ELAC-Milestone-2013.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

ELAC-Milestone-2013.Pdf milestone: 2013 Ⅲ EAST LOS ANGELES COLLEGE ANGELES LOS EAST milestone: 2013 COVER ILLUSTRATIONS: Saul Auilera, Oxymoron (BACK); Elmer Guevara, Phobia (FRONT) EAST LOS ANGELES COLLEGE Milestone Cover 2013.indd 1 11/7/13 3:18 PM milestone: 2013 1 milestone: 2013 EAST LOS ANGELES COLLEGE Monterey Park, California Milestone2013.indd 1 11/8/13 8:50 AM 2 EAST LOS ANGELES COLLEGE milestone: 2013 Editors Joan Goldsmith Gurfield, Dolores Carlos, Alexis Solis Selection Staff College Literary Magazine Editing Class of Spring 2013 (English 32) and a panel of editors Book Design Patricia Heckman Cover Artwork Saul Auilera Elmer Student Artwork Saul Aguilera, Armando Bobadilla, Jessica Daveata, Elmer Guevara, Gabby Nunez, Christian Gonzalez, Jackie Gonzalez, Victoria Jimenez, David Lim, Kris Murillo, Rene Pacheco, Teresita Vasquez, Vivian Phu, William Situ East Los Angeles College 1301 Avenida Cesar Chavez Monterey Park, California 91754 Milestone is published by the East Los Angeles College English Department. Material is solicited from students of the college. Milestone2013.indd 2 11/8/13 8:50 AM milestone: 2013 3 Table of Contentsi Editors’ Note . 5 Jasmin Acosta Las Mujeres . 6 Efrens Acunes Dream Me This. 13 Raul Aguilar Night Artist . 14 Carla Calderon No Quiero . 15 Shenton Bedgood Delusional Love . 17 Carla Calderon The Lakes of Our Fathers Were not Like the Others . 21 Delfino Camacho The Baseball . 22 From 151st to 152nd . 24 Jazmin Dizon I Can’t Remember . 25 Cindy Garcia Snow White . 26 Jackie Gradilla The Complimentary Bandit. 27 Damien Guzman The Ghetto . 32 Justin Jacobo The Fail of Gain . 33 Elmast Kozolyan Children of the Moon . 34 Sandra Lazo Llamas Wine & Dine . 35 Backyard BBQ’s . 36 Warrior . 37 Erik Luna I Am an Idiot . 38 Jenny Luu Friend to the End . 39 Bryant Mejia Life of a Dream . 40 Matthew Mejia As Paint . 41 Of Raindrops . 43 Matthew Nava The Hare’s Revenge . 46 Kerplunk’d . 47 Ehecatl Negrete Falling Hair . 58 Julianne Obregon Transition . 50 Dejah Sandoval Humming . 51 Traci Tarnowski Eltit on . 52 Genevieve Velez The Wait . 54 Andrea Villa Amor /Love . 56 Vivid Past. 57 Reclaiming Herself . 69 Qi Zhang Silence . 62 Angelica Zavala Visiting the Past . 64 Contributors . 66 Milestone2013.indd 3 11/8/13 8:50 AM 4 EAST LOS ANGELES COLLEGE VICTORIA, Trompe L’oeil Milestone2013.indd 4 11/8/13 8:50 AM milestone: 2013 5 Editors’ Noten ELCOME TO MILESTONE 2013! We are proud to present Wsome of the best works by students of all levels here at ELAC. These great works come from a variety of sources, including our Creative Writing classes, which are offered every semester. (Some of the students thank their teacher, in the contributors’ notes, at the end of this journal.) Sometimes, individual students are inspired to write a poem, a story, a dream, or they may take ideas from a journal or diary entry. Similarly, art students who are represented here produce great works in their classes, and some have been inspired to go further on their own. Remember that many famous writers and artists did not receive acceptance on their first tries at submission. If that happened to you, don’t be discouraged. Keep writing, drawing, painting, and keep submitting to literary journals like Milestone. For next year’s issue, we are setting up a Dropbox account, to make the submission process easier. You will need to have all your contact information on each piece you submit, or it will be disqualified. That information consists of: your name, your email, your address, your phone number. See upcoming flyers for details of when and how to submit your work. Special thanks to Joshua Castro for his efforts to help us archive past issues of Milestone, and to get us on Figment and other new media. Keep writing! — Joan Goldsmith Gurfield, Dolores Carlos, and Alexis Solis with help from the creative writing and editing a literary journal classes taught by Susn Suntree and Alexis Solis Milestone2013.indd 5 11/8/13 8:50 AM 6 EAST LOS ANGELES COLLEGE Las Mujeresn by Jasmin Acosta T HAS KILLED THE MEN. We all thought we were safe Ibut the worst happened. Our little pueblo was struck by a famine that killed all the livestock. It had no choice but to feast on us. No one thought this to be possible, after all, the myths and legends explained as much. But then again, no one had seen it this close before. You too might have heard of it. It’s