DOCSLIB.ORG

An Interview with Doc Kane

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CAS AWARD NOMINEE ACADEMY AWARD® NOMINEE MOTION PICTURE - LIVE ACTION PRODUCTION MIXER - CHRIS DUESTERDIEK BEST SOUND EDITING RE-RECORDING MIXER - JON TAYLOR,CAS AND RE-RECORDING MIXER - FRANK A. MONTAÑO RE-RECORDING MIXER - RANDY THOM,CAS BEST SOUND MIXING SCORING MIXER - CONRAD HENSEL ADR MIXER - MICHAEL MILLER,CAS FOLEY MIXER - GEORDY SINCAVAGE “WE FEEL NOT JUST AMBUSHED BUT SURROUNDED, PERHAPS MOST OF ALL BY THE ASTONISHING SOUND DESIGN, WHICH TRANSFORMS THE MUSIC OF BABBLING BROOKS, FOR YOUR CONSIDERATION RUSTLING TREES, THUNDEROUS HOOFBEATS, FALLING BODIES AND ANGUISHED SCREAMS INTO A WILD SYMPHONY OF WOODLAND CHAOS.” - ©2016 TWENTIETH CENTURY FOX 20TH CENTURY FOX 8.375” x 10.875” N/A THE REVENANT 8.625” x 11.125” 1.19.16 SOUND EDITING 7.875” x 10.375” DS CINEMA AUDIO SOCIETY RVNT_CAS_0128_V4 01/28/16 CAS AWARD NOMINEE ACADEMY AWARD® NOMINEE MOTION PICTURE - LIVE ACTION PRODUCTION MIXER - CHRIS DUESTERDIEK BEST SOUND EDITING RE-RECORDING MIXER - JON TAYLOR,CAS AND RE-RECORDING MIXER - FRANK A. MONTAÑO RE-RECORDING MIXER - RANDY THOM,CAS BEST SOUND MIXING SCORING MIXER - CONRAD HENSEL FEATURES ADR MIXER - MICHAEL MILLER,CAS FOLEY MIXER - GEORDY SINCAVAGE Dante AV Networking Tour ....................... 13 “WE FEEL NOT JUST AMBUSHED BUT SURROUNDED, PERHAPS MOST OF ALL BY THE ASTONISHING SOUND DESIGN, 52nd CAS Award Nominees ...................... 18 WHICH TRANSFORMS THE MUSIC OF BABBLING BROOKS, Tech Achievement Awards ....................... 22 FOR YOUR CONSIDERATION RUSTLING TREES, THUNDEROUS HOOFBEATS, FALLING BODIES AND ANGUISHED SCREAMS INTO A WILD Production & post-production nominees SYMPHONY OF WOODLAND CHAOS.” CAS Student Recognition Award Finalists ........... 24 - 18 CAS Career Achievement ........................ 26 Doc Kane, the premier ADR mixer CAS Filmmaker Award .......................... 35 Four-time Emmy winner Jay Roach Equipment Upgrade Path ........................ 36 Lectrosonics A Dub Stage Case Study ......................... 40 PVC vs. loom projection screens 26 DEPARTMENTS The President’s Letter ............................ 4 From the Editors ................................ 6 Technically Speaking ............................. 9 AES Report from New York 35 In Remembrance ............................... 42 Been There Done That ........................... 44 CAS members check in The Lighter Side ............................... 46 36 Cover: Doc Kane Photo: Stephanie Wiley Photography CAS QUARTERLY WINTER 2016 3 ©2016 TWENTIETH CENTURY FOX 20TH CENTURY FOX 8.375” x 10.875” N/A THE REVENANT 8.625” x 11.125” 1.19.16 SOUND EDITING 7.875” x 10.375” DS CINEMA AUDIO SOCIETY RVNT_CAS_0128_V4 01/28/16 It’s time to make our presence known and understood. We are the Cinema Audio Society, a creative force in Hollywood and around the world. We stand shoulder-to-shoulder with the other creative con- tributors in the filmmaking community, passionately CINEMA AUDIO SOCIETY ready to give our best to the art of sound. MISSION STATEMENT The CAS is a venerable institution, stewards of an To educate and inform the general public and ideal: excellence in the art of storytelling through sound. the motion picture and television industry that And in this time of awards and recognition for the effective sound is achieved by a creative, accomplishments within the entertainment world, we artistic and technical blending of diverse sound proclaim our commitment to this ideal. elements. To provide the motion picture and television industry with a progressive society of You’ll find examples of this throughout this issue as we highlight our work master craftsmen specialized in the art of and recognize our award nominees. Great work good friends, we congratulate creative cinematic sound recording. To advance you! the specialized field of cinematic sound Each one of us can be an ambassador for our profession. Each day can recording by exchange of ideas, methods, and present an opportunity for us to reinforce and enhance our message. What information. To advance the art of auditory we bring to the mix matters. We are essential to the process. appreciation, and to philanthropically support those causes dedicated to the sense of hearing. THE PRESIDENT’S LETTER It is so important to communicate this in all of our work relationships and To institute and maintain high standards of opportunities. We can do so through commitment, concern and contribu- conduct and craftsmanship among our tion, creating an active voice, and spreading the word. members. To aid the motion picture and Importantly, we are greater than the sum of our tools. For us, it is about television industry in the selection and training the filmmaking, the storytelling, and the project at hand. Like all artists, we of qualified personnel in the unique field of cinematic sound recording. To achieve for our are devoted to our craft. We remember that technology is always in service of members deserved recognition as major