Blinded by the Light
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Fall 2017 Banquet
Tons of Newsletter Home to the Fall Session of the Raleigh Dart League for the Banquet, Saturday, December 9, 2017 Issue #JK704 The "This Is Probably About As Close To A 'Royal' Wedding As I Will Ever Care To Be" Edition TOURNAMENT WINNERS TABLE OF CONTENTS "A" Division - Appetite for Destruction (13-11) Item Page Number Appetite ends Element's 5-Mug run by pulling out a 501 sweep Tournament & Regular Season Winning Teams 1 (just as they did in their week 14 win), punctuated by a Michael Spring 2018 RDL Season Information 1 Johnson T80 and a pair of quick 20-darters in the final 3-game set. Final Divisional Standings 2 "B" Division - Dartistic Expression (13-11) Final Divisional Tournament Results 3 Dartistic finally escapes going to 1001 with Methodical (where Tournament & Regular Season Winning Team Rosters 4 Methodical had dumped them twice previously), thus completing Sp'18 season dates, Tiebreaker Summary, good lessons 4 an ultimate nailbiter Mug run, with 12-12, 13-11, and 13-11 wins. Tournament Trophy Dart Awards 5 "C" Division - Flightmare (13-3) Other Tournament Hot Darts 5 After winning the season race by 5 matches and 50 points (the Regular Season Trophy Dart Awards 5 second-biggest margin of victory), Flightmare rolls to one of the Divisional Singles Win %-age Winners 6 most dominant tournament runs this fall, only reaching 501 once. Divisional All-Star Point %-age Winners 6 "D" Division - Dysfunctional Outlaws (12+-12) Players Who Beat the Singles Winners 6 Dysfunctional becomes the only team outside of a "top two" from Season Penalty Summary 6 the regular season to take home a set of Mugs, outlasting the List of Host Establishments 7 Bandits (who they also thumped during the season) in a 1001! Holiday blind draws, other local leagues 7 "E" Division - Inglourious Darters (14-4) RDL Address and Phone No. -
Greetings 1 Greetings from Freehold: How Bruce Springsteen's
Greetings 1 Greetings from Freehold: How Bruce Springsteen’s Hometown Shaped His Life and Work David Wilson Chairman, Communication Council Monmouth University Glory Days: A Bruce Springsteen Symposium Presented Sept. 26, 2009 Greetings 2 ABSTRACT Bruce Springsteen came back to Freehold, New Jersey, the town where he was raised, to attend the Monmouth County Fair in July 1982. He played with Sonny Kenn and the Wild Ideas, a band whose leader was already a Jersey Shore-area legend. About a year later, he recorded the song "County Fair" with the E Street Band. As this anecdote shows, Freehold never really left Bruce even after he made a name for himself in Asbury Park and went on to worldwide stardom. His experiences there were reflected not only in "County Fair" but also in "My Hometown," the unreleased "In Freehold" and several other songs. He visited a number of times in the decades after his family left for California. Freehold’s relative isolation enabled Bruce to develop his own musical style, derived largely from what he heard on the radio and on records. More generally, the town’s location, history, demographics and economy shaped his life and work. “County Fair,” the first of three sections of this paper, will recount the July 1982 episode and its aftermath. “Growin’ Up,” the second, will review Bruce’s years in Freehold and examine the ways in which the town influenced him. “Goin’ Home,” the third, will highlight instances when he returned in person, in spirit and in song. Greetings 3 COUNTY FAIR Bruce Springsteen couldn’t be sitting there. -
Top 40 Singles Top 40 Albums
13 March 1977 CHART #85 Top 40 Singles Top 40 Albums After The Lovin' Rose (Can I Share A Bed With You) A Night On The Town Best Of The Doobies 1 Engelbert Humperdinck 21 Toni Williams 1 Rod Stewart 21 The Doobie Brothers Last week 4 / 5 weeks EMI Last week 29 / 13 weeks FESTIVAL Last week 1 / 30 weeks WEA Last week 15 / 6 weeks WEA You Make Me Feel Like Dancing Hot Line Hotel California Crime Of The Century 2 Leo Sayer 22 The Sylvers 2 The Eagles 22 Supertramp Last week 3 / 5 weeks FESTIVAL Last week 11 / 4 weeks EMI Last week 2 / 5 weeks WEA Last week 21 / 45 weeks FESTIVAL Cocaine You're More Than A Number Lanza A Day At The Races 3 JJ Cale 23 The Drifters 3 Mario Lanza 23 Queen Last week 1 / 3 weeks FESTIVAL Last week 20 / 4 weeks EMI Last week 7 / 3 weeks RCA Last week 11 / 4 weeks WEA Don't Give Up On Us Blue Jeans Frampton Comes Alive Wind And Wuthering 4 David Soul 24 Skyhooks 4 Peter Frampton 24 Genesis Last week 2 / 3 