BB 1 M W M I •OPMM?Hr006fl<

Total Page:16

File Type:pdf, Size:1020Kb

BB 1 M W M I •OPMM?Hr006fl< BB 1MWMI •OPMM?HR006fl< CATALOG 1947-1948 ANNOUNCEMENTS 1948-1949 THE UNIVERSITY OF CHATTANOOGA IS FULLY ACCREDITKD BY STATE; REGIONAL, AND NATIONAL ACCREDITING AGENCLES IT IS ON THE APPROVED LIST OF THE Association of American Universities American Medical Association American Association of University Women AND IS A MEMBER OF THE American Alumni Council American Council on Education Association of American Colleges Association of Urban Universities National Association of Schools of Music Association of University Evening Colleges Southern Association of Colleges and Secondary Schools Southern University Conference Tennessee College Association CATALOG, 1947-1948 •• ANNOUNCEMENTS, 1948-1949 UNIVERSITY OF CHATTANOOGA CHATTANOOGA 3. TENNESSEE UNIVERSITY OF CHATTANOOGA BULLETIN Vol. XXVII January, 1948 No. 1 Issued Quarterly. Entered as second-class matter, April 13, 1921, at the Post Office in Chatta­ nooga, Tennessee, under the Act ot Congress of August 24, 1912. COLLEGE CALENDAR 1948-1949 SUMMER—1948 June 14, Monday. Summer session begins. June 15, Tuesday. Late registration fee charged, beginning today. June 21, Monday. Last day for registration with full credit in first term. July 23, Friday. Final examinations for first term. July 24, Saturday. Registration for second term, until 12:00 noon. July 26, Monday. Late registration fee charged, beginning today. July 31, Saturday. Last date for registration with full credit in second term. August 23—September 3, Monday—Friday. Comprehensive ex­ aminations for summer graduates. September 3, Friday. Final examinations for second term. September 6, Monday. Commencement for summer graduates. FALL—1948 September 23—25, Thursday—Saturday. Freshman consultation, examination, registration. September 21, Monday. Registration for upper-class students. September 28, Tuesday. Classes meet, 8:30 a.m.; first chapel service, 10:20 a.m. Late registration fee charged, beginning today. October 7, Tuesday. Founders' Day Service. October 15, Wednesday. End of special examination period for removing conditions. October 16, Saturday. Last day for registration with full credit. November 6, Saturday. Last date for dropping a failing course without penalty. November 25, Thursday. First quiz period ends; Thanksgiving vacation begins. November 30, Monday. Class work resumes, 8:30 a.m. December 18, Saturday noon. Christmas vacation begins. January 3, Monday. Class work resumes, 8:30 a.m. January 20—27, Thursday—Thursday. Comprehensive examina­ tions for first semester graduates. January 26—February 3, Wednesday—Thursday. Final examina­ tions for first semester. SPRING—1949 February 4—5, Friday—Saturday. Registration of all students for second semester. February 7, Monday. Classes meet 8:30 a.m.; chapel, 10:20 a.m. Late registration fee charged beginning today. February 26, Saturday. Last date for registration with full credit. March 15, Monday. End of special examination period for remov­ ing conditions. April 13, Thursday. First quiz period ends; spring vacation begins after classes this date. April 17, Monday. Class work resumes, 8:30 a.m. May 10—2lf, Wednesday—Wednesday. Senior