known throughout the lands but it never attacked the people. It only attacked the goats and other livestock. Until now. The Chupacabra wasn’t attacking out of sport but for survival. Maybe if we would have been prepared the outcome would have been different. But who can prepare for such a thing? The men did their best, but without organization it was useless. We women are left. Widows with children. We’ll do anything to protect our hijos and hijas from the Chupacabra. I will never forget that frightening night. The night my husband was taken from me. We had just finished eating the little food we had left and were sitting around a small fire. My husband, Manuel, had just added a chimney to our aldea, a commodity in our pueblo. I was knitting on a rocking chair Manuel had made for me, while he was carving away at a piece of wood with his favorite rusty knife. Manuel was good with his hands; in fact, he had built not only our aldea but all the pieces of furniture that adorned it. He wasn’t a handsome man, but he was a hard worker and had always treated me with respect. While I sat there, I remember looking at him and thinking back to when he asked my padre for my hand in marriage. I had many suitors back then, all of whom were handsome and made more money than poor, average, Manuel. None had won my heart like him, though. The others would bring me flowers and expensive things. They would brag on and on about their horses, their guns, and the putasos they gave Jose at the local cantina. All that machismo gave me a headache. Manuel, on the other hand, had little money. He would carve beautiful wooden horses for me. When we were Milestone2013.indd 6 11/8/13 8:50 AM milestone: 2013 7 alone together, he would ask about my day and actually enjoyed just listening to me talk. While the others only cared for my looks, Manuel was the only one who wanted to get to know me. My father was a powerful man and wanted the best for me. When Manuel came to my father he stared at Manuel for a long while. I can only imagine what was going through his mind. My father finally spoke, “Many men have come asking for my daughter. They have offered me gold, stallions, and many beautiful things. What can you, a man who works with his hands to survive, offer me?” Manuel stood there, confused. He finally spoke, “I’m sorry, Don Juan, but I think you misunderstood me. I’m not here to offer you anything, sir. I am here because I love your daughter. I might not have much, but I will dedicate my life to making your daughter happy.” My father was never a sentimental fool. That was what women were for. He had grown up with men of privilege and knew their behavior well. He often regretted the way he treated my mother and didn’t want that for his daughter. Even though Manuel was considered to be below our station my father was impressed by him. He knew that his offer was something no other man could give me. Against our family’s wishes, he gave Manuel his blessing. What followed were the happiest years of my life. As I sat there reminiscing, I couldn’t believe how lucky I was. I might have left a life of privilege, but I found an even better one. A life filled with love. I then looked towards the fire where my little gift from heaven, Carlitos, sat with a poker in hand. He was mesmerized by the flames. Everything was eerily calm, when suddenly a loud bang was heard. All three of us sat there looking at each other. More shots were fired. By then, we were all standing up. Manuel headed towards the small window by the kitchen and looked out. It was too dark to see anything but the small flashes of gunfire. They seemed to be coming from the edge of the pueblo. “What is going on?” I asked, trying to hide the fear in my voice for Carlitos’s sake. Manuel finally turned towards me. His light brown eyes eased Milestone2013.indd 7 11/8/13 8:50 AM 8 EAST LOS ANGELES COLLEGE some of my fears. “I’m not sure.” Just then, the shooting stopped and a blood curling scream filled the night. We could now hear men running out into the night. Frantic shooting followed. Manuel grabbed the rifle hanging on the wall and turned towards me. “Take Carlitos and go down the crawl space under the bedroom. Don’t come out until I tell you to.” I nodded, not able to speak. He saw the fear in our eyes. He kissed Carlitos on the forehead and me on the lips. “Don’t worry. Everything’s going to be okay.” He had so much confidence and love in his eyes that I couldn’t help but believe him.
