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Home , Hans Ulrich Obrist, Philippe Parreno, Rirkrit Tiravanija

Biography

Born in 1961 in , . Lives and works in New York (U.S.A.), Berlin (Germany) and Chiang Mai (Thailand).

EDUCATION

The Whitney Independent Studies Program, New York, U.S.A. The School of the Art Institute of Chicago, U.S.A. The Banff Center School of Fine Arts, Banff, Canada. The Ontario College of Art, Toronto, Canada.

SOLO EXHIBITIONS (SELECTION)

2021 Rirkrit Tiravanija, Reopening, Museum Dhondt-Dhaenens, Belgium.

2020 Rirkrit Tiravanija, untitled 2020 (once upon a time) (after ), Galerie Chantal Crousel, , .

2019 Fear Eats the Soul, Glenstone Museum, Maryland, USA. Tomorrow Is the Question, Centro Pecci, Prato, Italy. Who’s Afraid of Red, Yellow, and Green, Hirschhorn Smithsonian Museum, Washington DC, USA. Untitled (Billy Wilde doesn't drink green tea) 2019, Jane Hartsook Gallery, Greenwich house pottery, New York, U.S.A.

2018 DO WE DREAM UNDER THE SAME SKY, Hospitality: Searching for common ground, Luma Foundation, Arles, France. Ng Teng Fong Roof Garden Commission: Rirkrit Tiravanija, National Gallery Singapore, Singapore.

2017 Skip the bruising of the eskimos to the exquisite words vs. if I give you a penny you can give me a pair of scissors, Gavin Brown's enterprise - New York, U.S.A..

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] 2016 Mañana es la cuestión, Centre Culturel Néstor Kirchner, CCK, Buenos Aires, Argentina. Tomorrow is the question: Rirkrit Tiravanija, Stedelijk Museum, Amsterdam, The Netherlands. THE PAGAD, Galleria Massimo De Carlo, Milan, Italy.

2015 RIRKRIT TIRAVANIJA: UFO (UNIVERSAL FANTASTIC OCCUPATION), Plaza del Museo Jumex, Mexico D.F., Mexico. Rirkrit Tiravanija: Tomorrow is the question, Garage museum of , Moscow, Russia. untitled 2015 (run like hell), Galerie Chantal Crousel, Paris, France

2014 FOCUS: Rirkrit Tiravanija, Modern Art Museum of Fort Worth, Texas, U.S.A.

2013 Portraits, , , U.K. Untitled 2012 (passport to the middleworld), Gavin Brown's enterprise, New York, U.S.A.

2012 Gavin Brown, New York, U.S.A. Espace 13/16, , Paris, France Untitled 2012, Call Those years at No.17E London Terrace, Kurimanzutto, Mexico City, Mexico.

2011 Murder and Mayhem 2011, 1301PE, Los Angeles, U.S.A. Rirkrit Tiravanija, Gavin Brown, New York, U.S.A.

2010 Rirkrit Tiravanija Retrospective, , Bielefeld, Germany. Rikrit Tiravanija, Pilar Corrias Gallery, London, U.K. Ne travaillez jamais, Tang contemporary Art, Beijing, China. Galerie Chantal Crousel, Paris, France.

2009 Rirkrit Tiravanija: Less oil more courage. Kunsthalle Fridericianum, Kassel, Germany. The house the cat built, Salvador Diaz, Madrid, Spain. Reflection, New Yorkehaus, New York, U.S.A. A long march, CAC Centro de Arte Contemporaneo Malaga, Malaga, Spain.

2008 Rirkrit Tiravanija, magazine station no. 5, Artspace, New Zealand. Rirkrit Tiravanija and Neil Logan, Foster, You’re Dead, Galleria Emi Fontana, Milan, Italy. Palm Pavillion, Kurimanzutto Gallery, Mexico. Demonstration Drawings, The , New York, U.S.A.

2007 Untitled 1992 (Free), with Gordon Matta-Clark, David Zwirner, New York, U.S.A. & Rirkrit Tiravanija, Friedrich Petzel gallery, New York, U.S.A. Brychy Bar, Gavin Brown’s Enterprise, New York, USA. Demonstration Drawings, 1301PE, Los Angeles, U.S.A. Philippe Parreno & Rirkrit Tiravanija, Friedrich Petzel Gallery, New York, U.S.A. Galerie Chantal Crousel, Paris, France.

2006 Brychy Bar, Gavin Brown’s enterprise, New York, U.S.A.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Demonstration Drawings, 1301PE, Los Angeles, U.S.A. Philippe Parreno & Rirkrit Tiravanija, Friedrich Petzel Gallery, New York, U.S.A. Galerie Chantal Crousel, Paris, France.

2005 Untitled 2005 (Magazine Station No. 4), Neugerriemschneider, Berlin, Germany. Rirkrit Tiravanija, The 2004, Salomon R. Guggenheim Museum, New York, U.S.A. Une Rétrospective (tomorrow is another fine day), Serpentine Gallery, London, U.K. Une Rétrospective (tomorrow is another fine day), Musée d’Art Moderne de la Ville de Paris/ARC, Paris, France.

2004 Retrospective, Museum Boijmans van Beuningen, Rotterdam, The Netherlands. Nothing: A Retrospective, by Kamin Lertchaiprasert and Rirkrit Tiravanija, Chiang Mai University Museum & the land, Chiang Mai, Thailand. Gordon Matta-Clark – In the Belly of Anarchitect (with & Pamela M. Lee), Portikus, Frankfurt am Main, Germany. Social Pudding, Rirkrit Tiravanija and , 1301PE, Los Angeles, U.S.A.

2003 Demo station no.4, Ikon Gallery, Birmingham, U.K. In the future everything will be chrome, with Nick Relph & Olivier Payne, Gavin Brown (Modern), New York, U.S.A. Social Pudding, Rirkrit Tiravanija and Superflex, Galerie für Zeitgenössische Kunst, Leipzig, Germany.

2002 Untitled, 2002, (He promised), Secession, , Austria. Untitled, 2002, (the raw and the cooked), City Opera Gallery, Tokyo, Japan. Untitled, (demo station no.3), Sumida River Project, Asahi Beer Co, Tokyo, Japan. Demonstration, Sumida River Project, Asahi Beer, Tokyo, Japan. oVerstation no. 2, Astrup Fearnley , Oslo, Norway.

2001 The Land, Galerie Chantal Crousel, Paris, France. Rirkrit Tiravanija – Over Magazine, Oslo Kunsthall, Oslo, Norway. GAM, Turin, Italy. Untitled, 2001, (demo station no.3), Portikus, Frankfurt, Germany. Untitled, 2001, (no fire no ashes), Neugerriemschneider, Berlin, Germany. Untitled, 2001, (the two sons of Mönchengladbach), Städtisches Museum Abteiberg, Mönchengladbach, Germany. Rirkrit Tiravanija, (with Superflex), Kunstverein, Wolfsburg, Germany. Untitled, 2000, (demonstrate, use it when the grass is green), Galeria Salvador Diaz, Madrid, Spain. Passage Cosmo, Project Gallery, CCA Kitakyushu, Japan. Rirkrit Tiravanija, 1301 PE, Los Angeles, CA, U.S.A. Untitled, 2000, (bon voyage), Grazer Kunstverein, Graz, Austria. Untitled, 2000, (polyradiobucket), (with Lincoln Tobier), Avignon, France. Untitled 2000, oVERSTATION No. 2, Galleria Emi Fontana, Milan, Italy. Untitled 2000, oVER STATION No. 1, Gallery Side 2, Tokyo, Japan.

1999 Ruckus L.A. meets (Dom-Ino Effect), in collaboration with Lincoln Tobier, LACMA, Los Angeles, U.S.A. A Trailer for a Film (in progress for the past several years), 1301 PE, Los Angeles, U.S.A. Helga Maria Klosterfelde, Hamburg, Germany. Untitled 1999, Community Cinema for a Quiet Intersection (After Oldenburg), The Modern Institute, Glasgow, U.K.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Untitled, 1999, (mobile home), Fundacio « la Caixa », Barcelona, Spain. Untitled, 1999, (tomorrow can shut up and go away), Gavin Brown’s Enterprise, New York, U.S.A. Untitled, 1999, (reading from right to left), Wexner Center for the Arts, Columbus, Ohio, U.S.A. dAPERtutto, 48. Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy. Galerie Micheline Szwajcer, Antwerp, Belgium.

1998 Dom-Ino (une démonstration d’automne), Galerie Chantal Crousel, Paris, France. Untitled, 1998, Galerie Micheline Szwajcer, Antwerp, Belgium. Untitled,1998, (das soziale kapital), Migros Museum, Museum für Gegenwartskunst, Zürich, Switzerland. Untitled, 1998, (on the road with Jiew, Jeaw, Jieb, Sri and Moo), Philadelphia Museum of Art, Philadelphia, U.S.A.

1997 Untitled, 1997, (a demonstration by Faust as a sausage and Franz Biberkopf as a potato), Neugerriemschnelder, Berlin, Germany. Untiled ,1997, (playtime), Projects 58, MoMA, New York, U.S.A ; Williams College Museum of Art, Williamstown, U.S.A. Untitled, 1997, (the history of the struggle for the window), Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg, Germany. Untitled ,1997, (schupfnudein), Jan Winkelmann, Munich, Germany. Helga Maria Klosterfelde, Hamburg, Germany.

1996 Untitled, 1996, (loup, es-tu-là ?), Galleria Emi Fontana, Milan, Italy. Untitled, 1996, (), Navin Gallery, , Thailand. The Pool Room, Kunstverein in Hamburg, Hamburg, Germany. Untitled, 1996, (tomorrow is another day), Kölnischer Kunstverein, Köln, Germany. Untitled, 1996, (one revolution per minute), , Centre d’Art Contemporain, Dijon, France. Untitled, 1996, (rehearsal studio n° 6), Kunsthalle, St. Gallen, Switzerland. In/Out, (a collaboration with U of I and The Resource Center), Gallery 400 U of I, Circle Campus, Chicago, U.S.A. Stichting DeAppel, (with Renée Green), Amsterdam, The Netherlands. Cinéma liberté – bar lounge, Rirkrit Tiravanija, FRAC Languedoc-Roussillon, Montpellier, France. Untitled 1996 (rehearsal studio no. 6, Silent version), Spiral Garden, Tokyo, Japan. Stormer, Hamburg, Helga Maria Klosterfelde Editionen, Hamburg, Germany.

1995 Untitled, 1995, (tent), Architektenbüro Alsop & Störmer, Hamburg; Helga Maria Klosterfelde Edition, Hamburg, Germany. Untitled, 1995, (rrom baragap...to Reina Sofia), Kunsthalle Basel, Basel, Switzerland. Untitled, 1995, (still), , New York, U.S.A.

1994 Andy Warhol / Rirkrit Tiravanija, Gavin Brown’s Enterprise, New York, U.S.A. Untitled, 1994, (meet tim & burkhard), Neugerriemschneider, Berlin, Germany. Untitled, 1993, (rucksack), 2.9.1994 Architektenbüro Alsop & Störmer, Hamburg, Germany ; Helga Maria Klosterfelde Edition, Hamburg, Germany. Untitled, 1994, (fear eats the soul), Friesenwall 116, Köln, Germany. Untitled, 1994, (beauty), Jack Hanley Gallery, San Francisco, U.S.A. Untitled 1994 (From Baragas…to Reina Sofia), Reina Sofia, Madrid, Spain. Untitled 1994 (angst essen seele a uf), Friesenwall 116, Cologne, Germany.