comprehensive ex­ aminations. May 2lf—June 1, Wednesday—Thursday. Final examinations for second semester. June 3, Saturday. Alumni Day. June 4, Sunday. Baccalaureate service, 5:00 p.m. June 5, Monday. Meeting of Board of Trustees, 10:00 a.m.;, Com­ mencement service, 8:00 p.m. ; -. BOARD OF TRUSTEES Officers of the Board MORROW CHAMBERLAIN Chairman LUPTON PATTEN Vice-Chairman STACY E. NELSON Secretary JOHN S. FLETCHER Treasurer For Term Expiring: June, 1948 CREED F. BATES Chattanooga W. E. BROCK Chattanooga EARL P. CARTER Chattanooga T. O. DUFF Chattanooga D. H. GRISWOLD- Chattanooga C. D. LITTLE Chattanooga J. M. MELEAR Athens FELIX G. MILLER Chattanooga SCOTT L. PROBASCO ., Chattanooga JOHN ROSS SCOTT Chattanooga P. H. WOOD Chattanooga EDWIN C. WOODWORTH Chattanooga For Term Expiring- June, 1949 CLARENCE R. AVERY Chattanooga J. W. BISHOP Chattanooga HARRY CARBAUGH Chattanooga ALEXANDER GUERRY Sewanee BISHOP PAUL B. KERN Nashville P. J. KRUESI Chattanooga STACY E. NELSON Chattanooga LUPTON PATTEN Chattanooga Z. C. PATTEN Chattanooga A. F. PORZELIUS Chattanooga JOHN H. RACE New York City Z. W. WHELAND Chattanooga Members of the Board For Term Expiring June, 1950 MORROW CHAMBERLAIN Chattanooga JOHN S. FLETCHER Chattanooga SUMMERFIELD K. JOHNSTON Chattanooga J. BURTON FRIERSON Chattanooga EARL WINGER Chattanooga MRS. IPHIGENE OCHS SULZBERGER New York City OTTO J. HUBBUCH Chattanooga ROBERT J. MACLELLAN Chattanooga ROY MCDONALD Chattanooga T. R. PRESTON Chattanooga R. P. PURSE. JR Chattanooga L. W. RHODES Chattanooga Alumni Trustees MAX FINLEY 1945-48 DONALD H. OVERMYER 1946-49 MERCER REYNOLDS, JR 1947-50 Executive Committee MORROW CHAMBERLAIN, Chairman STACY E. NELSON, Secretary W. E. BROCK DAVID A. LOCKMILLER HARRY CARBAUGH FELIX G. MILLER JOHN S. FLETCHER LUPTON PATTEN D. H. GRISWOLD Z. C. PATTEN P. J. KRUESI Z. W. WHELAND Endowment Committee JOHN S. FLETCHER ROBERT J. MACLELLAN D. H. GRISWOLD FELIX G. MILLER DAVID A. LOCKMILLER Z. C. PATTEN FACULTY The first date after each name indicates the year of appointment and the second denotes the year the present rank was attained. DAVID ALEXANDER LOCKMILLER (1942) President B.Ph., A.M., Emory University; LL.B., LL.D., Cumberland University; Ph.D., University of North Carolina. MAXWELL AUSTIN SMITH (1922) (1929) Dean and Professor of Modern Languages A.B., A.M., University of Wisconsin; Docteur de l'Univer- site de Paris REUBEN WRIGHT HOLLAND (1946) Associate Dean and Director of the Evening College A.B., M.A., Emory University PROFESSORS ROBERT HERMANN ANACKER (1932) Professor of Modern Languages Ph.D., University of Berne ROBERT JACOB BARR (1947) Professor of Economics B.S., University of Chattanooga; Ph.D., University of Wis­ consin WILBUR KINGSLEY BUTTS (1931) Professor of Biology B.S., M.S., Ph.D., Cornell University JOSEPH SEVIER CALLAWAY (1930) (1947) Professor of Classics A.B., University of Chattanooga; M.A., Harvard Univer­ sity; Ph.D., The Johns Hopkins University IRVINE WALTER GROTE (1931) (1940) Professor of Chemistry B.S., University of Chattanooga; A.M., Columbia Univer­ sity; Ph.D., University of Cincinnati ROLLO ALVORD KILBURN (1927) 1943) Professor of Sociology and Religion A.B., Middlebury College; B.D., Union Theological