Recommended publications
  • Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
    Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust.
    [Show full text]
  • Access Your Digital Copy Here
    “Lainie Love Dalby, it has been powerful to read your essay in Sacred Body Wisdom, PRAISE with your story, passion and purpose. I have not read such honest, living, generative material in a long time. It definitely brought me deep into my own journey and his- tory. I connect with your story from my own experience of separation and disconnec- “I first met Z more than a decade ago at the 11th White Privilege Conference. tion within my body and it is so real and painful, I am just relieved you are speaking Although I had come to the conference to present, I was compelled to attend their your truth about it. I so respect and appreciate your stand for truth and authenticity. workshop for the title alone, “Freeing the body mind spirit from racism,” or some- Your words and expression are powerful medicine for the world.” thing like that. I wanted to know who at this conference was naming the body as a —R.M. site for social struggle and liberation. That was Zahava...The richness of ideas herein, forged in the laboratory of experience and relationship, could fill a whole book. They represent, a good map for the journey of dancing through and beyond “the culture of “As a man reading Eden’s journey I was in for a ride I didn’t expect. A master story whiteness.” It is clear to many that “the story of whiteness” is falling apart. Humanity teller, Eden courageously invites you into an intimate reflection of the reclamation will transform white culture in this generation or the next, or I fear, whiteness will of her sacred body wisdom.
    [Show full text]
  • Star Channels, May 20-26
    MAY 20 - 26, 2018 staradvertiser.com LEGAL EAGLES Sandra’s (Britt Robertson) confi dence is shaken when she defends a scientist accused of spying for the Chinese government in the season fi nale of For the People. Elsewhere, Adams (Jasmin Savoy Brown) receives a compelling offer. Chief Judge Nicholas Byrne (Vondie Curtis-Hall) presides over the Southern District of New York Federal Court in this legal drama, which wraps up a successful freshman season. Airing Tuesday, May 22, on ABC. WE’RE LOOKING FOR PEOPLE WHO HAVE SOMETHING TO SAY. Are you passionate about an issue? An event? A cause? ¶ũe^eh\Zga^eirhn[^a^Zk][r^fihp^kbg`rhnpbmama^mkZbgbg`%^jnbif^gm olelo.org Zg]Zbkmbf^rhng^^]mh`^mlmZkm^]'Begin now at olelo.org. ON THE COVER | FOR THE PEOPLE Case closed ABC’s ‘For the People’ wraps Deavere Smith (“The West Wing”) rounds example of how the show delves into both the out the cast as no-nonsense court clerk Tina professional and personal lives of the charac- rookie season Krissman. ters. It’s a formula familiar to fans of Shonda The cast of the ensemble drama is now part Rhimes, who’s an executive producer of “For By Kyla Brewer of the Shondaland dynasty, which includes hits the People,” along with Davies, Betsy Beers TV Media “Grey’s Anatomy,” “Scandal” and “How to Get (“Grey’s Anatomy”), Donald Todd (“This Is Us”) Away With Murder.” The distinction was not and Tom Verica (“How to Get Away With here’s something about courtroom lost on Rappaport, who spoke with Murder”).