weeks EMI Last week 27 / 9 weeks FESTIVAL Last week 3 / 31 weeks FESTIVAL Last week 18 / 4 weeks PHONOGRAM Say You'll Stay Until Tomorrow Chanson D'amour Troubador Hot August Night 5 Tom Jones 25 The Manhattan Transfer 5 JJ Cale 25 Neil Diamond Last week - / 1 weeks EMI Last week 34 / 2 weeks WEA Last week 5 / 6 weeks FESTIVAL Last week 29 / 86 weeks UNIVERSAL New Kid In Town If You Leave Me Now Wings Over America Elton John's Greatest Hits 6 The Eagles 26 Chicago 6 Wings 26 Elton John Last week 27 / 2 weeks WEA Last week 23 / 13 weeks PHONOGRAM Last week 4 / 4 weeks EMI Last week 24 / 68 weeks FESTIVAL You Don't Have To Be A Star Jeans On Arrival A Night At The Opera 7 Marilyn McCoo and Billy Davis Jnr 27 David Dundas 7 Abba 27 Queen Last week 9 / 4 weeks RCA Last week 31 / 8 weeks FESTIVAL Last week 6 / 9 weeks RCA Last week 34 / 48 weeks WEA Tonight's The Night Fernando Best Of Abba History, Greatest Hits 8 Rod Stewart 28 Abba 8 Abba 28 America Last week 12 / 16 weeks WEA Last week 36 / 37 weeks RCA Last week 8 / 50 weeks RCA Last week 19 / 53 weeks WEA Blinded By The Light Sorry Seems To Be The Hardest Wor.. -
Rpwl the Rpwl Experience
RPWL THE RPWL EXPERIENCE MUSICIANS: It seems to be in the nature of things that every musician strives for the ultimate song, the perfect album. A high proportion of creativity, motivation and inspiration originates from that Yogi Lang: vocals, keyboards desire for perfection. But what happens if a band really comes close to its ideal? “Our last lklklklklkl studio album was so colourful that it would have been impossible to top that aspect. This Karlheinz Wallner: guitars, made us feel very content, but of course there was a danger that we’d end up copying backing vocals ourselves,” says Yogi Lang, vocalist and keyboardist of the prog rock act RPWL from Chris Postl: bass guitars, Southern Germany. “The question was: Will we stay on this island, relax and leave things backing vocals the way they are? Or will we embark on another journey to new horizons?” The result of this internal stock-taking has now been completed and is called The RPWL Experience, an Manni Müller: drums, album that ventures into new musical and lyrical dimensions, while sounding extremely backing vocals homogenous and of a piece. “We simply made into music what we ourselves enjoy. We didn’t want to hold back or apply the RPWL filter, but let our ideas run riot with musical Diskographie lightness.” God Has Failed (2000) This standard refers not only to the band’s music with its diverse pace, but also to the Trying To Kiss The Sun (2002) songs’ contents. Because for RPWL, the significance of their tracks is based on a tight Stock (2003) interplay between words and music. -
The Enforcement of Outdoor Municipal Lighting Ordinances in Texas
Blinded by the Light: The Enforcement of Outdoor Municipal Lighting Ordinances in Texas Ryan Kellus Turner TMCEC General Counsel and Director of Education Prepare to be enlightened. Throughout the United States, more local governments are implementing outdoor lighting regulations. ―Light trespass‖ refers to lighting directed into areas that it is not wanted (e.g., a neighbor's yard or window). Proponents of outdoor lighting regulations claim that light pollution1 is the product of outdoor lighting that is inadequately shielded. Inadequately shielded lighting, in turn, results in over illumination which not only wastes energy (―to the tune of $2.2 billion per year in the U.S. alone‖)2 but can have detrimental effects on human health and psychology.3 It also contributes to ―skyglow,‖ the scattering of light in the atmosphere, which hinders urban star gazing.4 Although not noticeable to the human eye, reduction of natural sky polarization impairs navigation and migration patterns of certain animals and has a negative impact on native ecosystems.5 Efforts to raise awareness about the value of dark star-filled skies and to encourage their protection and restoration have been the focus of the International Dark Sky Association (IDA).6 Since the nonprofit incorporated in 1988, the IDA’s principal approach has entailed promoting discussion of outdoor lighting practices that create less light pollution and assisting in collating lighting research on light at night’s effect on human health and ecology. To promote awareness about the importance of such issues, the IDA in 2001 began its International Dark Sky Places (IDSPlaces) program that aims to protect ―locations of exceptional night time visages for future generations.‖7 The IDSPlaces program recognizes parks, reserves, and communities. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Memories of Johannesburg, City of Gold © Anne Lapedus
