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Having Ado with Lancelot
Having Ado with Lancelot: A Chivalric Reassessment of Malory's Champion by Jesse Michael Brillinger Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts (English) Acadia University Fall Convocation 2010 © Jesse Michael Brillinger 2010 This thesis by Jesse M. Brillinger was defended successfully in an oral examination on ___________. The examining committee for the thesis was: ________________________ Dr. Barb Anderson, Chair ________________________ Dr. Kathleen Cawsey, External Reader ________________________ Dr. Patricia Rigg, Internal Reader ________________________ Dr. K. S. Whetter, Supervisor _________________________ Dr. Herb Wyile, Acting Head This thesis is accepted in its present form by the Division of Research and Graduate Studies as satisfying the thesis requirements for the degree of Master of Arts (English). …………………………………………. ii I, Jesse M. Brillinger, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non‐profit basis. I, however, retain the copyright in my thesis. ______________________________ Jesse M. Brillinger ______________________________ K.S. Whetter, Supervisor ______________________________ Sep. 19, 2010 iii Table of Contents Introduction: Malory, Chivalry and Lancelot ............................................................................... 1 Chapter 1: Medieval Chivalry in Literature and Life ............................................................ -
Prisons and Punishments in Late Medieval London
Prisons and Punishments in Late Medieval London Christine Winter Thesis submitted for the Degree of Doctor of Philosophy in the University of London Royal Holloway, University of London, 2012 2 Declaration I, Christine Winter, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 3 Abstract In the history of crime and punishment the prisons of medieval London have generally been overlooked. This may have been because none of the prison records have survived for this period, yet there is enough information in civic and royal documents, and through archaeological evidence, to allow a reassessment of London’s prisons in the later middle ages. This thesis begins with an analysis of the purpose of imprisonment, which was not merely custodial and was undoubtedly punitive in the medieval period. Having established that incarceration was employed for a variety of purposes the physicality of prison buildings and the conditions in which prisoners were kept are considered. This research suggests that the periodic complaints that London’s medieval prisons, particularly Newgate, were ‘foul’ with ‘noxious air’ were the result of external, rather than internal, factors. Using both civic and royal sources the management of prisons and the abuses inflicted by some keepers have been analysed. This has revealed that there were very few differences in the way civic and royal prisons were administered; however, there were distinct advantages to being either the keeper or a prisoner of the Fleet prison. Because incarceration was not the only penalty available in the enforcement of law and order, this thesis also considers the offences that constituted a misdemeanour and the various punishments employed by the authorities. -
Malory's Launcelot and Guinevere Abed Togydirs Betsy Taylor
Malory's Launcelot and Guinevere abed togydirs Betsy Taylor In Malory's account of the ambush of Launcelot in Guinevere's chamber he obliquely denies the authority of his sources: For, as the Freynshhe booke seyth, the quene and sir Launcelot were k>gydirs. And whether they were abed other at other maner of disportis, me lyste nat thereof make no mencion, for love that tyme was nat as love ys nowadayes.1 · Both his sources put Launcelot and Guinevere abed,2 but Malory says he prefers not to discuss the matter ('me lyste nat thereof make no mencion'); instead he links the lovers' activities here with the love he anatomizes, however cumbersomely, at the beginning of 'The Knight of the Cart' episode: But the olde love was nat so. For men and women coude love togydirs seven yerys, and no lycoures lustis was betwyxte them, and than was love trouthe and faythefulnes. And so in lyke wyse was used such love in kynge Arthurs dayes. (p. 1120, II. 2...{1) The benefit of Malory's reticence is twofold: he places (or attempts to place) the lovers beyond contemporary criticism, 'for love that tyme was nat as love ys nowadayes'; and he ensures that the image of Launcelot which dominates in this episode is that of the 'noble knyght' who 'toke hys swerde undir hys arme, and so he walked in hys mantell ... and put hymselff in grete jouparte' (p. 1165, 11. 5-7). In Malory's version of the episode we pass from this image to 'Madame,' seyde sir Launcelot, 'ys there here ony armour within you that myght cover my body wythall?' (p. -
A) “William Shakespeare: La Dialettica D'amore
