DOCSLIB.ORG

Les Misérables Comes To

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CLOSE UPS Summer 2009 Your Backstage Pass to Pittsburgh CLO Don’t miss Broadway’s Best LET THE right in your backyard! REVOLUTION BEGIN! Les Misérables comes to Tony®-winner Beth Leavel Pittsburgh CLO! Into The Woods Robert Cuccioli Les Misérables David Osmond Joseph and the Amazing Technicolor Dreamcoat Celebrate the sounds of the 70s all summer long at the CLO Cabaret! NOW PLAYING! Les Misérables Photo courtesy of Theatre Under The Stars in Houston, 2009 Make the CLO your Staycation CLOSE UPS Destination this Summer! This summer, forget about those plane tickets, rental cars and cramped hotel rooms. Pittsburgh CLO is bringing Broadway’s best to your doorstep. Our 63rd season heats up the Benedum Center stage with a sizzling lineup of proven blockbusters, bold new productions and musical theater treasures. No need to pack a bag – we’ve got the best Table of Contents value for your entertainment dollar right here in the heart of the city’s Cultural District. A Message from our In challenging economic times, Pittsburgh CLO is proud of its efforts to remain our city’s Executive Producer . 1 most accessible professional theater company. Subscribers get even more, including access Breakout the bellbottoms and to the best seats, restaurant discounts and savings of up to 20 percent off single ticket prices. polyester at 8-TRACK, The Sounds Affordable and flexible 3-show packages fit every budget and the busiest of schedules. of the 70’s . 1 Joseph and the Amazing Please join us at the historic Benedum Center and the Cabaret at Theater Square for our Technicolor Dreamcoat latest CLO Cabaret production, 8-TRACK: The Sounds of the 70’s. See you at the shows! starts the season in style . 2 Legally Blonde The Musical . 3 CLO premiere of Swing! . 3 Les Misérables. 4 Barry Manilow’s Copacabana. 5 Van Kaplan, Executive Producer Into the Woods . 5 Camps offer summer on-stage for kids . 6 The Gene Kelly Awards. 6 The National High School Musical Theater Awards debut in NYC . 6 Educational Musicals for your schools . 6 CLO Directory Tickets for Summer Musicals 412-456-6666 or pittsburghCLO.org Tickets for 8-TRACK NOW PLAYING 412-456-6666 or AT THE CLO CABARET Conceived and Directed by Rick Seeber CLOCabaret.com THRU SEPT. 27 Subscription Hotline 412-281-2822 or 8-TRACK, The Sounds of the 70’s is a celebration of that decade’s greatest hits, starring the pittsburghCLO.org 8-TRACK is perfect music of The Emotions, The Carpenters, The Doobie Brothers, Labelle, Barry Manilow, Marvin Group Sales Hotline for groups of Gaye, The Bee Gees, Helen Reddy and many more! So put on your leisure suit, wrap-around 412-325-1582 10 or more. skirt, platform shoes (don’t forget that mood ring) and boogie down to ten years of ground- Administrative Offices Call 412-325-1582 412-281-3973 breaking music. With its powerful rhythms and dazzling harmonies, 8-TRACK is a rockin’ good time. Admit it, you feel good in polyester. Academy of Musical Theater 412-281-2234 Girls’ Night Out Construction Center for the Arts with 8-TRACK! 412-381-8185 Manicures, Massages, Martinis and Mayhem! E-mail Address THE CABARET AT THEATER SQUARE [email protected] IS A PROJECT OF Aug 28 THE PITTSBURGH CULTURAL TRUST To join our email list and receive & Sept 18 special offers and late-breaking news, visit pittsburghCLO.org $46 Subcribe NOW to the To report any address or name Price includes a manicure, 2009-2010 CLO Cabaret Subscription Series. changes, call 412-281-3973, massage, martini and ticket to 8-TRACK! 412-281-2822 CLOCabaret.com email [email protected] or write to: Pittsburgh CLO, Services take place at the 719 Liberty Avenue, CLO Cabaret Pittsburgh, PA 15222 Call 412-325-1582 for details or to place your order. Space is limited, Reservations Required May 21 - Oct 8, 2009 - April 8 - 1 412-456-6666 Sept 27, 2009 March 28, 2010 June 27, 2010 pittsburghCLO.org WE’VE GOT THE ONLY COAT YOU’LL NEED THIS SUMMER! May 26-June 7 Fun for the entire family *1/2 price for Children 3-14, 2nd Tier only on select shows his colorful retelling of the story of Joseph, his coat of many Starring Tcolors and his amazing ability to interpret dreams is a David Osmond We’ve also got a Wicked musical blockbuster of Biblical proportions! Andrew Lloyd narrator in store for you! Webber and Tim Rice’s award-winning musical parable features a delightful array of musical styles, SHOSHANA BEAN makes from country-western and calypso to bubble-gum pop and rock ‘n’ roll, entertaining young and old her Pittsburgh CLO debut after alike with such hits as “Go Go Go Joseph,” “Close Every Door” and “Any Dream Will Do.” previously starring in the