Semi­ nary EDWIN SAMUEL LINDSEY (1924) Professor of English A.B., A.M., Ph.D., University of North Carolina JAMES WESTON LIVINGOOD (1937) (1946) Professor of History A.B., Gettysburg College; M.A., Ph.D., Princeton Univer­ sity MYRON STANLEY McCAY (1948) Professor of Physics A.B., University of Georgia; M.A., University of North Carolina; Ph.D., Ohio State University PAUL LESTER PALMER (1926) Professor of Education and Psychology A.B., A.M., Northwestern University FRANK WILLIAMS PRESCOTT (1928) Adolph S. Ochs Professor of Government A.B., University of New Hampshire; M.A., Ph.D., Univer­ sity of Wisconsin STUART ROBERT PURSER (1945) (1946) Professor of Art A.B., Louisiana College; B.F.A., M.F.A., The Art Institute of Chicago CULVER HAYGOOD SMITH (1932) Professor of History A.B., Trinity College; M.A., Yale University; Ph.D., Duke University ASSOCIATE PROFESSORS ROBERT OSBORNE BAKER (1946) Associate Professor of Economics and Commerce A.B., M.B.A., Ph.D., University of Kansas ISOBEL GRISCOM (1922) (1945) Associate Professor of English A.B., Miami University; M.A., University of Wisconsin OLIVER PARIS HODGE (1946) Associate Professor of Modern Languages A.B., University of Chattanooga; M.A., Columbia University ELEANOR ROSS McGILLIARD (1927) (1946) Associate Professor of Biology A.B., M.A., University of Cincinnati WINSTON LOUIS MASSEY (1933) (1946) Associate Professor of Mathematics A.B., University of Chattanooga; M.A., Duke University ROBERT ARTHUR MERRILL (1946) Associate Professor of Engineering B.S., C.E., University of Illinois ANDREW CECIL MOORE (1926) (1944) Associate Professor of Physical Education B.S., University of Georgia RUTH CLARK PERRY (1922) (1944) Associate Professor of Mathematics A.B., Wellesley College KARL GUST AVE REGNOLDS (1946) Associate Professor of Economics and Commerce A.B., St. Olaf College WILLIAM ORR SWAN (1941) Associate Professor of Chemistry B.S., University of Mississippi; M.S., Ph.D., University of Virginia TERRELL LOUISE TATUM (1924) (1943) Associate Professor of Modern Languages A.B., University of Chattanooga; M.A., Middlebury College GODFREY TIETZE (1926) Associate Professor of Philosophy and Religion A.B., Morningside College; B.D., Garrett Biblical Insti­ tute; A.M., Northwestern University ASSISTANT PROFESSORS GEORGIA LAXSON BELL (1943) Assistant Professor of Home Economics B.S., M.S., University of Tennessee KENNETH E. CARPENTER (1946) Assistant Professor of Physical Education and Health B.S., University of Illinois; M.A., Ohio State University ROLAND DeBUSKE CARTER (1942) (1944) Assistant Professor of English A.B., Lincoln Memorial University; M.A., Duke University JULIUS PEALE FREEMAN (1947) Assistant Professor of Sociology A.B., M.A., Wake Forest College KENNETH ALVIN FRY (1947) Assistant Professor of Biology B.A., M.S., Kansas State Teachers College JEAN GILLIS (1946) Assistant Professor of Physical Education and Health B.S., University of Alabama; M.A., George Peabody College JOHN TOY GRAY (1946) Assistant Professor of Mathematics B.S., East Tennessee State College; M.A., George Peabody College KAREL HUJER (1946) Assistant Professor of Physics and Astronomy D.Sc, University of Prague; Advanced
Recommended publications
  • Harold Gleason Collection