our art, not the other way around. contributors to the field of motion picture and Every day, we retrace our steps to reinforce what we’ve learned up to now, television entertainment. and then we build on that foundation, opening our minds to new ways of accomplishing this ancient task of telling the story, revealing the characters, unfolding the journey. CAS WINTER 2016 We can remind those we work with that we are as indispensable to the NEW MEMBERS process as any of our peer contributors. This is not a conceit, but merely a Active statement of fact that is often missed in the chaos that can consume the Al McGuire CAS making of movies and television. Let us be an island of serenity in that sea of Andy King CAS Eddie Kim CAS chaos, performing under load, delivering the goods. Erika Schengili-Roberts CAS Let me single out, Karol Urban CAS MPSE, our co-editor, for her excel- Fred Paragano CAS lent work in producing the Quarterly. She has again done a terrific job of James Mace CAS bringing all the contributors’ articles together with this issue. Thanks so Robert Smith CAS much for all you do, Karol. Sam Hammer CAS Todd Weaver CAS Likewise to the major contributions made by all of your elected Board William Britt CAS members this past year, you are an amazing group of people and it is a Associate privilege to serve with you. Aaron Eberhardt Cote Travis Happy New Year to our many friends. Warm wishes to you all in the year 2016. Jennifer Winslow Nicholas Petoyan Nuno Fonseca Trey LaCroix Veronica Kahn Westley Moore Xiao Hou Mark Ulano CAS Student President of the Cinema Audio Society Callie Sorce Derek Sepe Rykara Chase 4 WINTER 2016 CAS QUARTERLY ACADEMY AWARD® NOMINATIONS BEST FILM EDITING • BEST SOUND MIXING • BEST SOUND EDITING 5 BEST VISUAL EFFECTS • BEST ORIGINAL SCORE BAFTA AWARD NOMINEE | SOUND FOR YOUR CONSIDERATION BEST SOUND MIXING Re-Recording Mixers Andy Nelson • Christopher Scarabosio Sound Mixer Stuart Wilson BEST SOUND EDITING Supervising Sound Editors Matthew Wood • David Acord Visit us at WALTDISNEYSTUDIOSAWARDS.COM ©2016 & TM Lucasfilm Ltd. All Rights Reserved. CAS QUARTERLY MATERIALS DUE: JAN. 19, 2016 4/C | FULL PAGE | WITH BLEED THIS AD RUNS: JAN. 28, 2016 BLEED: 8.625” W X 11.125” H TRIM: 8.375” W X 10.875” H 8F SAFE: 7.875” W X 10.375” H 3304-1 01/19/16 PDF/X-1a:2001 SWTFA_CASQuarterly_4CFP_8F With 2016 here (along with some crazy weather), we bring you the winter Quarterly. In this issue, Jesse Dodd sits down with your 2016 CAS Career Achievement Award honoree, ADR mixer Doc Kane, for an interview filled with lots of laughs. We are also proud to announce this year’s Filmmaker Award recipient, director/writer/ producer, Jay Roach. Westwind Media’s VP of Technology and Engineering Dan Shimiaei, provides a OFFICERS great case study on PVC versus loom projection screens. President: Mark Ulano CAS If your stage is considering upgrades, be sure to check Vice President: Phil Palmer CAS it out. Speaking of upgrades, Devendra Cleary CAS Secretary: David J. Bondelevitch CAS MPSE discusses how some manufacturers approach equipment Treasurer: Peter R. Damski CAS upgrades and paths—referencing a recent example from Lectrosonics. G. John Garrett CAS shares his thoughts BOARD OF DIRECTORS Deb Adair CAS Lee Orloff CAS on this fall’s New York AES Convention while Matt Bob Bronow CAS Lisa Piñero CAS Foglia CAS reviews the Dante AV Networking World event that recently John Coffey CAS Gary A. Rizzo CAS stopped by Nashville. Peter J. Devlin CAS Glen Trew CAS FROM THE EDITORS... THE FROM As we inch closer to our 52nd Annual CAS Awards Ceremony on Edward J. Greene CAS Karol Urban CAS MPSE February 20, be sure to check out your CAS Award nominees, tech Tomlinson Holman CAS Steve Venezia CAS nominees, and student nominees listed in these pages. Don’t forget to see Sherry Klein CAS Jeff Wexler CAS Walter Murch CAS what your fellow members are up to in the “Been There Done That” section and comment to them at the CAS Awards Ceremony about their “Lighter Side” submissions. Finally, we tip our hats to the now retired Leo OFFICE MANAGER Chaloukian, whose service to our field was instrumental to its growing Patti Fluhr recognition. EDITORS The CAS Quarterly is produced as a service to our members on a Matt Foglia CAS voluntary basis. We greatly appreciate and want your feedback and Karol Urban CAS MPSE suggestions—so send them in! Email us at CASQuarterly@ . Also, know that we truly value the support of PUBLISHER CinemaAudioSociety.org IngleDodd Media our sponsors and encourage your commitment to them, realizing that they 11661 San Vicente Blvd., Ste. 709 are professionals just like you. Los Angeles, CA 90049 Here’s wishing you and yours a healthy and successful 2016! QUESTIONS OR COMMENTS: Cinema Audio Society 827 Hollywood Way #632 Burbank, CA 91505 Matt Foglia CAS Karol Urban CAS MPSE Phone: 818.752.8624 Fax: 818.752.8624 Email Leo Chaloukian Retires [email protected] Website Leo Chaloukian CAS retired last year at the age of 86.
Recommended publications
  • 7(Thu) 2021.1