Broadway THE PRODUCTION AND ITS ORIGINAL CLO LEAD ARE BACK! productions of This Summer Season-opening production marks the first time since 1998 that Pittsburgh CLO has staged Joseph Wicked and and also welcomes back the actor who put his unique stamp on that role – DAVID OSMOND. A member of the Hairspray and world-famous Osmond family, David served as the understudy to his uncle Donny during various National Tours the National Tours from 1992-97 and then performed as Joseph in a National Tour produced by Pittsburgh CLO. He’s also fresh off of Wicked and an appearance on “American Idol.” Leader of the Pack. She’s also been a back-up singer for , Pittsburgh CLO Cast | Photo: Matt Polk Pittsburgh CLO Cast | Photo: , superstars such as Whitney Houston, Destiny’s Child, Usher, ’N Sync, Ray Charles, Britney Spears and Michael Jackson. Pittsburgh native ready for his role as a rockin’ Pharaoh Did you know? PETER MATTHEW SMITH makes his Joseph and the Amazing Technicolor Dreamcoat features Joseph and The Amazing Technicolor Dreamcoat Joseph and The Amazing Technicolor Pittsburgh CLO debut, although he is recognizable to local audiences 75 students from Pittsburgh CLO Academy and all over Western thanks to his numerous Pittsburgh Musical Theater and Point Park Pennsylvania. Several of these students also will appear in University Playhouse credits. A Sewickley native and Point Park Les Misérables later this season. Don’t miss your chance to catch alumnus, he has performed on Broadway in Cry Baby, Fiddler on these rising stars as they showcase their remarkable talents this the Roof, Hairspray, RENT and Mamma Mia. season and beyond. David Osmond and Eric A. Martsolf in A. David Osmond and Eric It’s Not Too Late 412-456-6666 2 Learn more about the cast @ pittsburghCLO.org To Subscribe! pittsburghCLO.org Groups Save atically! Dram GET READY FOR SOME It only takes 10 to save! BLONDE VIP Service AMBITION! Flexible Payment Terms Les Mis by the Number Recognition June 9-14 More than 51 million people Event Planning t’s here, and it’s “AN ELLE OF A worldwide have seen Les Misérab ISHOW” (TIME Magazine). The including 25 million-plus in Behind-the-Scenes News hilarious MGM film is now a smash hit the U.S. alone. musical, and now LEGALLY BLONDE 56 productions of THE MUSICAL is coming to you. Groups of 10+ Les Misérables have played in Legally Blonde follows sorority star 38 countries and in 223 cities. 412-325-1582 Elle Woods, an underestimated blonde who doesn’t take “no” for an answer. Les Misérables has won 50 majo When her boyfriend dumps her for theater awards, including 8 Tony® someone more “serious,” Elle puts Awards (Best Musical among them down the credit card, hits the books, and 2 Grammy Awards. and sets out to go where no Delta Nu There have been 31 cast recordin has gone before: Harvard Law. Along of Les Misérables internationally Girls’Girls’ the way, Elle proves that being true to yourself never goes out of style. Les Misérables has been translated NightNight After turning Broadway and into 21 languages OutOut MTV hot pink, this “Feel-Good Song and Dance Juggernaut” (New York Magazine) Joseph…Dreamcoat is “The Best New Musical & The Capital Grille ~ June 3rd Around!” (WOR). Les Misérables & The Capital Grille ~ July 15th Barry Manilow’s Copacabana & Palomino ~ July 29th See Page 1 for information about OMG, you guys, she’s tickled whole lot of swing and one thing b Girls’ Night Out with 8-TRACK! pink to be here! Space is limited. Call today! BECKY GULSVIG takes to the Pittsburgh CLO You won’t miss “Dancing with th 412-325-1582 stage for the first time as Elle Woods in the First her Pittsburgh CLO debut in Swing National Tour of Legally Blonde The Musical. She served as the understudy to lead Laura Bell Only $68.50 per person! Bundy in the Broadway production of Legally Blonde The Musical and Price includes a theater ticket, played Amber Von Tussle in Hairspray on Broadway. She also starred as meal, tax and gratuity. Wendy in the National Tour of Peter Pan and has been seen on “All My Children” and in MTV’s telecast of “Legally Blonde The Musical.” 412-456-6666 It’s Not Too Late Kate Loprest Alan H. Gr 3 Becky Gulsvig as Elle Woods and Frankie as Bruiser in the National Tour of pittsburghCLO.org To Subscribe! Legally Blonde the Musical. | Photo: Joan Marcus Caitlin Carter and Conrad Korsch from the Original Broadw PITTSBURGH CLO IS PREPARING FOR A REVOLUTION! July 7-19 n 1985, Les Misérables began its journey into musical theater history. The show opened in London on IOctober 8, 1985, and was an instant hit with audiences. The entire run was sold out and moved to the West End two months later.
Recommended publications
  • Broadway the BROAD Way”

