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ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
Letter Re SB 50 (Senate Rules Cmtee)
P ACIFIC P ALISADES C OMMUNITY C OUNCIL January 18, 2020 California State Senate Rules Committee: Hon. Toni G. Atkins, Chair & Senate President pro Tempore [email protected] Hon. Scott Wilk, Vice-Chair [email protected] Hon. Patricia C. Bates [email protected] Hon. Bill Monning [email protected] Hon. Richard D. Roth [email protected] Re: Senate Bill 50 (Wiener); (tentative) hearing date January 22, 2020; OPPOSE as worded; request for amendment to include unambiguous exemption for all parcels in the VHFHSZ. Dear Committee Chair Atkins, Vice-Chair Wilk and members Bates, Monning and Roth: Pacific Palisades Community Council (PPCC) since 1973 has been the voice of the community and the most- based organization in Pacific Palisades – a community of about 25,000 located in the wildland-urban interface between the coast and the Santa Monica mountains within the City of Los Angeles (City). The community of Brentwood (also in the wildland-urban interface within the City) is adjacent and located to our east. PPCC is on record as strongly opposing SB 50. At the same time, we agree with the general goal of addressing the state’s affordable housing and climate challenges as well as the suggestion that lawmakers should “continue conversations” about how best to achieve this goal (as Senator Atkins recently expressed). However, the new amendments to SB 50 highlight one area of immediate and significant concern for Pacific Palisades, Brentwood, additional hillside areas of the City and other similarly-situated areas of the state (including many fire-prone communities within each of your own districts): Lack of VHFHSZ Exemption Pacific Palisades is located entirely within the Cal Fire Very High Fire Hazard Severity Zone (VHFHSZ), as is most of Brentwood. -
Modern Languages Videos Use the Find
Modern Languages Videos Use the Find function to search this list Alpine Fire Director: Fredi M. Murer with Thomas Nock, Johanna Lier, Dorothea Moritz, Rolf Illig. 1986, 115 minutes, Romani with English subtitles. Surrounded by the beauty of the Swiss Alps, a family lives in sparse isolation from society. This is the story of a deaf-mute son and his sister who tries to teach him and tame his bad temper. Both are frustrated and going through adolescence without the usual emotional support of the parents. And so they turn to each other with hauntingly strange and tragic events. LLC Library CALL NO. MLFR 002 Castle: The Story of Its Construction – with book. With book. David MaCaulay. 1983, 60 minutes, English. LLC Library CALL NO. MLGP 029 Cathedral: The Story of Its Construction – with book. David MaCaulay: 1985, 60 minutes, English. LLC Library CALL NO. MLGP 030 Divine Renewal of Ise Shrine, The 198?, 60 minutes. Describes the ceremonies and rituals associated with the 60th reconstruction, moving, and dedication of the Grand Shrine of Ise in October, 1973. JCU Library CALL NO. BL2224.6.D58 Program 03&04 Program 03 Caravans of Gold. Program 04 Kings and Cities. LLC Library CALL NO. MLAF 002 Videos about Africa Cultural Comparisons La France, la Mauritania, et la Côte d’Ivoire LLC Library CALL NO. MLAF 007 Program 01&02 Program 01 Different But Equal. Program 02 Mastering a Continent. LLC Library CALL NO. MLAF 001 Program 05&06 Program 05 The Bible and the Gun. Program 06 This Magnificent African Cake. LLC Library CALL NO. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
California Wildfires 11.1.19 Update
California Wildfires 11.1.19 Update Risk Services Division 1 November, 2019 Legal Notice All consulting services performed by HUB are advisory in nature. All resultant reports are based upon conditions and practices observed by HUB and information supplied by the client. Any such reports may not identify or contemplate all unsafe conditions and practices; others may exist. HUB does not imply, guarantee or warrant the safety of any of the client’s properties or operations or that the client or any such properties or operations are in compliance with all federal, state or local laws, codes, statutes, ordinances, standards or recommendations. All decisions in connection with the implementation, if any, of any of HUB’s advice or recommendations shall be the sole responsibility of, and made by, the client.The advice and recommendations submitted in this plan constitute neither a warranty of future results nor an assurance against risk. This material represents the best judgment of HUB and is based on information obtained from both open and closed sources. HUB Risk Services Sensitive 1 November 2019 California Wildfires For Official Use Only 12:00 PT California Wildfires Status at (12:00 PT) 1 November 2019 . Kincade Fire, Sonoma County: 77,758 acres, 68% contained . Maria Fire, Ventura County: 8730 acres, 0% contained . Easy Fire, Los Angeles County: 1860 acres, 80% contained . Getty Fire, Los Angeles County: 745 acres, 66% contained . 46 Fire, Riverside County: 300acres, 70% contained . Hillside Fire: San Bernardino County: 200 acres, 50% contained . Pacific Gas & Electric reports power restored to “essentially all” residences and businesses that lost power in effort to prevent additional wildfires Sensitive Page 2 of 15 For Official Use Only HUB Risk Services Sensitive 1 November 2019 California Wildfires For Official Use Only 12:00 PT Summary As of 12:00 PT (20:00 UTC), thirteen fires are active across the state of California. -