1993

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Untitled, 1993, (live and eat, eat and die), Randolph Street Gallery, Chicago, U.S.A. Untitled 1993 (rucksack), 2.9.1994 Architektenbüro Alsop & Störmer, Hamburg, Germany.

1992 Untitled, 1992, (free), 303 Gallery, New York, U.S.A.

1990 Pad Thai, Project Room, Paula Allen Gallery, New York, U.S.A. Untitled, 1990, (blind), Randy Alexander Gallery, New York, U.S.A.

GROUP EXHIBITIONS (SELECTION)

2021 Face à Arcimboldo, Centre Pompidou Metz, Metz, France. K11 Art Collection showcase, K11 MUSEA, Hong Kong, China. Ice and Fire, The Kitchen, New York, U.S.A.

2020 Bangkok Art Biennale 2020 "Escape Routes", Bangkok Art Biennale, Bangkok, Thailand. curated by with Francesca Giacomelli, Triennale di Milano, Milan, Italy. From the Mundane World: He Art Museum Launch Exhibition, HE Art Museum, Foshan City, Guangdong Province, China. Ma cartographie : la collection Erling Kagge, Fondation Van Gogh, Arles, France. It's Urgent!, Luma Arles, Parc des Ateliers, Arles, France. Demain est la question, Galerie Chantal Crousel, Paris, France. Scènes dans une bulle de cristal — Seen in a crystal ball, Galerie Chantal Crousel, Paris, France.

2019 Traversées, curated by Kimsooja’s together with Emmanuelle de Montgazon & Emma Lavigne, Palais des ducs d'Aquitaine, Poitiers, France. We are the many: experiments in collectivity, Picacoteca do Estado, Sao Polo, . La strada. Dove si crea il mondo / The Street. Where the World Is Made, MAXXI, Rome, Italy. Untitled (Billy Wilder doesn’t drink green tea) 2019, Jane Hartsook Gallery at Greenwich house pottery, New York, USA. Tomorrow is the Question, ARoS Aarhus Kunstmuseum, Denmark. A Few Things I Cannot Leave Behind, CAC Genève, Geneva, Switzerland. La rue. Où le monde se crée, Mo.CO. La Panacée, Montpellier, France.

2018 untitled 2018 (the infinite dimensions of smallness), National Gallery, Singapore. Take Me (I'm yours), Villa Medici, Rome, Italy. THE STREET. Where the world is made, MAXXI Museum, Rome, Italy.

2017 Out of Sight! Art of the Senses, Albright-Knox art gallery, Buffalo, U.S.A. Take Me (I'm Yours), Pirelli HangarBicocca, Milan, Italy.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] I am you, you are too, , Minneapolis, U.S.A. Islands, Constellations & Galapagos, Yokohama Triennale 2017, Yokohama Museum of Art, Japan. Festuval, Karl’s perfect day, world premiere, FID Marseille, France. I <3 John Giorno, The Kitchen, New York, U.S.A. THE GARDEN – End of Times | The Present & The Future, ARoS Triennial, Aarhus, Denmark. The Times, The FLAG Art Foundation, New York, U.S.A. UNCLEBROTHER (I GO, YOU GO, GOOD TO GO), Hancock, New York, U.S.A. Socle du Monde Biennale 2017, Herning Museum of Contemporary Art, Denmark.

2016 Dreamlands: Immersive Cinema and Art, 1905 - 2016, Whitney Museum of American Art, NYC, U.S.A. The Development, Okayama Art Summit 2016, Japan. Hybridizing Earth, Discussing Multitude, Busan Biennale 2016, South Korea. Closed space exhibitions, Fribourg Kunsthalle, Switzerland. Mostyn, Wales, U.K. Current: LA WATER, LA's Public Art Biennial, Los Angeles, U.S.A. Gallery Weekend Berlin, Germany. Repetition, Boghossian Foundation - Villa Empain, Brussels, Belgium. Take Me (I'm Yours), Kunsthal Charlottenborg, Copenhagen, Denmark. FREDERICK KIESLER. Life Visions, MAK, Vienna, Austria. La collection Thea Westreich Wagner et Ethan Wagner, Centre George Pompidou, Paris, France. Ordinary / Extraordinary: The democratization of art or the will to change things, 20 Bienal de Arte Paiz, Guatemala. 13th Fellbach Small Sculpture Triennial 2016, Germany.

2015 I love John Giorno, Palais de Tokyo, Paris, France. Who interprets the world?, 21st century Museum of Contemporary Art, Kanazawa, Japan. Une brève histoire de l'avenir, Le Louvre, Paris, France Take me (I'm yours), cur. by Hans Ulrich Obrist, Christian Boltanski, Chiara Parisi, La Monnaie de Paris, Paris, France THE TELL-TALE HEART, Chi Art Space, Hong Kong. Sharjah Biennal 12 : The Past, the present, the possible, cur. by Eungie Joo and Ryan Inouye, Sharjah, U.A.E. Trouble in Paradise, Bundeskunsthalle Bonn, Germany. Untitled 2015 (demain est la question), as part of Un Nouveau festival 2015 : Air de jeu, Centre Pompidou, Paris, France. Art as a Verb, Flinders University Art Museum & City Gallery, Adelaide, Australia. All The World’s Futures, Arsenale - Central Pavilion, 56th , Italy. DO WE DREAM ABOUT THE SAME SKY, Art Basel, Switzerland.

2014 Abandoned futures, curated by Marti Peran, Fabra i coats, Barcelona, Spain. Art as a Verb, curated by Charlotte Day, Francis E. Parker and Patrice Sharkey, MUMA, Melbourne, Australia. Carte blanche Kurimanzutto, Mexico City, Galerie Patrick Seguin, Paris, France. Le Mouvement - Performing the City, Kunsthaus Centre PasquArt, Biel, Switzerland. Leeum 10th Anniversary exhibition: Beyond and between, curated by Hyesoo Woo, Samsung Museum of Art, Seoul, Korea. Time Travelers Chronicle (Doubt) : 2014 – 802,701 A.D., Singapore Tyler Print Institute, Singapore. VIVRE(S), Château du domaine départemental de Chamarande, France. Take Liberty!, curated by Andrea Kroksnes, National Museum of Norway, Oslo, Norway. Solaris Chronicles, LUMA Fondation, curated by , Hans Ulrich Obrist and Philippe Parreno, Atelier de la Mécanique, Parc des ateliers, Arles, France. 1984-1999. La Décennie, curated by Stéphanie Moisdon, Centre Pompidou-Metz, Metz, France.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Take it or Leave It : Institution, Image, Ideology, curated by Anne Ellegood and Johanna Burton, Hammer Museum, Los Angeles, U.S.A. INSERT 2014 : The Sharp Edge of the global Contemporary, Mati Ghar, New Dehli, India.

2013 30th Ljubljana Biennial of Graphic Arts, Ljubljana, Slovenia. Foreigners Everywhere, Jewish Museum, Moscow, Russia. Liberation Annlee, Ecole Supérieure des Beaux-Arts, Montpellier, France.

2012 9th Gwangju Biennal, Gwangju, Korea. Vers la lune en passant par la plage, Arènes d’Arles, Arles, France. La Triennale, Palais de Tokyo, Paris, France. Struktur&Organismus, Mühldorf (Wachau) Austria.

2011 untitled 2011 (el gusano), M Building, Miami, U.S.A. Distant Star/Estrella Distante, Regen Projects, Los Angeles, U.S.A. ; kurimanzutto, Mexico D.F., Mexico. The Spiral and the Square, Excersises in Translatability, Bonniers Konsthall, Stockholm, Sweden.

2010 Art of the 21st Century, Queensland Art Gallery, Brisbane, AustraliaSanctuary, LA Art Core, Los Angeles, U.S.A. The Last Newspaper, , New York, U.S.A. And So On, And So On, and So On..., Harris Lieberman Gallery, New York, U.S.A. Open Score Variations, CCS Bard, Annedale-on-Hudson, U.S.A. One Room, One Work, 1301PE, Los Angeles, U.S.A. Fisch Gräten Melkstand, Temporäre Kunsthalle Berlin, Germany. The Page, Kimmerich, New York, U.S.A. Post Document, XIV Biennale Internazionale di Scultura di Carrara, Carrara, Italy.

2009 De l’interprétation, Zoo Galerie, Nantes, France. II Tempo del Postino, Manchester International Festival, Manchester, U.K. The Social Critique: 1993-2005, Kalmar Konstmuseum, Sweden. Exhibition as school, Arte Contempo, Lisbon, Portugal. Reality Sandwiches, Artnews Projects, Berlin, Germany. Moral Imagination. Current Positions in Contemporary Art in the Face of Global Warming, Museum Morsbroich, Leverkusen, Germany. Mind the Step, 1301PE, New York, U.S.A. One Day Sculpture, Artspace, Auckland, New Zealand. Desenhos [drawings]: a-z, Museu da Cidade, Lisbon, Portugal. Re-Imagining Asia, The New Art Gallery Walsall, West Midlands, U.K. The Puppet Show, Contemporary Arts Museum, Houston, Texas, U.S.A. The House the Cat Built. Galería Salvador Diaz, Madrid, Spain. “It's fine as long as you draw but don't film” (Waltz with Bashir, 2008): An exhibition of drawings, Pilar Corrias Gallery, London, U.K. Brodno Sculpture Park, Museum of Modern Art in Warsaw, Poland. 1992009, D?Amelio Terras, New York, U.S.A. Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York, U.S.A.

2008

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] unitednationsplaza Mexico DF, Casa Refugio Citlaltepetl, Mexico. Pivot Point, defining MOCA’s collection, MOCA, Miami, U.S.A. Reykjavik Experiment Marathon, curated by Olafur Elisasson and Hans Ulrich Obrist, Reykjavik Art Museum, Iceland. The Greenroom: Reconsidering the Documentary and Contemporary Art, Hessel Museum of Art, CCS Bard, Annandale-on-Hudson, New York, U.S.A. Yokohama Triennale, Yokohama, Kanagawa, Japan. The Greenroom: Reconsidering the Documentary and Contemporary Art, curated by Maria Lind, CCS Bard Hessel Museum, New York, U.S.A. Out Now!, organized by Anton Vidokle, E-Flux, New York, U.S.A. theanyspacewhatever, curated by Solomon R. Guggenheim Museum, New York, U.S.A. Yokohama Triennial, Japan. The New York Conversations, a project by Nico Dockx, Anton Vidokle, and Rirkrit Tiravanija, E-flux, New York, U.S.A. Who's Afraid of Jasper Johns', conceived by Urs Fischer and Gavin Brown, Tony Shafrazi Gallery, New York, U.S.A. The Puppet Show, Santa Monica Museum of Art, U.S.A. Installations: Selection from the Guggenheim Collections, , Bilbao, Spain. Vertrautes Terrain – Aktuelle Kunst in und uber Deutschland, ZKM Center for Art and Media, Karlsruhe, Germany. From to Rebecca Horn: Works from the Contemporary Art Collection of the Federal Republic of Germany, Art and Exhibition Hall of the Federal Republic of Germany, Bonn, Germany. Glasgow International, Glasgow, Scotland. Re-Imagining Asia, Haus der Kulturen der Welt, Berlin, Germany. Art and Capital: Spiritual Odyssey, Gallery Loop, Korea. Servitude & Simulacre, Ce Soir, curated by Jordi Vidal, Paris, France.