    HAROLD GLEASON COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Maria Cristina Fava, Summer 2006 Additional material processed by Tim Craig, Spring 2010 Revised by Gail E. Lowther, April 2021 Harold Gleason (at head of table) with class at the Eastman School of Music. Photograph by Werner Wolff, from ESPA 31-35 (8x10). 2 TABLE OF CONTENTS Description of Collection . 4 Description of Series . 7 INVENTORY Series 1: Publishing Projects . 9 Sub-series A: Articles . 9 Sub-series B: Publications . 9 Sub-series C: Editions—Adam de la Halle, Le Jeu de Robin et de Marion . 12 Series 2: Correspondence and Activities with George Eastman . 14 Series 3: Personal Papers and Varia . 15 Series 4: Wegweiser Papers and Recording . 16 3 DESCRIPTION OF COLLECTION Shelf location: C3B 7,3 (Box 1) and C3B 9,5 (Boxes 2–3) Physical extent: 2.5 linear feet Biographical sketch Photograph by Josef Schiff, from ESPA, 31-34 (8x10). Harold Allen Gleason (1892–1980) was born in Lenox Center, OH, on April 26, 1892. In 1900, he and his family moved to southern California. From 1910–1912, Gleason studied civil engineering at the Thropp Polytechnic Institute (now the California Institute of Technology) but ultimately his love for music propelled him to pursue a career as an organist. He began studying organ with Edwin H. Lemare and also worked as a church organist. In 1917, he moved to Boston to assume the directorship of the Music School Settlement; there, he continued his organ studies with Lynnwood Farnam.
    [Show full text]
  • Selected Male Part-Songs of Anton Bruckner by Justin Ryan Nelson
    Songs in the Night: Selected Male Part-songs of Anton Bruckner by Justin Ryan Nelson, B.M., M.M. A Dissertation In Choral Conducting Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved John S. Hollins Chair of Committee Alan Zabriskie Angela Mariani Smith Mark Sheridan Dean of the Graduate School May 2019 Copyright 2019, Justin Ryan Nelson Texas Tech University, Justin R. Nelson, May 2019 ACKNOWLEDGMENTS To begin, I would like to thank my doctoral dissertation committee: Dr. John Hollins, Dr. Alan Zabriskie, and Dr. Angela Mariani Smith, for their guidance and support in this project. Each has had a valuable impact upon my life, and for that, I am most grateful. I would also like to thank Professor Richard Bjella for his mentorship and for his uncanny ability to see potential in students who cannot often see it in themselves. In addition, I would like to acknowledge Dr. Alec Cattell, Assistant Professor of Practice, Humanities and Applied Linguistics at Texas Tech University, for his word-for-word translations of the German texts. I also wish to acknowledge the following instructors who have inspired me along my academic journey: Dr. Korre Foster, Dr. Carolyn Cruse, Dr. Eric Thorson, Mr. Harry Fritts, Ms. Jean Moore, Dr. Sue Swilley, Dr. Thomas Milligan, Dr. Sharon Mabry, Dr. Thomas Teague, Dr. Jeffrey Wood, and Dr. Ann Silverberg. Each instructor made an investment of time, energy, and expertise in my life and musical growth. Finally, I wish to acknowledge and thank my family and friends, especially my father and step-mother, George and Brenda Nelson, for their constant support during my graduate studies.
