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Rirkrit Tiravanija Biography Born in 1961 in Buenos Aires, Argentina. Lives and works in New York (U.S.A.), Berlin (Germany) and Chiang Mai (Thailand). EDUCATION The Whitney Independent Studies Program, New York, U.S.A. The School of the Art Institute of Chicago, U.S.A. The Banff Center School of Fine Arts, Banff, Canada. The Ontario College of Art, Toronto, Canada. SOLO EXHIBITIONS (SELECTION) 2021 Rirkrit Tiravanija, Reopening, Museum Dhondt-Dhaenens, Belgium. 2020 Rirkrit Tiravanija, untitled 2020 (once upon a time) (after jasper johns), Galerie Chantal Crousel, Paris, France. 2019 Fear Eats the Soul, Glenstone Museum, Maryland, USA. Tomorrow Is the Question, Centro Pecci, Prato, Italy. Who’s Afraid of Red, Yellow, and Green, Hirschhorn Smithsonian Museum, Washington DC, USA. Untitled (Billy Wilde doesn't drink green tea) 2019, Jane Hartsook Gallery, Greenwich house pottery, New York, U.S.A. 2018 DO WE DREAM UNDER THE SAME SKY, Hospitality: Searching for common ground, Luma Foundation, Arles, France. Ng Teng Fong Roof Garden Commission: Rirkrit Tiravanija, National Gallery Singapore, Singapore. 2017 Skip the bruising of the eskimos to the exquisite words vs. if I give you a penny you can give me a pair of scissors, Gavin Brown's enterprise - New York, U.S.A.. 10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] 2016 Mañana es la cuestión, Centre Culturel Néstor Kirchner, CCK, Buenos Aires, Argentina. Tomorrow is the question: Rirkrit Tiravanija, Stedelijk Museum, Amsterdam, The Netherlands. THE PAGAD, Galleria Massimo De Carlo, Milan, Italy. 2015 RIRKRIT TIRAVANIJA: UFO (UNIVERSAL FANTASTIC OCCUPATION), Plaza del Museo Jumex, Mexico D.F., Mexico. Rirkrit Tiravanija: Tomorrow is the question, Garage museum of contemporary art, Moscow, Russia. untitled 2015 (run like hell), Galerie Chantal Crousel, Paris, France 2014 FOCUS: Rirkrit Tiravanija, Modern Art Museum of Fort Worth, Texas, U.S.A. 2013 Portraits, Tate Modern, London, U.K. Untitled 2012 (passport to the middleworld), Gavin Brown's enterprise, New York, U.S.A. 2012 Gavin Brown, New York, U.S.A. Espace 13/16, Centre Pompidou, Paris, France Untitled 2012, Call Those years at No.17E London Terrace, Kurimanzutto, Mexico City, Mexico. 2011 Murder and Mayhem 2011, 1301PE, Los Angeles, U.S.A. Rirkrit Tiravanija, Gavin Brown, New York, U.S.A. 2010 Rirkrit Tiravanija Retrospective, Kunsthalle Bielefeld, Bielefeld, Germany. Rikrit Tiravanija, Pilar Corrias Gallery, London, U.K. Ne travaillez jamais, Tang contemporary Art, Beijing, China. Galerie Chantal Crousel, Paris, France. 2009 Rirkrit Tiravanija: Less oil more courage. Kunsthalle Fridericianum, Kassel, Germany. The house the cat built, Salvador Diaz, Madrid, Spain. Reflection, New Yorkehaus, New York, U.S.A. A long march, CAC Centro de Arte Contemporaneo Malaga, Malaga, Spain. 2008 Rirkrit Tiravanija, magazine station no. 5, Artspace, New Zealand. Rirkrit Tiravanija and Neil Logan, Foster, You’re Dead, Galleria Emi Fontana, Milan, Italy. Palm Pavillion, Kurimanzutto Gallery, Mexico. Demonstration Drawings, The Drawing Center, New York, U.S.A. 2007 Untitled 1992 (Free), with Gordon Matta-Clark, David Zwirner, New York, U.S.A. Philippe Parreno & Rirkrit Tiravanija, Friedrich Petzel gallery, New York, U.S.A. Brychy Bar, Gavin Brown’s Enterprise, New York, USA. Demonstration Drawings, 1301PE, Los Angeles, U.S.A. Philippe Parreno & Rirkrit Tiravanija, Friedrich Petzel Gallery, New York, U.S.A. Galerie Chantal Crousel, Paris, France. 2006 Brychy Bar, Gavin Brown’s enterprise, New York, U.S.A. 10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Demonstration Drawings, 1301PE, Los Angeles, U.S.A. Philippe Parreno & Rirkrit Tiravanija, Friedrich Petzel Gallery, New York, U.S.A. Galerie Chantal Crousel, Paris, France. 