University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 1-11-2013 “Must Be the Season of the Witch”: The Repression and Harassment of Rock and Folk Music during the Long Sixties Daniel A. Simmons University of Connecticut - Storrs,
[email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Simmons, Daniel A., "“Must Be the Season of the Witch”: The Repression and Harassment of Rock and Folk Music during the Long Sixties" (2013). Doctoral Dissertations. 19. https://opencommons.uconn.edu/dissertations/19 “Must Be the Season of the Witch”: The Repression and Harassment of Rock and Folk Music during the Long Sixties Daniel Andrew Simmons, Ph.D. University of Connecticut, 2013 Between the mid-1960s and early-1970s, the genres of folk and rock music were often culturally subversive forces that, at times, supported such countercultural mores as illegal drug use, obscenity, and a hedonistic sexuality which offended some governmental agencies and law enforcement authorities in the United States. Although the countercultural subversion frequently attributed to such music was neither the same as nor necessarily inclusive with revolutionary, leftist political ideologies and movements, such music commonly provided the soundtrack and inspiration for various counter- hegemonic political groups as the antiwar movement, the Youth International Party, the Black Panther Party, and the Weather Underground (all of which challenged government authorities which they condemned as imperialist, racist, and oppressive). Consequently, a variety of officials, including FBI agents, the U.S. Military, and local law enforcement officers, including municipal narcotics and vice squads, instituted various forms of repression or harassment against certain musical performers, promoters, or concertgoers.