    [Show full text]
  • The Schostal Agency: a Finding Aid for the Schostal Agency Collection at the Art Gallery of Ontario
    THE SCHOSTAL AGENCY: A FINDING AID FOR THE SCHOSTAL AGENCY COLLECTION AT THE ART GALLERY OF ONTARIO by Rebecca Madamba, Honours Bachelors of Arts, Studies in Arts and Culture, Concentration in Curatorial Studies, Brock University, 2008 An applied thesis project presented to Ryerson University and the Art Gallery of Ontario in partial fulfillment of the requirements for the degree of Master of Arts in the program of Film and Photography Preservation and Collections Management Toronto, Ontario, Canada, 2014 © Rebecca Madamba, 2014 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. Rebecca Madamba ii The Schostal Agency: A Finding Aid for the Schostal Press Collection at the Art Gallery of Ontario Master of Arts, 2014 Rebecca Madamba Film and Photography Preservation and Collections Management Ryerson University Abstract This thesis presents the applied project of housing, intellectually arranging and creating a finding aid for the Schostal Agency collection at the Art Gallery of Ontario (AGO). This collection includes 5,066 gelatin silver prints, 58 information sheets, and 34 photograph envelopes dating from the late 1920s to mid 1940s.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 92, 1972-1973
    n V if What's a Relska? A. B. C. D. RELSKA® 80 PROOF, DISTILLED FROM GRAIN BY L. RELSKY & CIE., HARTFORD, CT. © 1972 Relska is a vodka. Though we're 251 years old, people are still asking "What's a Relska?" And we keep telling them — It's the cool, crisp vodka that goes down as smooth as ice. Relska! The world's oldest vodka. SINCE 1721 BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Adviser COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-SECOND SEASON 1972-1973 THURSDAY A 2 FRIDAY-SATURDAY 6 TUESDAY A 3 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN ROBERT H. GARDINER JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN HAROLD D. HODGKINSON MRS JAMES H. PERKINS ALLEN G. BARRY E. MORTON JENNINGS JR IRVING W. RABB RICHARD P. CHAPMAN EDWARD M. KENNEDY PAUL C. REARDON ABRAM T. COLLIER EDWARD G. MURRAY MRS GEORGE LEE SARGENT ARCHIE C. EPPS III JOHN T. NOONAN SIDNEY STONEMAN MRS HARRIS FAHNESTOCK JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT FRANCIS W. HATCH PALFREY PERKINS THEODORE P. FERRIS HENRY A. LAUGHLIN EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager THOMAS W. MORRIS DAVID ROCKEFELLER JR MARY H. SMITH Assistant Manager, Assistant Manager, Assistant Manager, Business Affairs Audience & Public Affairs Concerts & Artists FORRESTER C SMITH DANIEL R. GUSTIN DONALD W. MACKENZIE Development Director Administrator of Operations Manager, Educational Affairs Symphony Hall JAMES F. KILEY RICHARD C. WHITE Operations Manager, Assistant to Tanglewood the Manager ;opyri£ht © 1972 by Boston Symphony Orcheslra ln< SYMPHONY HALL BOSTON MASSACHUSETTS Extravagance Elegant Autumn Haze" mink.
    [Show full text]
  • Information Issued by the Association of Jewish Refugees in Great Britain
    VOL. XX No. 3 March, 1965 INFORMATION ISSUED BY THE ASSOCIATION OF JEWISH REFUGEES IN GREAT BRITAIN • FAIRFAX MANSIONS. FINCHLEY RO. (corner Fairfax Rd.), Lendm. N.W.I 0//ic* and Ctnuilting Houn: TdapheiH ; MAIda v*l« S096/7 (Gmaral olAct and Wtllart tor tha Agad). Monday to Tkurtday 10a.m.—Ipjn. }—6pjn. MAIda Val* 4449 (Employmant Agancy, annuallr llcanicd br tha L.C.C.. and Social Services Dept,) Friday IOa.m.-~l p.m. so far about 150 people had expressed their ACHIEVEMENTS AND NEW PLANS interest in the scheme. The idea was that every applicant should contribute proportion­ ally to the investment costs, and that the AJR Board Meeting current maintenance cost would also have to be defrayed exclusively by the residents themselves. Arrangements were also envi­ More than 60 people from London and the The AJR Social Services Department had saged for persons who, without wishing to be Provinces attended the meeting of the AJR to deal with a variety of problems raised by a admitted now, were prepared to contribute Jioard on January 31, when past activities and great number of callers, including employ­ towards the investment costs with a view to plans for the future were reported and dis­ ment, accommodation, help in cases of sick­ being admitted when the need arose. The cussed. ness and psychiatric advice. shape of a company to be founded was at pre­ The Meeting was opened by Mr, A, S, AJR Information was an indispensable sent being considered by the Sub-Committee in Oresel (Chainnan of the AJR) who paid source of information and also a link between consultation with legal experts.
