Charles Henri Ford Papers, 1906-1989, Bulk 1939-1989
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Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Press Release WIDMER+THEODORIDIS
Zurich, October 16, 2007 Press Release IRA COHEN WIDMER+THEODORIDIS contemporary is pleased to announce the first HAUTNAH / Swiss individual exhibition by the New York artist Ira Cohen. A selection of UP CLOSE & PERSONAL his photographic work from the series ‘Hautnah / Up Close & Personal’ will October 26 - December 22, 2007 be on display. Opening Reception The exhibition has been arranged in connection with the eponymous new book Thursday, October 25, 2007 7pm by Ira Cohen to be published in the spring of 2008 by the Papageien-Verlag, Zurich. The editors are Florian Vetsch and Michael Pfister. Florian Vetsch and mischa vetere, editors of the book, will speak Ira Cohen is an enigmatic artistic figure who has worked in a variety of at the opening reception. experimental ways. In the 60’s he published the magazine ‘GNAOUA’ in which he presented artists like Brion Gysin and William S. Burroughs. Jimi Hendrix and other artists were portrayed in his ‘Mylar Images’ and he created many record covers. Shamanistic and tantric experiences were technically and conceptually integrated into his photographic work and his work as a poet, musician and filmmaker began at the latest in the 70’s. A work by Ira Cohen was recently presented at the Art Basel 38 / Kunst+Film by John Armleder. In 1970 Cohen moved to Kathmandu where he lived for ten years and build up an artist’s colony. He returned to New York in 1980 where he still lives and works today. In ‘Hautnah / Up Close & Personal’ Cohen leads us into his private world. Friends, relatives, musicians and stars are presented in uninhibited yet apparently natural positions. -
Shapiro Auctions
Shapiro Auctions RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS Tuesday - June 15, 2010 RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS 1: GUBAREV ET AL USD 800 - 1,200 GUBAREV, Petr Kirillovich et al. A collection of 66 lithographs of Russian military insignia and arms, from various works, ca. 1840-1860. Of varying sizes, the majority measuring 432 x 317mm (17 x 12 1/2 in.) 2: GUBAREV ET AL USD 1,000 - 1,500 GUBAREV, Petr Kirillovich et al. A collection of 116 lithographs of Russian military standards, banners, and flags from the 18th to the mid-19th centuries, from various works, ca. 1830-1840. Of varying sizes, the majority measuring 434 x 318mm (17 1/8 x 12 1/2 in.) 3: RUSSIAN CHROMOLITHOGRAPHS, C1870 USD 1,500 - 2,000 A collection of 39 color chromolithographs of Russian military uniforms predominantly of Infantry Divisions and related Artillery Brigades, ca. 1870. Of various sizes, the majority measuring 360 x 550mm (14 1/4 x 21 5/8 in.) 4: PIRATSKII, KONSTANTIN USD 3,500 - 4,500 PIRATSKII, Konstantin. A collection of 64 color chromolithographs by Lemercier after Piratskii from Rossiskie Voiska [The Russian Armies], ca. 1870. Overall: 471 x 340mm (18 1/2 x 13 3/8 in.) 5: GUBAREV ET AL USD 1,200 - 1,500 A collection of 30 lithographs of Russian military uniforms [23 in color], including illustrations by Peter Kirillovich Gubarev et al, ca. 1840-1850. Of varying sizes, the majority measuring 400 x 285mm (15 3/4 x 11 1/4 in.), 6: DURAND, ANDRE USD 2,500 - 3,000 DURAND, André. -
Roditi, Edouard (1910-1992) by John Mcfarland
Roditi, Edouard (1910-1992) by John McFarland Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com Poet, translator, literary and art critic, and short story writer, Edouard Roditi was associated with most of the twentieth-century's avant-garde literary movements from Surrealism to post-modernism. For more than sixty years, he produced such an astonishing variety of smart, lively, and moving poetry and prose that nobody objected when he dubbed himself "The Pharaoh of Eclecticism." A member of several predominantly homosexual social circles, Roditi maintained friendships with literary and artistic figures ranging from Paul Bowles and Jean Cocteau to Paul Tchelitchew and Christian Dior. His art and literary criticism held artists and writers to the very highest standards and insisted that intense but uncritical infatuation with flashy new trends could end in disappointment and heartbreak. His Internationalist Birthright Roditi was born in Paris on June 6, 1910. He was the beneficiary of a remarkably rich confluence of heritages--Jewish, German, Italian, French, Spanish, and Greek--and was truly international, both American and European. His father, Oscar, an Italian born in Constantinople, had become a United States citizen after his father emigrated to America and gained citizenship. Although Oscar's father had left the family behind in Europe, all the family in Europe became citizens when he did by virtue of the citizenship statutes in force at that time. Roditi's mother, Violet, had an equally rich family history. She was born in France but became an English citizen in her youth. When she married Oscar, she too became a United States citizen. -