    Broadway the BROAD Way”

    MEDIA CONTACT: Fred Tracey Marketing/PR Director 760.643.5217 [email protected] Bets Malone Makes Cabaret Debut at ClubM at the Moonlight Amphitheatre on Jan. 13 with One-Woman Show “Broadway the BROAD Way” Download Art Here Vista, CA (January 4, 2018) – Moonlight Amphitheatre’s ClubM opens its 2018 series of cabaret concerts at its intimate indoor venue on Sat., Jan. 13 at 7:30 p.m. with Bets Malone: Broadway the BROAD Way. Making her cabaret debut, Malone will salute 14 of her favorite Broadway actresses who have been an influence on her during her musical theatre career. The audience will hear selections made famous by Fanny Brice, Carol Burnett, Betty Buckley, Carol Channing, Judy Holliday, Angela Lansbury, Patti LuPone, Mary Martin, Ethel Merman, Liza Minnelli, Bernadette Peters, Barbra Streisand, Elaine Stritch, and Nancy Walker. On making her cabaret debut: “The idea of putting together an original cabaret act where you’re standing on stage for ninety minutes straight has always sounded daunting to me,” Malone said. “I’ve had the idea for this particular cabaret format for a few years. I felt the time was right to challenge myself, and I couldn’t be more proud to debut this cabaret on the very stage that offered me my first musical theatre experience as a nine-year-old in the Moonlight’s very first musical Oliver! directed by Kathy Brombacher.” Malone can relate to the fact that the leading ladies she has chosen to celebrate are all attached to iconic comedic roles. “I learned at a very young age that getting laughs is golden,” she said.
  • PLAYHOUSE SQUARE January 12-17, 2016

    PLAYHOUSE SQUARE January 12-17, 2016

    For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut.
  • FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 Tmoton@Capitol-Collective.Com

    FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected]

