Soundbank Manual Software Version 1.0 EN 160407 End-User License Agreement (EULA)

Do not use this product until the following license agreement is understood and accepted. By using this product, or allowing anyone else to do so, you are accepting this agreement.

This End-User License Agreement (EULA) represents the contractual conditions C- Protection of Software between you, the Licensee, and UVI, located 159 rue Amelot, 75011 Paris - France You agree to take all reasonable steps to protect the Product and any accompanying for the use of software, documentation and other materials created by UVI. documentation from unauthorized copying or use. You agree not to modify the Product to circumvent any method or means adopted or implemented by UVI to You should not register, install or use UVI Products until the protect against or discourage the unlicensed use or copying of the Product. following license agreement is understood and accepted.

By using UVI Products, or allowing anyone else to do D- Ownership so, you are accepting this agreement. Ownership of, and title to, the enclosed digitally recorded sounds (including any copies) are held by UVI. A- License Grant Copies are provided to you only to enable you to exercise your rights under the license. 1. UVI grants to you, subject to the following terms and conditions, the non-exclusive right to use each authorized copy of the Product. E- Term 2. UVI Product license are granted only to a single user. You This agreement is effective from the date you open this package, and will remain in may use this product on up to three separate computers or iLok full force until termination. This agreement will terminate if you break any of the terms Dongles, which shall be owned and used by you exclusively. or conditions of this agreement. Upon termination you agree to return to UVI all copies of this product and accompanying documentation and destroy any other copies made. 3. Renting or lending the licensed Software to a third party is expressly forbidden.

4. Except if otherwise stated within this EULA, Licensee may resell the software F- Restrictions to a third party or transfer the software permanently. Request may be done using Except as expressly authorized in this agreement, you may not the ‘Transfer License’ feature in your iLok account, subject to a $25 fee per-license rent, lease, sub-license, distribute, copy, reproduce, display, modify ($50 maximum) by Pace. The serial number of the Product will be transferred to or timeshare the enclosed Product or documentation. the third party by UVI, and Licensee’s original registration will be deleted.

5. Resale or ownership transfer of individual products obtained in a bundle, or G- NFR Serials and Free Products those used to upgrade or cross-grade to other products are not allowed. UVI Products serial numbers labeled as “NFR” (Not For Resale) shall only be used for demonstration, testing and evaluation purposes. NFR Products may 6. UVI allows you to use any of the sounds and samples in the products not be used for commercial purposes, and may not be resold or transferred. you’ve purchased for commercial recordings without paying any They are not eligible for license recovery and are exempt from update, additional license fees or providing source attribution to UVI. upgrade or crossgrade offers, and cannot be purchased with or exchanged for vouchers. Furthermore, as an owner of an NFR Product, you are not entitled 7. This license expressly forbids resale or other distribution of the sounds and to promotions available for the commercial version of the Product. software included in the Product or their derivatives, either as they exist on disc, reformatted for use in another digital sampler, or mixed, combined, filtered, resynthesized or otherwise edited, for use as sounds, multi-sounds, samples, H- No Support Obligation multi-samples, wavetables, programs or patches in a sampler, microchip or any UVI will make its best effort to support you in the event of technical difficulty with a hardware or software sample playback device. You cannot sell the Product content UVI Product. However, UVI is not obligated to furnish or make available to you any or give it away for use by others in their sampling or sample playback devices. additional information, software, technical information, know-how, or support.

8. In the event UVI terminates this agreement due to your breach, you agree to return the original and all other copies of the software and documentation to UVI. I- Specifications and System Requirements All technical specifications of UVI Products provided are intended to be estimates 9. UVI reserves all rights not expressly granted to herein. or approximations. Due to numerous variables no guarantees of compatibility or performance can be made. All such specifications shall be in writing. End-User is solely responsible for, prior to purchase, ensuring that End-User’s B- License Activation devices are compatible and meet the system requirements for UVI Products, 1. In order to use UVI Products it is required that you authorize them by and that the applicable UVI Products meet End-User’s requirements. registering your Serial Number on uvi.net/register, have a free iLok account (not necessarily a dongle) and install the free iLok License Manager (done automatically by UVI Workstation and Falcon installers). It is impossible This EULA is governed by the laws of France. to use UVI Products if they are not registered and authorized.