Dana Young Archive Featuring Brion Gysin, Charles Henri Ford, Ira Cohen, Ray Johnson, David Rattray, Harold Norse, and the Bardo Matrix
Dana Young Archive Featuring Brion Gysin, Charles Henri Ford, Ira Cohen, Ray Johnson, David Rattray, Harold Norse, and the Bardo Matrix. [top] A portrait of Dana Young in front of an altar of candles, Kathmandu (date and photographer unknown). [bottom] Detail of Dana Young cover for Ira Cohen’s Poem for La Malinche (Bardo Matrix, ca. 1974) and [right] Dana Young print of Ira Cohen, “The Master & the Owl,” (date unknown). Dana Young (ca. 1948–1979) Dana Young was an essential member of the Kathmandu psychedelic expatriate community of poets, musicians, artists, and spiritual seekers in the 1970s. His poetry and shamanic art blended Eastern spiritual imagery with American pop and consumer culture. He was an active member of the Bardo Matrix collective and is best known for his book Opium Elementals (Bardo Matrix, 1976) that features his beautiful woodblock prints along with two poems by Ira Cohen. He contributed to several other Bardo Matrix publications including Cohen’s Blue Oracle broadside (1975), the frontispiece to Paul Bowles’ Next to Nothing (1976), and Ira Cohen and Roberto Francisco Valenza’s Spirit Catcher! broadside (1976). His artwork also appears in publications such as Montana Gothic (1974) and Ins and Outs (1978). Dana designed the logo (included in the archive) for John Chick’s Rose Mushroom club located at the end of Jhochhen Tole, known as “Freak Street,” in Kathmandu. Most recently, one of Dana Young’s wood block prints was featured on the album cover of the recent release of Angus MacLise's Dreamweapon II. Materials in the present collection comprise the archive of Dana Young supplemented with letters, photographs, and assorted items from the Ira Cohen archive via Richard Aaron, Am Here Books. -
Durlacher Bros. Records, 1919-1973
http://oac.cdlib.org/findaid/ark:/13030/tf067n977n No online items Finding aid for the Durlacher Bros. records, 1919-1973 Finding aid prepared by Lori Saavedra and Jocelyn Gibbs. Finding aid for the Durlacher 950003 1 Bros. records, 1919-1973 Descriptive Summary Title: Durlacher Bros. records Date (inclusive): 1919-1973 Number: 950003 Creator/Collector: Durlacher Bros. Physical Description: 16.0 linear feet(42 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: Records of the Durlacher Brothers, prominent art dealers in London and New York during the 19th and 20th centuries. The records comprise administrative and financial records, correspondence, and photographs from the New York City branch, ca. 1920s-1960s, the years during which R. Kirk Askew managed, and then owned the firm. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Henry Durlacher founded the Durlacher Brothers firm of art dealers in London in 1843, and was later joined by his brother George. The firm dealt principally with porcelain and majolica, eventually adding furniture, tapestries, decorative objects, and paintings to their stock. The brothers Durlacher built a clientele that included such significant collectors as Sir Richard Wallace and J. Pierpont Morgan. R. Kirk Askew joined the firm in the 1920s to manage the newly established New York City branch, which quickly became the more influential of the two branches. George Durlacher, the oldest surviving partner of the originally constituted firm, retired in 1938. -
Allen C. Tanner (1898-1987) MC 2013.3
Archives and Special Collections Dickinson College Carlisle, PA COLLECTION REGISTER Name: Allen C. Tanner (1898-1987) MC 2013.3 Material: Papers (1890-1986) Volume: 3.0 linear feet (Document Boxes 1-6, 19 Oversized Folders, 134 Photograph Folders, 10 Books) Donation: Gift of Liz Hamill Howard (Class of 1982), 2009 Usage: These materials have been donated without restrictions on usage. BIOGRAPHICAL NOTE Allen C. Tanner was born on September 29, 1898 to Allen Caldwell Tanner and Mabel Waters Pace Tanner of Mount Vernon, Illinois. He came from a musically talented family, including siblings Florence, Wynona, Allene, and Earl. At the age of eight, he began training in music with an aunt who played the piano and with his cousin Mabel Pavey, who was also a skilled musician. Tanner showed promise as a pianist at an early age, and at fifteen he went to Chicago to further his musical education. He was awarded a scholarship to study with Victor Heinze and soon began performing publicly. Margaret Anderson, founder of the Little Review, heard Tanner perform in Chicago and became an admirer of his music and also a friend. Tanner then moved to New York City, where he accompanied vocalists such as Marguerite Namara and was invited to play with Ruano Bogislav (Mrs. Riccardo Martin), Frances Alda, Marguerite D’Alvarez, and Georgette Leblanc. He also performed in musical salons and came into contact with many musical greats of the era, including Myra Hess, Arthur Rubinstein, Paul Kochanski, and Karol Szymanowski. In the early 1920s, he spent a summer in Bernardsville, NJ where he shared a house with Margaret Anderson, Georgette Leblanc, and George Antheil. -