    7(Thu) 2021.1

    24(###)-27(###) 2021.1 1(FRI)-3(SUN) 2021.1 24 SUN. 25 MON. 26 TUE. 27 WED. 1 FRI. 2 SAT. 3 SUN. PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA 2:05 Siberia(2018)*1 2:15 La Liga 20-21 Season*2 2:50 Beruseruku Ougon Jidai Hen 2:15 La Liga 20-21 Season*2 2:30 Tokyo Jihen 00 The Big Shot 2:00 Eternal Love of 2:40 La Liga 20-21 Season*2 3:00 The Vow from Hiroshima*1 15 Eiga Kobo*5 25 Songland*5 3:15 K-20 Kaijin 20 3:00 X-Men*1 2:45 La Liga 20-21 Season*2 15 Enter the 0:00 MOZU Season 1...*4 2:45 La Liga 20-21 Season*2 3:45 Creed II*1 0:00 MOZU Season 1...*4 2:15 La Liga 20-21 Season*2 20 Hanbun no Sekai*1 45 La Liga 20-21 50 Ford v Ferrari*1 45 La Liga 20-21 2020.7.24 Uruu (2019)*1 4 Dream*4 45 Tenisugurandosuramu 30 Little Monsters 35 Inside Man*1 Menso Den*1 58 La Liga 20-21 Dragon(1973)*1 4 55 Night at the 45 La Liga 20-21 30 Spider-Man: 45 La Liga 20-21 45 Han Ochi*1 Season*2 Season*2 vision Tokuban Mei Shobu Sen*2 (2018)*1 Season*2 Museum*1 Season*2 Homecoming*1 Season*2 News Flash*3 20 Level Up*1 15 CONTACT ART ～ Harada 00 X-Men United 5 50 ～～～ ～ Kyukyoku 45 Don't Sleep*1 (X2)*1 5 00 The 15 The Great Kakutougi ～ UFC 00 Parallel World 00 Kumo no Su Jo 257*2 Flintstones*1 6 45 Kimu～ Namuju× War*1 45 Kimu～ Namuju× Love Story*1 6 45 Night at the *1 45 Spider-Man: Far 05 CONTACT ART ～ Harada 25 Shuto 05 Kimu～ Namuju× Chi～jini～ Chi～jini～ Misutei Chi～jini～ Misutei 15 X-Men: The Last 00 UEFA EUROTM Museum: Battle 05 Excite Match from Home*1 05 Hajimete no Danshi 00
  • Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88Th Annual Academy Awards

    Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88Th Annual Academy Awards

    March 1, 2016 Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88th Annual Academy Awards Every Winner and Nominee for Best Picture, Film Editing, Sound Editing, Sound Mixing and Original Score Relied on Avid Creative Solutions BURLINGTON, Mass., March 01, 2016 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulates its customers recognized as nominees and winners at the 88th Academy Awards®, the world's most prestigious ceremony honoring film industry professionals. Every nominee in the Best Picture, Best Film Editing, Best Sound Editing, Best Sound Mixing and Best Original Score categories, including Best Picture winner Spotlight, was crafted by Avid customers using Avid Artist Suite audio and video creative tools, powered by the Avid MediaCentral™ Platform. All five nominees in the Film Editing category—winner Margaret Sixel for Mad Max: Fury Road, Hank Corwin for The Big Short, Stephen Mirrione for The Revenant, Tom McArdle for Spotlight, and Maryann Brandon and Mary Jo Markey for Star Wars: The Force Awakens—relied on the industry's preeminent editing solution, Avid Media Composer® to cut their films. In the Sound Editing category, all five nominees—winners Mark Mangini and David White for Mad Max: Fury Road, Oliver Tarney for The Martian, Martin Hernandez and Lon Bender for The Revenant, Alan Robert Murray for Sicario, and Matthew Wood and David Acord for Star Wars: The Force Awakens—all relied on the industry-standard digital audio software Avid Pro Tools® for sound editing. "I had an opportunity to develop many soundscapes on The Revenant," said Formosa Group's Lon Bender. "Each day I would take material from our team and hone it using my Avid control surface for reviews with Alejandro.
  • Building Cold War Warriors: Socialization of the Final Cold War Generation

    Building Cold War Warriors: Socialization of the Final Cold War Generation

    BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen.
  • The Revenant Nominations List Achievement in Cinematography 1

    The Revenant Nominations List Achievement in Cinematography 1

    The Revenant nominations list Achievement in cinematography 1 Achievement in costume design 2 Achievement in directing 3 Achievement in film editing 4 Achievement in makeup and hairstyling 5 Achievement in production design 6 Achievement in sound editing 7 Achievement in sound mixing 8 Achievement in visual effects 9 Best motion picture of the year 10 Performance by an actor in a leading role 11 Performance by an actor in a supporting role 12 Oscars® 2016 Movie Checklist 13 Academy of Motion Picture Arts and Sciences Page 1 1. NOMINATIONS BY CATEGORY - 88TH AWARDS Performance by an actor in a leading role Bryan Cranston in “Trumbo” (Bleecker Street) Matt Damon in “The Martian” (20th Century Fox) Leonardo DiCaprio in “The Revenant” (20th Century Fox) Michael Fassbender in “Steve Jobs” (Universal) Eddie Redmayne in “The Danish Girl” (Focus Features) Performance by an actor in a supporting role Christian Bale in “The Big Short” (Paramount) Tom Hardy in “The Revenant” (20th Century Fox) Mark Ruffalo in “Spotlight” (Open Road Films) Mark Rylance in “Bridge of Spies” (Walt Disney and 20th Century Fox) Sylvester Stallone in “Creed” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Carol” (The Weinstein Company) Brie Larson in “Room” (A24) Jennifer Lawrence in “Joy” (20th Century Fox) Charlotte Rampling in “45 Years” (Sundance Selects) Saoirse Ronan in “Brooklyn” (Fox Searchlight) Performance by an actress in a supporting role Jennifer Jason Leigh in “The Hateful Eight” (The Weinstein Company) Rooney Mara in “Carol” (The Weinstein Company) Rachel McAdams in “Spotlight” (Open Road Films) Alicia Vikander in “The Danish Girl” (Focus Features) Kate Winslet in “Steve Jobs” (Universal) Academy of Motion Picture Arts and Sciences PagePage 2 2.
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016