2007 II Tempo del Postino, Manchester International Festival, Manchester, U.K. Airs De Paris, Centre Georges Pompidou, Paris, France. Art on Stage 1 An untitled concert, Theater Basel, Basel, Switzerland. Lucelia Award Show, Smithsonian American Art Museum, Washington, U.S.A. Words fail me, curated by Matthew Higgs, MOCAD, Museum of Contemporary Art Detroit, U.S.A. Lyon Biennale, selection of film, from SOC, Lyon, France. Sh Contemporary, Untitled 2007 (Behold your future), Shanghai, China. THE PLACE & THE PLATE, The Jim Thompson Art Center, the French Embassy in Thailand and Alliance Française Bangkok, Bangkok. Artists Space, New York, U.S.A. Queens museum, Queens, U.S.A. The last picture show, Friededrich Petzel Gallery, London, U.K. Trans(ient)city, Luxembourg. Sharjah Biennial, Sharjah, U.A.E. OCAD (Ontario College of Art & Design), Canada. all Hawaii eNtrees/luNar reGGa, Irish Museum of Modern Art, Dublin, Ireland. The Freak Show, Musée d’Art Contemporain de Lyon, France. New Economy, curated by Joao Ribas, Artist Space, New York, U.S.A. Someone else with my Fingerprints, Galerie Chantal Crousel, Paris, France.

2006 Satellite of Love, Witte de With, Rotterdam, Netherlands. Surprise, Surprise, Institute of Contemporary Arts, London, U.K. Haus am Waldsee. Ort internationaler Gegenwartskunst, ‘Anstoss Berlin – Kunst macht Welt’, Berlin, Germany. Infinite Painting, Villa Manin, Centro d’Arte Contemporanea, Italy. Again for tomorrow, Royal College of Art, London, U.K.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Tent. International Film Festival, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands. Mapping the studio, Stedelijk Museum, Amsterdam, The Netherlands. The Large Piece of Turf, Contemporary Art in the Public Domain, Nuremberg, Germany. Into Me/Out of Me, P.S. 1 contemporary art center, USA, KW Institute for Contemporary Art in Berlin, Germany. ‘25 x 25’, White Columns at Cereal art, curated by Matthew Higgs and Amie Scally, Philadelphia, U.S.A.

2005 Universal Experience: Art, Life & the Tourist’s eye, The Museum of Contemporary Art, Chicago, U.S.A. DOMICILE privé/public, Musée d’Art Moderne de Saint-Etienne Métropole, France. Lyon Biennal of Contemporary Art, Experiencing Duration, Lyon, France. Luna Park. Fantastic Art exhibition, Villa Manin, Passariano, Italy. FUSION. Aspects of Asian Culture in the MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Spain. Satellite of Love, Witte de With, Rotterdam, The Netherlands. Thank you for the Music, Sprüth Magers, Munich, Germany. Lichtkunst aus Kunstlicht, ZKM Karlsruhe, Germany. Räume und Schatten, Haus der Kulturen der Welt, Berlin, Germany. In the Middle of the Night. DieNeuerwerbungen seit 1996, Kunsthalle Bielefeld, Germany. Nach Rokytnik. The EVN Collection, MUMOK Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria. Dosenhos: A-Z (Drawings: A-Z), Porta 33, Funchal, IIha da Madira, Portugal. Looking at words, Andrea Rosen Gallery, New York, U.S.A. 36 x 27 x 10, White Cube Berlin im ehemaligen Palast der Republik ; Berlin, Germany. Early Work, White Columns, New York, U.S.A. Fantasia, the Second Guangzhou Triennial, Guangdong Museum of Art, Er-sha Island, Guangzhou, China. Post no bills, White Columns, New York, U.S.A. Nur hier ? (3), Hochschule für Grafik und Buchkunst, Leipzig, Germany. Drive. Cars in Contemporary Art, Galleria D’Arte Moderna, Bologna, Italy. Small: The Object in Film, Video & Slide Installation, Whitney Museum of American Art, New York, U.S.A. Utopia Station, Haus der Kunst, Munich, Germany. Gordon Matta-Clark - In The Belly Of Anarchitect, Portikus, Frankfurt, Germany. Dakar Biennial 2004, Dakar, Senegal. The Encounters in the 21st Century: PolyphoNew York – Emerging Resonances, 21st Century Museum of Modern Art, Kanazawa, Japan. 70/90 Engagierte Kunst, Neues Museum, Staatliches Museum für Kunst und Design in Nürnberg, Nürnberg, Germany. Social Capital, Whitney Museum of American Art Independant Study Program Exhibition, New York, U.S.A. ; cat.) Klütterkammer, ICA, London, U.K.. International 04, , Liverpool, U.K. e-flux video rental, e-flux, New York, U.S.A. Qualsiasi (TV), base, Florenz, Italy. Artists’ Favourites, ICA Galleries, London, U.K.

2003 The Fifth System: Public Art in the Age of “Post Planning”, the 5th Shenzhen International Public Art Exhibition, Shenzhen, China. Utopia Station, co-curator with and Hans-Ulrich Obrist, 50th International Art Biennial, Venice, Italy. Perfect Timeless Repetition, Alte Gerhardsen, Berlin, Germany. Writing Identity, Autobiography in Art, Galerie fûr Zeitgenössische Kunst, Leipzig, Germany. The Big Nothing, Institute, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, U.S.A. Werke aus der Sammlung Boros, Museum für neue Kunst, ZKM, Karlsruhe, Germany.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Elephant Juice (sexo entre amigos), Kurimanzutto, Mexico City, Mexico. 1969-2002, Museum for Contemporary Art MOCA, Los Angeles, U.S.A. Utopia Station – Poster Project, Haus der Kunst, München, Germany. Hands up, baby, hands up, Oldenburger Kunstverein, Oldenburg, Germany. Everyday, Kunstforeningen, Kopenhagen, Denmark. Actionbutton, Hamburger Bahnhof, Berlin, Germany. Love Planet, Benesse, Okayama, Japan. El aire es azul, Casa Museo Luis Barragan, Mexico City, Mexico. Social Capital, Whitney Museum Of American Art Independent Study Program Exhibition, New York, U.S.A. Identität schreiben, Autobiographie in der Kunst, Galerie für zeitgenössissche Kunst, Leipzig, Germany. Inaugural Group Exhibition, Gavin Brown’s enterprise, New York, U.S.A. Imperfect Marriages, Emi Fontana, Milan, Italy.

2002 ReProduction, Galerie Bernhard Knaus, Mannheim, Germany. En Route, Serpentine Gallery, London, U.K. No Ghost Just a Shell, Kunsthalle Zürich, Zürich, Switzerland. Neugerrimschneider, Berlin, Germany. Post-VCR-Art, The Tyneside Cinema, Newcastle Upon Tyne, U.K. Public Affairs. Von Beuys bis Zittel: Das Öffentliche in der Kunst, Kunsthaus Zürich, Zürich, Switzerland. 40 Jahre Fluxus und die Folgen, Nassauischer Kunstverein und Projektbüro des Stadtmuseums, Wiesbaden, Germany. Points of Departure II: Connecting with Contemporary Art, San Francisco Museum of Modern Art, San Francisco, U.S.A. Tutto normale, Villa Médicis, Roma, Italy. EACC, Castello, Spain. Comfort Zone, Fabric Work Shop, Philadelphia, U.S.A. The object sculpture, Henry Moore Foundation, Leeds, U.K. Void, Rice Gallery G2, Tokyo, Japan. To Eat or Not to Eat, Centro de Arte de Salamanca, Spain. Liverpool Biennial, Liverpool, U.K.

2001 Tirana Biennal 1, Tirana, Albania. The Beauty of Intimacy – Lens and Paper, Gemeentemuseums, Den Haag, NL; Staatlichen Kunsthalle Baden-Baden, Germany ; Kunstraum Innsbruck, Germany. Watou Poeziezomer, Watou, Belgium. Next Generation – Art contemporain d’Asie, curated by Michel Nurisda New York; Passage de Retz, Paris, France. Plug in – Einheit und Mobilität, Westfälisches Landesmuseum, Münster, Germany. Il dono – offerta ospitalità insidia; Palazzo delle Papesse, Centro d’Arte Contemporanea, Sienna, IGAM, Turin, Italy. 7th Internatinal Instanbul Biennial, Istanbul, Turkey. Yokohama Triennial 2001

1999 Kuns-Welten im Dialog, Museum Ludwig Köln, Germany. Blown Away, 6th International Caribbean Biennal, St. Kitts, Caribbean Islands. Rirkrit Tiravanija and Lincoln Tobier, Los Angeles County Museum of Art, U.S.A. Picnic, Museo de las artes, Universidad de Guadalajara, Mexico. Peace, Migros Museum, Zürich, Switzerland. Une histoire parmi d’autres, FRAC Nord Pas de Calais, Dunkerque, France. Moving Images-Film Reflexion in der Kunst, Galerie für Zeitgenössische Kunst, Leipzig, Germany. Ex-tension, Museum het Domain, Sittard, The Netherlands. Locally interested, Institute of Contemporary Art, Sofia, Bulgaria. DAPERTutto, 48, Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy. 1st Fukuoka Triennale, Fukuoka Asian Art Museum, Fukuoka, Japan.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Go away: artistes and travel, Royal College of Art, London, U.K. A Piece of Furnture…, Galerie Anselm Dreher, Berlin, Germany. Talk. Show. Die Kunst der Kommunikation in de 90er Jahren, Haus der Kunst, München; Von der Heydt- Museum Wuppertal, Wuppertal, Germany. Photography Salon, Elizabeth Cherry Contemporary Art, Tucson, AZ, U.S.A. Exploding Cinema, its installations, FROM/TO, International Film Festival Rotterdam / Witte de With, Rotterdam, The Netherlands. L’Envers du décor, Institut d’art contemporain, Villeurbanne, France. City on the move 4, Artspace 1%, Louisiana Museum of Modern Art, Copenhagen, Denmark. Changement d’Air, FRAC Nord-Pas-de-Calais, Villeneuve d’Ascq, France. AmAzonas, Villa Minimo, Hannover, Germany. Entre Excès et Retrait, FRAC Nord-Pas-de-Calais, Dunkerque, France. Economia ce Mercado, Galeria Kurimanzutto, Mexico City, Mexico. Konstruktionszeichnungen, Kunst-Werke, Berlin, Germany. Places to Stay #5 M(usic), Büro Friedrich, Berlin, Germany. Project Row Houses: Street Life (Round 11), curated by Jerôme Sans, Houston, U.S.A. Embedded Metaphor, curated by Nina Felshin, organized by ICI, New York, traveling exhibition (1996-1999), U.S.A.

