WFU Begins Investigation of Racial Incident
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Download: Wake Forest: the University Magazine [May 1981]
-Wake Forest-- The University Magazine Frank Johnson celebrates o victory over VIrginia after his lost go me at home in Me morial Coliseum. ]ohmon scored sixteen of his In the lost lwenly-flve minutes of the game. County Leaders Named RJR Gift Inaugurates Sesquicentennial Campaign in Forsyth R.j . Reynolds Industries Inc. has given The Forsyth County drive that the Reynolds gift Alumni Assoaation; Lyons Gray, vice president, $1.5 million to the University's $17.5 million launched is headed by john W. Burress m, president Intercontinental Consultants Corporation and hus Sesquicentennial Campaign. The gift is the largest of J W. Burress, Inc. Serving with him are eight vice band of Constance Fraser Gray, member of the the Reynolda Campus of the University has chairmen: University Board of Visitors; L. Glenn Orr Jr ., received from a corporation. (Reynolds made a F Hudnall Christopher Jr .. Executive Vice- President. president, Forsyth Bank and Trust Co.; joseph H $1.5 million gift in 1977 to the Bowman Gray Rj Re ynold~ Tobacco Co.: George W. Crone Jr. , General Parrish ]r., prestdent, Parrish Tire Co. Richard School of Medicine on the Hawthorne Campus.) manager Container Corporation of America: E. Stockton, president, Norman Stockton. Inc.; ilnd Joel ]. Paul Stiehl, chairman and chief executive officer Lawrence Davis of Womble. CJrlyl~ ~mdbridge and E. Weston )r ('5Q, MBA '73), president, Hanes Dye of the company. announced the gift February 18, Rice. attorneys: William K Davi' () [) e>b, Ot Bell. Davi and Finishmg Co. 1981 at a press conference which also marked the and Pitt and president ot the \\'a!..t: F, r. -
Market Effects Bearing on Fair Use
Washington Law Review Volume 90 Number 2 Symposium: Campbell at 21 6-1-2015 Market Effects Bearing on Fair Use Jeanne C. Fromer Follow this and additional works at: https://digitalcommons.law.uw.edu/wlr Part of the Intellectual Property Law Commons Recommended Citation Jeanne C. Fromer, Market Effects Bearing on Fair Use, 90 Wash. L. Rev. 615 (2015). Available at: https://digitalcommons.law.uw.edu/wlr/vol90/iss2/4 This Article is brought to you for free and open access by the Law Reviews and Journals at UW Law Digital Commons. It has been accepted for inclusion in Washington Law Review by an authorized editor of UW Law Digital Commons. For more information, please contact [email protected]. 06 - Fromer.docx (Do Not Delete) 6/3/2015 1:26 PM MARKET EFFECTS BEARING ON FAIR USE Jeanne C. Fromer* Abstract: Copyright law, which promotes the creation of cultural and artistic works by protecting these works from being copied, excuses infringement that is deemed to be a fair use. Whether an otherwise infringing work is a fair use is determined by courts weighing at least four factors, one of which is the effect of the otherwise infringing work on the market for the copyrighted work. The Supreme Court’s decision just over twenty years ago in Campbell v. Acuff-Rose Music, Inc. opened the door to a laudable analytical framework for the bearing of market effects on fair use. First, Campbell supports a more full-bodied investigation of the market effects—both harms and benefits—of defendants’ works on plaintiffs’ copyrighted works. -
Serial Historiography: Literature, Narrative History, and the Anxiety of Truth