    Contact: Tatiana Moton FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected] GLOBAL ICON MÝA RETURNS WITH BRAND NEW SINGLE CELEBRATING 20TH YEAR ANNIVERSARY MÝA ANNOUNCES THIRTEENTH ALBUM, ARRIVING 2018 Grammy-winning recording artist, Mýa, unveiled the release of her brand new single, from her highly anticipated upcoming 13th studio project. The global entertainer and humanitarian surprised eager fans by ushering in Valentine’s Day with a debut of her new music, once again breaking the mold with a sexy, sultry, soulful sound that is sparking scores of praise and raving fanfare. The new single, “You Got Me,” now available on all digital outlets worldwide, celebrates the 20th year anniversary of Mýa’s debut single, the Billboard chart- topping hit, “It’s All About Me,” featuring R&B singer, Sisqo. Released in 1998, it was the leading single on the self-titled, double platinum, debut album, Mýa, which would launch the then 18-year-old Mýa into the fabric of pop-culture. The celebrated singer, songwriter, producer, musician, dancer/choreographer, designer, actress, activist and philanthropist has electrified audiences over the years with world smash hits including, “It’s All About Me,” “Movin On,” “Ghetto Superstar,” “Take Me There,” “Case of the Ex,” “Best of Me,” “My Love Is Like Wo,” “Fallen” and more. Mýa’s impressive catalog of music includes her second double platinum album, Fear of Flying, released in 2000. In 2001, Mýa collaborated with Christina Aguilera, Lil’ Kim, P!nk and Missy Elliot on a remake of LaBelle’s “Lady Marmalade,” which is featured in Baz Luhrman’s “Moulin Rouge.” Selling over 5.5 million copies, it became the most successful airplay-only single in history, winning the Grammy Award for Best Pop Collaboration and garnering numerous awards.
  • Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)

    Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)

    PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA
  • Les Mis Education Study Guide.Indd

    Les Mis Education Study Guide.Indd

    And remember The truth that once was spoken, To love another person Is to see the face of God. THE CHARACTERS QUESTIONS / • In the end, what does Jean society who have lost their DISCUSSION IDEAS Valjean prove with his life? humanity and become brutes. Are there people in our society • Javert is a watchdog of the legal who fi t this description? • What is Hugo’s view of human process. He applies the letter nature? Is it naturally good, of the law to every lawbreaker, • Compare Marius as a romantic fl awed by original sin, or without exception. Should he hero with the romantic heroes of somewhere between the two? have applied other standards to a other books, plays or poems of man like Jean Valjean? the romantic period. • Describe how Hugo uses his characters to describe his view • Today, many believe, like Javert, • What would Eponine’s life have of human nature. How does that no mercy should be shown been like if she had not been each character represent another to criminals. Do you agree with killed at the barricade? facet of Hugo’s view? this? Why? • Although they are only on stage • Discuss Hugo’s undying belief • What does Javert say about his a brief time, both Fantine and that man can become perfect. past that is a clue to his nature? Gavroche have vital roles to How does Jean Valjean’s life play in Les Misérables and a illustrate this belief? • What fi nally destroys Javert? deep impact on the audience. Hugo says he is “an owl forced What makes them such powerful to gaze with an eagle.” What characters? What do they have does this mean? in common? Name some other • Discuss the Thénardiers as characters from literature that individuals living in a savage appear for a short time, but have a lasting impact.
  • Seminar Presents Women As Founders by Jenna Gray ’15 Ters of Research, Discovery and Mount Curriculum in 2013

    Seminar Presents Women As Founders by Jenna Gray ’15 Ters of Research, Discovery and Mount Curriculum in 2013