1998 Dad’s Art, Neugerriemschneider, Berlin, Germany. 1994 untitled, 1994 (meeting&burkhard)brançusi, 1997, Grazer Kunstverein, Austria. Le procès de Pol Pot, Magasin Centre National d’Art Contemporain, Grenoble, France. Sydney Biennale, Sydney, Australia. , Berlin, Germany. Conversation Pieces, Zwinger Gelerie, Berlin, Germany. Crossings, National Gallery of Canada, Ottawa, Ontario, Canada. Dijon / Le Consortium, Centre Georges Pompidou, Paris, France. L’envers du décor, Musée d’art moderne, Lille, France. Propos mobiles, Paris X°, France. Mostrato, Fuori Uso ’98, Mercati Ortofrutticoli, Pescari, Italy (cat.); National Gallery of Canada, Ottawa, Ontario, Canada. Inside…Outside, Städtisches Museum Leverkusen. Schloß Morsbroich. ONTOM TM, Galerie für Zeitgenössische Kunst, Leipzig, Germany. KünstlerInnen. 40 Positionen zeitgenössischer internationaler Kunst in Videoportraits, in Zusammenarbeit mit dem Kunsthaus Bregenz / Künstlerhaus Bethanien, Berlin, Germany. Not Today, Gavin Brown’s enterprise, New York, U.S.A. Kunst und Papier auf dem Laufsteg, Deutsche Guggenheim Berlin, Germany. Deserted & Embraced, Goethe-Institute, Bangkok, Thailand. Cities on the Move, CAPC Bordeaux, France. Wounds: between democracy and redemption in contemporary art, Moderna Museet, Stockholm, Sweden. Leisure and Travel, Paula Cooper Gallery, New York, U.S.A. Dad’s Art, neugerriemschnungen, kunst-Werke, Berlin, Germany.

1997 Cities on the Move, Wiener Secession, Vienna, Austria. Enterprise, ICA, The Institute of Contemporary Art, Boston, U.S.A. Kunst…Arbeit, Südwest LB, Stuttgart, Germany. Deserted & Embraced, Chiang Mai, Thailand (cat.) ; Helga Maria Klosterfelde, Hamburg, Germany. Truce: Echoes of Art in an Age of Endless Conclusions, Site Santa Fe, Santa Fe, U.S.A. Medium of Exchange, Congress Centrum Hamburg, Confintea 1997, Hamburg, Germany. Letter and Event, Apex Art C.P., New York, U.S.A. Performance. Anxiety, MCA Chicago, MCA San Diego, U.S.A. Do it, Kunstverein Kreis Gütersloh e.V., Gütersloh, Germany.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Skulptur. projekte, Münster 97, Münster, Germany. A summer group show, Neugerriemschneider, Berlin, Germany. Wandstücke IV, Galerie Bob Van Orsouw, Zürich, Suisse (Switzerland). Campo 6, The Spiral Village, Bonnefantenmuseum, Maastricht, The Netherlands. Supastore De luxe, Up & Co, New York, U.S.A.

1996 Fiat, Stuttgart/Umbauram, Germany. a/drift, Curator Joshua Decter, Center of Curatorial Studies, Bard College, Annandale-on-Hudson, New York, U.S.A. Thinking Print, MoMA, New York, U.S.A. Kofferkunst, Lagerraum, Frankfurt am Main, Germany. Campo 6, II Villagion a Spirale, Fondazione Sandretto Re Rebaudengo per l’Arte, Galleria Civica d’Arte Moderna di Torino, Turin, Italy. Almost invisible / fast nichs, Umspannwerk Singen, curated by Jan Winkelmann, Singen/Hohentwiel, Germany. Alle neue, ACC Galerie, Weimar, Germany. Manifesta 1, Rotterdam, Netherlands. Join Me!, Spiral Garden, Tokyo, Japan. Oporto Festival, Oporto, Portugal. Vicinato, Air de Paris, Paris, France; Schipper & Krome, Köln, Germany. Kunst in der neuen Messe Leipzig, Leipzig, Germany. TRAFFIC, CAPC, Musée d’Art Contemporain, Bordeaux, France. Jan Winkelmann, AlleN eue, ACC Galerie, Weimar, Germany. In/Out, (a collaborative project with U of I and the Resource Center), Gallery 400, U of I, Circle Campus, Chicago, U.S.A.

1995 Gary Hume, Udomsal Krisanamis, Rirkrit Tiravanija, Gavin Brown’s enterprise, New York, U.S.A. Biennale d’Art Contemporain de Lyon, Lyon, France. The , The , Pittsburgh, U.S.A. Carsten Höller, Philippe Parreno, Rirkrit Tiravanija, Studio Guenzani, Milan, Italy. Kwangju Biennale, Kwangju, Korea. Rewind, curated by Eric Troncy, City Racing, London, U.K. Balloon Frame, Kunsthalle Basel, Switzerland. Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung Schürmann, Kunsthalle der Hypo - Kulturstiftung, Munich, Germany. Configura II: Dialog der Kulturen, Erfurt, Germany. The Moral Maze, Le Consortium, Centre d’Art Contemporain, Dijon, France. Nutopi, Rooseum, Malmö, Sweden. Shift, De Appel, Amsterdam, Netherlands. House in Time, Moderna Galerija Ljublijana, Slovenia. The , Whitney Museum, New York, U.S.A. Economies, (with Hans Accola), Walker Art Center, Minneapolis, MN, U.S.A. Africus, Johannesburg Biennale, Johannesburg, South Africa.

1994 Cocido y Crudo, (curated by Dan Cameron), Reina Sofia, Madrid, Spain. Der Stand der Dinge, Kölnischer Kunstverein, Köln, Germany. Lost Paradise, curator , Kunstraum, Vienne, Austria. Esprit d'Amusement, Kunstverein Graz, Austria. New reality mix, Högbergsgatan 18, Stockholm, Sweden. Multiple, Deichtorhallen Hamburg, Germany. Out Side the Frame, Contemporary Art Center, Cleveland, Ohio, U.S.A. SPNY, Galerie Camargo Vilaca, Sao Paulo, Brazil. Drawing on Sculpture, Cohen Gallery, New York, U.S.A. Residence Secondaire, Paris, France.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Untitled Group Show, curated by Friedrich Petzel, Metro Pictures, New York, U.S.A. Surface de Réparation, curated by Eric Troncy, Le Consortium, Centre d’Art Contemporain, Dijon, France. Camping, Galerie Jennifer Flay, Paris, France. Don’t Look Now, curated by Joshua Decter, Threadwaxing Space, New York, U.S.A. L’Hiver de l’Amour, Musée d’Art de la Ville de Paris, France; PS 1 Museum, Long Island City, New York, U.S.A. Art after collecting, curated by Rainer Ganahl, Philomene Magers, Köln, Germany. Untitled 1994 (Fear Eats the Soul), Galerie Esther Schipper, Koln, Germany; Long Island City, New York, U.S.A. Simply Made in America, Aldrich Museum of Contemporary Art, CT, U.S.A. Fever, Exit Art, New York, U.S.A. Kunstmuseum, Luzern, Switzerland.

1993 Viennese Stories, curated by Jerome Sans, Wiener Secession, Vienna, Austria. Real, Real, Wiener Secession, Vienna, Austria. Holly Solomon Gallery, New York, U.S.A. Backstage, Hamburger Kunstverein, Hamburg, Germany ; and Kunstmuseum, Luzern, Switzerland. Migrateurs, curated by Hans-Ulrich Obrist, Musée d’Art Moderne de la Ville de Paris, Paris, France. Real Time, curated by Gavin Brown, Institute of Contemporary Art, London, U.K. Jorge Pardo, Sarah Seager, Rirkrit Tiravanija, Lincoln Tobier, 1301, Santa Monica, U.S.A. Künstlerhaus Bethanien, organized by Tim Neuger, Berlin, Germany. Spielhölle, organized by Kaspar König and Robert Fleck, Grazer Kunstverein, Graz, Austria ; Galerie Sylvana Lorenz, Paris, France. Aperto, curator: M. Slotover, Biennale Venice, Venice, Italy. Sleepless Nights, curated by Zdenka Gabalova, PS1 Museum, Queens, New York, U.S.A. Galerie Max Hetzler, organized by Tim Neuger, Köln, Germany.

1992 Transgressions in the White Cube: Territorial Mapping, curated by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT, U.S.A. Writings on the Wall, 303 Gallery, New York, U.S.A. Home Improvements, curated by Gavin Brown, 209 W 97th St., Apt. 7B, New York, U.S.A. Consumed, Goethe Haus, New York, U.S.A. Insignificant, curated by Gavin Brown, 10 E 39th St., Suite 525, New York, U.S.A. One Leading to Another, 303 Gallery, New York, U.S.A.

1991 The Big Nothing or Le Presque Rien, The New Museum of Contemporary Art, New York, U.S.A. Brooklyn, Jack Tilton Gallery, New York, U.S.A. Wealth of Nations, Center for Contemporary Arts, Ujazdowski Castle, Varsaw, Poland. Dis Mantling Invisibility: Asian & Pacific Islander Artists Response to the AIDS Crisis, Art in General, New York, U.S.A. Shooters Hill, AC Project Room, New York, U.S.A. Arriving, Leonor Datil Perez Gallery, New York, U.S.A. Home?, Home for Contemporary Theater & Art, New York, U.S.A. True to Life, curated by Gavin Brown, 303 Gallery, New York, U.S.A. Fluxattitude, Hallwalls, Buffalo, NEW YORK; The New Museum for Contemporary Art, New York, U.S.A. Marginal Majority, (Artists Against Racial Prejudice), Arron Davis Hall, New York, U.S.A. The New Museum for Contemporary Art, New York, U.S.A.

1990 Post-Consumerism, The Storefront for Art & Architecture, New York, U.S.A. Work on Paper, Paula Allen Gallery, New York, U.S.A. 4th Annual Invitational, Cold City Gallery, Toronto, Canada.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected]

1989 Caught in a Revolving Door, The Alumni Association of the School of the Art Institute of Chicago, Chicago, IL, U.S.A. Outside the Clock: Beyond Good & Elvis, Scott Hanson Gallery, New York, U.S.A. Lotto as Metaphore, Hallwalls, Buffalo, New York, U.S.A.

COLLECTIONS (SELECTION)

Astrup Fearnley Musem of Modern Art, Oslo, Norway Bangkok Museum of Contemporary Art, Bangkok, Thailand Carnegie Museum of Arts, Pittsburgh, U.S.A. Fonds national d'art contemporain, France Fond régional d'art contemporain Languedoc-Roussillon, Montpellier, France Fondazione Sandretto Re Rebaudengo, Turin, Italy Fundacîon Tantica, Buenos Aires, Argentina Guggenheim Museum, New York, U.S.A. Inhotim Centro de Arte Contemporanea, Brumadinho, Brasil Le Consortium, Dijon, France Louisiana Museum for Moderne Kunst, Humlebæk, Denmark Migros Museum, Zurich, Switzerland Museo de Arte Contemporáneo de Castilla, León, Spain Museum of Contemporary Art, Los Angeles, U.S.A. Museum of Modern Art, New York, U.S.A. Berezdivin Collection, Puerto Rico K11, Hong Kong, Republic of China Neue Nationalgalerie, Berlin, Germany Saint Louis Art Museum, Saint Louis, U.S.A. Sammlung der BRD, Berlin, Germany San Francisco Museum of Modern Art, San Francisco, U.S.A. Tate, London, United Kingdom The Walker Art Center, Minneapolis, U.S.A. West LB, Stuttgart, Germany Baltimore Museum of Art, Baltimore, U.S.A

TALKS

2019 Conversation : Artist Talk, Hirshhorn Smithsonian Museum, Washington DC, USA. Making Social Spaces in Museums: Jori Finkel, Shinique Smith & Rirkrit Tiravanija, Hammer Museum, Los Angeles, U.S.A.. Talk, National Gallery Singapore, Singapore. Talk around the subject WE ARE MANY. ART, THE POLITICAL AND MULTIPLE TRUTHS., Verbier Art

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Sumit, Bagnes, Switzerland.