    [Show full text]
  • Berliner Philharmoniker Anton Bruckner Symphonien 1–9
    BERLINER PHILHARMONIKER ANTON BRUCKNER SYMPHONIEN 1–9 HERBERT BLOMSTEDT BERNARD HAITINK MARISS JANSONS PAAVO JÄRVI ZUBIN MEHTA SEIJI OZAWA SIR SIMON RATTLE CHRISTIAN THIELEMANN INHALT· CONTENT Anton Bruckner [1824—1896] Vorwort · Foreword 4 Symphonien Nr. 1–9 6 Ein Wiederhören mit Bruckner 33 Listening again to Bruckner 53 Bruckner in Berlin 71 Eine philharmonische Quadriga und andere Zugpferde Bruckner in Berlin 79 A Philharmonic quadriga and other driving forces Von Wien in die Welt 87 Die Dirigenten dieser Edition From Vienna into the world 95 The conductors of this edition Berliner Philharmoniker 104 Mitglieder · Members VORWORT Die Symphonien Anton Bruckners gehören zu jenen Werken, die für das Diese Edition dokumentiert Bruckner-Interpretationen, die wir in den künstlerische Profil unseres Orchesters prägend sind. Ihre Klangwelt ist vergangenen zehn Jahren mit hochgeschätzten langjährigen Partnern dem Idiom der Berliner Philharmoniker besonders nahe, und mit weni- erarbeitet haben: Herbert Blomstedt, Bernard Haitink, Mariss Jansons, gen anderen Komponisten haben wir uns über die Jahrzehnte derart Paavo Järvi, Zubin Mehta, Seiji Ozawa, Christian Thielemann und Simon kontinuierlich beschäftigt. Rattle. Für uns als Musiker ist es eine essentielle und beglückende Er- fahrung, Bruckners Symphonien immer wieder neu zu erkunden. Und Den Grundstein hierfür legte Arthur Nikisch, der erste große Bruckner- wir freuen uns, mit dieser Edition unserem Publikum wichtige Stationen Interpret unter unseren Chefdirigenten. Seine Nachfolger Wilhelm dieser unendlichen Entdeckungsreise zu präsentieren. Furtwängler und Herbert von Karajan begründeten dann die philhar- monische Bruckner-Diskographie, mit Aufnahmen, die – auf ganz unter- schiedliche Weise – durch weite Bögen, fließende Energie und Klang- Stanley Dodds schönheit beeindrucken. Claudio Abbado und Sir Simon Rattle legten Violine · Medienvorstand weitere Facetten der Symphonien frei: ihre Transparenz, ihre Moderni- tät, ihre raue Gewalt.
    [Show full text]
  • The Creation of a Finding Aid for the Black Star Ephemera Collection
    A Journey in Collections Management: The Creation of a Finding Aid for The Black Star Ephemera Collection At the Ryerson Image Centre by Lauren Nicole Potter, BA, Agnes Scott College, 2009 An applied thesis project presented to Ryerson University and George Eastman House in partial fulfillment of the requirements for the degree of Master of Arts in the program of Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2013 ©Lauren Potter 2013 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University and George Eastman House to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University and George Eastman House to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. Lauren Potter ii A Journey in Collections Management: The Creation of a Finding Aid for The Black Star Ephemera Collection At The Ryerson Image Centre Master of Arts, 2013 Lauren N. Potter Photographic Preservation and Collections Management Ryerson University/George Eastman House Abstract This applied project involved the creation of a finding aid for the Black Star Ephemera Collection held at the Ryerson Image Centre (RIC) at Ryerson University in Toronto. This little known and un-catalogued collection was originally part of the Black Star Agency photographic collection founded in New York City in 1935.