    68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016

    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar

    Wmc Investigation: 10-Year Analysis of Gender & Oscar

    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
  • 88Th Oscars® Nominations Announced

    88Th Oscars® Nominations Announced

    MEDIA CONTACT Natalie Kojen [email protected] January 14, 2016 FOR IMMEDIATE RELEASE 88TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee announced the 88th Academy Awards® nominations today (January 14). Del Toro and Lee announced the nominees in 11 categories at 5:30 a.m. PT, followed by Boone Isaacs and Krasinski for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars® website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 23, at the Academy’s Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. Active members of the Academy are eligible to vote for the winners in all 24 categories. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 88th Oscars will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m.
  • Rassegna INDICE RASSEGNA STAMPA Rassegna

    Rassegna INDICE RASSEGNA STAMPA Rassegna

    rassegna INDICE RASSEGNA STAMPA rassegna Si parla di noi Repubblica Firenze 14/10/2017 p. XIV Searching for X Japan Il nostro drammma rock" Fulvio Paloscia 1 Tirreno 14/10/2017 p. 23 Il cult X Japan stasera al Festival dei Popoli 3 Corriere Fiorentino 14/10/2017 p. 14 GIAPPONE ROCK 4 D - La Repubblica 14/10/2017 p. 14 BIG IN JAPAN 5 Delle Donne Si gira in Toscana Bisenzio 7 13/10/2017 p. 44 Girata l'ultima scena del diavolo di Rimondeto 6 Indice Rassegna Stampa Pagina I Festival dei PopoliAlla Compagnia Yoshiki, il leader della band giapponese e il film su una storia di successi e ferite (stasera) SearchingforXJapan nostro (1ranmiaroc Si parla di noi Pagina 1 FULVIO PALOSCIA arretrato quando si parla di rock». prattutto il ritratto di Yoshiki, della fra- IL DOCUMENTARIO Si conoscono e formano la band appe- gilità fisica e psicologica che si porta Alcune scene di "We OSHIKi deve essere grato a na quindicenni. A 20 anni la Sony li dietro fin da quando, da bambino, assi- are >("che racconta Stephen Kijiak, il regista mette sotto contratto. Con il loro abbi- ste al suicidio del padre, gesto che ha la storia degli X del documentario We are X gliamento che rilegge il glam con spiri- cercato più volte di ripercorrere lui stes- Japan, la più grande che racconta tutta, ma pro- to manga e che scavalcai generi sessua- so: «Un nostro produttore dice che, sin rock band del prio tutta la storia degliX Ja- li, con i loro capelli punk e le loro canzo- da ragazzo, emanavo un senso di mor- Giappone.
  • The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard

    The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard

    November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad.
  • MONSTERS INC 3D Press Kit

    MONSTERS INC 3D Press Kit

    ©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor .
  • Ee British Academy Film Awards in 2016