2018 Diversionary pleasures, Cooking performance at Impulse (b), Toronto, Canada. Do We Dream Under the Same Sky?, Chaos store, Tokyo, Japon.

2016 Bridge The Gap?, Museo d’arte contemporanea Villa Croce, Geneva Italie.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Rirkrit Tiravanija Bibliography

CATALOGS & BOOKS (SELECTION)

2020 Antto Melasniemi & Rirkrit Tiravanija, The Bastard Cookbook, Art Review Asia, The Theater of Object, Autumn 2019, p.93.

2019 Scènes dans une bulle de cristal — Seen in a crystal ball, Galerie Chantal Crousel, Paris, France. Jörn Schafaff, Rirkrit Tiravanija. SET, SZENARIO, SITUATION, Werke 1987 - 2005, Christian Posthofen, Cologne. Ng Teng Fong Roof Garden Commission: Rirkrit Tiravanija, National Gallery Singapore, Singapore.

2015 Whitney Handbook of the collection, Whitney Museum of American Art, New York. Rirkrit Tiravanija, Do not ever work, published by onestar press on the occasion of the 56th Venice Biennale, Edition limited to 250 numbered copies

2014 Rirkrit Tiravanija - Time Travellers Chronicle (Doubt): 2014 - 208, 207 A.D., Published by STPI, creative workshop and gallery in Singapore.

2010 Cook Book - Just Smile and Don't Talk, Edition River Books

2009 A long march. CAC Malaga Zwischenzonen, La coleccion JUMEX, México, Catalogue of the exhibition at the MUMOK Moderner Kunst Stiftung Ludwin Wien. Sémiocirque, Galerie Chantal Crousel, Paris, France.

2008 Yokohama Triennale. Time Crevassse

2007 Rirkrit Tiravanija, A Retrospective (Tomorrow is another fine day), Edition JRP / Ringier Best Artist Section, Rikrit Travanija, Five Elements, 07’Shcontemporary. Tang Contemporary Art

2006 Satellite of Love, Rotterdam: Witte de With Moulène, Claire. “The Land.” Art Contemporain et Lien Social. Coll. Imaginaire Mode d’Emploi, ed. Cercle d’Art.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Moulène, Claire. “Untitled (Mussel Pavilion, Antwerp), 1997.” Photo in Art Contemporain et Lien Social. Coll. Imaginaire Mode d’Emploi, ed. Cercle d’Art.

2005 Rirkrit Tiravanija, A Retrospective (tomorrow is another find day). London: Serpentine Gallery Rirkrit Tiravanija, Une Rétrospective (tomorrow is another fine day). Paris: Musée d’Art de la Ville de Paris/ARC Universal Experience: Art, Life & the Tourist’s eye. Chicago: MCA Chicago Expérience de la durée. Lyon: Biennale de Lyon, 2005. In the Middle of the Night. Die Neuerwerbungen seit 1996, hrsg. v. Thomas Kellein, Kunsthalle Bielefeld. Luna Park. Arte Fantastica. Passarina: Villa Manin, 2005. MUSAC. Museo De Arte Contemporaneo de Castilla y Leon, Coleccion, vol.1. Leon

2004 Centro de Arte Contemporanea Inhotim, Inhotim 2004. Tomorrow is Another fine Day. Rotterdam: Museum Boijmans van Beuningen, 2004. Hors d'œuvre: ordre et désordres de la nourriture, capcMusée d'art contemporain de Bordeaux, Bordeaux, France.

2003 Dreams and Conflicts, the Dictatorship of the Viewer. Venice: Venice Biennale, 2003.

2002 The Object Sculpture. Leeds: The Henry Moore Institute, 2002. Public Affairs. Zurich: Kunsthaus Zurich, 2002. 4free. Berlin: Büro Friedrich, 2002. Tutto normale. Rome: Villa Médicis, 2002. Secession. Verlag der Buchhandlung Walter König, 2002. Untitled, 2002 (the raw and the cooked). Tokyo: Tokyo Opera City Art Gallery, 2002. Passasjer / passenger. Astrup Fearnley Museet for Moderne Kunst, 2002. Passage Cosmo to Fishy Travels. CCA Kitakyushu, 2002. Ortrud Westheider, Plug-in. Westfälisches Landesmuseum Münster, 2002. Tirana Biennial 1. Tirana: 2002. The Beauty of Intimacy – Lens and Paper. Den Haag: Gemeentemuseums, 2002. Kunsthalle Baden-Baden, 2002. Rirkrit Tiravanija, demostation. Frankfurt am Main: Portikus, 2002. Finale Di Partita. Biagiotti Progetto Arte, 2002. What if. Art on the verge of architecture and design. Moderna Museet Stockholm, 2002. Projekte. Projects. Leipzig: Kunst in der Neue Messe, 2002. Artworkers. Ferens Art Gallery, Full; Oriel Mostyn Gallery, Liandudno; Newlyn Art Gallery, Penzance, 2002. Franz Ackermann/Rirkrit Tiravanija. RE public, Grazer Kunstverein, 2002. Continental Shift. Ludwig Forum Aachen; Bonnefantenmuseum Maastrich; Stadsgalerij Heerlen; Musée d’Art modern Liège, 2002. Peran, Marti, José Marin Medina, José Luis Brea, David Pérez, and Fernando Golvano. Where the grass is green, use it: DEMONSTRATE. Galerie Salvador Diaz, Fundacion Arq Art, 2002.

2001 Dziewior, Yilmaz, “Art Now,” Taschen, Koln, 2001. Baldon, Diana, “Ein/raümen in Hamburg”, Tema Celeste, January-February, 2001: p.116. Herbstreuth, Peter: Held der Arbeit; Der Tagesspiegel, 28. July 2001/Nr. 17480. Chapuis, Yvone; “L’Espace d’action Inconditionnelle,” 2001. Press Release, “Kunstverein Wolfsburg” March 9, 2001. Erickson, Karl; “The Free Spot”, In These Times, August 2001. Frangenberg, Frank; Frentzens welke Kranze, Suddeustche Zeitung, 26. June 2001,

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Nr. 144: p. 17.

2000 Stange, Raimar; “ein/raumen” in der Hamburg Kunsthalle; Das Kunstbulletin; Nr. 12/2000, p.36. Winter, Peter; Katzen, Kassen, Karl V; Frankfurter Allgemeine Zeitung, November 2000; Nr. 270, p. 54. Vergez, Juan; Review ARCO 2000: Elective Affinities; ARCO Noticias, September Nr. 18: p. 14. Franz Ackerman/ Rirkrit Tiravanija; Ausst. Kat. RE public; Grazer Kunstverein, October 2000: p. 63-65. Wolfs, Rein; The Sociale Capital Today; Art Land; Vol. 6, Nr.1, p. 5. Boers, Waling; Reality is a friend of mine, Interview with mit Rirkrit Tiravanija; material; Fruhling/Sommer 2000, Nr. 3, pp. 44-46. Continental Shift; Ausst. Kat. Ludwig Forum Aachen, D/ Bonnefantenmuseum Maastricht, NL/Stadsgalerij Heerlen NL/Musee d’Art modern Liege, B, 2000. Wittneven, Kathrin; Zeichne dich selbst; Der Tagesspiegel; 15. Juli 2000, Nr. 17111, S.32. Citytripping.com; ”Free Rent: Rirkrit Tiravanija’s Experiment in Living”, August 1 2000. Berwick, Carly; “While Some Live for Art, Others Live In It”, , August 1 2000. Lintzel, Aram; Liebst du much wirklich?; Frankfurter Allegemeine Zeitung; 14 July, Nr. 161, p. BS 6. Gardner, Belinda Grace; Verfuhrung des Blicks. Das Haus der Kunst, Munchen, Hamburg, p. 175. Memba, Javier; Okupas “yvagabundos acuden a cenar a una galeria de arte,” El Mundo, 14 February 2000. Murria, Alicia; Rirkrit Tiravanija; Revista Lapiz, Nr. 161, March 2000. Llorca, Pablo; Modelo de artista; El Periodico del Arte, February 2000, Nr. 30. Ririkrit Tiravanija. Arte publico. Antiquaria. Stange, Raimar; Rirkrit Tiravanija; Artist Kunstmagazin, Heft Nr. 42, January 2000: pp. 22-26. “The Art of Eating Curry”, Composite, Tokyo, No. 16, June 2000, Figaro Japon, No. 181, Ma y Spa, Tokyo, May 2000. Brutus, Tokyo, April 2000. Stange, Raimar, “Ein/raümen”, in der Hamburgen Kunsthalle; Das Kunstbulletin; No. 12, 2000.

1999 Une histoire parmi d’autres. FRAC Nord Pas de Calais, 1999. Harald Szeemann, Rirkrit Tiravanija, dAPERTutto, 48. Esposizione Internazionale d’Arte, Venice Biennale, 1999.

1998 Untitled, 1998 (on the road with Jiew, Jeaw, Jieb, Sri and Moo). Philadelphia: Philadelphia Museum of Art, 1998. Hanru, Hou, and Hans-Ulrich Obrist. Cities on The Move. Bordeaux: Secession and Capc, 1998. Catalogue for the 10th anniversary, Rooseum Center for Contemporary Art, 1998. KünstlerInnen. 50 Gespräche. Bregenz: Kunsthaus Bregenz, 1998. Continental Shift, Ludwig Forum für Internationale Kunst, Aachen, Germany, 1998. Locally Interested. Sofia: Institut of Contemporary Art, 1998.

1997 Steiner, Barbara. Rirkrit Tiravanija. Ludwigsburg: Kunstverein Ludwigsburg, 1997. Kunst…Arbeit. Stuttgart: Südwest LB, 1997. Walking Through Society. Nürnberg: Institut für moderne Kunst Nürnberg, Jahrbuch, 1997. Steiner, Rochelle (interview 1995). Art Recollection. Artist’s Interviews and Statements in the Nineties. 1997. Every day. 11th Biennale of Sydney, 1997.

1996 Untitled, 1996 (one revolution per minute). Dijon: Le Consortium, Centre d’Art Contemporain, 1996. Untitled, (tomorrow is another day). Kölnischer Kunstverein, Central Kunstpreise, 1996.

1995 Nutopi. Malmö: Rooseum, 1995. Shift. Amsterdam: De Appel, 1995.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Whitney Biennale. New York: Whitney Museum, 1995. Johannesburg Biennale. Johannesburg: 1995.

1994 Decter, Joshua. Don’t Look Now. New York: Threadwaxing Space, 1994. L’Hiver de L’Amour. Musée d’Art Moderne de la Ville de Paris, 1994. Surface de Réparations (curated by Eric Troncy). Dijon: Le Consortium, Centre d’Art Contemporain, 1994. Grunenberg, Christoph. Balloon Frame, Kunsthalle Basel, 1994.

1993 Simply Made in America. Aldrich Museum of Contemporary Art, 1993. Wealth of Nations. Warswa: Center for Contemporary Arts, Ujazdowski Castle, 1993. Sleepless Nights. New York: PS1 Museum, Queens, 1993. Aperto (curated by Matthew Slotover). Venice: Venice Biennale, 1993. Brown, Gavin, and Emma Dexter. Real Time. London: Institute of Contemporary Art, 1993. Backstage. Hamburg: Hamburger Kunstverein, 1993.