1-54 FORUM Talks Programme Announced for Second Edition in Marrakech, Curated by Art Historian and Curator Karima Boudou
1-54 Contemporary African Art Fair La Mamounia, Marrakech, 23 – 24 February 2019 1-54 FORUM talks programme announced for second edition in Marrakech, curated by art historian and curator Karima Boudou • Twelfth edition of 1-54 FORUM, titled ‘Let’s Play Something Let’s Play Anything Let’s Play’1, will examine narratives of surrealism in Africa and its diaspora • Conversation on Ted Joans’ relationship with surrealism by lecturer Joanna Pawlik • Screenings of work by filmmakers Kara Walker and Louis Van Gasteren • Panel discussions on the contemporary use of sound and language to liberate the unconscious and document it • Talk on Maghrebian Surrealism and the Surrealist movement in Egypt L-R: Noureddine Ezarraf, The Public Writer, 2017, installation. Photo by Lisa Stewart of Queens Collective. Courtesy the artist; Vince Fraser, BLAQUE MATISSE, 2017. Courtesy the artist; Abdellah Hassak, Alarme! Alarme! Alarme!, 2016. Courtesy the artist. 1-54 Contemporary African Art Fair, the leading international art fair dedicated to contemporary African art, has announced details of 1-54 FORUM, the fair’s acclaimed talks and events programme, for the second Marrakech edition in February. Curated for the first time by art historian and curator, Karima Boudou, the programme entitled ‘Let’s Play Something Let’s Play Anything Let’s Play’ will take place during the fair at La Mamounia. In addition, 1-54 FORUM will host three sessions around the city at ESAV (L'École Supérieure des Arts Visuels de Marrakech), Musée Yves Saint Laurent Marrakech and Le 18, a multidisciplinary art space. 1-54 Marrakech 2019 will present 18 leading galleries from 11 countries featuring more than 65 artists from Africa and its diaspora. -
Surrealism in Connecticut July 3 – Oct. 18, 2015 Wall Text & Extended
Visions from Home: Surrealism in Connecticut July 3 – Oct. 18, 2015 Wall Text & Extended Labels This exhibition examines the international artistic community that flourished from the 1930s to the 1950s in rural towns such as Roxbury, Sherman, and Woodbury, in Litchfield County. With its rolling hills and farmhouses, the countryside provided a retreat from the congestion and noise of city living. Following the outbreak of World War II, a wave of European artists—many proponents of Surrealism—relocated to this area, where they found physical and intellectual refuge. For many, the landscape of Connecticut inspired their imagery and choice of subject. The Wadsworth Atheneum was a center for vanguard exhibitions and performances in the 1930s and 1940s, including the first display of Surrealist painting in America. This current exhibition looks back to this defining moment in the museum’s history and celebrates the artists and tastemakers that helped define Connecticut’s cultural landscape as modern and innovative. Unless otherwise stated, all objects are from the collection of the Wadsworth Atheneum Museum of Art. Supported in part by a gift of the Jean and Julien Levy Foundation for the Arts, Inc. Support for the Wadsworth Atheneum is provided in part by the Greater Hartford Arts Council’s United Arts Campaign and the Department of Economic and Community Development, which also receives support from the National Endowment for the Arts, a federal agency. Wadsworth Atheneum Museum of Art Page 1 of 6 Wall Text & Extended Labels, Visions from Home: Surrealism in Connecticut 7-1-15-ay Alexander Calder American, 1898–1976 Little Blue Panel, 1934 Wood, metal, motor, wire, and paint Purchased through the gift of Henry and Walter Keney, 1935.63 In 1930, Calder visited the studio of Dutch abstract painter Piet Mondrian, and described the experience as “a shock.” Mondrian had placed paper rectangles on the wall of his studio to help visualize his starkly geometric paintings. -
Fall 2016 Graduate Seminars Fall 2016