2. During authorization you will need to enter your name, email address and postal address which will be stored in the UVI database. UVI uses a secure SSL connection with 128-bit-encryption that meets current security standards to transmit your data over the web. For further information about UVI’s handling of personal data please see: https://www.uvi.net/privacy-policy

3. The UVI Product license allows up to 3 simultaneous activations on any combination of iLok dongles and computers. Activations can be moved between devices at anytime through the iLok License Manager. ©2017 UVI. All rights reserved. All trademarks are the property of their respective owners.

2 Table of Contents

Introduction...... 4

User Interface...... 5

Preset Attributes & Instrument Categories...... 6

Instrument...... 7

Links...... 21

Credits and Thanks...... 22

3 Introduction

Percussion Store A High Quality Recording Process A Massive & Versatile Percussion Library

Working with a professional percussionist, we rented a Percussion Store includes more than 150 different commercial studio and filled it to the brim with every instruments sourced from all over the globe, including sort of drum, chime, bell and thing we could beat with a many rare and infrequently heard instruments, making it stick. We brought in Brawmer and Neumann microphones, a fantastic and versatile addition to your sound library. Manley, Fearn and Neve preamps and compressors and very high-end ADCs in order to capture our sessions with the utmost sonic precision - then immediately got to work making what would be one of, if not the,

most comprehensive percussion library ever.

We employed deep multi-sampling to fully capture the varied character and quality of these instruments Minimum System Requirements across multiple playing styles and strikes, often • UVI Workstation 2.5.12+ or Falcon 1.0+ recording extensive velocity samples, different hand • 3.3GB of disk space positions, rolls, and flams with everything recorded For more information on the installation process, please refer to in 24 bit / 96 kHz for pristine clarity and richness. the document: Soundbank Installation Guide

4 Interface

Product Info 1

4 Drive Filter 3

5 Play Amplitude 2

9 Modulations LFO 6

Transpose 7

Pitch Envelope 8

1 Product info 4 Drive 7 Transpose This panel shows details and images for » On/Off Switch » Bend each soundbank or the instrument » Amount Pitch levels assigned to the modwheel Sets the drive amount » Semitone 2 Amplitude Medium-level transpose » VEL 5 Play » Finetone Adjust the filter velocity sensitivity » Polyphony Transpose in cents » ADSR Number of keys that can sound at once » Drive Attack, decay, sustain, release controls » Monophonic Adjust the overdrive amount of the Override polyphony - one key sounds Bit Crusher effect 3 Filter » Glide » Filter Type Severity between note transition 8 Pitch Env Multimode filter can be set to low-pass NOTE: only works within Monophonic » Depth (LP), band-pass (BP), or high-pass [HP] » Velocity Curve Establish the intensity of the pitch » ENV Adjust the play velocity sensitivity change to occur Depth of the filters EG » Time » CUT 6 LFO Establish the time it takes for the pitch Filter cutoff frequency » Type envelope to complete » RES Select from square, triangle, etc. Filter resonance amount » Rate 9 Modulations » VEL Set the LFO speed » Pitch, Pan, Filter, Amp Adjust the filter velocity sensitivity » Depth Apply modulations, including envelopes, » ADSR Place LFO variance from low to high velocities, LFOs and more—set the Attack, decay, sustain, release controls ranges and rates for each modulation