2005 Untitled 2005 (Magazine Station No. 4), Neugerriemschneider, Berlin, Germany. Rirkrit Tiravanija, The Hugo Boss Prize 2004, Salomon R. Guggenheim Museum, New York, U.S.A. Une Rétrospective (tomorrow is another fine day), Serpentine Gallery, London, U.K. Une Rétrospective (tomorrow is another fine day), Musée d’Art Moderne de la Ville de Paris/ARC, Paris, France. 2004 Retrospective, Museum Boijmans van Beuningen, Rotterdam, The Netherlands. Nothing: A Retrospective, by Kamin Lertchaiprasert and Rirkrit Tiravanija, Chiang Mai University Museum & the land, Chiang Mai, Thailand. Gordon Matta-Clark – In the Belly of Anarchitect (with Pierre Huyghe & Pamela M. Lee), Portikus, Frankfurt am Main, Germany. Social Pudding, Rirkrit Tiravanija and Superflex, 1301PE, Los Angeles, U.S.A. 2003 Demo station no.4, Ikon Gallery, Birmingham, U.K. In the future everything will be chrome, with Nick Relph & Olivier Payne, Gavin Brown (Modern), New York, U.S.A. Social Pudding, Rirkrit Tiravanija and Superflex, Galerie für Zeitgenössische Kunst, Leipzig, Germany. 2002 Untitled, 2002, (He promised), Secession, Vienna, Austria. Untitled, 2002, (the raw and the cooked), City Opera Gallery, Tokyo, Japan. Untitled, (demo station no.3), Sumida River Project, Asahi Beer Co, Tokyo, Japan. Demonstration, Sumida River Project, Asahi Beer, Tokyo, Japan. oVerstation no. 2, Astrup Fearnley Museum of Modern Art, Oslo, Norway. 2001 The Land, Galerie Chantal Crousel, Paris, France. Rirkrit Tiravanija – Over Magazine, Oslo Kunsthall, Oslo, Norway. GAM, Turin, Italy. Untitled, 2001, (demo station no.3), Portikus, Frankfurt, Germany. Untitled, 2001, (no fire no ashes), Neugerriemschneider, Berlin, Germany. Untitled, 2001, (the two sons of Mönchengladbach), Städtisches Museum Abteiberg, Mönchengladbach, Germany. Rirkrit Tiravanija, (with Superflex), Kunstverein, Wolfsburg, Germany. Untitled, 2000, (demonstrate, use it when the grass is green), Galeria Salvador Diaz, Madrid, Spain. Passage Cosmo, Project Gallery, CCA Kitakyushu, Japan. Rirkrit Tiravanija, 1301 PE, Los Angeles, CA, U.S.A. Untitled, 2000, (bon voyage), Grazer Kunstverein, Graz, Austria. Untitled, 2000, (polyradiobucket), (with Lincoln Tobier), Avignon, France. Untitled 2000, oVERSTATION No. 2, Galleria Emi Fontana, Milan, Italy. Untitled 2000, oVER STATION No. 1, Gallery Side 2, Tokyo, Japan. 1999 Ruckus L.A. meets (Dom-Ino Effect), in collaboration with Lincoln Tobier, LACMA, Los Angeles, U.S.A. A Trailer for a Film (in progress for the past several years), 1301 PE, Los Angeles, U.S.A. Helga Maria Klosterfelde, Hamburg, Germany. Untitled 1999, Community Cinema for a Quiet Intersection (After Oldenburg), The Modern Institute, Glasgow, U.K. 10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Untitled, 1999, (mobile home), Fundacio « la Caixa », Barcelona, Spain. Untitled, 1999, (tomorrow can shut up and go away), Gavin Brown’s Enterprise, New York, U.S.A. Untitled, 1999, (reading from right to left), Wexner Center for the Arts, Columbus, Ohio, U.S.A. dAPERtutto, 48. Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy. Galerie Micheline Szwajcer, Antwerp, Belgium. 1998 Dom-Ino (une démonstration d’automne), Galerie Chantal Crousel, Paris, France. Untitled, 1998, Galerie Micheline Szwajcer, Antwerp, Belgium. Untitled,1998, (das soziale kapital), Migros Museum, Museum für Gegenwartskunst, Zürich, Switzerland. Untitled, 1998, (on the road with Jiew, Jeaw, Jieb, Sri and Moo), Philadelphia Museum of Art, Philadelphia, U.S.A. 1997 Untitled, 1997, (a demonstration by Faust as a sausage and Franz Biberkopf as a potato), Neugerriemschnelder, Berlin, Germany. Untiled ,1997, (playtime), Projects 58, MoMA, New York, U.S.A ; Williams College Museum of Art, Williamstown, U.S.A. Untitled, 1997, (the history of the struggle for the window), Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg, Germany. Untitled ,1997, (schupfnudein), Jan Winkelmann, Munich, Germany. Helga Maria Klosterfelde, Hamburg, Germany. 