SERIAL HISTORIOGRAPHY: LITERATURE, NARRATIVE HISTORY, AND THE ANXIETY OF TRUTH James Benjamin Bolling A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Minrose Gwin Jennifer Ho Megan Matchinske John McGowan Timothy Marr ©2016 James Benjamin Bolling ALL RIGHTS RESERVED ii ABSTRACT Ben Bolling: Serial Historiography: Literature, Narrative History, and the Anxiety of Truth (Under the direction of Megan Matchinske) Dismissing history’s truths, Hayden White provocatively asserts that there is an “inexpugnable relativity” in every representation of the past. In the current dialogue between literary scholars and historical empiricists, postmodern theorists assert that narrative is enclosed, moribund, and impermeable to the fluid demands of history. My critical intervention frames history as a recursive, performative process through historical and critical analysis of the narrative function of seriality. Seriality, through the material distribution of texts in discrete components, gives rise to a constellation of entimed narrative strategies that provide a template for human experience. I argue that serial form is both fundamental to the project of history and intrinsically subjective. Rather than foreclosing the historiographic relevance of storytelling, my reading of serials from comic books to the fiction of William Faulkner foregrounds the possibilities of narrative to remain open, contingent, and responsive to the potential fortuities of historiography. In the post-9/11 literary and historical landscape, conceiving historiography as a serialized, performative enterprise controverts prevailing models of hermeneutic suspicion that dominate both literary and historiographic skepticism of narrative truth claims and revives an ethics responsive to the raucous demands of the past. -
Workshop of Potential Scholarship: Manifesto for a Parametric Videographic Criticism
EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Workshop of Potential Scholarship: Manifesto for a parametric videographic criticism Alan O’Leary NECSUS 10 (1), Spring 2021: 75–98 URL: https://necsus-ejms.org/workshop-of-potential-scholarship- manifesto-for-a-parametric-videographic-criticism/ Abstract This article sets out the rationale for a videographic scholarship (the audiovisual study of screen media) that adopts constraint-based or ‘parametric’ procedures, and concludes with a short manifesto com- posed according to the simple constraint of division into ten equal segments of 50 words each. The article situates a parametric practice in relation to OuLiPo (a group founded in the early 1960s to explore constraint-based approaches to writing), to pataphysics (an absurdist branch of knowledge concerned with what eludes understanding by conventional means), to themes in the digital humanities, and to the posthuman. And it issues a call to forge an ‘agonistic society’ of vide- ographic scholars who goad each other to greater achievement through the conspicuous and wasteful expenditure of resources of knowledge. Keywords: constraints, cyborg, Donna Haraway, enactment, OuLiPo, pataphysics, posthuman, potlatch, video essay Introduction: OuScholPo This essay proposes a rationale for a constraint-based or ‘parametric’ practice of videographic scholarship and is followed by a 500-word manifesto com- posed according to the simple constraint of division into ten equal segments of 50 words each. My title alludes to OuLiPo, short for Ouvroir -
Film Culture in Transition
FILM CULTURE IN TRANSITION Exhibiting Cinema in Contemporary Art ERIKA BALSOM Amsterdam University Press Exhibiting Cinema in Contemporary Art Exhibiting Cinema in Contemporary Art Erika Balsom This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative in- itiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Sections of chapter one have previously appeared as a part of “Screening Rooms: The Movie Theatre in/and the Gallery,” in Public: Art/Culture/Ideas (), -. Sections of chapter two have previously appeared as “A Cinema in the Gallery, A Cinema in Ruins,” Screen : (December ), -. Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, . Marker pen on Plexiglas with c-print, x inches. Courtesy of the artist and Team Gallery, New York. Cover illustration (back): Simon Starling, Wilhelm Noack oHG, . Installation view at neugerriemschneider, Berlin, . Photo: Jens Ziehe, courtesy of the artist, neugerriemschneider, Berlin, and Casey Kaplan, New York. Cover design: Kok Korpershoek, Amsterdam Lay-out: JAPES, Amsterdam isbn e-isbn (pdf) e-isbn (ePub) nur / © E. Balsom / Amsterdam University Press, Amsterdam All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. -