5 Preset Attributes & Instrument Categories

Presets Attributes Reference Instrument Categories Afoxe 3 instruments Tom-Tom 1 instrument Menu Agogo 5 instruments Triangles 1 instrument Every sound of the instrument, one Bata 3 instruments Tumba 2 instruments sample per key, diatonically mapped. Bells 5 instruments Udu 2 instruments Bendir 2 instruments Whistle 3 instruments Kb Berimbau 2 instruments Wood Block 2 instruments Chromatic instruments mapped to the Birdcall 5 instruments Yoruba Tamb 3 instruments keyboard. Blocks 3 instruments Bongos 4 instruments Bonko 1 instrument Cajon 5 instruments Castanet 1 instrument Caxixi 5 instruments Chimes 2 instruments Chocalho 3 instruments Claves 2 instruments Congas 4 instruments Cowbell-Campana 4 instruments Cricket 1 instrument Cuica 2 instruments Cymbals 3 instruments Derbuka 3 instruments Djembe 4 instruments Dundun 3 instruments Ganza 3 instruments Guiros 5 instruments Jingle Bells 4 instruments Maracas 2 instruments Moroccan Tabl 1 instrument Ocean Drums 1 instrument Pandeiro 4 instruments Quinto 2 instruments Rainstick 3 instruments RecoReco 1 instrument Repinique 2 instruments Shaker 2 instruments Shekere 5 instruments Sistre 2 instruments Sonnaille 2 instruments Surdo 2 instruments Tamborim 3 instruments Tambourine 2 instruments Tarol 2 instruments The Blue 2 instruments Timbalito 1 instrument Timbau 2 instruments

6 Instruments

Afoxe Agogo Bata Shakers used in Brazilian genre Double bell from Yoruba origins Double-headed drum from of music, Afoxé. (Nigeria), being one of the Yoruba origins (Nigeria), mainly oldest samba instruments. used in religious purposes. Afoxe 1 Agogo 1 Agogo 4 Bata Itotele

Afoxe 2 Wood Agogo Agogo 2 Bata Iya

Afoxe Mini Agogo 3

Bata Okonkolo

7 Instruments

Bells Bendir Berimbau Hand percussion instrument. North african frame drum, The berimbau is a Brazilian Dundun Bells specifically used in Morocco. musical bow, probably from Bell Double African origins. Bendir 14 Berimbau 1

Small Bell Bell Single Bendir 16 Berimbau 2

Crotales

8 Instruments

Birdcall Blocks Bongos Originally designed for hunting, Small piece of slit drums used Bongos are two (or three!) small birdcalls have gradually been as a percussion instrument. drums attached to each other. used in music. These are made of plastic. Bongo Fiber Birdcall 1 Birdcall 4 Nightingale Plastic Block 1

Triple Bongo Birdcall 5 Turtledove Birdcall 2 Blackbird Plastic Block 2

Wood Bongo 1

Birdcall 3 Cuckoo Temple Blocks

Wood Bongo 2

9 Instruments

Bonko Cajon Castanet Large Cuban drum. Peruvian box drum played by Pair of concave shells mainly slapping the front face. used in flamenco music. Bonko Cajon 1 Cajon Dostres Castanet

Quint Cajon Big Cajon 2 Big

Quint Cajon Small Cajon 2 Small

10 Instruments

Caxixi Chimes Chocalho Closed basket filled with seeds, Many small chimes of varying Shakers made of metal, used in the Caxixi is often played along lengths hanging from a bar. Rio Carnival. the Berimbau in Capoeira music. Chimes 1 Chocalho 1 Caxixi Double Caxixi Paolo

Chocalho 2 Caxixi Single Chimes 2 Caxixi Metal Double

Chocalho 3

Caxixi Metal Simple

11 Instruments

Claves Congas Cowbell - Campana Pair of short pegs, important in Tall and narrow Cuban drum of Hand percussion instrument. Afro-Cuban music. African origin. Cowbell 1 African Claves Conga Junior Congas Fiber

Cowbell 2

Claves Congas 1

Cowbell 3

Congas 2

Cowbell Bongocero

12 Instruments

Cricket Cymbals Derbuka Djembe Small wooden hand percussion Latin crash cymbal. Arabic goblet-shape hand Skin covered West African hand sounding like the eponymous drum. drum. insect. Latin Crash 1 Derbuka 1 Malian Djembe Cricket

Latin Crash 2 Derbuka 2 Sculpted Djembe

Cuica Brazilian friction drum often used in samba music.

Cuica 1

Splash Senegalese Djembe Derbuka 3

Cuica 2

Wood Djembe

13 Instruments

Dundun Ganza Guiros West African drum whose pitch Brazilian rattle mainly used in Open-ended, hollow gourd can be regulated. Samba music. with parallel notches cut in one side, played by rubbing a stick Dundun Big Ganza 1 along the notches. The güiro is commonly used in Latin- American music.