    [Show full text]
  • Copy UPDATED KAREOKE 2013
    Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
    [Show full text]
  • Tangled Web : Tales of Digital Crime from the Shadows of Cyberspace
    TANGLED WEB Tales of Digital Crime from the Shadows of Cyberspace RICHARD POWER A Division of Macmillan USA 201 West 103rd Street, Indianapolis, Indiana 46290 Tangled Web: Tales of Digital Crime Associate Publisher from the Shadows of Cyberspace Tracy Dunkelberger Copyright 2000 by Que Corporation Acquisitions Editor All rights reserved. No part of this book shall be reproduced, stored in a Kathryn Purdum retrieval system, or transmitted by any means, electronic, mechanical, pho- Development Editor tocopying, recording, or otherwise, without written permission from the Hugh Vandivier publisher. No patent liability is assumed with respect to the use of the infor- mation contained herein. Although every precaution has been taken in the Managing Editor preparation of this book, the publisher and author assume no responsibility Thomas Hayes for errors or omissions. Nor is any liability assumed for damages resulting from the use of the information contained herein. Project Editor International Standard Book Number: 0-7897-2443-x Tonya Simpson Library of Congress Catalog Card Number: 00-106209 Copy Editor Printed in the United States of America Michael Dietsch First Printing: September 2000 Indexer 02 01 00 4 3 2 Erika Millen Trademarks Proofreader Benjamin Berg All terms mentioned in this book that are known to be trademarks or ser- vice marks have been appropriately capitalized. Que Corporation cannot Team Coordinator attest to the accuracy of this information. Use of a term in this book should Vicki Harding not be regarded as affecting the validity of any trademark or service mark. Design Manager Warning and Disclaimer Sandra Schroeder Every effort has been made to make this book as complete and as accurate Cover Designer as possible, but no warranty or fitness is implied.
    [Show full text]
  • Copy 82 of DOC016
    .. The Where Fools Fear Techers Rush In ... CALIFORNIA To Tread!! Copyright 1970 by the Associated Students of the California Institute of Technology, Incorporated. Volume LXXI Pasadena, California, Thursday, April 23, 1970 Number 25 New Divorce Laws, Outside World Topics Low Pollution Car Project For YMCA Programs. Progressing Despite Strike by Emden Gansner Next week the Caltech YMCA is sponsoring two informative and Low Pollution Car Project leader using a catalytic reactor in the relevant talks and question sessions. Mike Lineberry announced that the exhaust stream and other smog One will concern the new divorce American Motors Hornet is ex­ cutting devices. laws, and the other, given by an pected to arrive as soon as the Two Engines, Too ex-Techer, will be abc what a wildcat truckers' strike is settled. The modifications of the engine Tech graduate can do vnce he The car, which will be converted to are being directed by Malllon enters into the real world. use compressed natural gas as a fuel Easterling, a JPL engineer, and Judge Lester Olson, continuing for the upcoming Urban Car James Henry, a student. They will the Y's "Crisis in Our Legal Competition, has been delayed have a duplicate engine set-up in the System" program, will give an Olive almost two weeks by the truckers' Engine Laboratory in the Spaulding Walk talk next Wednesday at 11 :45. POPULATION POLLUTION? This was the scene last Saturday morning as 1000 walkout. sub-basement. In this way, mod­ His talk will concern the develop­ high school students invaded Caltech for Students Day.
    [Show full text]
  • If You Lived Here You'd Be Home By
    IF YOU LIVED HERE YOU’D BE HOME BY NOW by Lydia A. Cyrus A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Fine Arts Department of English West Lafayette, Indiana May 2021 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Terese Mailhot, Chair Department of English Brian Leung Department of English Dr. Kaveh Akbar Department of English Approved by: Dr. Dorsey Armstrong 2 for my mother who gave up everything to be mine 3 ACKNOWLEDGMENTS An incredible amount of gratitude to Poets & Writers Magazine for choosing a portion of my thesis as the 2019 fiction winner of the Maureen Egen Writers Exchange award. A swell of gratitude to my instructors at Purdue University. For saying yes and pushing me to write the way I wanted to. For teaching me how to write better, best. Thank you to Brian Leung and Sharon Solwitz for saying yes in the beginning. Thank you to Terese Mailhot for being the writer and educator to change so much for me and for showing me what gifts lay within my ability to write. Thank you to Don Platt, Kaveh Akbar, and Paige Lewis for accepting me and making me feel seen and heard and cared for even if I was a prose writer. Thank you to my workshop partners who read everything. Diana Clarke, Hannah Dellabella, Steven Dawson, Brian Czyzk, Katie McMorris, Kelsey Wort, Aaron M Dell, Lucas Hunter, Daschielle Louis, and Andy Nellis. Thank you to the folks outside of the MFA for being my family away from home: Erin Brock Carlson and Amanda Smith especially.