1996 Untitled, 1996, (loup, es-tu-là ?), Galleria Emi Fontana, Milan, Italy. Untitled, 1996, (traffic), Navin Gallery, Bangkok, Thailand. The Pool Room, Kunstverein in Hamburg, Hamburg, Germany. Untitled, 1996, (tomorrow is another day), Kölnischer Kunstverein, Köln, Germany. Untitled, 1996, (one revolution per minute), Le Consortium, Centre d’Art Contemporain, Dijon, France. Untitled, 1996, (rehearsal studio n° 6), Kunsthalle, St. Gallen, Switzerland. In/Out, (a collaboration with U of I and The Resource Center), Gallery 400 U of I, Circle Campus, Chicago, U.S.A. Stichting DeAppel, (with Renée Green), Amsterdam, The Netherlands. Cinéma liberté – bar lounge, Douglas Gordon Rirkrit Tiravanija, FRAC Languedoc-Roussillon, Montpellier, France. Untitled 1996 (rehearsal studio no. 6, Silent version), Spiral Garden, Tokyo, Japan. Stormer, Hamburg, Helga Maria Klosterfelde Editionen, Hamburg, Germany. 1995 Untitled, 1995, (tent), Architektenbüro Alsop & Störmer, Hamburg; Helga Maria Klosterfelde Edition, Hamburg, Germany. Untitled, 1995, (rrom baragap...to Reina Sofia), Kunsthalle Basel, Basel, Switzerland. Untitled, 1995, (still), 303 Gallery, New York, U.S.A. 1994 Andy Warhol / Rirkrit Tiravanija, Gavin Brown’s Enterprise, New York, U.S.A. Untitled, 1994, (meet tim & burkhard), Neugerriemschneider, Berlin, Germany. Untitled, 1993, (rucksack), 2.9.1994 Architektenbüro Alsop & Störmer, Hamburg, Germany ; Helga Maria Klosterfelde Edition, Hamburg, Germany. Untitled, 1994, (fear eats the soul), Friesenwall 116, Köln, Germany. Untitled, 1994, (beauty), Jack Hanley Gallery, San Francisco, U.S.A. Untitled 1994 (From Baragas…to Reina Sofia), Reina Sofia, Madrid, Spain. Untitled 1994 (angst essen seele a uf), Friesenwall
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  • Philippe Parreno Orchestrates Exhibition of Film, Sculpture, and Sound with Recitals by Pianist Mikhail Rudy in Park Avenue Armory’S Monumental Drill Hall This June

    Philippe Parreno Orchestrates Exhibition of Film, Sculpture, and Sound with Recitals by Pianist Mikhail Rudy in Park Avenue Armory’S Monumental Drill Hall This June

    Philippe Parreno Orchestrates Exhibition of Film, Sculpture, and Sound With Recitals by Pianist Mikhail Rudy In Park Avenue Armory’s Monumental Drill Hall this June Featuring newly commissioned work, exhibition marks the French artist’s first major New York show and largest project in the U.S. to date New York, NY—June 10, 2015—For his largest presentation in the U.S. to date, Philippe Parreno orchestrates a scripted series of events within the monumental interior of Park Avenue Armory’s Wade Thompson Drill Hall— transforming the traditional exhibition experience through an interplay of the artist’s films, sculptures, and the spectral presence of sound and light. H {N)Y P N(Y} OSIS (pronounced hypnosis) features recitals by pianist Mikhail Rudy and a soundscape designed by Nicolas Becker that respond to Parreno’s work and the Armory’s expansive 55,000-square-foot space. Choreographed together by Parreno, these works form an all encompassing and continuously evolving artistic composition of operatic proportions. On view at the Armory from June 11 through August 2, 2015, H {N)Y P N(Y} OSIS was commissioned by Park Avenue Armory for its 2015 season. The exhibition is co-curated by Hans-Ulrich Obrist and Alex Poots, with consulting curator Tom Eccles, and features set design by Randall Peacock. The exhibition is presented with support from the LUMA Foundation. “The Armory enables contemporary artists across genres to achieve their most ambitious visions, unconstrained by traditional settings. Philippe’s work in particular demands and thrives on this sort of creative freedom. His work radically redefines the exhibition ritual, transforming it from a series of individual works and experiences into a single unified event that interacts with and responds to our soaring drill hall,” said Rebecca Robertson, President and Executive Producer of Park Avenue Armory.