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Billboard-1997-07-19
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IN MUSIC NEWS IBXNCCVR **** * ** -DIGIT 908 *90807GEE374EM002V BLBD 589 001 032198 2 126 1200 GREENLY 3774Y40ELMAVEAPT t LONG BEACH CA 90E 07 Debris Expects Sweet Success For Honeydogs PAGE 11 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS RIAA's Berman JAMAICAN MUSIC SPAWNS Hit Singles Is Expected To DRAMATIC `ALTERNATIVES' Catapult Take IFPI Helm BY ELENA OUMANO Kingston -based label owner /artist manager Steve Wilson, former A &R/ Colvin, Robyn This story was prepared by Ad f , Mention "Jamaica" and most people promotion manager for Island White in London and Bill Holland i, think "reggae," the signature sound of Jamaica. "It means alternative to BY CHUCK TAYLOR Washington, D.C. that island nation. what's traditionally Jamaicans are jus- known as Jamaican NEW YORK -One is a seasoned tifiably proud of music. There's still veteran and the other a relative their music's a Jamaican stamp Put r ag top down, charismatic appeal on the music. The light p the barbet Je and its widespread basslines and drum or just enjoy the sunset influence on other beats sound famil- cultures and iar. But that's it. featuring: tfri musics. These days, We're using a lot of Coen Bais, Abrazas N all though, more and GIBBY FAHRENHEIT blues, funk, jazz, Paul Ventimiglia, LVX Nava BERMAN more Jamaicans folk, Latin, and a and Jaquin.liévaao are refusing to subsume their individ- lot of rock." ROBYN COLVIN BILLBOARD EXCLUSIVE ual identities under the reggae banner. -
Central Florida Future, Vol. 26 No. 31, May 18, 1994
University of Central Florida STARS Central Florida Future University Archives 5-18-1994 Central Florida Future, Vol. 26 No. 31, May 18, 1994 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 26 No. 31, May 18, 1994" (1994). Central Florida Future. 1232. https://stars.library.ucf.edu/centralfloridafuture/1232 Orlando Cubs draw 20,000 ... with a little help from Michal Jordan-Pg. 16 Central Florida Future State Legislature apporves tuition flexibility bill O Senate Bill 636 will allow Sublette is referring to the fact that UF and to withdrawal from the FSA speakeroflhehousenextyearandnooncwantcd FSU will be able to raise their tuitions and create Other concerns were voiced prior to the to vote against him. We never had a realistic university presidents to an image of superiority when compared to the bills approval as well. chance of defeating it," Sublette added. raise tuition by 10 percent. smaller state schools. "We wanted to make the 25n5 language . The vote in the senate was not any closer, The debate over the bill began when the remained intact, that was important," Bradley 38-1. by REX HOGGARD said. -
12. Verzeichnisse
12. Verzeichnisse 12.1 Literatur ACKERMANN, Michael: Rocky der Irokese. Der Mann mit der Maske, Wuppertal 1987. ADAM, Gottfried / LACHMANN, Rainer (Hrsg.): Methodisches Kompendium für den Religionsunterricht, Göttingen 1993. ADAMEK, Karl (Hrsg.): Lieder der Arbeiterbewegung. LiederBilderLeseBuch & Gitar- renschule von Kalle Pohl, Frankfurt a.M. 1981. ADORJÁN, Johanna: Bushido im Kino. Entschieden eklig, in: Frankfurter Allgemeine Sonntagszeitung vom 04.05.2009, 31. ADORNO, Theodor W.: Fragment über Musik und Sprache, in: Adorno, Theodor: Ge- sammelte Schriften 16, Frankfurt 1978, 251-256. ALBRECHT, Horst: Die Religion der Massenmedien, Stuttgart / Berlin / Köln 1993. ALI, Duse Mohamed: In the Land of the Pharaohs, London / New York 1911. ALLENSBACHER Archiv: IfD-Umfrage 5256, Februar / März 2009, in: Forum Familie Stark Machen! Pressemappe zur Pressekonferenz zum Generationen-Barometer 09, 08. April 2009. ALPERMANN, Dirk: Feels Like Heaven – Religioes Rock. Hits aus Rock und Pop als Medium religiöser Botschaften, in: Schönberger Hefte 4/2005, Nr. 132, 35. Jahrgang, 2-5. ALTROGGE, Michael / AMANN, Rolf: Videoclips. Die geheimen Verführer der Jugend, Berlin 1991. ANDROUTSOPOULOS, Jannis (Hrsg.): HipHop: Globale Kultur – lokale Praktiken, Bielefeld 2003. ANDWELE, Adia: Rastafaris Beitrag zur Dekolonialisierung der Karibik, in: Zips, Wer- ner (Hrsg.): Rastafari. Eine universelle Philosophie im 3. Jahrtausend, Wien 2007, 40- 53. ANNELER, Xenia: Semesterarbeit BVC über KIR Music AG / JONA Verlag, Vivace Bern 2009, zitiert nach http://www.kir.ch/Maturarbeit_Xenia_Anneler.pdf, letzter Ab- ruf am 27.01.2013. APETHEKER, Herbert: One Continual Cry. David Walker’s Appeal to the Colored Citi- zens of the World (1829-1830). Its Setting & Its Meaning by H. Apetheker, New York 1965. ARBEITGEMEINSCHAFT MUSIK in der Evangelischen Jugend e.V. -
Joseph Conrad's Artistic Treatment of Women? an Analysis
Joseph Conrad's artistic treatment of women; an analysis Item Type text; Thesis-Reproduction (electronic) Authors Levy, Lora Sheila, 1930- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 14:15:35 Link to Item http://hdl.handle.net/10150/319040 JOSEPH CONRAD'S ARTISTIC TREATMENT OF WOMEN? AN ANALYSIS : Lora ,S>-.:L© v y ... ' : A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of . MASTER OF ARTS in the Graduate College5 University of Arizona Director of Thesis Date £ 9 7 9 / / 9 5 V 4-7 This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship• In all other instances, however, permission must be obtained from the author. SIGNED: I PREFACE"* This study attempts'a crttieal examinatioh 'of heroines of three different types 9 in. -
Beck Reverend Horton Heat Mc 900 Ft
GPO BECK One Foot In The Grave •K REVEREND HORTON HEAT Liquor In The Front • Sub Pop-lnterscope MC 900 FT JESUS One Step Ahead Of The Spider •american FIFTH COLUMN 36C •K VMJ! SOUNDGARDEN SURE THING! aRnivu CX LIGPT RIDE SPONTANEOUS COMBUSTION Your shirt will stink for weeks Recorded Live At CBGB 12-19-1993 Glamorous • Deaf As A Bat • Sea Sick • Bloody Mary • Mistletoe • Nub Elegy • Killer McHann • Dancing Naked Ladies • Fly On The Wall Boilermaker • Puss • Gladiator • Wheelchair Epidemic • Monkey Trick Fifteen tracks of teeth-loosening madness. CD. Cassette. Limited Edition Vinyl. gtdllt pace 3... Johnn Rebel Redeemed ash First of all, what everyone wants to know about a long-dis- tance interview with Johnny Cash: No, he didn't answer the phone and say "Hello—I'm Johnny Cash." Still, it is a little disconcerting at first, hearing that low ominous voice over the telephone, speaking from his Tennessee cabin, discussing the weather or reading off the address for his House Of Cash management office. "This is on album I've always wanted to do," he says of American Recordings. "I even had a name 25 years ago for this album, it was going to be called Johnny Cash Alone. Years later Ithought about it again and wanted to do an album like this, and call it Johnny Cash Up Close. But this same concept has been in my mind since the early '70s." About his first meeting with producer/label head Rick Rubin, Cash recalls, "I liked the way he talked. Because right off he said, 'I'm familiar with most of your work, and you know what you do best.