1992 Transgression in the White Cube: Territorial Mapping. Bennington: Usdan Gallery, Bennington College, 1992.

PRESS (SELECTION)

2021

Andrew Russeth, ‘Art x Food: How Artists Use Food to Cook Up New Work, ARTnews’, September 17, 2021. Rory Mitchell, "ARCOmadrid: Art Fair Highlights Ocula", July 7, 2021. Yamina Benaï, "La fête de Luma", Le Quotidien de l'Art, June 29, 2021, p. 9-11. "What's New", The Art Newspaper, March 10, 2021, p. 02. Gabriella Angeleti, "Lorna Simpson, Rirkrit Tiravanija and other artists donate works to benefit New York charities", The Art Newspaper, March 9, 2021. Sarah Wei, "From Central Eastern Europe to China: Q Contemporary in Hong Kong", Ocula, February 24, 2021. Anna Brady, "'The London art world we started in could fit in a single pub': Frieze turns 30", The Art Newspaper, February 3, 2021.

2020 Lillian Davies, «Rirkrit Tiravanija - Galerie Chantal Crousel», Artforum, Vol. 59, No. 3, December, 2020, p.187, 188. Paul Ardenne, «Rirkrit Tiravanija», Art Press, 10 October 2020. Boris Grebille, « La profondeur du doute -Un samedi en galeries à Paris», Témoignage Chrétien, Autumn 2020. «Taipei Biennial Announces 2020 Presentations and Public Programs», Hyperallergic, September 28, 2020. Guillaume Benoit, « Rirkrit Tiravanija — Galerie Chantal Crousel », Slash, 23 Septembre, 2020.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Raffaele Quattrone, « Rirkrit Tiravanija: la capacità di coinvolgere - Untitled 2020 (once upon a time) (after jasper johns) », Arte, 15 settembre 2020. « Rirkrit Tiravanija at Chantal Crousel », Contemporary Art Writing Daily, September 11, 2020. Jörn Schafaff, « Rirkrit Tiravanija, Emergent Magazine, Septembre 2020. Judith Benhamou-Huet , « Rirkrit Tiravanija: the new exhibition “featuring” , John Giorno, Jasper Johns and the shadow of Donald Trump», Judith Benhamou-Huet Report, September 2020. Gay Gassmann, « Inside an Effortlessly Cool Milan Apartment», Architecture Digest, August 11, 2020. « untitled 2020 (once upon a time) (after jasper johns), Rirkrit Tiravanija », Slash Paris, June 2020. « La France en Vrai - Aquitaine », France.tv, Monday, May 18, 2020. Lola Kramer, « Rirkrit Tiravanija », Apartamento #2, Spring/Summer 2020, p.64-83 Converso inaugura un progetto culturale con protagoniste le bandiere di Rirkrit Tiravanija, « Rirkrit Tiravanija, La Paura Mangia L'Anima», Vogue Italy, March 2, 2020. « La paura mangia l'anima - Rirkrit Tiravanija », Zero Milano, March 2020. « Da Converso Tiravanija inaugura un nuovo progetto con “La paura mangia l’anima”», Rivista Studio, March 2020. « Rirkrit Tiravanija alla Chiesa di San Paolo Converso a Milano », ATP Diary, March 3, 2020. Converso inaugura un progetto culturale con protagoniste le bandiere di Rirkrit Tiravanija, « Rirkrit Tiravanija, La Paura Mangia L'Anima», Vogue Italy, March 2, 2020. Kristine Roome, « “Fear Eats the Soul” – Rirkrit Tiravanija at Glenstone Museum», Artfuse, January 22, 2020. Sarah Cascone, « Famous Artists Share 10 Recipes for the Creative—and Delicious—Dishes That Are Getting Them Through Lockdown », Artnews, March 24, 2020 . Marco Arrigoni, « 30 Protagonisti dell'arte contemporanea. Selezionati alla maniera di Elle Decor », Elle Décor, March 12, 2020. « What's New », The Art Newspaper, May 2020, N° 499, p.2.

2019 Anne-Cécile Sanchez, « L'oeil des expositions régions. Poitiers Traversée par l'art », L'oeil #729, December, 2019. Alexandra Pauly, « 17 Must-See Attractions at Art Basel Miami 2019 », Hypebae, December 2, 2019. Daniela Ortega, « Art Basel Miami Beach ‘Conversations’ Returns December 5th with the Art Fair », Miami Beach Times, December 2, 2019. Paola Singer, « The San Juan Creatives Shaping Puerto Rico's Future », Conde Nast Traveler, November 13, 2019. « Traversées », e-flux, October 27, 2019. Max Lakin, « When is Free Lunch Art? », Garage, October 13, 2019. « 'Traversées' à découvrir dès samedi à Poitiers », La Nouvelle République, October 8, 2019. « Poitiers : le bambou s'invite au musée Sainte-Croix », La Nouvelle République, October 3, 2019. « Rirkrit Tiravanija serves Mexican food, anti-capitalist maxims in opulent Maryland museum », The Artnewspaper, October 1, 2019. Max Crosbie-Jones, « After the Academy: How Thai Contemporary Art Began », Frieze, September 30, 2019. « Traversées », e-flux, September 28, 2019. « Currying f(l)avor: have menu, will travel Julia Bernard on Rirkrit Tiravanija at the Hirshhorn, Museum and Sculpture Garden, Washington DC», TEXTE ZUR KUNST, September 18, 2019. Catherine Vanesse, « Que faire à Chiang Mai en saison des pluies ? », LePetitJournal.com, August 16, 2019. « Thai Artist dishes out communal curry at US museum », The Nation, May 18, 2019. Pat Padua, « 8 Exhibits to See (And Eat) in May », D Cist, April 30, 2019.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] 2018 Pic, Rafael, « Foires : Miami, la prime à la nouveauté », QDA, December 12, 2018. Dmitriev, Nikita, « Nuit Blanche 2018: oeuvre de charité au Pont Alexandre III à Paris », Le Figaro, October 7, 2018. Simon, Jade, « Nos 6 adresses préférées pour un week-end à Berlin », Vogue, September 21, 2018. Marie-Pierre Garrabos, « Au Parc des Ateliers, moments insolites à déguster », Arles info, July 21, 2018. Renault, Stéphane. « Les « must-see » de Bâle 2018 », Le Journal des Arts, June 12, 2018. Mery, Pauline. « 10 clés pour enfin comprendre quelque chose à l’art contemporain », Vl-media, May 30, 2018. Rudzate, Daiga. «He collects stories. An interview with Joseph Kouli, art collector », Arterritory, April 12, 2018. « ‘Ng Teng Fong Roof Garden Commission: Rirkrit Tiravanija’ at National Gallery Singapore », Blouinartinfo, April 3, 2018. Griffith, Carson. « 8 Beautiful Homes of *AD*’s Favorite Celebrity Couples », Architectural Digest, February 5, 2018. Phataranawik, Phatarawadee. «Thai contemporary art on top at Art Stage Singapore», The Nation, January 27, 2018. Nanda, Akshita. « Tea Fans Are Going To Love This Room On National Gallery’s Rooftop », Female Magazine, January 29, 2018. «A first look at Rirkrit Tiravanija’s ‘bamboo maze’ in Singapore», The Malaymail Online, Wednesday January 24, 2018. Lee, Reta. « Artist Rirkrit Tiravanija’s ‘Bamboo Maze’ in Singapore is your next instagram-worthy spot », Her World, January 25, 2018.

2017 Gasparina, Jill. « «Tout doit disparaître»: Quand les artistes font cadeau de leurs œuvres », Le Temps, December 30, 2017. Hanley, William. « Rirkrit Tiravanija and the Politics of Cooking », Surface, December 19, 2017. Dabkowski, Colin. « Art you can touch, taste and hear in new Albright-Knox show », Gusto, October 31, 2017. Azimi, Roxana. « De l’art d’être anti-Trump », Le Monde.fr, February 16, 2017.

2016 «Power 100», ArtReview, Volume 68, N°8, November 2016, p. 117. «Performance von Rirkrit Tiravanija», MAK, September 22, 2016. Lange, Christy. «1992. Rirkrit Tiravanija. untitled (free)», Frieze, 25th anniversary issue, NO.181, September 2016, p.118. “Le top 5 des expos de la semaine”. Les Inrocks, Friday, May 20, 2016. Photo Brian Cheung. The Land Foundation Fundraising Dinner by Rirkrit Tiravanija at The Pier Studios Chai Wan, Hong Kong.», Purple, March 30, 2016.

2015 «Power 100», Art Review, n° 8, vol. 67, November, 2015, pp. 119, 121, 142. Mark Rappolt. «Rirkrit Tiravanija. ‘Tomorrow is the Question’, 12 June-23 August», ArtReview Asia, n° 3, vol. 3, Autumn, 2015, p. 114. Anna Samson. « The Sky is falling, Tasty installations everywhere », Damn, September, 2015, N°52, pp. 222-225. Anaël Pigeat. « Rirkrit Tiravanija, Galerie Chantal Crousel/6juin - 18 juillet 2015 », artpress, September, 2015, N°425, p. 30. « Rirkrit Tiravanija - Galerie Chantal Crousel», NewsArtToday, July, 2015. The Editors of ARTnews. « Rirkrit Tiravanija’s First Commercial Kitchen Just Passed Its Health Inspection », Artnews.com, July, 23, 2015. Ivo Bonacorsi. « Run like hell », domusweb.it, July, 16, 2015. « De l’esthétique relationnelle », Art Media Agency, July, 9, 2015, N°210, pp.3-5.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Claire Moulène, « L’artiste Rirkrit Tiravanija fait revivre la légende du CBGB par ses “dirty bathrooms” », Les Inrocks, June, 23, 2015. Juliette Soulez. « Rirkrit Tiravanija, « Untiltled 2015, Chantal Crousel Paris », Inferno, June, 16, 2015. Frédéric Bonnet. « Rirkrit Tiravanija, ‘L’interaction avec le public m’a toujours intéressé’ », Le Journal des Arts, June 2015,N°438, p. 17. Ingrid Luquet-Gad, Claire Moulène. « Le Top 5 des expos de la semaine », Les Inrocks, June, 14, 2015. Brienne Walsh. « Top 5: More Summer Shows to See Around the World », huffingtonpost.com, June 25, 2015. Mehdi et Badrou, les Kids. «Vie Rapide S1E67», Arte Creative, June 24, 2015. Nicholas Forrest. «Rirkrit Tiravanija on His Hospitable Art Basel Intervention», BlouinArtinfo, June 16, 2015. «Do we dream the same sky», E-Flux, June 14 - 21, 2015. Judicaël Lavrador. « Tiravanija, le look CBGB », Libération, June, 9, 2015, N°10 500, p. 29. Frédéric Bonnet. «Festival Faites vos jeux!», Le Journal des Arts, n° 436, May 22 - June 4, 2015, p. 22. Von Anna Spohn. «Handlung, Teilnahme und Beteiligung», Kunstforum, n°231, February - March 2015, p. 74 -89. Julia Michalska, Jane Morris, Ermanno Rivetti, Pac Pobric. «In the Giardini: five to see in Okwui Enwezor’s All the World’s Futures», The art newspapee, May 5, 2015. Stephanie Bailey. «Great Expectations: Sharjah Biennial 12», Ocula, April 24, 2015. Anne Favier. «Artindex France 2015», Le Journal des Arts, n. 432, March 27 - April 9, 2015, pp. 20-24.