LETTERATURA INGLESE III^ Programma a.a. 2011- 12 (prof. Michele Goffredo) A) “William Shakespeare: la dialettica d’amore ” Testi: William Shakespeare, As You Like It (qualsiasi edizione inglese o con testo a fronte) William Shakespeare, Romeo and Juliet (qualsiasi edizione inglese o con testo a fronte) William Shakespeare, Sonnets (qualsiasi edizione inglese o con testo a fronte) William Shakespeare, Othello (qualsiasi edizione inglese o con testo a fronte) William Shakespeare, Antony and Cleopatra (qualsiasi edizione inglese o con testo a fronte) Testi critici: La bibliografia critica sarà indicata in seguito. I testi critici verranno, in massima parte, raccolti in una dispensa a cura del docente. B) Storia della letteratura inglese: “Dalle origini alla chiusura dei teatri del 1642” 1) Testo consigliato: Paolo Bertinetti (a cura di), Storia della letteratura inglese, Vol I° (pp.3- 206), Einaudi 2) Franco Marenco, La parola in scena, La comunicazione teatrale nell’età di Shakespeare, UTET, Torino 2004 3) Sei testi a scelta dello studente tra i seguenti. Tra i testi di uno stesso autore ne va scelto solo uno. Beowulf Sir Gawain and the Green Knight Pearl William Langland, Piers Plowman Geoffrey Chaucer, Canterbury Tales Thomas Malory, Le Morte Darthur Everyman Thomas More, Utopia Philip Sidney, Astrophil and Stella (1591) Philip Sidney, Countess of Pembroke’s Arcadia (Old Arcadia) Philip Sidney, New Arcadia Edmund Spenser, The Fairie Queene (1590-96) Thomas Nashe, The Unfortunate Traveller, or The Life of Jack Wilton (1594) Thomas Kyd, -
Plu Hydref 2011 Fersiwn
PAPUR BRO LLANGADFAN, LLANERFYL, FOEL, LLANFAIR CAEREINION, ADFA, CEFNCOCH, LLWYDIARTH, LLANGYNYW, CWMGOLAU, DOLANOG, RHIWHIRIAETH, PONTROBERT, MEIFOD, TREFALDWYN A’R TRALLWM. 426 Hydref 2017 60c BRENIN Y BOWLIO LLYWYDDION LLAWEN Ar brynhawn Sul gwlyb yn ddiweddar chwaraewyd twrnamaint bowlio yn Llanfair Caereinion. Er gwaetha’r tywydd roedd y cystadleuwyr yn benderfynol o orffen y gystadleuaeth gan fod y ‘Rose Bowl’ yn wobr mor hynod o dlws i’w hennill. Yn y gêm derfynol roedd Gwyndaf James yn chwarae yn erbyn y g@r profiadol Llun Michael Williams Richard Edwards. Gwyndaf oedd y pencampwr hapus a fo gafodd ei ddwylo ar y ‘Rose Bowl’. Rwan mae Enillwyr y stondin fasnach orau ar faes y Sioe eleni oedd stondin ar y cyd Philip angen dod o hyd i le parchus i arddangos y wobr Edwards, For Farmers a H.V. Bowen. Gwelir Huw, Guto a Rhidian Glyn o For Farm- arbennig hon! ers; Mark Bowen a Philip yn derbyn eu gwobr gan Enid ac Arwel Jones. DWY NAIN FALCH Mae dwy nain falch iawn yn Nyffryn Banw yn dilyn yr Eisteddfod Genedlaethol yn Sir Fôn ym mis Awst. Uchod gwelir Dilys, Nyth y Dryw, Llangadfan gyda’i h@yr Steffan Prys Roberts, Llanuwchllyn a enillodd wobr y Rhuban Glas. Mae Steff yn gweithio i’r Urdd yng Nglanllyn ac yn aelod o Gwmni Theatr Maldwyn, tri chôr a sawl parti canu! Nain arall sy’n byrlymu â balchder yw Marion Owen, Rhiwfelen, Foel sy’n ymfalchïo yn llwyddiant ei hwyres Marged Elin Owen a enillodd Ysgoloriaeth yr Artist Ifanc. Mae Marged bellach wedi cael swydd gyda chwmni castio gwydr y tu allan i Blackpool. -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
Power, Courtly Love, and a Lack of Heirs : Guinevere and Medieval Queens Jessica Grady [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2009 Power, Courtly Love, and a Lack of Heirs : Guinevere and Medieval Queens Jessica Grady [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the Other Classics Commons Recommended Citation Grady, Jessica, "Power, Courtly Love, and a Lack of Heirs : Guinevere and Medieval Queens" (2009). Theses, Dissertations and Capstones. Paper 69. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Power, Courtly Love, and a Lack of Heirs: Guinevere and Medieval Queens Thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in History by Jessica Grady Dr. Laura Michele Diener, Ph.D., Committee Chairperson Dr. David Winter, Ph.D. Dr. William Palmer, Ph.D. Marshall University December 2009 ABSTRACT Power, Courtly Love, and a Lack of Heirs: Guinevere and Medieval Queens by Jessica Grady Authors have given Queen Guinevere of the Arthurian stories a wide variety of personalities; she has been varyingly portrayed as seductive, faithful, “fallen,” powerful, powerless, weak-willed, strong-willed, even as an inheritor of a matriarchal tradition. These personalities span eight centuries and are the products of their respective times and authors much more so than of any historical Guinevere. Despite this, however, threads of similarity run throughout many of the portrayals: she had power in some areas and none in others; she was involved in a courtly romance; and she did not produce an heir to the throne. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
The Uncanny and Unhomely in the Poetry of RS T
Bangor University DOCTOR OF PHILOSOPHY '[A] shifting/identity never your own' : the uncanny and unhomely in the poetry of R.S. Thomas Dafydd, Fflur Award date: 2004 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23. Sep. 2021 "[A] shifting / identity never your own": the uncanny and the unhomely in the writing of R.S. Thomas by Fflur Dafydd In fulfilment of the requirements of the Degree of Doctor of Philosophy in The University of Wales English Department University of Wales, Bangor 2004 l'W DIDEFNYDDIO YN Y LLYFRGELL YN UNIG TO BE CONSULTED IN THE LIBRARY ONLY Abstract "[A] shifting / identity never your own:" The uncanny and the unhomely in the writing of R.S. Thomas. The main aim of this thesis is to consider R.S. Thomas's struggle with identity during the early years of his career, primarily from birth up until his move to the parish of Aberdaron in 1967. -
Cambrian Societies, (NLW MS 11116E)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Cambrian societies, (NLW MS 11116E) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 08, 2017 Printed: May 08, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows NLW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/cambrian-societies archives.library .wales/index.php/cambrian-societies Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Cambrian societies, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Natur a chynnwys | Scope and content .......................................................................................................... 3 Nodiadau | Notes ............................................................................................................................................. 4 Pwyntiau mynediad | Access points ............................................................................................................... 4 - Tudalen | Page 2 - NLW MS 11116E Cambrian societies, Gwybodaeth grynodeb | Summary information Lleoliad | Repository: Llyfrgell Genedlaethol Cymru = The National -
A New Way to Pay Old Debts
ElizabethanDrama.org presents the Annotated Popular Edition of A NEW WAY TO PAY OLD DEBTS by Philip Massinger Before 1633 Featuring complete and easy-to-read annotations. Annotations and notes © Copyright ElizabethanDrama.org, 2018 This annotated play may be freely copied and distributed. 1 A NEW WAY TO PAY OLD DEBTS By Philip Massinger Before 1633 Dramatis Persons: INTRODUCTION TO THE PLAY Lord Lovell. A New Way to Pay Old Debts has proven to be Philip Tom Allworth, a Young Gentleman, Page to Lord Massinger's most popular and enduring play. This comedy's Lovell. reputation is due thanks to the presence of one of the era's Sir Giles Overreach, a Cruel Extortioner. more acclaimed villains outside the Shakespeare canon, the Margaret, Daughter of Sir Overreach. avaricious and occasionally vulgar Sir Giles Overreach. Marrall, a Term-Driver; a Creature of Sir Giles With just the right balance of drama and humour, A New Overreach. Way to Pay Old Debts deserves to be read and enjoyed by any lover of Elizabethan drama. Frank Wellborn, a Prodigal. Greedy, a Hungry Justice Of Peace. NOTES ON THE TEXT Lady Allworth, a rich Widow. The text of A New Way to Pay Old Debts is adapted from Order, Steward. Philip Massinger, Volume I, edited by Arthur Symons, Amble, Usher. cited at #3 below. Furnace, Cook. Watchall, Porter. NOTES ON THE ANNOTATIONS Wllldo, a Parson. Mention of Symons, Stronach, Deighton, Gifford and Sherman in the annotations refer to the notes provided by Tapwell, an Alehouse Keeper. each of these editors respectively in their editions of this Froth, Wife of Tapwell. -
The Illustrated Book Cover Illustrations
THE ILLUSTRATED BOOK COVER ILLUSTRATIONS: A collection of 18 pronouncements by Buddhist sages accompanied by their pictures. n.p., n.d. Manuscript scroll folded into 42 pages, written on leaves of the bodhi tree. Chinese text, beginning with the date wu-shu of Tao kuang [·i.e. 1838 ] Wooden covers. Picture of Buddhist sage Hsu tung on front cover, accompanied by text of his pronouncement on separate leaf on back cover: "A Buddhist priest asked Buddha, 'How did the Buddha attain the most superior way?' Buddha replied, 'Protect the heart from sins; as one shines a mirror by keeping off dust, one can attain enlightenment.'" --i~ ti_ Hsu tung THE ILLUSTRATED BOOK • An Exhibit: March-May 1991 • Compiled by Alice N. Loranth Cleveland Public Library Fine Arts and Special Collections Department PREFACE The Illustrated Book exhibit was assembled to present an overview of the history of book illustration for a general audience. The plan and scope of the exhibit were developed within the confines of available exhibit space on the third floor of Main Library. Materials were selected from the holdings of Special Collections, supplemented by a few titles chosen from the collections of Fine Arts. Selection of materials was further restrained by concern for the physical well-being of very brittle or valuable items. Many rare items were omitted from the exhibit in order to safeguard them from the detrimental effects of an extended exhibit period. Book illustration is a cooperation of word and picture. At the beginning, writing itself was pictorial, as words were expressed through pictorial representation.