Volume 40 Number 2
Manulaclurer of Maynard F. Ayhr, '+5, Geologist for Denver"Sub-A" The California Company, has been trans Ffoiaiion /Machines... ferred to their Denver office in the U. S. Standard the National Bank Building, Plis new mailing address is Box 780, Denver 1. World Over Byro7i B. Boalrighl, '22, Vice-President of Conroe Drilling Company, is addressed Box 755, Austin, Texas. Martin P. Brown, '36, has been trans ferred from Bremerton, Washington, to China Lake, California, with address Box 303. He is Civil Engineer for Navai Ship Standard-Reliable—Efficient yard. Thomas L. Chapman, '06, has recentlj' Equipment for Flotation, moved to Redwood City, California, where he is addressed 1893 Bay Shore Highway. Cyanidation, Amalgamation, fVai Siiey Chin, '+9, is taking graduate work in Chemical Engineering at the Uni Gravity Concentration versity of Texas and resides at 1909 Red River, Apt. 5, Austin, Texas. Barton E. Coles, Jr., '49, Reservoir Engi "7^ -^inftt iAat ttut^ied 4tA ^wSeWd •^ftfifice^. /ietiitAi&t. and ineaiiAien.' neer for the Atlantic Refining Company, has a new residence address, 66ll Ken- well Street, Dallas 9, Texas. DENVER EQUIPMENT COMPANY Haskell R. Collins, '39, is Product Con P.O. BOX 5268 • DENVER 17, COLORADO troller, Carrier Corporation, residing at D!HVFR n, CaLORtDS: P.O. So 52Eg roanHlB, BKTARIS: 4S SictaDEid SIfdl WISHSdN. m. ENGtlKD: Siilitiiry Hoiise 114 Fordam Road, Syracuse, N. Y. HEW mt cm I, ".Y.: 4114 lw\\\t Stitt Ui.ViUiCQSVEH , B. C: ]Di Credit fsnclE; JDHtXKESBURE, S. ATRIEA: 8 «flljj[c Roid J. IV. R. Crawford, III, '+8, Field Geol MFXICS, S. V, tdlliclD fEdio de Ginle, GanlRIEHMOKSi 7 , «iiS!Rlt!i: S3D Vktoili Sliiet ogist for The Caiifornia Company, is at present in Casper, Wyoming, with ad dress Box 837. -
Aug 28, 2015 at Los Angeles, Calif.)
Volleyball Box Score 2015 North Carolina Volleyball #7 North Carolina vs #22 USC (Aug 28, 2015 at Los Angeles, Calif.) Attack Serve Block # North Carolina S K E TA Pct Ast SA SE RE Dig BS B BE BH Pts 3 Beth Nordhorn 3 2 0 3 . 6 6 7 0 0 0 0 0 0 2 0 0 3.0 4 Leigh Andrew 4 10 7 40 . 0 7 5 0 0 0 0 8 0 0 0 0 10.0 5 Paige Neuenfeldt 4 8 4 30 . 1 3 3 0 0 0 0 5 0 2 0 0 9.0 7 Victoria McPherson 4 5 2 17 . 1 7 6 0 0 0 0 1 0 7 0 0 8.5 13 Jordyn Schnabl 4 0 0 0 . 0 0 0 22 1 1 0 11 0 0 0 0 1.0 20 Taylor Treacy 3 3 4 13 - . 0 7 7 0 0 0 0 0 1 2 0 0 5.0 1 Taylor Fricano 3 3 1 11 . 1 8 2 1 0 0 0 2 1 3 0 0 5.5 2 Heather Gearhart 4 0 0 1 . 0 0 0 4 0 0 4 13 0 0 0 0 0.0 11 Sheila Doyle 1 0 0 0 . 0 0 0 0 0 0 0 0 0 0 0 0 0.0 17 Abigail Curry 4 1 0 1 1.000 14 0 0 0 9 0 0 0 1 1.0 18 Tatiana Durr 4 0 3 5 - . 6 0 0 1 0 1 0 8 0 0 0 0 0.0 21 Hayley McCorkle 4 10 4 27 . -
Roberts, David (-1968)
Monuments of Brick and Learning Dave Roberts Class of '68 Have you ever strolled about the Wake Forest Wait was a powerful influence in the formation University campus, admiring the trees and Georgian of the Baptist State Convention in 1829, and he was architecture, paused before a name on a building and chosen general agent to travel throughout the state stared in ignorance at meaningless metal letters on red and gain support for it. Two years later, plans for a brick? Of course these letters sometimes evoke stray school to train ministers began taking shape. A farm images - W-A-1-T ... chapel ... founder ... runaway about fifteen miles from Raleigh was chosen as its horse ... More often they evoke only a nagging desire site, and Wait was named its principal. His title was to know