    The Campanile Mount Saint Joseph Academy Volume LII, Number 2 December 2014 Seminar presents Women as Founders By Jenna Gray ’15 ters of research, discovery and Mount curriculum in 2013. After were selected to participate in the lar sentiments, saying, “I was planning by nine Mount students completing applications and writ- course. overwhelmed with the level of Mount’s Women as Founders and the teachers, administrators ing essays explaining their inter- During the second semester commitment and motivation of Week featured assemblies, pre- and alumnae who guided them. est in Seminar, Annemarie Bran- of their junior year, the students the students. They went far above sentations and a panel celebrating After a committee of teachers co, Nora Cipressi, Grace Havard, met twice a week from 7:25 to and beyond what was expected of female accomplishments. This and administrators restructured Maddie Loftus, Katie Maransky, 8:10 a.m. to explore the history them and really made this course single week of female empower- the course, the Women as Found- Katie Mars, Belin Mirabile, Mag- of women’s social problems and their own.” ment is the result of two semes- ers Seminar reappeared in the gie Schoeller and Bridget Sykes reform movements and unearth Upon their completion of the current movements in women’s semester filled with reading liter- issues. ature and poetry, watching films With teachers including Mrs. and videos and discussing what Bender, Sister Joannie Cas- they learned in class on online sidy, Mr. Curry, Mr. Holdren, discussion boards, the nine girls Mrs. Kennedy, Ms. Korey and were ready to create culminating S.
  • 2021 Marquee Program – Shoshana Bean

    2021 Marquee Program – Shoshana Bean

    APRIL 30, 2021 WE ARE A LEGACY-MINDED PRIVATE EQUITY FIRM INVESTING FOR THE GLORY OF GOD We invest for the long term with a focus on making a positive impact on businesses and organizations, on people and communities. Find out more at Ambassador-Enterprises.com 2021AE-ProgramAd-EmbassyMarqueeEvent.indd 1 3/30/21 1:05 PM Successful graduates. Career-focused degrees. See how far an Indiana Tech education can take you. INDIANATECH.EDU AT THE HEART OF ENTERTAINMENT Barnes & Thornburg proudly supports the Embassy Theatre 2021 Marquee Gala. Uncommon Value ATLANTA CALIFORNIA CHICAGO DELAWARE INDIANA MICHIGAN MINNEAPOLIS NEW YORK OHIO RALEIGH SALT LAKE CITY TEXAS WASHINGTON, D.C. btlaw.com A Message from Kelly Updike EMBASSY PRESIDENT & CEO Welcome to the Embassy’s fifth annual Marquee presented by Mark Ulmschneider & Georgia Wralstad Ulmschneider. We are excited to have Shoshana Bean here to spread some joy and showcase her talent on the Embassy stage. Our team is committed to bringing meaningful Broadway experiences to you, and we are excited to present this special experience as we await the return of Broadway Shows to our stage. This year continues to bring challenges as we move our way through the pandemic. However, we are hopeful and continue planning shows for this year and 2022 that are sure to delight. With the support of Embassy members, sponsors and donors we continue to be an arts and cultural hub for this region and for fans of all generations. Please consider making a tax-deductible gift to assist the Embassy in growing audiences and maximizing the quality of arts experiences in Northeast Indiana.
  • A Chorus Line One Singular Sensation…

    A Chorus Line One Singular Sensation…

    FOR IMMEDIATE RELEASE Media Alert for Theatre Editors, Reviewers and Calendar LisȀngs Due to overwhelming demand, five shows have been added for A Chorus Line One singular sensation… This showstopping piece, winner of nine Tony Awards and the Pulitzer Prize just opened and is nearly sold out at the Cripe Stage at Chance Theater @ Bette Aitken theater arts Center June 30, 2016 … Anaheim, California … Anaheim’s official resident theater company, Chance Theater is pleased to the addiȀon of five addiȀonal performances of … A Chorus Line. Book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch, lyrics by Edward Kleban, directed by Chance’s ArȀsȀc Director Oanh Nguyen, choreographed by Hazel Clarke, with music direcȀon by Ryan O’Connell. A Chorus Line opened last Saturday and will continue through August 7th on the Cripe Stage at Chance Theater @ Bette Aitken t heater arts Center. Before we even broke a sweat the Chance has decided to extend its producȀon of the Tony Award winning and Pulizer Prize winning musical A Chorus Line. The Chance is thrilled to give Orange County more opportuniȀes to witness dancers puĀng it all on the line and creaȀng one singular sensaȀon. A Chorus Line takes place in an empty theater, on a bare stage, where the casȀng session for a new Broadway musical is almost complete. For 24 dancers, this audiȀon is the chance of a lifeȀme. It’s what they’ve worked for—with every drop of sweat, every hour of training, every day of their lives. It’s the one opportunity to do what they’ve always dreamed—to have the chance to dance.
  • Phila DJ Lee Jolles Obit 20120805

