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Department of Music Online Class Plan from 30.3.2020 to 4.4.2020 Dr Department of Music Online Class Plan from 30.3.2020 to 4.4.2020 Dr.Gurinder H.Singh Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music Name of paper: Basics of Indian Musicology. (62444201) Name of unit: 1 and 2 Primary study material: Practical -Raga Jaunpuri - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-4, starting from Pg. 604 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) Learning to sing the Antara. e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats. Raag Jaunpuri You Tube Links:- https://youtu.be/9FNv8CZAuA4 https://youtu.be/Ruqu6DPL6PI https://youtu.be/RPPMHvXciNA Dr. Gurinder H. Singh 7.4.2020 to 11.4.2020 Raga Kafi - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika. a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats Theory Learning the Biographies of the following musicians. 1)Jaidev 2)Pt. Bhatkhande YouTube links. https://youtu.be/TLwO-2E9HGo Dr. Gurinder H. Singh 14.4.2020 to18.4.2020 Practical- 1.Revision of the Ragas Kafi and Jaunpuri done in the previous Week Revision of Vadi, Samvadi, Anuvadi already taught. Swar Malika, lakshan geet Dr. Gurinder H. Singh 21.4.2020 to 25.4.2020 Practical Revision of Raga Kafi and Raga Jaunpuri Theory 1.Mela 2.Thaat 3.Raga 4.Ashareya Raga Dr Gurinder H Singh 28.04.2020 to 02.04.2020 Theory Biographies of Musicians Allauddin Khan Tyagaraja Practical Revision of Chota Khayal of 1.Raga kafi 2.Raga Jaunpuri *X* Dr.Prerna Arora Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music Name of paper: Basics of Indian Musicology. (62444201) Name of unit: 1 and 2 Primary study material: Practical Raga Yaman Pt. Tejpal Singh, Vidhivat Sangeet Sikshan starting from Pg. 111 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) Learning to sing the Antara. e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats. Dr.Prerna Arora 06.04.2020 to 10.04.2020 Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music Name of paper: Basics of Indian Musicology. (62444201) Name of unit: 1 and 2 Primary study material: Practical Raga Yaman Pt. Tejpal Singh, Vidhivat Sangeet Sikshan starting from Pg. 111 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing the Notation of the Bandish of Bada Khayal (Theory) c) Learning to sing the Sthai d) Learning to sing the Antara. e) learning to sing 3-5 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 2-3 Taans in 2-3 Avartanas Raag Yaman You Tube Links:- https://youtu.be/vRUFZ2nCREk https://youtu.be/YK4R7YvnRpo https://youtu.be/7FRqDwzuJ-A Dr. Prerna Arora 6.4.2020 to 10.4.2020 Practical revision of the complete format of Raga Yaman Bada Khayal Alap and Taans Chota khayal Alaap and Taans Theory: Learning the Biographies of the following musicians i).Mansingh Tomar ii).Abdul kareem khan Dr. Prerna Arora 13.4.2020 to17.4.2020 Practical Revision of Singing entire Raga Yaman Theory VakraSwar Varjit Swar Alap Jod Jhala Poorvang, Uttrang Dr. Prerna Arora 20.4.2020 to 24.4.2020 Practical Revision of singing the Bada and Chota khayal in Raga Yaman. Theory Taan even uske prakar Gamak Neend Soot https://youtu.be/DuaHd2dj10g Dr Prerna Arora 27.04.2020 to 01.04.2020 Theory 1.Ravishankar 2.Murki kan khatka krintan, 3.Tabla diagram Practical Revision of Bada and Chota Khayal in Raga Yaman. ~~~~~~~ *X*~~~~~~~ Dr.Gurinder H.Singh Name of the course: (CBCS) BA Prog. Part -2,Sem 4,Hindustani Music Name of paper: Theory of Indian Music, Medieval Granthas, and Contribution of Musicians & Musicologists (62444403) Name of unit: 1 and 2 Primary study material: Practical -Raga Bhimplasi - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-4, starting from Pg. 570 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats. Raga Bhimplasi You Tube Links :- https://youtu.be/K28eMxSMg6Q https://youtu.be/2ZCLbQsAUQ8 https://youtu.be/b2ltg-eKrKo Dr. Gurinder H. Singh 7.4.2020 to 11.4.20201. Practical Revision of singing the complete format of Raga Bhimplasi Learning to Sing the Sthai of Dhrupad in Raga Bhoopali with Its Dugun, Tigun, and Chaugun Learning to write the Sthai of the dhrupad in Notation.(Theory) Learning the Biographies of the following musicians. Pt. Krishna Narayan Ratanjankar Beethoven YouTube links : https://youtu.be/QLiFCMzjQmY https://youtu.be/wXOOyV0DNBA 14.4.2020 to 18.4.2020 Practical 1.Revision of Dhrupad Sthai in Raga Bhupali Revision of the Antra of Dhrupad in Raga Bhopali Dugun, Tigun , And Chaugun. Theory Thumri Dadra Tappa 21.4.2020 to 25.2020 Practical Raga Bhupali Chota khayal Sthai Antra Theory 1 A study of Vyankatmukhi’s Chatturdandi Prakashika https://youtu.be/GtiMTnSUkms Dr. Gurinder H. Singh 28.04.2020 to 02.04.2020 Theory and Practical Revision only. *X* Dr.Prerna Arora Name of the course: (CBCS) BA Prog. Part 2,Sem 4,Hindustani Music Name of paper: Theory of Indian Music, Medieval Granthas, & Contributions of Musicians & Musicologists. (62444403) Name of unit: 1 and 2 Primary study material: Practical Raga Bagshree Pt. Tejpal Singh, Vidhivat Sangeet Siksha, staring from starting from Pg. 216 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) Learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats. Raag Bagshree You Tube Links:- https://youtu.be/qon07uiczJw https://youtu.be/wWMZGZnSoEc https://youtu.be/AqvgV-7DwC8 Dr. Prerna Arora 6.4.2020 to 10.4.2020 Raag Bagshree Vilimbat khayal 1.Learning to sing the Sthai 2.Learning to sing the Antara. 3.Learning to sing 4-5 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 2-3 Taans in 2-3 Avartanas Theory Writing the Notation of the Bada khayal Detailed study of the following a)Vilayat khan b)Mutthuswami Dikshitar https://youtu.be/D7-PbYmVXP0 Dr. Prerna Arora 13.4.2020 to 18.4.2020 Practical Revision of the entire Raga Bageshree Bada and chota khayal Alaap and Taan Theory 1.Sandhiprakash Raga 2.Parmela praveshank raga 3.Alap jod jhala Dr. Prerna Arora 20.4.2020 to 24.4.2020 Practical Practical revision of Bada and Chota Khayal in Raga Bagshree. Theory 1.Poorvang Uttarang 2.Ahobal' s Sangeet Parijat Dr Prerna Arora 27.04.2020 to 01.04.2020 Theory and Practical Only Revision ~~~~~~~~*X*~~~~~~~~~ Dr.Gurinder H.Singh Name of the course: (CBCS) BA Prog. Part -3, Sem 6,Hindustani Music Name of paper: Musicology & Study of Ragas & Talas (62447608) Name of unit: 1 and 2 Primary study material: Practical -Raga Hamir - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-3, starting from Pg. 75 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal drut (Theory) c) Learning to sing the Sthai d) Learning g to sing the Antara. e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats. Dr.Gurinder H.Singh Name of the course: (CBCS) BA Prog. Part -3, Sem 6,Hindustani Music Name of paper: Musicology & Study of Ragas & Talas (62447608) Name of unit: 1 and 2 Primary study material: Practical -Raga Hamir - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-3, starting from Pg. 75 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in Bada Khayal vilambit (Theory) c) Learning to sing the Sthai d) Learning g to sing the Antara. e) learning to sing 4-5 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak.
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