NB This is a WORD document, you are more than Welcome to forward it to anyone you wish, but please could you forward it by merely “attaching” it as a WORD document. Contact details For Anne Lapedus Brest [email protected] [email protected]. 011 783.2237 082 452 7166 cell DISCLAIMER. This article has been written from my memories of S.Africa from 48 years ago, and if A Shul, or Hotel, or a Club is not mentioned, it doesn’t mean that they didn’t exist, it means, simply, that I don’t remember them. I can’t add them in, either, because then the article would not be “My Memories” any more. MEMORIES OF JOHANNESBURG, CITY OF GOLD Written and Compiled By © ANNE LAPEDUS BREST 4th February 2009, Morningside, Sandton, S.Africa On the 4th February 1961, when I was 14 years old, and my brother Robert was 11, our family came to live in Jhb. We had left Ireland, land of our birth, leaving behind our beloved Grandparents, family, friends, and a very special and never-to-be-forgotten little furry friend, to start a new life in South Africa, land of Sunshine and Golden opportunity…………… The Goldeneh Medina…... We came out on the “Edinburgh Castle”, arriving Cape Town 2nd Feb 1961. We did a day tour of Chapmans Peak Drive, Muizenberg, went to somewhere called the “Red Sails” and visited our Sakinofsky/Yodaiken family in Tamboerskloof. We arrived at Park Station (4th Feb 1961), Jhb, hot and dishevelled after a nightmarish train ride, breaking down in De Aar and dying of heat. -
Interview with Paul Jones by Gianni Franchi, May 2016
Interview with Paul Jones by Gianni Franchi, May 2016 SB: The first news that I've found about your career see you as a young harmonica player hangin' around London blues clubs with Brian Jones. Can you tell us something about those times? PJ: I was more of a singer than harmonica-player in those days; I had a job singing with a dance- band. I had bought a harmonica after hearing Junior Wells playing on a T-Bone Walker track – but I couldn’t get anywhere near the sounds Junior was making. Brian showed me how to play ‘cross- harp’, or as it’s called these days, 2nd position. SB: How did you learn to play the harmonica, how you did you passionate about blues music, and who was your favourite harp player ? PJ: I had been a jazz enthusiast since I was 14, but after hearing Lonnie Donegan’s record of ‘Rock Island Line’, I quickly became immersed in the blues – the more you hear, the more you love. Once Brian’s lesson had sunk in to my thinking, I listened to all harmonica blues, and Muddy Waters’ harpman at the time, James Cotton, became my favourite. But the more I studied, the more I loved and followed the great Little Walter – with Sonny Boy Williamson II close behind. SB: In 1962 you became the singer and harp player of the Manfred Mann , a fantastic band that mixed blues, R & B with jazz instrumental songs. What can you tell us about that experience and why at a certain point you decided to leave the band? PJ: People never ask why I joined those guys in the first place – only why I left. -
Easy Guitar Songbook
EASY GUITAR SONGBOOK Produced by Alfred Music Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9399-1 ISBN-13: 978-0-7390-9399-3 Photos: Danny Clinch CONTENTS Title Release Page 4th of July, Asbury Park (Sandy) . The Wild, the Innocent & the E Street Shuffle . .8 Atlantic City . Nebraska . .12 Badlands . Darkness on the Edge of Town . .3 Better Days . Lucky Town . .16 Blinded by the Light . Greetings from Asbury Park, N .J . .19 Born in the U .S .A . Born in the U .S .A . .24 Born to Run . Born to Run . .26 Brilliant Disguise . Tunnel of Love . .32 Dancing in the Dark . Born in the U .S .A . .35 Glory Days . Born in the U .S .A . .64 Human Touch . Human Touch . .38 Hungry Heart . The River . .44 Lucky Town . Lucky Town . .46 My City of Ruins . The Rising . .50 My Hometown . Born in the U .S .A . .53 Pink Cadillac . B-side of “Dancing in the Dark” single . .56 Prove It All Night . Darkness on the Edge of Town . .60 The Rising . The Rising . .75 The River . The River . .78 Secret Garden . Greatest Hits . .67 Streets of Philadelphia . Philadelphia soundtrack . .70 Tenth Avenue Freeze-Out . -
Roll to Hard Core Punk: an Introduction to Rock Music in Durban 1963 - 1985