    [Show full text]
  • Roxbox by Artist (Hed) Planet Earth 2 Play Feat
    RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co.
    [Show full text]
  • 112 It's Over Now 112 Only You 311 All Mixed up 311 Down
    112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question
    [Show full text]
  • Mature Media Awardssm
    2010 19TH ANNUAL National Mature Media MAwardssm Winners National Sponsors American Association of Homes and Services for the Aging® (AAHSA) Center for Aging Services Technologies™ (CAST) National Association of Area Agencies on Aging American Custom Publishing Corporation® The National Mature Media Awardssm The National Mature Media Awardssm is the largest awards program of its kind to recognize the nation’s best advertising, marketing and educational materials produced for older adults. The awards program is open to all those involved in the production of materials for adults age 50 and over. It is presented by the Mature Market Resource Centersm, a national clearinghouse for older adult programs. Entries for the 2010 National Mature Media Awards program were judged by panels of experts in the field of senior marketing and communications. The judges’ biographies are listed in the back of this booklet. The judges scored the entries by division and category on a scale of one to 100. Each entry was judged on its own merits, regardless of how many other entries were in the same division and category. The judges’ scores were then totaled and averaged. Gold, Silver, Bronze, and Merit prizes were awarded based on these scores. (To avoid conflict of interest, no entry submitted by an organization represented by a judge or sponsor was reviewed by a panel on which that judge or sponsor served.) The overall quality of this year’s entries was exceptional. We congratulate all of the entrants for their efforts to present the finest possible materials to their senior audiences. 2010 Best of Show Prize Presented to Senior Independence for iCaregiver Guide Division Healthcare Category Education and Training Programs All Gold Award recipients, which represent the top five percent of all entries, were reviewed by a special panel of judges to select the best of show prize.
    [Show full text]
  • Billy Drummond U
    Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Lozano Jorge 2018 Phd.Pdf (2.277Mb)
    The Importance of the Non-Important -re-orientations. Jorge Lozano A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN VISUAL ARTS YORK UNIVERSITY TORONTO, ONTARIO September 2018 © Jorge Lozano, 2018 !II Abstract This text is a multi-layered exploration of three central issues regarding the production of my artistic works. The combination of chance, non-conscious cognition combined with biological, social, and political constraints generate strategies that produce new conceptual readings and reframe modes of existence. Secondly, the mediation of these entanglements through instrumentality complements the ways in which artistic awareness is grounded in multiple body states, that seek the formation of new ways of feeling, seeing, thinking, and re-representing. And border thinking, understood as the superposition of multiple fully complex modes of existence and not in betweens. These intricate clusters of relations provoke nonconventional ways to resist material and conceptual hierarchies that in turn spark the creation of experimental artistic works that reflect multiple positioning in the search for authenticity or autonomy. !III Acknowledgements Foremost, I would like to express my deepest appreciation to my advisor, Nell Tenhaaf, whose insightful comments were crucial to reorganize my thoughts and to turn inside out concepts that appeared clear to me but needed to be cracked open using different reasonings. My deepest appreciation to my committee, Rebecca Garrett and Marc Couroux for their perceptive interrogations of the relation of theory and practice. This paper is dedicated to Alexandra Gelis, my partner and guide in many of my video works, and to my granddaughter Aluna whose Ojibway ancestry has brought Indigenous culture closer to my heart and mind and has re-awakened the need to continue struggling for true emancipation using new and creative cultural and political strategies.
    [Show full text]