    [Show full text]
  • Commencementprogram8 26 20.Pdf
    BARD COLLEGE ONE HUNDRED SIXTIETH COMMENCEMENT Celebrated on August 22, 2020 2:30 p.m. ORDER OF EXERCISES I. PROCESSIONAL TO¯ N Brass Quintet II. INVOCATION The Reverend Mary Grace Williams Bard College Chaplain III. OPENING REMARKS James C. Chambers ’81 Chair, Board of Trustees, Bard College IV. COMMENCEMENT ADDRESS David Byrne V. THE BARD COLLEGE AWARDS The Bard Medal Barbara S. Grossman ’73 Barbara Grossman, with her keen mind and quick wit, left a lasting impression on her teachers and fellow students during her undergraduate years at Bard. The awards she received remain testaments to her exceptional achievements: the John Bard Scholarship, Wilton Moore Lockwood Prize for creative writing, and William J. Lockwood Prize for contributions to the general welfare of the College. After Bard, Grossman decided to focus on writing and attended the celebrated Iowa Writers’ Workshop at the University of Iowa, where she met her future husband, Michael Gross. Two years later, master of fine arts in hand, she found a job as an editorial assistant at Alfred A. Knopf in New York. She moved up through the ranks in a difficult profession, that of being an editor and a publisher. Although often maligned by authors and readers, both roles have been vital to the development of literature and the dissemination of knowledge in our society. From Knopf she moved on to Harper and Row, Simon and Schuster, Crown, then Charles Scribner’s Sons. At the summit of her profession, she was named publisher at Viking Penguin—a company, she said, with “an incredibly rich, wide, deep list” and an “enormous inventory.” Her directness and sincerity must have been bracing to the authors she welcomed—ranging from Jacquelyn Mitchard, whose best-selling novel The Deep End of the Ocean was the first-ever pick for the Oprah Winfrey book club, to Alan Wolfe, who penned One Nation, After All, an insightful study into how Americans define “middle class” and their place in it.
    [Show full text]
  • Militarisation, Industrialisation and the Growth of the Symphony Orchestra in the Nineteenth Century
    City Research Online City, University of London Institutional Repository Citation: Pace, I. (2010). Militarisation, Industrialisation and the growth of the Symphony Orchestra in the Nineteenth Century. Paper presented at the The Symphony Orchestra as Cultural Phenomenon, 01-07-2010 - 03-07-2010, Institute of Musical Research, London, UK. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/6502/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Militarisation, Industrialisation and the growth of the Symphony Orchestra in the Nineteenth Century Ian Pace Paper presented at Conference on 'The Symphony Orchestra as Cultural rd Phenomenon', Institute of Musical Research, London, July 3 , 2010 Abstract: The Marxist writer Hans G Helms presented, in his article 'Zu den ökonomischen Bedingungen der neuen Musik', a theoretical model for the growth of the 19th century orchestra, by which the large-scale militarisation of European society during the period of the Napoleonic Wars provided a template for industrialisation, with the factory owner taking the role of the general, the workers that of ordinary soldiers.
    [Show full text]
  • Download 1 File
    first authoritative book in English THEon Anton Bruckner, this full-length bi- ography will .be welcomed by the ever- increasing friends of the Austrian composer, who is granted today a place in the musical hierarchy which began with Haydn and ended with Brahms. Needless to say this work is a labor of love. From the beginning of his career as a conductor and teacher in Germany and Austria, Werner Wolff has steadily endeavored to create a wider public for Anton Bruckner. As a child he was fortunate enough to meet Bruckner in person at his parents' home, and he was deeply impressed. Bruckner's appearance was unforgettable. He had kept his country ways and habitually wore clothing made in his home village. In fact, he had all the earmarks of a naive stranger lost in a great metropolis. But he was more than a peculiar sight; he was a lonely man. However, in the solitude in which he lived in Vienna, his music grew to sublime heights. Slowly his genius became apparent, and his work gained fhe recognition it deserves. jfBjruckner's idol was Richard Wagner, and %ause ^ his adulation of the older composer * was made to suffer by the partisans of 3rahms, who declared him a mere Wagner fol- lower. After the First World War, however, his works, so thoroughly original, won him world acclaim. Bruckner was a devout Catholic, and, faithful to his religion, he remained celibate although strongly attracted to women. His life abounded with innocent little romantic episodes. And his peculiarities furnished innumerable charming anecdotes. ... A rich, intimate biography by a man whose knowledge and love of the com- poser's work, equips him ideally for the task of bringing Bruckner, the man, to the American people.* m 4 THE AUTHOR Dr.