2014 Michael B.Dougherty. «Art for all», Art Basel, December, 2014, p. 82. Lee Woo-young. "Breathing life back into museums", The Korea Herald, September 1, 2014. Emmanuelle Lequeux. "Rirkrit Tiravanija", Le Quotidien de l'art, numéro spécial juin 2014, p. 28. Marilyn Goh. "Rirkrit Tiravanija : Time Travelers Chronicle (Doubt) : 2014-802, 701 A. D. at Singapore Tyler Print Institute, Dailyserving, June 18, 2014. «The accidental warehouse», Bangkok Post, February 5, 2014.

2013 Mark Rappolt. “Rirkrit Tiravanija”, Art Review Asia, November 2013. Hans Ulrich Obrist. “Rirkrit Tiravanija interviewed by Hans Ulrich Obrist”, Luma Foundation, September 12, 2013. Sarah Sze. “Thing Theories: Rirkrit Tiravanija talks with Sarah Sze about «Triple Point», 2013, her project for the United States pavilion at the 55th Venice Biennale. ”, Artforum, Summer 2013.

2012 Aude Launay. Rirkrit Tiravanija, Soup/No Soup, O2, N°62, summer 2012, p.69. Raimar Strange. “Portrait Rirkrit Tiravanija,” Spike, Spring 2012, p.60-71.

2011 Faye Hirsch. “Passport, Please.”, Art In America, n°6, June / July, 2011, pp. 79 - 83. Media Farzin. “Rirkrit Tiravanija’s “FEAR EATS THE SOUL” at Gavin Brown’s enterprise, New York”, art agenda.com NY, April 2011. Decter, Joshua, “Rirkrit Tiravanija, Gavin Brown’s enterprise”, Artforum, n°9, mai 2011, p 283. Lumi Tan, “Rirkrit Tiravanija, Gavin Brown’s enterprise, New York”, Frieze #140 July/August 2011.

2010 Lequeux, Emmanuelle, "Parcours recommandé au coeur de la Nuit Blanche parisienne", Le Monde, samedi 2 octobre 2010. Lewis, David, "Rirkrit Tiravanija, Galerie Chantal Crousel", Artforum, September 2010. Boulbès, Carole, "Rirkrit Tiravanija", Art Press, Septembre 2010. Paissan, Constanza, "Art and Food are never as we Imagine. Rirkrit Tiravanija", Cura Magazine, 2010.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Khazam, Rahma, "Rirkrit Tiravanija / Chantal Crousel", , Jul-Sept 2010. Lequeux, Emmanuelle, "Galeries: Rirkrit Tiravanija, Galerie Crousel", Le Monde, dimanhe 6- lundi 7 juin 2010. C.M, "Rirkrit Tiravanija", Modern Painters, April 2010.

2009 "Rirkrit Tiravanija", Art Review, November 2009. Galligan, Gregory. “Follow the screenplay.” Artasiapacific. May-Jun 2009. “In Another Country, in conversation with Rirkrit Tiravanija.” Artforum. Summer 2009. Buck, Louise. “The group show that takes to the stage.” The Art Newspaper Art Basel. 10 Jun. 2009. Bonami, Francesco, "Now Is For Ever... Again", Tate Etc, Spring 2009. Schwalb, Claudia, 3Rirkrit Tiravanija", Whitehot Magazine, February 2009. “Rirkrit Tiravanija.” Artecontexto Jan.-Mar. 2009. Carlson, Benjamin. “theanyspacewhatever.” Frieze Jan.-Feb. 2009. Lebowitz, Cathy, Review, Art in America, January, p. 108.

2008 Trezzi, Nicola. “Theanyspacewhatever.” Flash Art Oct. 2008. Sherwin, Skye. “Encounters of the third king: Rirkrit Tiravanija.” ArtReview Mar. 2008. J. Cohn, Don. “ANew Yorkang public art project: Out of thin air.” ArtAsiaPacific Mar.-Apr. 2008. Noé, Paola. “Rirkrit Tiravanija.” Artforum May 2008. “Cloth-Bound Exhibitions.” ArtAsiaPacific Mar.-Apr. 2008. Douglas, Sarah. “Dealers are using savvy showmanship to take the convention center out of art fairs.” Art+Auction Oct. 2008. Moisdon, Stéphanie. “New York: theaNew Yorkspacewhatever.” Artpress Oct. 2008. Porrero, Ricardo, “Activista del Intercambio,” Codigo, Dec/Jan 2008. Smith, Roberta, Review, The New York Times, December 12 2008. Madoff, Steven Henry, “Friends With Benefits,” Artforum.com, October 30 2008. Cotter, Holland, Review, The New York Times, September 18, 2008. Cohen, David, “The Conceptual Provocateur: Rirkrit Tiravanija,” New York Sun, Sept. 18, 2008. Noe, Paola, Critics? Picks, Artforum.com, May 2008. Browne, Alix, “Asian Fusion,” T Magazine, March 2008. Sherwin, Skye, “Encounters of the Third Kind,” ArtReview, March 2008, p. 40. Coulson, Amanda, “Consulting the Atlas,” Art on Paper, Jan/Feb 2008.

2007 Heinick, Von, Angelika. “Heute schon ein Klassiker.” FAZ.NET 29 Aug. 2007. Birnbaum, Daniel. “The Art of Education.” Artforum Summer 2007. Mertens, Brian. “Rirkrit Tiravanija Launches New Bangkok Venture.” ArtAsia Pacific Winter 2007. Picard, Charmaine. “California collectors out their art in a cave.” The Art Newspaper Oct. 2007. Bezzan, Cecilia. “Welcome to… …Rirkrit Tiravanija.” DITS 2007. “Culture Sphere: Mavericks and familiar faces at the Silpathorn Awards.” The Nation (Bangkok’s independant newspaper) 25 Aug. 2007. “Again for Tomorrow, curated by graduating students on MA Curating Contemporary Art.” 2006. Kopp, Céline. “Stories are Propaganda.” (on the installation created with Philippe Parreno at the Biennale de Lyon) 2005. “In the frame.” The Art Newspaper Oct. 2007. Drobnick, Jim. “Rirkrit Tiravanija.” Sketche 2007. Smith, Roberta. “Space Redefined in Chelsea.” The New York Times 13 Apr. 2007. Saltz, Jerry. “Conspicuous Consumption.” New York Magazine 14 May 2007. Merrily, Kerr. “Matta-Clark/Tiravanija.” Time Out New York 26 Apr.-2 May 2007. Orden, Abraham. “The Minute.” Artnet.com 6 Apr. 2007.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Lee, Carol. “Rirkrit Tiravanija and Gordon Matta-Cark United – And It Tastes So Good!” Papermag.com 23 Mar. 2007. Heinick, Angelika. “Heute schon ein Klassiker.” Frankfurter Allgemeine Zeitung 25 Aug. 2007.

2006 Spector, Nancy. “Retrospectives.” Frieze Jan.-Feb. 2006. Moulène, Claire. “Imaginaire mode d’emploi.” Art contemporain et lien social, The Land Thailande, Ed. Cercle d’Art, 2006. Morrison, Ian. “Love Fest.” Afterimage Mar.-Apr. 2006. “Palais de Tokyo: The Land foundation.” Paris-art.com 2006. Clampbell, Clayton. “Conceptual production in a time of war.” Contemporary 2006. Bourriaud, Nicolas. “La réaction esthétique ou la politique des raccourcis.” Art 21 Mar.-Apr. 2006 Colard, Jean-Max. “Passe-temps.” Les Inrockuptibles Feb. 2006. VISCHER, Bärbel. “Pariscope.” Art Magazine Mar. 2006. Cirauqui, Manuel. “The uncertainty of the context.” Lapiz 2006. Francblin, Catherine. “Rirkrit Tiravanija.” Artpress Apr. 2006. “Rirkrit Tiravanija.” Gogo Feb. 2006. CM. “Rirkrit Tiravanija.” Modern Painters Apr. 2006. Wecker, Frédéric and Benjamin Thorel. “Quand les usages deviennent forme de vie.” Art 21 Jan-Feb. 2006. Beausse, Pascal. “Rirkrit Tiravanija. ARC/MAM Couvent des Cordeliers.” Flash Art May-June 2006. Dirié, Clément. “Rirkrit Tiravnija.” paris-art.com 2006. Taubin, Amy. “Capture the Flag.” Artforum Mar. 2006. “New York: Whitney Biennial.” Contemporary 2006. Blom, Door Hugo. “Televisie, quo vadis?” VPRO Gids 27 Jan. 2006. McCormack, Christopher. “Previews, Biennale 2006 Highlights of media coverage.” Contemporary June 2006.

2005 Rouillé, André. “Une Rétrospective inversée.” paris-art.com Apr. 2005. Fox, Dan. “Welcome to the real world.” Frieze Apr. 2005. Cotter, Holland. “Work whose medium is indeed its message.” The New York Times 18 Mar. 2005. Griffin, Tim (moderated by). “Remote possibilities.” ArtForum Summer 2005. “Home base: Rirkrit Tiravanija.” Dazed and Confused July 2005. Morton, Tom. “Back : Various Venues, Lyon, France.” Frieze Nov.-Dec. 2005. “The only work The Art Newspaper can afford to buy.” The Art Newspaper (International Edition) 1 Dec. 2005. Morton, Tom. “Infinite Jester.” Frieze Oct. 2005. Pendle, George. “With its terrifying philosophical possibilitie, time travel is still the most excellent adventure.” Frieze Oct. 2005. Dagen, Philippe. “La Non-exposition de Rirkrit Tiravanija.” Le Monde 19 Feb. 2005. Moisdon, Stéphanie. “Rirkrit Tiravanija, artiste relationnel?” Beaux-Arts Mar. 2005. Wecker, Frédéric and Benjamin Thorel. “Quand les usages deviennent forme de vie.” Art 21 Jan.-Feb. 2005. Colard, Jean-Max. “Master at wok.” Les Inrockuptibles 9-15 Jan. 2005. Sennewald, Jens E.. “Von der Utopie zur Positionierung.” Kunstbulletin Mar. 2005. Laubard, Charlotte. “Rirkrit Tiravanija.” Flash Art May-June 2005. 2004 Miki, Akiko. “Arte asiatico hoy. Cambiando la mirada: de lo colectivo a lo individual.” Exit Express May 2004. McGee, John. “Art Review: Rirkrit Tiravanija and Raymond Pettibon.” Metropolis 18 June 2004.

2003 Cavallucci, Fabio. Work, Art in Progress Apr.-June 2003. Floriani, Giorgia. Work, Art in Progress Apr.-June 2003. Culpan, Laura Jane. Work, Art in Progress Apr.-June 2003. Tetsuya, Ozaki. Invitation June 2003. “Quote.” ArtReview July-Aug. 2003.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Stange, Raimar. Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins 2003. “The 80’s.” Artforum Mar. 2003. Wetterland, Elisabeth. “Utopie clignotante.” DITS Spring-Summer 2003. “6 demonstrations.” Il Giornale di San Gimignano (suplement) Dec. 2003. Gornik, Blake. “Rirkrit Tiravanija wins Smithsonian’s Lucelia Artist Award.” The Washington Post 9 Apr. 2003. “50e Biennale de Venise Entre Utopie (art) et Dictature (archi).” Archistorm June 2003.