Guiro 1 Merengue

Dundun Med Ganza 2

Guiro 2 Torpedo

Dundun Small Ganza 3

Guiro Wood

14 Instruments

Jingle Bells Maracas Moroccan Tabl Pandeiro Small bells attached to leather Hand percussion instrument of Pair of small drums, made out Hand frame drum, similar to a wristbands or woodsticks. Puerto Rican origins made most of terra-cotta, recovered with tambourine, but tunable. of the time of a dried calabash. goat’s skin. Indian Jingle Bell 1 Maracas are normally played Pandeiro Choro 1 in pairs. Moroccan Tabl

Maracas

Indian Jingle Bell 2 Pandeiro Choro 2 Ocean Drums Wood Maracas Closed frame drum filled with small balls.

Ocean Drums

Pandeiro Pagode Jingle Bell 1

Jingle Bell 2

Pandeiro Samba

15 Instruments

Quinto Rainstick RecoReco Shaker Small Cuban drum of the conga Long and hollow tube which is Originally similar to the güiro, Basic shaker, having the shape family. filled with beads bouncing off this RecoReco is made out of of eggs or a tube. inside pins when the stick is steel. Quinto 1 turned over. Shaker Eggs RecoReco Plastic Rainstick 1

Quinto 2 Shaker

Plastic Rainstick 2 Repinique Brazilian drum used in samba baterias.

Repinique 1

Wood Rainstick

Repinique 2

16 Instruments

Shekere Sistre Sonnaille Dried gourd with beads woven Square variation of the Instrument made up of small into a net covering the gourd. tambourine family. objects or bells, often used to back djembes. African Shekere Shekere Brazil Sistre 1 Sonnaille Big

Shekere 1 Xango Shekere Sistre 2 Sonnaille Small

Shekere 2

17 Instruments

Surdo Tamborim Tambourine Tarol Large bass drum used in many Small, round Brazilian frame Frame drum with pairs of small Snare drum played on the kinds of Brazilian music. drum of Portuguese and African metal jingles. shoulder or with a strap. origin. Surdo Big Tambourine 1 Tarol Medium Tamborim 1

Surdo Small Tambourine 2 Tarol Small Tamborim 2

Tamborim 3

18 Instruments

The Blue Timbau Tumba Udu Large blue bass drum. Tall drum opened on the lower Large Cuban drum of the conga Nigerian drum which consists of part. family. a water jug with a hole. Blue Drum Large Timbau 1 & 2 Tumba 1 Udu Flat

Blue Drum Small Tumba 2 Udu Round Tom-Tom Tall drum opened on the lower part.

Tom-Tom

Timbalito Small pair of timbales.

Timbalito

Triangles Bar of metal, bent into a triangle shape.

Triangles

19 Instruments

Whistles Wood Block Yoruba Tamb Various kinds of whistles. Small piece of slit drum struck Frame drum of Yoruba origins. with a stick. Siren Yoruba Big Wood Block 1

Song Whistle Yoruba Medium Wood Block 2

Whistle Yoruba Small

20 Links

UVI

Home ...... uvi.net/

Soundbank Installation Guide ...... installing_uvi_soundbanks_en.pdf

UVI Workstation User Guide ...... uviworkstation_user_guide_en.pdf

Your Registered Product Serial Numbers and Download Links uvi.net/my-products

FAQ ...... uvi.net/faq

Tutorial and Demo Videos ...... youtube.com/

Support ...... uvi.net/contact-support iLok

Home ...... ilok.com/ iLok License Manager ...... ilok.com/ilm.html

FAQ ...... ilok.com/supportfaq

21 Produced by UVI

Recording / Editing / Sound Design Damien Vallet Kevin Guilhaumou Alain J Etchart

Software Olivier Tristan Remy Muller

Graphic Design Anthony Hak Nathaniel Reeves

Documents Nathaniel Reeves Kai Tomita

Special Thanks

Percussion expertise by Roger Fixy