IN TEXAS MAGAZINE Texas' Leading Gay & Lesbian Publication Since 1975 • Weekly Circulation: 20,000 DALLASOFFICE EDITOR HOUSTONOFFICE 3300 Reagan Street ALAN GELLMAN 500 Lovett Blvd" Suite 102 Dallas, Texas 75219 COMPTROLLER Houston, Texas 77006 Dallas Fox (214)520-8948 STEVEMILES Houston Fox (713)527-8948 (214)521-0622 (713)527-9111 ARTDIRECTOR E-mail: [email protected] RICHARD BANG E-mail: [email protected] ASSOCIATEEDITOR Chris Sal20 ARTDEPARTMENTDavid Parnell, Jeffrey L. linthicum CONTRIBUTINGWRITERSJohn Alan Cohan, Mark Deaton, Chris Gray, Phil Johnson, Michael Kosten, Gory Laird, B,J, Laray, Jeffrey L, Linthicum, C, Lichtenstein, Steven Lindsey, Donelevan Moines, Jimmy Smith STAFFPHOTOGRAPHERSFrancis Alvarez, Graham, A. J, Marroqulnez, Robert Miller. Shawn Northcutt, Jerry Stevens, Tio. Albert Tovar NATIONAL SALESDIRECTOR. Steve Miles. (214)521-0622 • FAX (214)520- TWIT Advertising rates are available on request from the salesperson in your nearest city, Austin- James Frank (512)916-9811 - Houston / Galveston -Steve Nally (713)527-9111 All other Texas cities- Steve Miles (214)521-0622 CLASSIFIEDADVERTISING • Dallas-Chose Gutierrez. Houston-Brion Keever i TWT© 1999 Miles _Gellman Enterprises i Published by Texas Weekly Times Newspaper Company Represented Nationally by Rivendell Marketing Co., Inc .• 212-242-6863 TanfJO ploys like on eternal don(e redtol -without the brownie~and ~herbet pun(h. The visually stunning fango scenes at overall dissatisfaction, the dance numbers , the screening for Carlos Saura's Tango are exceptionally great. Each is dramati- really got the audience's toes tapping, cally exciting and very inventive on its which is good-that's about the only thing modification of the tango. There are just so that kept me awake. many lengthy dancing scenes that it I had such high hopes when I got the becomes difficult to distinguish one from film's press information, which, to the cred- the others. it of its publicity department, was very Unlike other dance films, there is also no intriguing. Unfortunately, the actual movie grand ascension of numbers. In other was the cinematic equivalent of infomercial words, there will be an exciting perfor- spray-on hair and magic potato slicers- mance early on, only to be followed by two much was promised, yet little was deliv- or three lackluster ones. Saura also needs ered. to better exhibit an understanding of the It's almost as if Saura had all the right value of timing. The alarming disjointed- elements for a good (maybe even great) ness of one scene was worsened by the film, but it all fell apart in the editing room. The pace and tone were both so uneven that instead of eliciting numerous emotion- al responses, it left me feeling completely empty and indifferent. The majority of the blame can be placed on the threadbare love story that is intend- ed to provide some continuity and rationale for the overly abundant dance sequences. The story centers around Mario Suarez (Miguel Angel Sola), a filmmaker on a quest to create the ultimate tango film. He uses tango music for inspiration and attempts to find a narrative arc to hold it all "I together. (How ironic that the actual film @ CD fails in this very respect.) While searching -< for dancers to appear in his movie, Mario o JJ meets Angelo Larroca (Juan Luis Galiardo), i') a gangster who also happens to be financ- ing the majority of his film. Angelo subtly suggests (in a way that only gangsters and II .'*.~~ mothers can) that he might want to give his ~ mistress, Elena (Mia Maestro), an audition for a lead. The rest of the story is much fact that it was seemingly endless. In it, a more interesting on paper than it came barrage of disturbing Holocaust-type across on-screen, so I'll leave it at that. imagery is juxtaposed with the seductive Plus, if you see this movie, at least some- nature of the tango, with markedly strange thing will come as a surprise. results. If this is meant to be disturbing, it . I must convey, however, that despite my succeeds; but if it's supposed to further the MARCH 19 - MARCH 25 1999 PAGE 9 action of the film in a logical manner, then it most definitely doesn't. As for acting, there are no real Oh-my- God-what-are-they-going-to-wear-to-the- Oscars performances, although as dan- cers, each is immensely talented. Strange- ly enough, and completely contrary to this review, the film has actually been nominat- ed for this 'year's Best Foreign Language Film. (Let's just hope Central Station gets what it deserves this Sunday night). The cinematography is often brilliant, with many mixtures of media that create a unique look and overall special effect. The silhouetted scenes and close-ups of the dancers' feet showcase the grace and ele- gance of the tango along with the true skill and dexterity involved. I have also heard rumors and read tid- bits about numerous gay undertones, Research volunteers are need- which are pretty much exaggerations, as ed for clinical trials to test a far as I'm concerned. At least, they aren't synthetic vaccine to prevent evident in more than two scenes. These and immunize against OIV few minutes of film are, however, most def- (the virus that causes AIDS). initely peppered with a heavy dose of You cannot get OIV infection homoe roticism. from this synthetic vaccine. The pairing of two women in one seduc- tive number is intense and powerful in its VOLUNTEERS MUST BE: overt feminine sexuality, but it pales in comparison (and I may be biased) to the • 18-60 years of age all-male tango. This stylized presentation • Gay or bisexual males at risk for features nearly three dozen men tightly acquiring HIV dressed in black and white on a matching • Females at risk for acquiring HIV set. Not since West Side Story has the • Negative for HIV by sight of men dancing together been so HIV-screening test alluring. It's one thing to see a group of • Willing to accept safe-sex men line-dancing or doing the ambiguous counseling group thing on a club's dance floor, but seeing men paired up in true tango form, This study involves a double-blind with lots of touchinq, grasping and leg rub- administration of receiving either bing, definitely peaked my attention mo- vaccine or placebo. The chances of receiving active vaccine versus mentarily. placebo are 2 to 1. HIV testing is So, if you can weigh these and the other anonymous and free. dance scenes more heavily than the plot, and go into the theatre with lower expecta- FOR MORE INFORMATION, CALL tions, you might just get a slight thrill from Tango. Otherwise, re-renting Dirty Dan- cing and Footloose might prove more UTMB entertaining. Tango is currently showing at The University of Texas Medical Branch Landmark's Inwood Theatre in Dallas and Landmark's River Oaks Theatre in Center for Clinical Studies Houston. HOUSTON The Gay/Lesbian Midnight Series at the Inwood Theatre continues this weekend (281 )333-2288 with Killer Condom, Broadway Damage and Heavenly Creatures.
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