2020 – 2021 Lake County Civil Grand Jury Final Report
2020 – 2021 Lake County Civil Grand Jury Final Report Art Work: The paintings throughout this report are from one of our own Grand Jurors – Mr. John Portner. After a career in the urban portions of the Bay Area, John retired to Lake County where the landscapes he sees daily join with faraway scenes imagined to create a wondrous and beautiful look at the world. These paintings herein represent only a small fraction of John’s large portfolio. We hope you are as inspired by John’s talent and artistry as we are. We thank him for sharing it. 2 Table of Contents Introduction Letter from the Presiding Judge ……………………...7 Letter from the Foreman of the Grand Jury .................9 Letter from the Foreperson to the Public ……..….....11 Grand Jury History and Organization................................................................13 Grand Jury Functions…………..................................15 Final Report and Submission of Complaints .............15 Grand Juror Selection Process and Qualifications .....16 Responses to Findings and Recommendations...........17 2020-2021 Laker County Grand Jury Roster .............19 Accolades ……………………………………...……21 3 4 Final Reports Potential Financial Improprieties and Resultant Actions /Improvements Middletown Unified School District..25 COVID-19 Mandate Ordinance …..............................31 Public Safety - Evacuations…………………...……..39 Wastewater - Getting It Right …………………...…57 No-Bid Contracts.........................................................69 Lake County Needs Its Own Community Mental Health -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
P Acific P Alisades C Ommunity C Ouncil
P ACIFIC P A L I SADES C O M MUN I TY C O UNCIL July 12, 2021 Matt Szabo, City Administrative Officer (CAO) Yolanda Chavez, Assistant CAO (overseeing the subject feasibility study) Via email and submission to City Clerk filing portal Re: Council File 21-0350; CAO Feasibility Study – Use of Will Rogers State Beach (WRSB) Parking Lot for Homeless Housing / Factors Demonstrating Infeasibility Dear Mr. Szabo and Ms. Chavez: Supplementing our letters to the CAO of June 10 and June 17, 2021,1 Pacific Palisades Community Council (PPCC) brings to your attention yet another wildfire that started in brush along PCH after midnight on July 9 and spread to the Tuna Canyon area of Malibu, near Pacific Palisades and other communities in the region of the Santa Monica Mountains: https://abc7.com/malibu-brush-fire-tuna-canyon-road-pch-heat-wave/10873892/. As was the case with the catastrophic Woolsey Fire in November 2018, the massive Palisades Fire in May 2021 and the multi-jurisdictional hillside/encampment task force initiative in June 2021, we understand that the WRSB parking lot was used by fire agencies for staging and command during the recent Tuna Canyon fire. Water-dropping helicopters could be heard by residents of Pacific Palisades, including some of the undersigned, throughout the incident. The entire region – including the communities of Malibu, Topanga Canyon and Pacific Palisades, the larger Las Virgenes area and extensive, sensitive state and federal parkland (within the MRCA and SMMNRA) in the Santa Monica Mountains – was under potential threat. The use of the WRSB lot was critical during all of these events and remains critical due to the continuous threat of devastating wildfires. -
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6. -
Will Geer's Theatricum Botanicum Study Guide
Will Geer’s Theatricum Botanicum Study Guide: Spring School Days 2016 Romeo and Juliet by William Shakespeare Adapted by Ellen Geer Will Geer’s Theatricum Botanicum P.O. Box 1222, Topanga CA 90290 Office 310-455-2322 * www.theatricum.com Will Geer Theatricum Botanicum’s production of Romeo and Juliet is part of Shakespeare in American Communities, a national © 2016 The Will Geer Theatricum Botanicum theater initiative sponsored by the National Endowment for the Arts in cooperation with Arts Midwest. School Days Spring 2016 Romeo and Juliet Table of Contents Preface – how to use this study guide ................................................... 3 Program Overview ............................................................................... 4-5 Romeo and Juliet (includes some Content Cross-over: Social Science) Historical and Cultural Context ..................................................................................... 6-12 Romeo and Juliet..........................................................................................6 Israel (includes map of the region) .......................................................... 7-8 Palestine ................................................................................................. 9-10 Arab-Israeli Wars and Modern Conflict .............................................. 10-12 Ancient and Modern timelines ...................................................................12 Character Breakdown (traditional and Theatricum production) ........................................13