2002 Ulrich Obrist, Hans. “Pierre Huyghe, Collaborating on utopia.” Flash Art July-Sep. 2002. “No Ghost, Just Shell.” Flash Art July-Sep. 2002. Schlaegel, Andreas. “Berlin.” Contemporary June-Aug. 2002. Colard, Jean-Max and Fabrice Bousteau. “Qu’est-ce que l’Art?” Beaux-Arts 2002. Volk, Gregory. “Report from Istanbul, Back to the Bosphorus.” Art in America Mar. 2002. Bourriaud, Nicolas. “L’art du Temps.” Beaux-Arts Jan. 2002. Dusini, Mathias. “Rirkrit Tiravanija.” Frieze Nov. 2002. “Next Generation – Art contemporain d’Asie.” Aden 5-11 Sep. 2002. Chapuis, Yvanne. “Rirkrit Tiravanija. L’Espace d’action inconditionnelle.” Parachute 2002. Frank Maes and Charlotte Bonduel interview . “Art as a social interstice.” Janus Autumn 2002. “Rikrit Tiravanija, Frame: The state of the art.” Mar.-Apr. 2002. Francblin, Catherine. “La jeune génération mise sur le jeu.” Beaux-arts Aug. 2002. “Enquête du service culture, Comment une nouvelle critique a bousculé la création des années 1990.” Le Monde 21 Jan. 2002.

2001 Nicolas Bourriaud. «Art as a social interstice», Janus, n° 9, Autumn, 2001, pp. 6 - 10. Pioselli, Alessandra. “Rirkrit Tiravanija@Emi Fontana.” Flash Art Jan.-Feb. 2001. “Plug-In, Westfälisches Landesmuseum Münster, La lettre de Cologne / Kunstbulletin des Bureau des Arts Plastiques.” AFAA Autumn 2001. “50 projects in 50 weeks, fig-1.” Tate: the Art Magazine June 2001. Chapuis, Yvane. “Rirkrit Tiravanija. L’Espace d’action inconditionnelle.” Parachute 2001.

2000 “Elective Affinities.” Noticias Arco Sep. 2000. Joyce, Julie. “Rirkrit Tiravanija and Lincoln Tobier.” art & text Nov.-Jan. 2000. Francblin, Catherine. “La jeune génération mise sur le jeu.” Beaux-Arts Aug. 2000.

1999 Ruckus. “L. A meets, Contemporary project.” At the Museum June 1999. Cohen, Véronique. “ça épate, les galeries.” Aden 25 Nov.-1 Dec. 1999. Chapuis, Y. and C.Wavelet. “Devine qui vient dîner?” Mouvement Dec.-Feb. 1999. Pinchbeck, Daniel. “Rirkrit Tiravanija.” Art Newspaper July 1999. Berwick, Carly. “While Some Live Art, Others Live in It.” The New York Tmes Aug. 1999. Saltz, Jerry. “Resident Alien.” Village Voice July 1999. “Remise en question de la notion d’auteur.” Rézo international Spring-Summer 1999. Flohic, Catherine and Eric Troncy. “Rirkrit Tiravanija.” Ninety 1999. Colard, Jean-Max. “Promotion canapé.” Les Inrockuptibles 28 Oct.-3 Nov. 1999. Lindgaard, Jade. “C’est exposé près de chez vous.” Aden 21-27 Oct. 1999. “Rirkrit Titavanija, Galerie Chantal Crousel.” Aden 16-22 Sep. 1999. Troncy, Eric. “Techno et Art.” Beaux-Arts Sep. 1999. Lind, Maria. “Copies Reflections. Models.” Index Jan. 1999. Nemeczek, Alfred. “Kunst als Dienstleinstung.” Art May 1999. Herbstreuth, Peter. “Rirkrit Tiravanija.” Kunstforum Apr.-June 1999. Smith, Roberta. “Finding Art in the Artifacts of the Masses.” The New York Times 1 Dec. 1999. Dziewior, Yilmaz. “Gastfreundlich. Rirkrit Tiravanija im Kölner Kunstverein.” Neue Bildende Kunst

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Feb.-Mar. 1999. Rimanelli, David. “A/Drift.” Artforum Feb. 1999. Lufty, Carol and Lynn Gumpert. “A lot to Digest.” Art News May 1999. “Review.” Time Out New York 24 Apr.-1 May 1999. von Hantelmann, Dorothea. “Faust und Biberkopf.” Zitty 1999. Dobrzynski, Judith. “A Popular Couple Charge Into the Future of Art, but in Opposite Directions.” The New York Times 2 Sep. 1999. “Skulpur. Projekte in Münster. Gemeinsame Suche nach der besten aller Welten.” ART June 1999. Fechner-Smarsly, Thomas. “Einbaukunst, Frankfurter Rundschau.” 7 July 1999. Hoffmann, Gabriele. “Kochkunst.” Kultur June 1999. Schacher, Marco. “Radieschen für die Statisten.” Stuttgarter Nachrichten 26 May 1999. Kisters, Jürgen. “Rirkrit Tiravanija, Ästhetik des Reisens.” Kunstforum Feb.-May 1999. Kisters, Jürgen. “Zum Feiern und Schlafen in den Kölner Kunstverein.” Kölner Stadtanzeiger 3 Jan. 1999. Herbstreuth, Peter. “Wie im Bild, so im Leben.” der Tagesspiegel 8 Mar. 1999.

1998 “Rirkrit Tiravanija.” Flash Art Summer 1998. Ammann, René. “Ririkrit Tiravanija.” ArtForum Nov. 1998. Troncy, Eric. “Oeuvre-bouffe.” Les Inrockuptibles 7-13 Oct. 1998.

1997 Lufty, Carol and Lynn Gumpert. “A lot to digest.” Art News May 1997.

1996 Tiravanija, Rirkrit. “Rirkrit Tiravanija talks with Peter Fischli and David Weiss.” Artforum Oct. 1996. “VN-kapi; Kunsthalle als interaktives Studio.” Vorarlberger Nachrichten 24 Dec. 1996. Blase, Christoph. “Die Beobachtung einer Teestube.” FAZ 19 Dec. 1996. Steiner, Juri. “Rehearsal Studio n° 6.” Neue Züricher Zeitung 13 Dec. 1996. Aukeman, Anastasia. “Small Budgets, Large Ambitions.” ArtNews (special issue) 1996. Thiele, Carmela. “Des Künstlers New Yorker Studio für Köln kopiert.” Art Nov. 1996. Badrutt Schoch, Ursula. “Möbel schleppen und reden.” St Galler Tagblatt 28 Nov. 1996. Mettler, Louis. “Ver-rücktes, Räume, Begegnungen.” Appenzeller Zeitung 23 Nov. 1996. Maurer, Simon. “Jam un Minestrone, buddhistisch.” Tagesanzeiger 27 Nov. 1996. Mettler, Louis. “Tiravanijas und Altenburgera “Sozialskulpturen” in der Kunsthalle: Dinge ver-rücken, Räumeschaffen, begegnen.” Die Ostschweiz 23 Nov. 1996. Volkart, Yvonne. “Kommunikation.” annabelle 1996. Strauss, Dorothea. “Let’s play together.” fön 1996. Wiensowski, Ingeborg. “Rirkrit Tiravanija.” Spiegel Extra Nov. 1996. Rohr-Bongard, Linde. “Kunstkompass.” Capital Nov. 1996. Kawai, Sumi. “Rirkrit Tiravanija.” BT June 1996. Hainley, Bruce. “Where Are We Going? And What Are we Doing? Rirkrit Tiravanija’s Art of Living.” Artforum Feb. 1996. Saltz, Jerry. “A Short History of Rirkrit Tiravanija.” Art in America Feb. 1996. Blomberg, Katja. “Hauptsache, es schmeckt.” FAZ 21 Feb. 1996.

1995 Lind, Maria. “Letter and Event, Parallel and Palindrome.” Paletten Apr. 1995. Melo, Alexandre. “Guess Who’s Coming to Dinner.” 1995. Gillick, Liam and Rirkrit Tiravanija. “Forget about the Ball and Get on with the Game.” Parkett 1995. Flood, Richard and Rochelle Steiner. “En Route.” Parkett 1995. Rohr-Bongard, Linde. “Kunstkompaß 95.” Capital Nov. 1995. Jones, Ronald. “Rirkrit Tiravanija an Andy Warhol.” Frieze Jan.-Feb. 1995.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] 1994 Herbstreuth, Peter. “Meet Tim & Burkhard.” Der Tagesspiegel 29 Oct. 1994. Föll, Heike. (interview) Ich brauche kein Atelier, zitty 1994. Foster, Hal. (interview) Feed 1994. Brown, Gavin. “Otherthings Elsewhere.” Flash Art Summer 1994. Schumacher, Rainald. “Köln Kritik.” Flash Art Summer 1994. Troncy, Eric. “It’ Alive!” Flash Art Summer 1994. Cameron, Dan. “Food for Thought.” Frieze 1994. Besson, Christian. “Surface de Reparation.” Flash Art May-June 1994. “Rirkrit Tiravanija, interview, documents.” Feb. 1994.

1993 Bonami, Francesco. “The Real Stuff (Dion, Grey, Joo, Pippin, Tiravanija).” Flash Art May-June 1993. Weitzer, Ludo. “The Accidental Tourist.” Flash Art Oct. 1993. Hixon, Kathrin. “Trouble in Paradise.” New Art Examiner Oct. 1993. Myoda, Paul. “Amateure der Genealogie.” Neue Bildende Kunst Feb. 1993. Fleck, Robert. “Spielhölle- Ästhetik und Gewalt.” Rogue 1993. Holmquist, Karl. “siksi.” The Nordic Art Review 1993. “Eating with Publicsfear, project for Publicsfear.” (volume 1) 1993. Myers, Terry. “Review.” Tema Celeste Winter 1993. Weil, Benjamin. “Ouverture.” Flash Art Jan.-Feb. 1993.

1992 Nesbitt, Lois. “Review.” Artforum Dec. 1992. Smith, Roberta. “The Gallery is the Message.” The New York Times 4 Oct. 1992.

1991 Hess, Elizabeth. “The White Rabbit (Among Other Alternatives).” The Village Voice 17 Dec. 1991. Heartney, Eleanor. “Review.” Art in America June 1991. Faust, Gretchen. “Review.” Arts Apr. 1991. Joseph, Regina. “Being in Nothingness.” The West Side Spirit 4 Feb. 1991.

1990 Deidre, Kelly. “Works Strange but True.” The Globe & Mail 17 Aug. 1990. Hume, Christopher. “Freeze Out.” Toronto Star 10 Aug. 1990. Faust, Gretchen. “Review.” Arts May 1990. Phora, Pia. “Review.” Contemporanea Feb. 1990. Hodkin, Carter. “Review.” Nike Magazine Jan. 1990.

1989 Kramer, Hilton. “Soho Show; Prestigious, maybe, but just more shopworn farce.” The New York Observer 31 July 1989. Smith, Roberta. “Review.” The New York Times 21 July 1989. Wallach, Amei. “The Young Turks’ Old Master.” New York Newsday 16 July 1989.

10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected]