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Composer in His Own Words

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Composer in His Own Words Anđelko Klobučar Skladbe za orgulje II / Organ Works II Izdavač / Publisher Katolički bogoslovni fakultet Sveučilišta u Zagrebu Catholic Faculty of Theology of the University of Zagreb Za izdavača / For the Publishers prof. dr. sc. Tonči Matulić Nakladnici / Printing Publishers Katolički bogoslovni fakultet Sveučilišta u Zagrebu Catholic Faculty of Theology of the University of Zagreb Muzička akademija Sveučilišta u Zagrebu Music Academy of the University of Zagreb Za nakladnike / For the Printing Publisher prof. dr. sc. Tonči Matulić prof. art. Dalibor Cikojević Uredništvo / Editor Board doc. art. Mirta Kudrna prof. mr. art. Miroslav Martinjak doc. art. Pavao Mašić doc. art. Elizabeta Zalović Glavni urednik sveska i redaktor / Chief Editor of the Volume & Music Editor doc. art. Pavao Mašić Notografija / Score Copying Josip Blažević Marija Cerovac Marko Magdalenić, prof. Ivan Šćepanović Karla Tripalo Matija Vučković Prijevod/ Translated by dr. sc. Nenad Polgar Korekcije i prijelom notnog teksta / Music Score Layout & Proofreading Tibor Szirovicza Grafičko oblikovanje i prijelom / Graphic Design and Layout Katolički bogoslovni fakultet Sveučilišta u Zagrebu Lektura / Proofreading Nada Babić, prof. Tisak / Printed by Sveučilišna tiskara d.o.o. Tiskanje ovog izdanja omogućilo je Sveučilište u Zagrebu u sklopu kratkoročne Naklada / Print run financijske potpore istraživanju projekta Katoličkoga bogoslovnog fakulteta 350 Sveučilišta u Zagrebu: “Istraživanje, uređivanje i objavljivanje CIP zapis je dostupan u računalnome katalogu orguljaškog opusa akademika Anđelka Klobučara.” Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 000944448. A CIP catalogue record for this book is available from the The publication of this edition has been assisted by the University of Zagreb as part National and University Library in Zagreb under 000944448. of the short-term financial support to the Catholic Faculty of Theology research project: “Research, editing and printing of the organ works by Anđelko Klobučar, ISMN 979-0-9005218-7-3 (svezak / this volume) the Full Member of the Croatian Academy of Science and Arts.“ ISMN 979-0-9005218-9-7 (cjelina / complete series) Anđelko Klobučar Skladbe za orgulje Organ Works Svezak 2 Volume 2 Zagreb, 2016. Sadržaj / Contents Riječ izdavača .............................................................................. V Predgovor ..................................................................................... VI Publisher’s Note .................................................................... XVI Preface .................................................................................... XVII Preludiji / Preludes (1996/1997) ........................................1 Minijature, 1. set / Miniatures, 1st Set (1998) .............. 43 Minijature, 2. set / Miniatures, 2st Set (1998) .............. 61 V Riječ izdavača Veliku nam zahvalnost i radost pobuđuje tiskanje not- dragocjenih vještina u području suvremene notografije. nih zapisa neobjavljenih orguljskih skladba uglednoga Ovo tiskano izdanje otkrivenih, sistematiziranih, revidira- i cijenjenoga akademika – maestra Anđelka Klobuča- nih i uređenih orguljskih skladba ima iznimnu vrijednost ra, profesora emeritusa, koji je u svojstvu skladatelja za popularizaciju hrvatske orguljske glazbe i najboljega i glazbenoga pedagoga dao velik doprinos razvoju i što je hrvatska orguljska umjetnost, kao dio europske djelovanju Instituta za crkvenu glazbu Albe Vidaković orguljske umjetnosti, stvorila tijekom druge polovice 20. (ICG) Katoličkoga bogoslovnoga fakulteta Sveučilišta stoljeća, kao dio glazbene baštine budućim hrvatskim i u Zagrebu, još od osnutka Instituta davne 1963. godi- europskim naraštajima orguljaša i studentima orgulja. ne. Ta se suradnja nastavila i nakon 1968. godine, kad je maestro Klobučar postao profesorom na Muzičkoj Sistematizacija, uređivanje i objavljivanje dijela orgulj- akademiji Sveučilišta u Zagrebu. Svakako treba spome- skoga opusa jednoga među najrelevantnijim suvreme- nuti da je maestro Klobučar bio pedeset godina orgu- nim hrvatskim skladateljima, orguljašima i glazbenim ljašem zagrebačke katedrale, dotično od 1954. do 2004. pedagozima – maestra Anđelka Klobučara – iznimno je godine. O skladateljskom, koncertnom, pedagoškom i vrijedno za hrvatsku i europsku kulturnu baštinu, ali i za nastavničkom radu maestra Klobučara svjedoče mnoge glazbeno-pedagoški rad s budućim naraštajima stude- nagrade i priznanja. Svojim je radom tako obilježio nata orgulja. Ovim će izdavačkim nizom svi profesori orgulje i orguljsku glazbu u Hrvatskoj da je, na neki na- i studenti orgulja, osobito oni na kolegijima Orgulje i čin, postao sinonimom za taj veličanstveni instrument. Komorna glazba na ICG-u Albe Vidaković i na Muzičkoj Svojim estetskim dosezima, originalnim izvedbama, ali i akademiji, imati na raspolaganju jedan izvorni didaktič- veličinom opusa podjednako privlači pozornost glazbe- ko-pedagoški materijal iznimne umjetničke vrijednosti. ne i laičke javnosti. Na ovome mjestu treba odati priznanje i izraziti duboku Ovaj izdavački niz orguljskih skladba nastao je kao i iskrenu zahvalnost svim nastavnicima i studentima koji rezultat istraživanja, revidiranja i obrade za tisak jednoga su radili na ostvarenju ovoga projekta i omogućili da ova dijela, do danas neobjavljena, orguljskoga opusa maestra vrijedna trilogija ugleda svjetlo dana. Treba posebno Klobučara kojega, bez ikakva ustezanja, treba uvrstiti istaknuti i pohvaliti vrijednu suradnju profesora i stu- među najcjenjenije suvremene hrvatske autore orguljske denata ICG-a Albe Vidaković i Muzičke akademije, koja glazbe. Poznato je da su dosadašnje, više sporadične, se nastavila i na zajednički dogovorenom izdavačkom i publikacije njegovih orguljskih skladba često bile bez nakladničkom pothvatu. Činom objavljivanja ove trilogi- autorove korekture te nisu, s obzirom na kakvoću, bile je, s pretpostavljenom suradnjom ICG-a Albe Vidaković i uređene glede zahtjeva instrumenta, koncertnih izvedba Muzičke akademije, ujedno izražavamo duboku zahval- i glazbeno-pedagoških procesa. S posebnim ponosom nost akademiku maestru Anđelku Klobučaru odajući ističemo da su u realizaciji ovoga projekta, osim nasta- priznanje za sve lijepo i dobro čime je zadužio naše dvije vnika ICG-a Albe Vidaković i Muzičke akademije, aktivno ustanove i, posebno, hrvatsku orguljsku baštinu. sudjelovali i studenti. Ta je suradnja zasigurno potaknula njihovo zanimanje kako za orguljski opus maestra Klobu- prof. dr. sc. Tonči Matulić čara, tako i za hrvatsku glazbenu baštinu općenito, pri- dekan Katoličkoga bogoslovnog fakulteta donijevši njihovu iskustvu istraživačkoga rada i stjecanju Sveučilišta u Zagrebu VI Predgovor Skladatelj, orguljaš i glazbeni pedagog Anđelko Klobučar (Zagreb, 11. srpnja 1931. – 7. kolovoza 2016.) diplomirao KRONOLOGIJA je 1955. g. na Teorijsko-historijskom odsjeku Muzičke 1931. Rođen u Zagrebu 11. srpnja u obitelji Franje i akademije u Zagrebu, a također je pohađao i studij Marije Klobučar kao mlađi brat Berislava, kasnije kompozicije (kod Mila Cipre) i orgulja (kod Franje Lučića). istaknutoga dirigenta koji će dugo godina djelo- Usavršavao se u orguljama kod Antona Nowakowskoga u vati u Bečkoj državnoj operi. Salzburgu (1959. – 1960.) i skladanju kod Andréa Joliveta u Parizu (1965. – 1966.). Do 1958. g. radio je kao srednjo- 1940. Započinje privatno učiti glasovir kod gđe školski nastavnik u Zagrebu, a od 1958. do 1963. g. bio je Stražnicki. glazbenim suradnikom u Dubrava filmu u Zagrebu. Od 1945. Prvi put čuje orgulje u zagrebačkoj katedrali sluša- 1968. g. djeluje na Muzičkoj akademiji kao nastavnik teo- jući orguljaša Mladena Stahuljaka. rijskih predmeta (izabran je za redovitoga profesora 1983. g.), djelujući istovremeno kao predavač i na Institutu za 1947. Započinje redovito svirati u crkvi sv. Ivana (Nova crkvenu glazbu Albe Vidaković pri Katoličkom bogoslov- Ves), gdje utemeljuje muški zbor, te u crkvi sv. nom fakultetu Sveučilišta u Zagrebu, od 1963. godine, tj. Obitelji u Zagrebu. od osnutka Instituta. Od 1958. do 2004. bio je glavnim 1947. – 1948. Uči orgulje kod Albe Vidakovića na Srednjoj orguljašem zagrebačke prvostolnice. Od 1994. do 1998. glazbenoj školi Državnoga konzervatorija u Zagrebu. godine voditeljem je seminara za interpretaciju suvreme- 1949. Završio gimnaziju u Zagrebu. ne glazbe pri Ljetnoj orguljaškoj školi u Šibeniku u kojoj je bio i direktor Programskoga vijeća. Član je Hrvatskoga 1949. – 1953. Studira orgulje u klasi Franje Lučića na društva skladatelja, Hrvatskoga društva glazbenih umjet- Muzičkoj akademiji u Zagrebu. nika, Hrvatskoga društva glazbenih teoretičara i redoviti oko 1950. Pod pseudonimom K. Bučar sklada prve član Hrvatske akademije znanosti i umjetnosti. Odlikovan skladbe – Božićne preludije – nastale kao plod je mnogobrojnim nagradama i priznanjima, među ostali- privatne poduke kod Albe Vidakovića, u čijoj su ma i Odličjem Reda Danice hrvatske s likom Marka Maruli- nakladi i objavljene 1959. g. ća, Vjesnikovom nagradom za glazbu Josip Štolcer Slaven- ski, Nagradom Vladimir Nazor za životno djelo, Nagradom 1950. – 1954. Studira kompoziciju u klasi Mila Cipre na Grada Zagreba za mnogostruki doprinos u promicanju Muzičkoj akademiji u Zagrebu. djela hrvatskih skladatelja i poticanje skladanja za orgulje, 1952. Javnom izvedbom vlastite Passacaglie za orgulje u Nagradom Ivan Lukačić za rad na hrvatskoj glazbenoj ba- Hrvatskom glazbenom zavodu prvi se put pred- štini s osobitim obzirom na rekonstrukciju Bajamontijeva stavlja kao skladatelj. oratorija Prijenos
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