    Ee British Academy Film Awards in 2016

    EE BRITISH ACADEMY FILM AWARDS IN 2016 NOMINATIONS BY FILM/DISTRIBUTOR BY FILM (38 films) 45 Years 1 The Lobster 1 Amy 2 Mad Max: Fury Road 7 Ant-Man 1 The Martian 6 The Assassin 1 Minions 1 Beasts of No Nation 1 The Revenant 8 The Big Short 5 Room 2 Bridge of Spies 9 Second Coming 1 Brooklyn 6 Shaun the Sheep Movie 1 Carol 9 Sherpa 1 Cartel Land 1 Sicario 3 Cinderella 1 Spotlight 3 The Danish Girl 5 Star Wars: The Force Awakens 4 Ex Machina 5 Steve Jobs 3 Force Majeure 1 The Survivalist 1 The Hateful Eight 3 A Syrian Love Story 1 He Named Me Malala 1 Theeb 2 Inside Out 2 Timbuktu 1 The Lady in the Van 1 Trumbo 1 Listen to Me Marlon 1 Wild Tales 1 BY DISTRIBUTOR 10ft Films (1) Noor Pictures (2) A Syrian Love Story 1 Theeb 2 Altitude (2) Picturehouse (1) Amy 2 The Lobster 1 Arrow Media (1) Paramount (5) Sherpa 1 The Big Short 5 Bulldog (1) Sony (1) The Survivalist 1 The Lady in the Van 1 Curzon Artificial Eye (5) Studio Canal (13) 45 Years 1 The Assassin 1 Beasts of No Nation 1 Carol 9 Force Majeure 1 Room 2 Timbuktu 1 Shaun the Sheep Movie 1 Wild Tales 1 Twentieth Century Fox (24) Disney (8) Bridge of Spies 9 Ant-Man 1 He Named Me Malala 1 Cinderella 1 The Martian 6 Inside Out 2 The Revenant 8 Star Wars: The Force Awakens 4 Universal (15) Dogwoof (1) The Danish Girl 5 Cartel Land 1 Ex Machina 5 Entertainment One (7) Listen to Me Marlon 1 Spotlight 3 Minions 1 The Hateful Eight 3 Steve Jobs 3 Trumbo 1 Warner Bros (7) Kaleidoscope (1) Mad Max: Fury Road 7 Second Coming 1 Lionsgate (9) Brooklyn 6 Sicario 3 FULL NOMINATIONS BY FILM 45 Years
  • Thorragnarok59d97e5bd2b22.Pdf

    Thorragnarok59d97e5bd2b22.Pdf

    ©2017 Marvel. All Rights Reserved. CAST Thor . .CHRIS HEMSWORTH Loki . TOM HIDDLESTON Hela . CATE BLANCHETT Heimdall . .IDRIS ELBA Grandmaster . JEFF GOLDBLUM MARVEL STUDIOS Valkyrie . TESSA THOMPSON presents Skurge . .KARL URBAN Bruce Banner/Hulk . MARK RUFFALO Odin . .ANTHONY HOPKINS Doctor Strange . BENEDICT CUMBERBATCH Korg . TAIKA WAITITI Topaz . RACHEL HOUSE Surtur . CLANCY BROWN Hogun . TADANOBU ASANO Volstagg . RAY STEVENSON Fandral . ZACHARY LEVI Asgardian Date #1 . GEORGIA BLIZZARD Asgardian Date #2 . AMALI GOLDEN Actor Sif . CHARLOTTE NICDAO Odin’s Assistant . ASHLEY RICARDO College Girl #1 . .SHALOM BRUNE-FRANKLIN Directed by . TAIKA WAITITI College Girl #2 . TAYLOR HEMSWORTH Written by . ERIC PEARSON Lead Scrapper . COHEN HOLLOWAY and CRAIG KYLE Golden Lady #1 . ALIA SEROR O’NEIL & CHRISTOPHER L. YOST Golden Lady #2 . .SOPHIA LARYEA Produced by . KEVIN FEIGE, p.g.a. Cousin Carlo . STEVEN OLIVER Executive Producer . LOUIS D’ESPOSITO Beerbot 5000 . HAMISH PARKINSON Executive Producer . VICTORIA ALONSO Warden . JASPER BAGG Executive Producer . BRAD WINDERBAUM Asgardian Daughter . SKY CASTANHO Executive Producers . THOMAS M. HAMMEL Asgardian Mother . SHARI SEBBENS STAN LEE Asgardian Uncle . RICHARD GREEN Co-Producer . DAVID J. GRANT Asgardian Son . SOL CASTANHO Director of Photography . .JAVIER AGUIRRESAROBE, ASC Valkyrie Sister #1 . JET TRANTER Production Designers . .DAN HENNAH Valkyrie Sister #2 . SAMANTHA HOPPER RA VINCENT Asgardian Woman . .ELOISE WINESTOCK Edited by . .JOEL NEGRON, ACE Asgardian Man . ROB MAYES ZENE BAKER, ACE Costume Designer . MAYES C. RUBEO Second Unit Director & Stunt Coordinator . BEN COOKE Visual Eff ects Supervisor . JAKE MORRISON Stunt Coordinator . .KYLE GARDINER Music by . MARK MOTHERSBAUGH Fight Coordinator . JON VALERA Music Supervisor . DAVE JORDAN Head Stunt Rigger . ANDY OWEN Casting by . SARAH HALLEY FINN, CSA Stunt Department Manager .