something about the people they represent, changed to president in 1838 when the name of the to see beyond the impenetrable brick into the school was changed to Wake Forest College. background of their lives. Who were these people? Although ill health forced his resignation as Why are these buildings monuments to them? President in 1845, Wait remained president of the Twelve buildings are named for people, plus board of trustees until the end of the Civil War. He Efird and Huffman Halls, Wingate Hall, Davis Chapel died in 1 867. and DeTamble Auditorium. Of these seventeen Wingate Hall, adjacent to Wait Chapel, was people, one was the first dean of women, six were named for Washington Manly Wingate, who graduated presidents of the school, and ten were benefactors. -
The History of Wake Forest University (1983–2005)
The History of Wake Forest University (1983–2005) Volume 6 | The Hearn Years The History of Wake Forest University (1983–2005) Volume 6 | The Hearn Years Samuel Templeman Gladding wake forest university winston-salem, north carolina Publisher’s Cataloging-in-Publication data Names: Gladding, Samuel T., author. Title: History of Wake Forest University Volume 6 / Samuel Templeman Gladding. Description: First hardcover original edition. | Winston-Salem [North Carolina]: Library Partners Press, 2016. | Includes index. Identifiers: ISBN 978-1-61846-013-4. | LCCN 201591616. Subjects: LCSH: Wake Forest University–History–United States. | Hearn, Thomas K. | Wake Forest University–Presidents–Biography. | Education, Higher–North Carolina–Winston-Salem. |. Classification: LCCLD5721.W523. | First Edition Copyright © 2016 by Samuel Templeman Gladding Book jacket photography courtesy of Ken Bennett, Wake Forest University Photographer ISBN 978-1-61846-013-4 | LCCN 201591616 All rights reserved, including the right of reproduction, in whole or in part, in any form. Produced and Distributed By: Library Partners Press ZSR Library Wake Forest University 1834 Wake Forest Road Winston-Salem, North Carolina 27106 www.librarypartnerspress.org Manufactured in the United States of America To the thousands of Wake Foresters who, through being “constant and true” to the University’s motto, Pro Humanitate, have made the world better, To Claire, my wife, whose patience, support, kindness, humor, and goodwill encouraged me to persevere and bring this book into being, and To Tom Hearn, whose spirit and impact still lives at Wake Forest in ways that influence the University every day and whose invitation to me to come back to my alma mater positively changed the course of my life. -
Michael Bell-Smith and Lauren Cornell Same Space Over the Last Ten Years
LC: This exhibition was a partial survey lation so that it would exaggerate a of work you’ve created since 2005. Can feeling of “thingness”? you describe the selection? Was the MBS: I wanted to show work that could intent to show a breadth of work or to touch upon that idea in different ways— Gray Areas narrow in on several themes or formal pieces with different relationships to strategies? duration, to other media (sculpture, paint- MBS: I’ve rarely gotten the opportunity ing, etc.), to scale, to display technologies to show different bodies of work in the (CRT monitors vs. video projection vs. An Interview between Michael Bell-Smith and Lauren Cornell same space over the last ten years. I flat screens). I wanted some videos to feel wanted to have a variety of pieces talking more like objects, others like pictures, to each other, creating new associations and still others like more traditional and meanings. In that respect, I saw the video screenings. show working as a typical survey might: a For instance, three videos—Glitter way to present a more multifaceted idea Grade, Return to Forever, and On The of what I do. Another aspect of the show Grid—were projected on the wall at a was thinking about the duality of video scale comparable to paintings or large as both digital files and as things. On photographs. These three works are quite one hand, video is portable and ephem- minimal; very little “happens” in them. eral, while on the other, your experience They work more with the language of pic- 33 as a viewer is entirely dependent on its tures than the ideas of montage we might physical manifestation. -