    Phila DJ Lee Jolles Obit 20120805

    FOR IMMEDIATE RELEASE Monday, August 5, 2012 Further Information See Contact on Page Two Doo-Wop DJ Lee, “Mister Lee” Jolles Dies; Philadelphia Businessman, Record Collector and Rock-and-Roll Group Harmony Expert Was Known Across U.S. From His Weekend Radio Show PHILADELPHIA -- Businessman, DJ, and doo-wop group harmony champion Lee, “Mister Lee” Bain Jolles, 66, died July 10th. A lifelong lover of the distinctly American rock-and-roll genre, Jolles owned a well-known Philadelphia cheesesteak eatery; headed the Philadelphia Group Harmony Association (PGHA) and produced sell-out oldies shows for the association for two decades. In 1986 he became DJ, “Mister Lee,” at a small Delaware Valley non-profit FM radio station whose weekend doo-wop listenership exploded coast to coast thanks to Internet streaming. Jolles’s funeral drew a “sellout” crowd of more than 500 persons, mourners who knew him from entertainment, radio, business, and listening to his 4-to-6 p.m. Saturday program on WRDV FM (streamed at WRDV.org) and the Live 365.com “Station PGHA” channel. Those Live 365 shows were recorded from his FM show and can still be heard today. Growing up in the golden age of rock n’ roll and group harmony, Jolles remembered being a nine-year-old elementary school student when Frankie Lymon’s, “Why Do Fools Fall in Love” was first released. “…it seemed that the whole school yard was on fire! I knew I found our own music,” according to autobiographical “liner notes” on the Live 365 PGHA channel. Jolles attended West Philadelphia’s John Bartram High, whose alumni include doo-wop luminaries Lee Andrews and the Hearts, Danny and the Juniors, Patti LaBelle, the Superiors, the Blendtones and Little Billy and the Essentials, and, according to Wikipedia, Solomon Burke.
  • Into the Woods Character Descriptions

    Into the Woods Character Descriptions

    Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20.
  • Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet

    Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet

    A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives.
  • A Tale of Two Cities by Charles Dickens

    A Tale of Two Cities by Charles Dickens

    A Tale of Two Cities By Charles Dickens Book 2: The Golden Thread Chapter 11: A Companion Picture Sydney,” said Mr. Stryver, on that self-same night, or morning, to his jackal; “mix another bowl of punch; I have something to say to you.” Sydney had been working double tides that night, and the night before, and the night before that, and a good many nights in succession, making a grand clearance among Mr. Stryver’s papers before the setting in of the long vacation. The clearance was effected at last; the Stryver arrears were handsomely fetched up; everything was got rid of until November should come with its fogs atmospheric, and fogs legal, and bring grist to the mill again. Sydney was none the livelier and none the soberer for so much application. It had taken a deal of extra wet-towelling to pull him through the night; a correspondingly extra quantity of wine had preceded the towelling; and he was in a very damaged condition, as he now pulled his turban off and threw it into the basin in which he had steeped it at intervals for the last six hours. “Are you mixing that other bowl of punch?” said Stryver the portly, with his hands in his waistband, glancing round from the sofa where he lay on his back. “I am.” A Tale of Two Cities: Book 2, Chapter 11 by Charles Dickens “Now, look here! I am going to tell you something that will rather surprise you, and that perhaps will make you think me not quite as shrewd as you usually do think me.