    [Show full text]
  • Late-December 1884
    « Der galante König - August der Starke » , Deutschland Spielfilm (1920) Königliches Schauspielhaus, Albert-Platz, Dresden. The renowned German stage actress from Berlin who will play in a 1920 historical silent film, shot in Dresden and Umgebung. Clara Salbach will appear in the 1920 German silent historical film, « The Gallant King » (« Der galante König » , based on a novel by Alfred Halm - pseudonym : H. Fredall) , which was directed by Alfred Halm. It portraid the reign of the 18th Century monarch, « Augustus the Strong » . Salbach played the role of the Electress-mother (« Kurfürstin Mutter ») . Silent film with German inter-titles. 6 Scenes, 2.623 meters (35 mm) . Duration : 96 minutes. For Adult Audience Only. Production : Meßter Film GmbH (Berlin) , on behalf of Universum-Film AG (UfA) (Berlin) . Shot during the Summer (?) of 1920, in Dresden and Umgebung (Altstadt, Zwinger, Königstein, Schloß Pillnitz, Schloß Moritzburg) . Music : Vincenz Reifner, Otto Schmid. Costume Design : Professor Leonardt Fanto. Set Design : Jack Winter and Adolf Linnebach. Camera : Carl Drews. Release dates : 5 November 1920 (Berlin) ; 5 November 1920 (Dresden) ; 31 January 1921 (Finland) ; 14 February 1921 (Sweden) . Max von Oberleithner Meine Erinnerungen Upon the advice of Felix Mottl, Max von Oberleithner became a private student of Anton Bruckner, undoubtedly one of the best decisions he made in regard to his education. Oberleithner was a conductor and composer who studied at the University of Vienna. He acted as « Hof-Kapellmeister » in Teplitz, in 1895 - advancing to the same position in Düsseldorf, in 1896 ; but, in later years, he lived mostly in Vienna. He did write Symphonies and Lieder, but devoted himself mostly to composing Thursday, 21 May 1891 : Letter from Anton Bruckner (Vienna) to Doctor Richard Sternfeld, President of the Berlin Philharmonic Choir.
    [Show full text]
  • Bard, Independent and Progressive Decided in April to "Go Coeducational" That Fall, Was Able to Get Any Women Students at All
    BARD. INDEPENDENT AND PROGRESSIVE governance and educational policy was lodged in student and community government. The advent of coeducation necessitated the establishment of some sort of dormitory standards and controls. This issue was to torment (and sometimes almost paralyze) the Bard campus for the next twenty years. CHAPTER VII Another factor affecting the life of the College from its very first coeduca­ tional days, was the quality of the women students. Looking back from twenty or thirty yeBr<;; later .. people- have wondered how a tiny men's college that Bard, Independent and Progressive decided in April to "go coeducational" that fall, was able to get any women students at all. And one is the more surprised to find that these relatively late enrollees included a high proportion of the most outstanding students in the College's modern history. How were these students found at all, and how On July 1, 1944, Bard became independent of Columbia University, and in were they such good students? The answer seems to be twofold: the September 1944 it admitted its first class of women students. It is well to College's educational program, with its dual emphasis on the creative and pause at this point and look at the College carefully, for it is entering a new performing arts and the traditionai liberal arts, appealed to women of both in· era of its history. tellectual and artistic interest. There was a growing number of such young The College had at last acquired the capacity to grow: it was to double in women, and there were few colleges offering them such a program.
    [Show full text]