Lindy van der Meulen FROM ROCK 'N 'ROLL TO HARD CORE PUNK: AN INTRODUCTION TO ROCK MUSIC IN DURBAN 1963 - 1985 This thesis has been submitted in fulfilment of the degree of Master of Music at the University of Natal DECEMBER 1 995 ACKNOWLEDGEMENTS The financial assistance of the Centre for Science Development (HSRC, South Africa) towards this research project is hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author and are not necessarily to be attributed to the Centre for Science Development. The valuable assistance and expertise of my supervisors, Professors Christopher Ballantine and Beverly Parker are also acknowledged. Thanks to all interviewees for their time and assistance. Special thanks to Rubin Rose and David Marks for making their musical and scrapbook collections available. Thanks also to Ernesto Marques for making many of the South African punk recordings available to me. DECLARATION This study represents original work of the author and has not been submitted in any other form to another University. Where use has been made of the work of others, this has been duly acknowledged in the text . .......~~~~ . Lindy van der Meulen December 1995. ABSTRACT This thesis introduces the reader to rock music in Durban from 1963 to 1985, tracing the development of rock in Durban from rock'n'roll to hard core punk. Although the thesis is historically orientated, it also endeavours to show the relationship of rock music in Durban to three central themes, viz: the relationship of rock in Durban to the socio-political realities of apartheid in South Africa; the role of women in local rock, and the identity crisis experienced by white, English-speaking South Africans. -
Smash Hits Volume 36
4pril 17-30 ^ 1980 m 30p 1 4. \ t, i% \ '."^.iiam 1 \ # »^» r ,:?^ ) ^ MARNF B. A. ROBERTSON NONKEES THE originals/ The Atlantic Masters — original soul music from the Atlantic label. Ten seven inch E.P.s, each with four tracks and at least two different artists. Taken direct from the original master tapes. Re-cut, Re-issued, Re-packaged. £1.60^ 11168 2 SMASH HITS April 17-30 1980 Vol 2 No. 8 WILL I HOLD IT right there! Now before WHAT DO WITHOUT YOU? you all write in saying how come Lene Lovich 4 there's only four of Madness on CLEAN CLEAN the cover, we'll tell ya. That heap of metalwork in the background The Buggies 5 IS none other than the Eiffel DAYDREAM BELIEVER Tower and the other trois {that's i'our actual French) scarpered off The Monkees 7 up it instead of having their photo MODERN GIRL taken. Now you know why Sheena Easton 8 they're called Madness! More nuttiness can be found on pages SILVER DREAM RACER 12 and 13, and other goodies in David Essex 14 this issue include another chance to win a mini-TV on the I'VE NEVER BEEN IN LOVE crossword, a binder offer for all Suzi Quatro 15 your back issues of Smash Hits CHECK OUT THE GROOVE (page 36), another token towards Mandging Editor your free set of badges (page 35) Nick Logan Bobby Thurston 19 and our great Joe Jackson SEXY EYES competition featuring a chance to Editor himself! (That's Dr. Hook 22 meet the man on Ian Cranna page 28). -
"The Culture of the 1970S Reflected Through Bruce Springsteen's Music"
"The Culture of the 1970s Reflected Through Bruce Springsteen's Music" Senior Honors Thesis Presented To The Honors College Written By Melody S. Jackson Spring, 1983 Advised By Dr. Anthony Edmonds .;,- () -- "The Culture of the 1970s Reflected Through Bruce Springsteen's Music" I have seen the future of rock and roll and it is Bruce Springsteen. Jon Landau the advent of Bruce Springsteen, who made rock and roll a matter of life and death again, seemed nothing short of a miracle to me . Bruce Springsteen is the last of rock's great innocents. Dave Marsh Whether these respected critics see Springsteen as the future of great rock or the end of it, they do regard him with respect for his ability to convey the basic feeling of rock. And they are not alone in this opinion. From the start of his career, Springsteen has received a great deal of critical acclaim. This acclaim, in part because of his performing ability, seems quite fitting since his shows usually last for two and a half hours and often continue for four or even five hours. Relentlessly, he gives of himself to the thousands of fans -- his cult following -- who have come to see their own Rock Messiah. Upon analysis of the lyrics of Springsteen's songs, lyrics which he has written, one sees that he has a unique talent f()r reflecting the situation of the lower-middle class which he grew up in. In fact, in all of the albums he has released up to this time, he has written about the culture of the lower-middle class.