Fall 2016 Graduate Seminars Fall 2016 ENG 751 R: Nineteenth-Century American Literature: Nineteenth-Century Temporalities Benjamin Reiss Tuesdays 4-7 pm Concepts of time structure every field of inquiry, from relativity in physics to rhythm in music, from deep time in geology to the periodization of art, literature, and history. Some systems of time are derived from the natural world (the cycle of seasons, the rising and falling of the sun, circadian rhythms), whereas others are completely culturally constructed (seven days in a week, sixty seconds in a minute, twelve days of Christmas, etc.) This course will explore how conceptions of time such as periodization, lineage, and contemporaneity structure our understanding of literary works; how we can grasp the temporal experience of reading as a part of interpretation; and how literature of the American nineteenth century reflected and responded to contemporaneous temporal systems. These latter developments include industrial time, notions of progress and history, sacred time, domestic timekeeping, geological time, and standardized time, each of which influenced notions of race, ability, sexuality, gender, and national identity. Literary authors to be studied will likely include Cooper, Melville, Whitman, Stowe, Hawthorne, Thoreau, Douglass, Jewett, Twain, Bellamy, and Gilman. Critics and theorists will include Karl Marx, G.W.F. Hegel, Benedict Anderson, Johannes Fabian, E. P. Thompson, Jack Halberstam, Michelle Wright, Paul Gilroy, Wai Chee Dimock, Dana Luciano, Cody Marrs, and Virginia -
Prrb-Issue04.Pdf
the Pacific Rim PRRB Review of Books Issue Four, Fall 2006 Publication Mail Agreement Number 4123503 ISSN 1715-3700 $4.00 Special Edition Soul Poet: Joseph Blake on Sam Cooke Remembering Cid Corman, Part 2 by Gregory Dunne Diplomat Reg Little on The World of Blood and Oil: The New World at war Andrew Schelling goes Over the River Why Olson Matters by Peter Grant Cohen’s Recursive Longing Translator Red Pine on Dancing with the Dead In Formless apis teicher On circumstance... the crystal prose of katherine govier Trevor Carolan on Leonard Cohen Tangier Renegade: Ira Cohen interviews Rumi: Encountering paul Bowles a remarkable man Linda Rogers On by Hussein Samet Dede Crane and Patricia Young BOOK OF LONGING Book of Longing Trevor Carolan Leonard Cohen, M & S. 232 pp. $32.99 All busy in the sunlight / The flecks did float and dance / graphic ornamentation. The strongest are his self-portraits. And I was tumbled up with them / In formless circumstance Modigliani, Schiele and Van Gogh come to mind in viewing these Leonard Cohen images, often reproduced in various forms on different pages—in b & w reverses, blow-ups, close-ups, and the like. This adds a tremendous t’s not everyday that Leonard Cohen releases a new collection of dimension and makes Longing not just a lengthy, absorbing read, but a his poetry. Twenty years have passed since his last volume. coffee-table keeper to boot. An ambitious work that brings in every- IMeanwhile, his albums of songs keep piling up—17 at last count. thing but the kitchen sink, it’s a compelling collection that has one Who at one time or another hasn’t been captured by Cohen’s plaintive picking it up again and again. -
One of the Finest Watercolors by Pablo Picasso to Highlight Sotheby's
AiA News-Service One of the finest watercolors by Pablo Picasso to highlight Sotheby's Impressionist & Modern Art Evening Sale Pablo Picasso, Nature morte à la tête classique et au bouquet de fleurs. Estimate: $5/7 million. Courtesy Sotheby's. NEW YORK, NY.- Sotheby’s announced that they will present Pablo Picasso’s Nature morte à la tête classique et au bouquet de fleurs as a highlight of their Impressionist & Modern Art Evening Sale on 12 November 2019 in New York. Having remained in the same family collection for more than 35 years, this lyrical work on paper from 1933 is among the finest of a small group of highly-worked watercolors and gouaches on this subject that the artist created while on holiday in Cannes with his wife Olga and his young son Paolo. Held for decades in the collection of the famed Surrealist poet and patron Edward James, the present work eloquently speaks to James’ keen eye for the most ethereal and dreamlike compositions of the avant garde, and beautifully illustrates this tumultuous yet highly prolific period in Picasso’s oeuvre. Sotheby’s had the privilege of offering the present work in December 1982, when it sold for $179,135 during the London sale of Impressionist and Modern Drawings and Watercolours, on offer from the Edward James Foundation. Estimated to sell for $5/7 million in the November Evening Sale, Nature morte à la tête classique et au bouquet de fleurs comes to auction on the heels of the celebrated 2018 Tate Modern exhibition, Picasso 1932 – Love, Fame, Tragedy.