Videographic Scholarship And/As Digital Humanities
Videographic Scholarship and/as Digital Humanities Steve F. Anderson For cinema and media studies scholars, the emergence of two areas of scholarly practice—namely videographic scholarship and the Digital Humanities (DH)—has created opportunities for new forms of argumentation, analysis and research, as well as new venues for the dissemination of scholarly output related to the study of the moving image. While videographic scholarship and DH overlap in many ways, they also remain distinct, with few scholar-practitioners actively working in both realms. How can we understand this separation and begin to imagine a more productive relationship between them? Key to our understanding of both videographic scholarship and DH is the ongoing cultural contestation between images and data, bearing important implications for the ways each practice stakes claims about its access to new ways of knowing, researching and presenting information. I explore here some of those distinctions and overlaps, and suggest that the primarily image-based practice of videographic scholarship would benefit from adapting a process of serial review and revision derived from early experiments with data-based digital scholarship. Adapting these protocols to the specific needs of videographic scholarship would better support the scholarly benefits of process, evaluation and collaboration. The center of gravity in today’s understanding of DH lies with large-scale, computational analysis of machine-readable data (think of text-encoding initiatives in which vast collections of literary works are converted into searchable data). The “digital” in this understanding of DH offers one way 2 to bring computation into partnership with humanistic inquiry. However, this is not the only possible framework for recognizing the potential contributions of computation to the humanities. -
Reynolda Campus
1 Wait Chapel/Wingate Hall 40 Haddock Golf Center 63 North Campus Dining 2 Efird Residence Hall 41 Martin Residence Hall 64 McCreary Field House 3 Taylor Residence Hall 42 Spry Soccer Stadium REYNOLDA CAMPUS MAP Bookstore, Campus Grounds 43 Polo Residence Hall 4 Davis Residence Hall 44 , 45, 46 Chiller Plants Subway, University Police 47 Greene Hall 24-Hour Office 48 Tennis Courts Area Map . 5 Reynolda Hall 49 Polo Road Gate t S Wake Forest 50 University Parkway Gatehouse y Cafeteria r Tennis Center r University e BB&T Field/ Magnolia Room 51 Reynolda Road Gatehouse h 6 Benson University Center 52 Miller Center Corporate C Deacon Tower/ Cardiac Center Bridger Field House Research Pugh Auditorium, Food Court, 53 Porter B. Byrum Reynolda Center To US 52 Business Reynolds Blvd. Shorty's, Post Office, Wells Fargo Welcome Center ke Center a st Wake Forest W re 7 Z. Smith Reynolds Library 54 South Residence Hall Fo . Rd University Starbucks 56 Dance Studio y w k . Deacon Blvd 7A Wilson Wing 59 The Barn d P R lo k Reynolda Nanotechnology 8 Olin Physical Laboratory 60 Farrell Hall e Po Center e Village 9 Salem Hall 61 Dogwood Residence Hall r Wake Forest C Dr. Baseball Park m s eu 10 Winston Hall 62 Magnolia Residence Hall a s l Reynolda i U i l o n S C 11 Luter Residence Hall House i v and Gardens e LJVM r 12 Babcock Residence Hall s Coliseum W i oad Graylyn t 13 Tribble Hall lo R y Po Conference i P n 14 Johnson Residence Hall Center k g 27 w a y 15 Bostwick Residence Hall 49 .